Sao Tome

Slam

• Model: FluX 2 (Ultra)

• Size: 2432 X 3408 (8.29 MP)

• Used settings:

  • Prompt: Futuristic cartoon drawing in a style of Japanese Manga comics.
  • Using base image: Yes

The Worm

• Model: FluX 2 (Ultra)

• Size: 2416 X 3424 (8.27 MP)

• Used settings:

  • Prompt: Futuristic cartoon drawing in a style of Japanese Manga comics.
  • Using base image: Yes

NY Knicks 2077

• Model: FluX 2

• Size: 1160 X 1624 (1.88 MP)

• Used settings:

  • Prompt: Charles Oakley as a cyborg. Hyperrealistic and futuristic painting in the style of Harime Sorayama. A 1993-94 Upper Deck basketball trading card featuring Charles Oakley, player for the New York Knicks. Oakley, an African American man with a fade haircut and a mustache, is depicted in the action of holding a basketball. He is wearing a blue New York Knicks jersey with "NEW YORK" and the number "34" emblazoned in orange. The card has a blue vertical stripe on the left with "KNICKS" written vertically in white letters. The bottom of the card is blue with "Charles OAKLEY" and "F" (likely for Forward) in white. A small Upper Deck logo with "93" and "94" is visible in the bottom-left corner. The background appears to be a blurred crowd in an arena.
  • Using base image: Yes

NY Knicks 2077

• Model: FluX 2 (Ultra)

• Size: 2400 X 3440 (8.26 MP)

• Used settings:

  • Prompt: A close-up shot of a vintage basketball card featuring Patrick Ewing of the New York Knicks. Ewing is shown from the chest up, mid-action, dribbling a basketball. He is looking intensely forward with his mouth slightly agape, wearing a blue, red, and black Knicks jersey with the number 33 visible on his side. His left arm is bent, and his hand is open by his side, while his right arm is out of frame. The basketball is suspended above his left shoulder. He has short, curly dark hair and a beard. The background is blurred, showing spectators in the stands. The card has a purple and red border at the bottom with "NBA FUNDAMENTALS" in yellow lettering, and "KNICKS" in white cursive below it. In the top left corner, there's a "COLLECTOR'S CHOICE" logo. The image has a textured, slightly grainy appearance typical of older printed media. Patrick Ewing as a cyborg. Hyperrealistic and futuristic painting in the style of Harime Sorayama.
  • Using base image: Yes

A Robotic Satisfaction

• Model: FluX 2 (Ultra)

• Size: 2448 X 3360 (8.23 MP)

• Used settings:

  • Prompt: A highly detailed, vibrant trading card featuring Michael Jordan as a cyborg, soaring through the air in a red "BULLS 23" uniform, holding a basketball above his head with a metallic, robotic arm. Jordan's realistic face, with a slight smile, is fused onto a chrome robotic body, showcasing intricate mechanical details including visible pistons and joints on his arms and shoulders. His lower body is still human, dressed in matching red athletic shorts. The background shows a dimly lit basketball arena filled with spectators, with red and blue accents on the walls. The card's border is white, with a thick red vertical banner on the left stating "NBA SIGNATURE MOVES" in white capital letters. A small green, yellow, and red logo with "92 UPPER D-E-C-K 93" is in the top right corner. A black horizontal banner across the bottom features "Michael Jordan" in elegant white cursive font, and below it, a red banner reads "HANG TIME" in white uppercase letters. Hyperrealistic and futuristic painting in the style of Harime Sorayama.
  • Using base image: Yes

Sketch of Babylon's Gardens

• Model: FluX 2 (Ultra)

• Size: 4272 X 1936 (8.27 MP)

• Used settings:

