Sao Tome

Sketches of Ancient Greece (iv)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: An intricate high-angle watercolor painting depicts a sprawling ancient Greek city nestled into a verdant hillside, with towering, tree-covered mountains in the distance under a pale blue sky. The city is a complex network of multi-tiered structures, characterized by numerous light-brown and white buildings with red or blue roofs, many featuring classical architecture such as columns and porticos. A grand temple-like structure with a long facade of columns stands prominently at the mid-upper section of the hill, commanding a view over the surrounding settlement. Interspersed throughout the city are numerous staircases and pathways connecting the different levels and buildings, some with circular balconies and courtyards. Small, stylized figures in colorful attire are scattered throughout the city, populating the streets, stairs, and rooftops, giving a sense of daily life and activity. Patches of green foliage and trees are visible between the buildings, integrating the urban area with the natural landscape. The watercolor medium lends a soft, translucent quality to the colors, highlighting the architectural details and the natural environment. Watercolor in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (iii)

• Model: FluX 2 (Ultra)

• Size: 2304 X 3584 (8.26 MP)

• Used settings:

  • Prompt: A high-angle pen-and-ink drawing on white paper depicts a meticulously detailed historical cityscape, likely of ancient Greece. The composition is packed with structures, sprawling across a hilly landscape. In the upper left, a prominent fortified acropolis crowns a steep mountain, featuring imposing walls and buildings. Below this, the city cascades down the hillside, characterized by numerous closely packed individual houses with simple roofs. Interspersed among these residential areas are several larger, more ornate public buildings, distinguished by their classical architectural elements such as columns and porticos. A significant feature is an amphitheater (or odeon) with concentric seating, suggesting a venue for performances or gatherings. Another large structure resembles a stoa or marketplace, with a long, colonnaded facade. The entire city is connected by a network of winding streets and pathways, and in the foreground, what appears to be a large, curved structure with many small arches or openings forms a boundary or an additional architectural feature. The drawing style is defined by clean, dark lines, with little to no shading, giving it a blueprint-like or architectural rendering quality. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (ii)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3296 (8.23 MP)

• Used settings:

  • Prompt: An architectural drawing, depicting a bird's eye view sketch of a densely populated ancient Greek city, featuring multiple temples with columns, some with triangular pediments, an amphitheater, and multi-story structures. The drawing is made with black ink on a light beige or off-white paper, with a clear hand-drawn aesthetic where lines are sometimes loose or incomplete, conveying a sense of depth and multitude of buildings. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (i)

• Model: FluX 2 (Ultra)

• Size: 2816 X 2928 (8.25 MP)

• Used settings:

