Prompt: An intricate vintage postage stamp featuring a promient painting of a python in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily green, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel."
Prompt: Seahorse, in greyscale, intricate Celtic scroll patterns on skin, underwater reef setting, detailed in correct anatomy, realistic ocean floor, seaweed accents, clear water, 4K resolution, 3D rendering, sharp clear monochromatic palette, depth perception, digital artwork, high-quality shadows, by a skilled 3D artist. Side view
Prompt: An Austin Plymouth Station, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: a 3D transparent girl on a GP motorcycle but has an skin made of interlaced Celtic wire scrolls. viewer can see straight through gaps in skin to the background. Background is undulating grassy mound. monochrome 4k light from left . accurate anatomy,
Prompt: Waterfall running down a tree made of twisted wires swirled round the trunk. Monochrome 3d greyscale 4k. No leaves. shards of glass float away into the air from all the upper branches. Reflections in glass are tiny faces with every emotion. The tree is in a wave in the ocean.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate black cockatoo stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Feathers are is a smooth, deep glint bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. There is yellow under the tail feathers The wings move with quiet grace, connected by fine silver strings of a puppet, that trail up into the mist. The plumage is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at body with strands of tarnished wire. The beak is coiled into elaborate natural ridges, partially tied to strings, and the eye has a knowing, wise look. The head is bowed, cocked at an angle looking directly at viewer from one eye. Around the cockatoo, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she flys, and controls the strings now.
Prompt: An intricate vintage postage stamp featuring a detailed portrait painting of a prominent male historical figure, with spectacles, a moustache. The man has a crimson rosella perched on his shoulder and is looking him directly in the eye. The beak parrot style touches his nose. In the style of Albrecht Durer, in a historical figuration, specifically a strong, regal demeanour with a distinguished look. The stamp is primarily blue, with detailed engravings that showcase a prominent historical figure's facial features and beautifully groomed hair. Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel.
Prompt: An intricate vintage postage stamp featuring a detailed portrait painting of a male historical figure with a small lizard clinging across his face, full body of lizard showing and holding into to the beard. In the style of Albrecht Durer, in a historical figuration, specifically a strong, regal demeanour with a distinguished look, and has vintage spectacles. The stamp is primarily blue, with detailed engravings that showcase a prominent historical figure's facial features and beautifully groomed hair. The lizard is speckled, correct anatomy. Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel.
Prompt: An intricate vintage postage stamp featuring a detailed portrait painting of a female historical figure holding a guinea pig close to her cheek. In the style of Albrecht Durer, in a historical figuration, specifically a strong, regal demeanour with a distinguished look. The stamp is primarily yellow, with detailed engravings that showcase a prominent historical figure's facial features and beautifully groomed hair. Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel.
Prompt: A sider with correct anatomy, eight legged, sits above on a few covered cobwebs in a misty forest. In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: We are all eternal, all this world is just an illusion. In a dynamic moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols and Celtic tattoos as scrolls, she holds an orb with a delicate bloom, ancient and black petals, tiny inside. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she contorts, and controls the strings now.
Prompt: A marionette, eight legged spider with correct anatomy, sits above on dew covered cobwebs in a misty forest. In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette grandmother stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette grandmother stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now. A marionette, eight legged spider with correct anatomy, sits above on dew covered cobwebs in a misty forest.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: An intricate vintage postage stamp featuring a promient painting of a python in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily green, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel."
Prompt: An intricate vintage postage stamp featuring a promient painting of a python in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily green, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
Prompt: We are all eternal, all this pain is just an illusion. In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: Skeletal face. We are all eternal, all this pain is just an illusion. In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: An intricate vintage postage stamp featuring a promient painting of a wombat with accurate anatomy, in the style of Albrecht Durer, in a historical figuration, specifically a complete animal, with a distinguished look. The stamp is primarily orange, with detailed engravings that showcase the figure's facial features and hair. Flanking the portrait are two allegorical floral figures, wattle, eucalyptus, adding an artistic touch to the design. The background includes ornate, nature patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
Prompt: An intricate vintage postage stamp featuring a promient painting of a wombat in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily yellow, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: A postage stamp border with graphic showing a large tarantula clinging to the top of the unfinished tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, cobwebs, poison, View from base looking upwards.
Prompt: A postage stamp showing a large tarantula on top of the unfinished tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, cobwebs, poison, View from base looking upwards.
Prompt: Spiders climb on An Austin vertigo tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, impossible pit in foreground, view from ground at base looking up
Prompt: An outback grain station silo, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground,. brahma cows milling.
Prompt: Sort focus on an Australian wheat belt grain railway station silo, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground,. brahma cow milling. View from base looking upwards.
Prompt: An Austin vertigo tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, impossible pit in foreground, view from ground at base looking up
Prompt: An Austin Plymouth Station, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
55m
1d
