Willy van Roosmalen

Abandoned Factory Hall with Vibrant Graffiti

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Cinematic wide shot of an abandoned textile factory being transformed into a youth center. A young graffiti artist painting a huge glowing mural on an old brick wall. Style: hyper realistic cinematic photography. Lighting: warm sunset light entering through broken factory windows with dust particles. Atmosphere: hopeful and creative. Ultra detailed, 8k.
  • Using base image: No
  • Aspect Ratio: square

Mystical Valley with Enchanted Rabbit

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: You aren't "good," you're just a weak, defenseless target. A rabbit isn't peacefut; it's prey. If you aren't capable of monstrous violence, you aren't a pacifist-you're just waiting to be a victim.
  • Using base image: No
  • Aspect Ratio: square

Mystical Blessings from the Mountain Peak

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Boven op een berg zit een oude man. Om hem heen zijn bergtoppen die uit een romige mist omhoog steken. Boven op de andere bergen zitten allemaal andere mensen die zwaaien naar de oude man of hun hand opsteken.
  • Using base image: No
  • Aspect Ratio: square

Urban Exploration in a High-Tech Haven

• Model: Grok

• Size: 2176 X 1632 (3.55 MP)

• Used settings:

  • Prompt: { "action": "image_generation", "action_input": "{'prompt': 'A cinematic, hyper-realistic wide shot of a futuristic military command center at night. In the foreground, a dusty, worn-out backpack and a pair of discarded sneakers sit on a cold concrete floor, abandoned. In the mid-ground, a high-tech glowing holographic interface displays complex neural networks and global maps. In the background, three blurred figures of high-ranking military officials are seen from behind, looking out of a large glass window at a dark, sprawling city. The lighting is cold, blue, and clinical, creating a sense of isolation and systemic failure. No text.'}"
  • Using base image: No
  • Aspect Ratio: landscape

Haunting Portrait of War's Innocence Lost

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Een close-upfoto van het besmeurde, onherkenbare gezicht van een tiener in een oud uniform, zijn ogen staren leeg en wijd gesperrt. De scène is gezet in een desolate, modderige krater in een loopgraaf (verwijzing naar '1916'). Op de achtergrond, ver weg en onscherp, staat een generale officier met een kille, afstandelijke blik. Hij is gekleed in een onberispelijk uniform met medailles en wijst koud op een landkaart (de 'fortunes son' die zelf veilig blijft, 'Us and Them'). In zijn andere hand houdt hij een handjevol glimmende munten vast. Op zijn onberispelijke mouw zijn vage 'gears' en 'cogwheels' te zien (de mechanismen van de macht die geen gevoel hebben). De lucht is duister en gevuld met as en rook. In het verre middenveld, waar de rook het dichtst is, zie je de schim van een 'madman' figuur die een groep onzichtbare soldaten in de rook duwt. Er is geen tekst, alleen de rauwe visuele confrontatie met de opofferingscyclus.
  • Using base image: No
  • Aspect Ratio: square

Neon Dreams: Street Art in Abandoned Space

• Model: Nano Banana 2 (Pro)

• Size: 1200 X 896 (1.08 MP)

• Used settings:

  • Prompt: { "action": "image_generation", "action_input": "A cinematic and atmospheric wide shot of an old, abandoned textile factory hall (Jansen de Wit style) in Veghel. The space is being transformed into a youth center ('Soos Eagle'). In the center, a young artist (Ducky) is creating a large, vibrant mural on a weathered brick wall. The mural features 'liquid architecture' and glowing neural pathways in bright oranges and blues. The lighting is dramatic, with sunbeams cutting through dusty windows, highlighting the contrast between the old industrial 'debris' and the new creative 'hope'. High detail, photographic style." }
  • Using base image: No
  • Aspect Ratio: landscape

Vibrant Graffiti in an Abandoned Warehouse

• Model: Grok

• Size: 2155 X 1616 (3.48 MP)

• Used settings:

  • Prompt: { "action": "image_generation", "action_input": "A cinematic and atmospheric wide shot of an old, abandoned textile factory hall (Jansen de Wit style) in Veghel. The space is being transformed into a youth center ('Soos Eagle'). In the center, a young artist (Ducky) is creating a large, vibrant mural on a weathered brick wall. The mural features 'liquid architecture' and glowing neural pathways in bright oranges and blues. The lighting is dramatic, with sunbeams cutting through dusty windows, highlighting the contrast between the old industrial 'debris' and the new creative 'hope'. High detail, photographic style." }
  • Using base image: No
  • Aspect Ratio: landscape

Dynamic Metal Mayhem on Stage

• Model: AIVision (Pro)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Give the person first from the left an electric guitar, give the second person a microphone, put the third person behind a big drumkit with double bass, give the fourth person a basguitar and put the fifth person behind a keyboard. Give them the faces they have on the original picture. Change the background in a poppodium and let the persons act as if they are very active performing as a heavy metal band. Let there be smoke going from the ground till there knees. On the background is a black backdrop with a big purple paint spatter
  • Using base image: No
  • Aspect Ratio: square