  • Prompt: A watercolor painting in an elongated panoramic format depicts a historical or mythological scene featuring a large ancient structure resembling the Hanging Gardens of Babylon or a similar tiered terraced garden. The predominant colors are earthy browns and oranges for the stonework, various shades of green for the lush vegetation, and blues and grays for the sky and water. The structure is multi-tiered, with flat stone platforms supporting dense foliage, including numerous palm trees and other decidious and evergreen trees with rounded and conical crowns. The architecture features prominent horizontal lines and block-like sections, giving it a monumental appearance. The stone walls show signs of age with varying textures and discoloration. In the foreground, a calm body of water, possibly a river or a canal, reflects the sky and the lower parts of the stonework. The water has ripples and variations in color, indicating depth and movement. A narrow, elongated boat with a distinct, slightly upturned bow and stern, resembling an ancient Egyptian or Mesopotamian vessel, floats on the water. Several small, indistinct figures appear to be on board the boat, suggesting human activity. To the left, a set of stone steps descends from the main structure directly into the water, with what appears to be a small figure or object at the bottom of the steps. The sky above is a mix of light blue and soft white clouds, painted with a loose watercolor technique that gives them a soft, diffused quality. The overall style is impressionistic and painterly, characteristic of watercolors, with visible brushstrokes and areas of washed-out color. The edges of the forms are somewhat soft, contributing to the artistic feel. Neo-Impressionist painting in the style of painter Georges Seurat.
  • Using base image: Yes

Sketches of Ancient Rome, Aqueduct

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink sketch of an ancient stone aqueduct or bridge spanning a river or valley. The structure is composed of multiple arches of varying sizes, with the largest in the center. The architecture features distinct blocks and pillar-like supports. One section of the bridge has a small, square tower or structure on top. The river below shows reflections of the bridge and is lined with rounded stones or rocks on the near bank. Hills or mountains with sparse detail are visible in the background, behind the bridge. The style appears hand-drawn, possibly a rapid urban sketch or plein air drawing. Watercolor in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Rome - Emperor's Palace (Capri)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: Ink line drawing on white paper of an ornate baroque multistory building with multiple wings and towers, balconies, statuary, balustrades, a domed rotunda, arched windows, and decorative flourishes on a cliff or rock face. The foreground shows swirling, textured lines that suggest a natural, rugged base upon which the elaborate structure rests. The building is drawn with intricate detail, including cross-hatching and various line weights, conveying depth and architectural complexity. The artwork's style is reminiscent of a pen-and-ink urban sketch or architectural rendering, with a focus on form and texture through linear strokes. The lighting appears even, suggesting a bright, perhaps overcast, day. The image is taken from a slightly low-angle perspective, emphasizing the height and grandeur of the structure. Watercolor in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece - Lighthouse of Pharos

• Model: FluX 2 (Ultra)

• Size: 2496 X 3296 (8.23 MP)

• Used settings:

  • Prompt: An ink sketch depicts the Lighthouse of Pharos against a plain, off-white background. The lighthouse is rendered with simple black lines, featuring a multi-tiered, rectangular lower section with vertical carvings and small square windows or openings. A sloped ramp leads to a prominent doorway on the lower section. Above this, the structure narrows into a cylindrical, ribbed middle section, topped by a dome-like cap. A flame-like element emerges from the very top of the lighthouse, symbolizing a beacon. At the base, a stylized representation of water with wave-like patterns surrounds the structure, and what appear to be small boats or floating objects are visible on either side of the lighthouse's base. The overall style is reminiscent of a historical architectural illustration or an artist's impression. Watercolor in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (iv)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: An intricate high-angle watercolor painting depicts a sprawling ancient Greek city nestled into a verdant hillside, with towering, tree-covered mountains in the distance under a pale blue sky. The city is a complex network of multi-tiered structures, characterized by numerous light-brown and white buildings with red or blue roofs, many featuring classical architecture such as columns and porticos. A grand temple-like structure with a long facade of columns stands prominently at the mid-upper section of the hill, commanding a view over the surrounding settlement. Interspersed throughout the city are numerous staircases and pathways connecting the different levels and buildings, some with circular balconies and courtyards. Small, stylized figures in colorful attire are scattered throughout the city, populating the streets, stairs, and rooftops, giving a sense of daily life and activity. Patches of green foliage and trees are visible between the buildings, integrating the urban area with the natural landscape. The watercolor medium lends a soft, translucent quality to the colors, highlighting the architectural details and the natural environment. Watercolor in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (iii)