  • Prompt: A black and white line drawing of a ancient Greek building seen from a slight angle. The building has a triangular roof, and underneath the roof on the top there are sculptures creating a frieze of human figures. The roof also has a small sculpture on the top of the roof. The building has columns in the front and on the sides. The columns have a detailed volute as part of their capitals. The columns are all fluted. The columns are set on bases, and the bases are all the same. The building is surrounded by a set of stairs. The stairs are in rows of three. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient, Crete (v)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A detailed black and white pen and ink sketch depicts an ancient galleon or trireme with many oars, sailing on choppy waters. The ship is populated with numerous human figures, some rowing and others standing on the deck. The vessel is intricately detailed with elaborate scrollwork and decorations on its bow and stern, and a tall mast rises from its center with ropes extending outwards. Behind the ship, a complex cityscape or town unfolds, rising on what appears to be a hillside or multiple terraces. The buildings are depicted with detailed architectural features, including windows, pillars, and multiple levels. Some structures feature balconies and decorative elements. Interspersed within the buildings and on the higher ground are numerous trees with distinctive, rounded canopies, suggesting a lush or well-vegetated environment. The overall style of the drawing is highly intricate and appears to be from a historical or fantasy setting, with a focus on line work and texture. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient, Crete (iv)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink pen sketch drawing depicts a scenic hillside village with buildings cascading down the slope towards a body of water where boats are docked. In the foreground, at the bottom, there is a large, multi-story building with rectangular windows and a flat roof, possibly a hotel or a significant structure, with a row of trees and bushes in front of it. Above this, a wide horizontal line suggests a road or promenade, with smaller bushes and trees dotting the landscape. To the right, on the water, several boats with prominent, ornate prows resembling stylized swans or mythical creatures are moored to a dock represented by horizontal lines. Some boats have masts, indicating they are sailing vessels. A few smaller, simpler boats are also visible further out in the water. The middle ground of the village is filled with numerous multi-level buildings, each with distinct rectangular windows or openings, and a variety of architectural styles, some with flat roofs and others with dome-like structures. These buildings are nestled among dense, wavy lines that represent foliage and trees, suggesting a lush, vegetated environment. Pathways or terraces, indicated by horizontal lines, wind throughout the village, connecting the various structures. In the background, the hillside rises further, covered with more trees and bushes, and a handful of additional buildings blend into the undulating contours of the land. The entire sketch has a loose, almost scribbled quality, with varying line weights and textures, giving it a lively and artistic feel. The overall impression is that of a bustling, picturesque town built into a natural landscape, perhaps a Mediterranean or lakeside setting. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient (iii)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A detailed line drawing in black and white features an elevated, angular platform or structure, connected by numerous long wooden logs arranged in a staircase-like fashion to the ground surface. To the left, several rectangular blocks and cylindrical objects are stacked, with numerous small, schematic figures scattered around. The ground is dotted with irregular shapes, some appearing to be tire tracks, while the sky is left plain. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient (ii)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink sketch of an ancient Egyptian temple interior, showcasing numerous massive columns meticulously adorned with hieroglyphics and detailed relief carvings. The columns are thick and cylindrical, tapering slightly towards the top, with ornate capitals. The carvings depict figures, symbols, and intricate patterns. Overhead, large beams form the ceiling structure, supported by the columns. In the lower right corner, a small group of contemporary figures, sketched in outline, stand in awe, providing a sense of scale to the colossal architecture. The drawing is characterized by a dynamic line work, with some areas having denser cross-hatching and others more open and sparse, giving it an expressive, hand-drawn quality against a plain white background. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient, Abu Simbel (i)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink sketch of the Abu Simbel temples or a similar ancient Egyptian facade carved into a cliff face. The drawing is dynamic and abstract, with thick, expressive lines, particularly visible in the shadows of the four colossal seated statues of Ramesses II that dominate the front. The details of the statues, including their headwear and facial features, are rendered with varying degrees of clarity. Above the statues, the top of the temple is adorned with hieroglyph-like carvings and architectural elements, also sketched in a loose, flowing style. Below the statues, a row of smaller figures and architectural details are visible, including what appears to be a frieze or railing. At the very bottom, a few small, roughly drawn human figures suggest the scale of the massive structure, and some light horizontal lines indicate the ground or a viewing area. The overall style is reminiscent of a quick architectural sketch or a travel journal entry, focusing on capturing the essence and grandeur of the monumental structure rather than precise realism. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of Babylon (viii) hanging gardens

• Model: FluX 2 (Ultra)

• Size: 4272 X 1936 (8.27 MP)

• Used settings:

  • Prompt: A black and white line drawing of a historic, ornate stepped temple or palace complex, possibly reminiscent of ancient Mesopotamia, with multiple levels adorned with columns and lush foliage including palm trees. The structure is built along a body of water, possibly a river or canal, with a section appearing to be supported by arches or columns over the water. A small, simple boat with a pointed bow and stern is visible on the water, with reflections of the structure and boat depicted by horizontal and wavy lines. The drawing details intricate patterns and small architectural elements along the facades of the buildings and along the edges of the water, with steps leading down to the water on the left side. The entire scene is laid out in a panoramic, horizontal composition on a plain white background. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of Babylon (vii)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3296 (8.23 MP)

• Used settings:

  • Prompt: A highly detailed watercolor illustration of a massive ancient city, ancient Babylon in an expansive valley, an isometric shot showing many buildings, towers, and walls with intricate battlements and details. One long, wide road, with smaller roads shooting off to the side, cuts through the metropolis from the foreground to the very far background, where in the middle distance there is a large temple, and past that the road fades into mist. The main road is flanked by thick walls covered in intricate designs and towers with battlements on top. In the middleground, the road has an entryway with a large gate and small people walking through it. There are several large buildings with high windows and columns. The entire city is surrounded by a towering, fortified wall with many more intricate battlements on top. The drawing implies a strong light source directly above, causing every building and wall to cast a striking, deep shadow that perfectly follows the direction of the light. The city is done in black ink on a parchment-colored background. Illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of Babylon (vi) the Ziggurat of Ur