Visions of Dystopia: Past, Present, Future

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: "Garbage dump" was my thought when I looked at this doodle. Divided into three phases. Past, present, and future, I think. I talk to Gemini about all sorts of topics. The logic behind the answers, without the emotions that people often add, is somehow pleasant. Technically: what if time didn't exist and past, present, and future weren't separated? What would happen to mass? It would then eventually concentrate into a single point. At the origin of time, we would have the Big Bang. Before time, there was nothing. Another line of thought is that our brains are still cavemen's, where rulers can be as deranged as Caligula. How power ultimately makes you so deranged that the people around you become so afraid that they end up killing you. What's different these days? The garbage dump of crimes filled by people with predominantly caveman DNA. Past and present. The third panel is the future. From here, hope escapes in the form of my action figure Flying Hallejula. The future often seems fixed. The future has been fixed since the Big Bang. After all, everything has always existed. As humans, we travel with time, which allows us to still have hope for a better future. The dominoes keep falling.
  • Using base image: No
  • Aspect Ratio: square

The Weight of Wealth and Industry

• Model: AIVision (Pro)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Place a fat man in his underwear on top of a pile of money. He's covered in sores and blemishes. Give him a gas mask. In the background, a petrochemical plant with smoking chimneys and flare stacks. The air is polluted. The smoke slowly drifts into the foreground like mist. Spilled oil flows through the money. In the oil, you can still see birds covered in a thick layer of gunk.
  • Using base image: No
  • Aspect Ratio: square

Haunting Chaos in a Dimly Lit Room

• Model: Grok

• Size: 2155 X 1616 (3.48 MP)

• Used settings:

  • Prompt: The virtual world is trying to invade the real world. A filthy, drooling white man in torn, dirty underwear sits behind a keyboard in front of a large computer screen. Claws emerge from the screen, encircling the man and going in all directions, left, right, and bottom. The room is littered with empty pizza boxes, hamburger wrappers, and food scraps, among which rats in red baseball caps crawl. The walls are covered in cobwebs, making it impossible to see outside. There are worn curtains with white and red stripes.
  • Using base image: No
  • Aspect Ratio: landscape

Chaos in a Cluttered Room of Shadows

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: The virtual world is trying to invade the real world. A filthy, drooling white man in torn, dirty underwear sits behind a keyboard in front of a large computer screen. Claws emerge from the screen, encircling the man and going in all directions, left, right, and bottom. The room is littered with empty pizza boxes, hamburger wrappers, and food scraps, among which rats in red baseball caps crawl. The walls are covered in cobwebs, making it impossible to see outside. There are worn curtains with white and red stripes.
  • Using base image: No
  • Aspect Ratio: square

Whispers of Nature and Memory in Color

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: The somewhat somber man was finally able to see his thoughts about everything he had lost as everything he had had. It didn't change his memories, which existed only in his mind, sometimes made tangible by an object or photo. The present became more vivid because he could place his feelings close to his heart in the moment. The future was increasingly shaped by the moments of the present. An extension of being.
  • Using base image: No
  • Aspect Ratio: square

Surreal Cube: A Dreamlike Composition

• Model: Grok

• Size: 2064 X 1808 (3.73 MP)

• Used settings:

  • Prompt: The somewhat somber man was finally able to see his thoughts about everything he had lost as everything he had had. It didn't change his memories, which existed only in his mind, sometimes made tangible by an object or photo. The present became more vivid because he could place his feelings close to his heart in the moment. The future was increasingly shaped by the moments of the present. An extension of being.
  • Using base image: Yes

Unequal Sacrifice: The Cost of Patriotism

• Model: Grok

• Size: 2155 X 1616 (3.48 MP)

• Used settings:

  • Prompt: A story powerful enough to make the prisoner defend the prison. A flag becomes emotion, emotion becomes loyalty, loyalty becomes obedience. You don’t see the bars when they’re painted sacred. Du Bois cut deeper: Patriotism distributes sacrifice unequally. The rich finance wars — from boardrooms and distance. The poor finance them — with bodies. One invests capital. The other invests blood. --- Context Modern nationalism forged unity — but also mobilized masses for empire, industry, and conflict. Conscription filled trenches disproportionately with workers. War profits rose upward. Casualty lists flowed downward. Love of nation often blurred into service to power. --- Way Forward Patriotism must be ethical, not blind. Love of country should mean protecting its people — not spending them. Honor the living citizen as much as the fallen soldier. --- Question to Thinkers When the call to “defend the nation” rises — who truly defends… and who truly benefits?
  • Using base image: No
  • Aspect Ratio: landscape

Dreamscape of Robots and Colorful Realms

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Create a stair formed by the structure of DNA. Let shiny robots walk the stairs. Make the background like a chemical plant with colored gas and flames at the top of chimneys
  • Using base image: No
  • Aspect Ratio: square

Cosmic Vortex and Dutch Pride Unleashed

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: You thump your chest for a flag? You are worshipping a piece of dyed cloth. A patriot is a fool who thinks the dirt he was born on is superior to the dirt across the hill. You are proud of your cage, barking at strangers to protect a master who owns you both. Nations are invented chains, and you call them identity.
  • Using base image: No
  • Aspect Ratio: square

Dual Realities: A Journey Through Worlds

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Kill a man, and you are a murderer. Kill millions and you are a conqueror. Kill them all, and you are a god. Execute you, and I am a hero. Why? Because you live across a river. If you lived on my side, killing you would be murder. But because of a line a king drew on a map, killing you is a virtue. Morality is merely a matter of geography
  • Using base image: No
  • Aspect Ratio: square

Futuristic Spaceship Amidst Cosmic Wonders

• Model: AIVision (Ultra)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Design a Star Trek spaceship that fits in with early designs but 1000 years further in the future. Let it fly near a giant planet with rings like saturn has.
  • Using base image: No
  • Aspect Ratio: square

Journey Through the Foggy Mountain Pass

• Model: ImagineArt

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me".
  • Using base image: No
  • Aspect Ratio: landscape