• Model: FluX 2 (Ultra)

• Size: 2304 X 3584 (8.26 MP)

• Used settings:

  • Prompt: A high-angle pen-and-ink drawing on white paper depicts a meticulously detailed historical cityscape, likely of ancient Greece. The composition is packed with structures, sprawling across a hilly landscape. In the upper left, a prominent fortified acropolis crowns a steep mountain, featuring imposing walls and buildings. Below this, the city cascades down the hillside, characterized by numerous closely packed individual houses with simple roofs. Interspersed among these residential areas are several larger, more ornate public buildings, distinguished by their classical architectural elements such as columns and porticos. A significant feature is an amphitheater (or odeon) with concentric seating, suggesting a venue for performances or gatherings. Another large structure resembles a stoa or marketplace, with a long, colonnaded facade. The entire city is connected by a network of winding streets and pathways, and in the foreground, what appears to be a large, curved structure with many small arches or openings forms a boundary or an additional architectural feature. The drawing style is defined by clean, dark lines, with little to no shading, giving it a blueprint-like or architectural rendering quality. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (ii)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3296 (8.23 MP)

• Used settings:

  • Prompt: An architectural drawing, depicting a bird's eye view sketch of a densely populated ancient Greek city, featuring multiple temples with columns, some with triangular pediments, an amphitheater, and multi-story structures. The drawing is made with black ink on a light beige or off-white paper, with a clear hand-drawn aesthetic where lines are sometimes loose or incomplete, conveying a sense of depth and multitude of buildings. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

Sketches of Ancient Greece (i)

• Model: FluX 2 (Ultra)

• Size: 2816 X 2928 (8.25 MP)

• Used settings:

  • Prompt: A black and white line drawing of a ancient Greek building seen from a slight angle. The building has a triangular roof, and underneath the roof on the top there are sculptures creating a frieze of human figures. The roof also has a small sculpture on the top of the roof. The building has columns in the front and on the sides. The columns have a detailed volute as part of their capitals. The columns are all fluted. The columns are set on bases, and the bases are all the same. The building is surrounded by a set of stairs. The stairs are in rows of three. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient, Crete (v)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A detailed black and white pen and ink sketch depicts an ancient galleon or trireme with many oars, sailing on choppy waters. The ship is populated with numerous human figures, some rowing and others standing on the deck. The vessel is intricately detailed with elaborate scrollwork and decorations on its bow and stern, and a tall mast rises from its center with ropes extending outwards. Behind the ship, a complex cityscape or town unfolds, rising on what appears to be a hillside or multiple terraces. The buildings are depicted with detailed architectural features, including windows, pillars, and multiple levels. Some structures feature balconies and decorative elements. Interspersed within the buildings and on the higher ground are numerous trees with distinctive, rounded canopies, suggesting a lush or well-vegetated environment. The overall style of the drawing is highly intricate and appears to be from a historical or fantasy setting, with a focus on line work and texture. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient, Crete (iv)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink pen sketch drawing depicts a scenic hillside village with buildings cascading down the slope towards a body of water where boats are docked. In the foreground, at the bottom, there is a large, multi-story building with rectangular windows and a flat roof, possibly a hotel or a significant structure, with a row of trees and bushes in front of it. Above this, a wide horizontal line suggests a road or promenade, with smaller bushes and trees dotting the landscape. To the right, on the water, several boats with prominent, ornate prows resembling stylized swans or mythical creatures are moored to a dock represented by horizontal lines. Some boats have masts, indicating they are sailing vessels. A few smaller, simpler boats are also visible further out in the water. The middle ground of the village is filled with numerous multi-level buildings, each with distinct rectangular windows or openings, and a variety of architectural styles, some with flat roofs and others with dome-like structures. These buildings are nestled among dense, wavy lines that represent foliage and trees, suggesting a lush, vegetated environment. Pathways or terraces, indicated by horizontal lines, wind throughout the village, connecting the various structures. In the background, the hillside rises further, covered with more trees and bushes, and a handful of additional buildings blend into the undulating contours of the land. The entire sketch has a loose, almost scribbled quality, with varying line weights and textures, giving it a lively and artistic feel. The overall impression is that of a bustling, picturesque town built into a natural landscape, perhaps a Mediterranean or lakeside setting. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient (iii)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A detailed line drawing in black and white features an elevated, angular platform or structure, connected by numerous long wooden logs arranged in a staircase-like fashion to the ground surface. To the left, several rectangular blocks and cylindrical objects are stacked, with numerous small, schematic figures scattered around. The ground is dotted with irregular shapes, some appearing to be tire tracks, while the sky is left plain. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient (ii)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink sketch of an ancient Egyptian temple interior, showcasing numerous massive columns meticulously adorned with hieroglyphics and detailed relief carvings. The columns are thick and cylindrical, tapering slightly towards the top, with ornate capitals. The carvings depict figures, symbols, and intricate patterns. Overhead, large beams form the ceiling structure, supported by the columns. In the lower right corner, a small group of contemporary figures, sketched in outline, stand in awe, providing a sense of scale to the colossal architecture. The drawing is characterized by a dynamic line work, with some areas having denser cross-hatching and others more open and sparse, giving it an expressive, hand-drawn quality against a plain white background. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of ancient, Abu Simbel (i)