• Model: FluX 2 (Ultra)

• Size: 3936 X 2096 (8.25 MP)

• Used settings:

  • Prompt: A vibrant watercolor painting depicts a ziggurat or pyramidal stepped temple with multiple levels and intricate architectural details. The structure is rendered in warm tones of orange, yellow, and brown, with accents of blue, green, and red on the facades and roofs. Each level features a flat terrace, some adorned with small green elements that could be hedges or gardens. Several staircases ascend the ziggurat, leading to different tiers and grand arched entrances on the upper levels. Small figures of people, dressed in colorful robes, are visible on various staircases and terraces, some appearing to be climbing and others gathered at the base. The ziggurat is reflected in a calm body of water in the foreground, creating a symmetrical and artistic mirroring effect. The reflections are slightly distorted, showing a grid-like pattern on the water's surface, possibly indicating ripples or architectural elements beneath the water. The sky, painted in soft washes of pale yellow, orange, and light blue, suggests an early morning or late afternoon light, with wispy clouds adding to the atmospheric quality. The overall impression is one of an ancient, majestic, and colorful building, possibly a depiction of the Tower of Babel or a similar Mesopotamian structure, rendered in a bright and inviting watercolor style.
  • Using base image: Yes

Sketches of Babylon (v) the Ziggurat of Ur

• Model: FluX 2 (Ultra)

• Size: 3328 X 2480 (8.25 MP)

• Used settings:

  • Prompt: A black and white ink sketch of a large, complex, tiered building with stairs and platforms. The building has a ziggurat-like structure with multiple levels, some of which are accessible by long, straight staircases. The architecture features numerous vertical lines suggesting pillars or decorative elements, and there are dark shaded areas indicating depth and shadow. The drawing is on a plain white background, and the style is loose and expressive, with visible ink strokes and sketchy cross-hatching for texture and perspective on the ground level.
  • Using base image: Yes

the ritual of the winter solstice

• Model: Nano Banana Pro (Ultra)

• Size: 2624 X 1456 (3.82 MP)

• Used settings:

  • Prompt: Detailed woodcut illustration of a man on horseback observing Stonehenge during sunrise. The man, depicted in a red and gold ornate cloak with a feathered hat, rides a white horse draped in an elaborately decorated saddle and bridle. He is positioned in the middle distance, looking towards the stone circle in front of the rising sun. The sun's rays emanate brightly from behind the central stones of Stonehenge. The sky is filled with numerous cumulus clouds, rendered with intricate linear patterns. The foreground and midground consist of a grassy, uneven landscape with scattered rocks. The entire image is in a monochromatic style, resembling a finely detailed black and white engraving or woodcut, with the exception of the horse and rider who are colored in vibrant reds and golds. The texture of the stone pillars is emphasized by intricate cross-hatching and fine lines, giving them a rough, ancient appearance. The overall art style resembles a lithography print, with a stylized and illustrative quality. Illustration of a winter solstice at Stonehenge.
  • Using base image: Yes

winter solstice

• Model: FluX 2

• Size: 1856 X 1016 (1.89 MP)

• Used settings:

  • Prompt: Full shot of an imaginative illustration of Stonehenge, created by Tomas Laboratory, a neo-traditional artist, showing large sandstone blocks arranged in a circle, with a man wearing a red cloak and hat riding a white horse in front of the stones, on the right side of the picture, captured from a medium angle, showing a cloudy sky and green fields at the base of the image. The unique composition of a man on horseback in front of Stonehenge, which is captured using a unique printmaking style with a combination of etching, woodcut printing, and lithography, features the use of thick black lines creating the stone blocks and horse, with small white dots appearing in the sky, clouds and fields, giving the illustration a granular texture and making the image soft. The unique combination of light brown, green, and light blue colors on the image evokes the sense of a classic painting.
  • Using base image: Yes

x-mas pin-up

• Model: FluX 2

• Size: 5760 X 3240 (18.66 MP)