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A black and white ink sketch of the Abu Simbel temples or a similar ancient Egyptian facade carved into a cliff face. The drawing is dynamic and abstract, with thick, expressive lines, particularly visible in the shadows of the four colossal seated statues of Ramesses II that dominate the front. The details of the statues, including their headwear and facial features, are rendered with varying degrees of clarity. Above the statues, the top of the temple is adorned with hieroglyph-like carvings and architectural elements, also sketched in a loose, flowing style. Below the statues, a row of smaller figures and architectural details are visible, including what appears to be a frieze or railing. At the very bottom, a few small, roughly drawn human figures suggest the scale of the massive structure, and some light horizontal lines indicate the ground or a viewing area. The overall style is reminiscent of a quick architectural sketch or a travel journal entry, focusing on capturing the essence and grandeur of the monumental structure rather than precise realism. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of Babylon (viii) hanging gardens

• Model: FluX 2 (Ultra)

• Size: 4272 X 1936 (8.27 MP)

• Used settings:

  • Prompt: A black and white line drawing of a historic, ornate stepped temple or palace complex, possibly reminiscent of ancient Mesopotamia, with multiple levels adorned with columns and lush foliage including palm trees. The structure is built along a body of water, possibly a river or canal, with a section appearing to be supported by arches or columns over the water. A small, simple boat with a pointed bow and stern is visible on the water, with reflections of the structure and boat depicted by horizontal and wavy lines. The drawing details intricate patterns and small architectural elements along the facades of the buildings and along the edges of the water, with steps leading down to the water on the left side. The entire scene is laid out in a panoramic, horizontal composition on a plain white background. Watercolor illustration in a style of Paul Cezanne.
  • Using base image: Yes

sketches of Babylon (vii)

• Model: FluX 2 (Ultra)

• Size: 2496 X 3296 (8.23 MP)

• Used settings:

  • Prompt: A highly detailed watercolor illustration of a massive ancient city, ancient Babylon in an expansive valley, an isometric shot showing many buildings, towers, and walls with intricate battlements and details. One long, wide road, with smaller roads shooting off to the side, cuts through the metropolis from the foreground to the very far background, where in the middle distance there is a large temple, and past that the road fades into mist. The main road is flanked by thick walls covered in intricate designs and towers with battlements on top. In the middleground, the road has an entryway with a large gate and small people walking through it. There are several large buildings with high windows and columns. The entire city is surrounded by a towering, fortified wall with many more intricate battlements on top. The drawing implies a strong light source directly above, causing every building and wall to cast a striking, deep shadow that perfectly follows the direction of the light. The city is done in black ink on a parchment-colored background. Illustration in a style of Paul Cezanne.
  • Using base image: Yes