• Used settings:

  • Prompt: A Christmas poscard of a female humanoid cyborg with smooth, white, metallic armor on its torso and arms, a visible complex internal wiring system with blue lights, gold accents on joints and shoulders, a realistic human face with blue eyes and light pink lips, and a transparent, blue-glowing circuit board headpiece with visible wiring and connections. The lighting highlights the metallic surfaces, giving them a reflective sheen. Many christmas accents. Sexy Christmas Pin-up. AI Technology, Quantum Technology. Charming Christmas tree in a background emphasizing the atmosphere of winter, christmas and new year.
  • Using base image: Yes

sketches of babylon (iv) ishtar gate

• Model: Nano Banana Pro (Pro)

• Size: 2400 X 1552 (3.72 MP)

• Used settings:

  • Prompt: Color illustration taken outdoors on a clear day of a tall, modern, brick gate made from two connected towers with a rounded arch in the center, and trees, ground, the sky in the background. The gate is made of bricks in tones of purplish brown, with a geometric crenelated pattern at the very top of each tower. Below the crenelated pattern is a thick, white horizontal band. Below that is a brown brick section with a white dot in the center of the tower. Another white horizontal band is below this. Then a rectangular section of brown bricks, with an intricate pattern of white animals (horses or dogs) and geometrical shapes. This pattern is repeated all the way to the bottom of the structure and on either side of the archway. The tall towers are connected by a horizontal, rectangular section that fills the gap between the two towers about two-thirds of the way to the top. The top of this connecting section is crenelated with a white band, and it has the pattern of animals, as well. At the center of the gate is a beautifully constructed rounded archway that is dark inside. The archway pattern consists of two layers of white dots against a brown background, with a white, pointed trim. The ground in the foreground looks like concrete or asphalt. Through the arch to the back are trees. There is a short fence in the foreground to the left. The sky is a beautiful blue with a light red or pink hue on the right side. The entire structure appears to be a replica or new construction, as indicated by the new-looking brick patterns, modern trees.
  • Using base image: Yes

sketches of babylon (iii) ishtar gate

• Model: Nano Banana Pro (Pro)

• Size: 2384 X 1568 (3.74 MP)

• Used settings:

  • Prompt: Color photograph taken outdoors on a clear day of a tall, modern, brick gate made from two connected towers with a rounded arch in the center, and trees, ground, the sky, and a car in the background. The gate is made of bricks in tones of purplish brown, with a geometric crenelated pattern at the very top of each tower. Below the crenelated pattern is a thick, white horizontal band. Below that is a brown brick section with a white dot in the center of the tower. Another white horizontal band is below this. Then a rectangular section of brown bricks, with an intricate pattern of white animals (horses or dogs) and geometrical shapes. This pattern is repeated all the way to the bottom of the structure and on either side of the archway. The tall towers are connected by a horizontal, rectangular section that fills the gap between the two towers about two-thirds of the way to the top. The top of this connecting section is crenelated with a white band, and it has the pattern of animals, as well. At the center of the gate is a beautifully constructed rounded archway that is dark inside. The archway pattern consists of two layers of white dots against a brown background, with a white, pointed trim. The ground in the foreground looks like concrete or asphalt. Through the arch to the back are trees and a car on a road. There is a short fence in the foreground to the left. The sky is a beautiful blue with a light red or pink hue on the right side. The entire structure appears to be a replica or new construction, as indicated by the new-looking brick patterns, modern trees, fence, and car.
  • Using base image: Yes

sketches of babylon (ii)

• Model: Nano Banana Pro (Ultra)

• Size: 1648 X 2288 (3.77 MP)

• Used settings:

  • Prompt: Create an image of a colossal tower resembling the Tower of Babel, constructed with large terracotta-like bricks. The tower spirals upwards with multiple levels, each adorned with elaborate archways and windows.
  • Using base image: Yes

sketches of babylon (i)

• Model: Nano Banana Pro (Ultra)

• Size: 2256 X 1648 (3.72 MP)

• Used settings:

  • Prompt: Create an image of a colossal tower resembling the Tower of Babel, constructed with large terracotta-like bricks. The tower spirals upwards with multiple levels, each adorned with elaborate archways and windows.
  • Using base image: Yes