Prompt: In the style of Louis Jover: the scene comes to life through characteristic drawings and collage techniques. At dusk, on the shore, in the background of the city, stands a young woman observing the sunset. Her silhouette is outlined against the dark blue sky, while the sun's reflections shimmer on the water.
Her movements are elegant and calm as she plays with her hair, while other people walk in the distance, blurred by silhouettes. On the edge of the horizon, the city is discernible as a place of life and movement, while reflections of light play on the water, creating a magical atmosphere.
In the background, clouds pass through the sky in a soft play of colors, while birds migrate to their homes. There is a sense of peace and harmony in the air as the light descends on the city, promising a new day and new possibilities.
This scene reflects the subtle beauty and emotional depth present in the works of Louis Jover, where every detail carries its own story and emotion. It is a moment of peace and contemplation, inviting the viewer to pause and immerse themselves in the beauty of the world around them.
Prompt: Scene in Mixed Techniques of Gouache and Encaustic
Foreground: The scene opens with a bustling urban street corner at dusk. The buildings are painted in gouache, their details sharp and vivid, showcasing a mix of modern architecture and historic facades. The street, textured with encaustic, has a glossy finish, reflecting the lights from the buildings and street lamps.
Middle Ground: A street vendor's cart, vibrant with colors, stands to the side. The cart and its wares, including fresh flowers and handcrafted items, are rendered in gouache, while encaustic highlights add a tactile texture to the flowers, making them almost lifelike. The vendor, depicted in gouache, is mid-motion, interacting with a customer.
Background: The cityscape stretches out, with tall buildings silhouetted against a darkening sky. The windows of the buildings glow with warm light, created with gouache and accented with encaustic to give them depth and a slight shimmer. The sky transitions from deep blue to inky black, dotted with a few early stars.
Sky: The sky is a gradient of dusk colors, from deep blue to black. Stars, created with small dabs of encaustic wax, add a three-dimensional sparkle. The moon, not yet fully risen, is partially visible, its surface details highlighted with gouache and encaustic for a soft, glowing texture.
Details and Lighting: Street lamps cast a warm, golden light on the scene, their glow created using gouache to capture the vibrant colors and encaustic to give them a radiant presence. Shadows cast by the lamps and buildings play across the street and vendor's cart, creating a dynamic interplay of light and dark.
Emotional Impact: This scene captures the lively and vibrant atmosphere of an urban street corner at dusk. The combination of gouache and encaustic techniques brings a rich, textured quality to the painting, making the details of the buildings, street vendor, and night sky feel vivid and lifelike. The interplay of light and shadow.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine the scene: A young woman fixing her bicycle in front of a small garage. Foreground: The woman kneels in front of the bike, facing the wheel. Her blue jacket is painted in Impasto, with rough, textured layers creating a realistic fabric feel. Her hair, tied into a loose bun, is defined with sharp strokes of Mixing Palette Knife. Her oil-stained hands firmly grip the wrench. Background: Behind her, the garage door is slightly ajar, walls covered with tools. Soft sunlight illuminates the space, giving the scene a warm summer atmosphere, painted in a more muted color palette.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Morning Hustle at a Modern Gym.
Palette Knife: The gym walls, painted in a bold, industrial gray, are textured with the strokes of the palette knife, giving them a rough yet modern feel. Neon lights slash across the scene, their sharp edges and vibrant colors—electric blue, fuchsia, and lime green—seeming to hum with energy. The floor, a sleek combination of black rubber and reflective chrome panels, reflects distorted glimpses of sneakers and weights. Impasto: In the foreground, a young woman stretches against a mirrored wall. Her vibrant orange workout top and teal leggings seem almost sculpted, the fabric’s folds and creases rendered with thick layers of paint that practically rise off the canvas. Sweat glistens on her forehead, tiny raised dots in impasto capturing the effort. Beside her, a muscular man performs bicep curls, the veins on his arms emphasized with bold, textured strokes. The barbells in his hands are heavy and gleaming, their metallic sheen contrasting the earthy warmth of his skin. Glazing: The large, floor-to-ceiling windows are glazed with a translucent effect, showing a bustling cityscape outside. Skyscrapers blur slightly under the morning sun, the glazing creating a soft, golden glow that spills into the gym. The light refracts on the glass water bottles lined along the counter, casting faint rainbows onto the polished surfaces. A sleek espresso machine in the corner steams gently, its chrome exterior catching the light and reflecting faint silhouettes of the gym-goers. In the background, a row of treadmills lines the far wall. Figures blur in motion, their rapid strides suggesting determination, captured with layered glazes to evoke movement. The mirrored walls reflect an infinity of activity—weights being lifted, yoga poses held, and conversations shared over protein shakes.
Prompt: Scene in Mixing Palette Knife and Impasto Techniques
Foreground: A steaming cup of herbal tea on a wooden kitchen table, the steam rising in delicate spirals. The table's grain is highlighted with rough, bold strokes, giving it a textured, rustic appearance. The cup, painted with thick impasto, has a subtle shine, with the tea inside reflecting light softly.
Middle Ground: Behind the table, a window with soft, sheer curtains sways slightly from a gentle breeze. The window is partially open, allowing light to filter in, casting a warm, golden glow on the table and cup. The curtain’s fabric is depicted with fine strokes, capturing its light, airy quality.
Background: Through the window, a small, well-tended garden is visible, with a mix of flowers and greenery. The colors are muted but vibrant, with the green of the leaves and the soft colors of the flowers blending seamlessly with the scene inside.
Details: The light breeze makes the curtains flutter gently, and the shadows on the table shift slightly, adding movement to the otherwise still scene. The steam from the tea, combined with the warm light, creates a cozy, inviting atmosphere, making the viewer feel as though they’re in a moment of quiet reflection.
Lighting: The natural light streaming through the window is soft and warm, creating a gentle contrast between light and shadow. The interplay of these elements enhances the textures of the wooden table and the tea cup, adding depth and warmth to the composition.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine a scene of a middle-aged couple's breakup, created with Mixing Palette Knife and Impasto techniques: Foreground: On a dark wooden table, two cups of coffee stand, but one has been pushed to the edge, with spilled coffee creating shimmering reflections on the table. This part of the scene is painted using Impasto technique, with thick strokes emphasizing the gravity of the moment. A half-crumpled napkin lies between the cups, painted with Mixing Palette Knife, capturing its wrinkled edges and the awkward tension hanging in the air. Midground: The couple sits at the table. The man, in a suit with graying hair, looks away, avoiding her gaze. His face, rendered in Impasto, shows lines of weariness and sadness, emphasizing the depth of emotion. The woman, in a black sweater with her arms gently crossed, stares into empty space, clearly distressed. Her eyes, carefully painted, express disappointment, while her hair partially covers her face, created with Mixing Palette Knife to represent her complex inner world. Background: Through the café window, a sunset is visible, with the sky in shades of orange and purple, done in Mixing Palette Knife to highlight the shifting light, symbolizing the end of a chapter in their lives. In the distance, a busy street full of cars and people, but they remain distant, lost in their own world of silence and parting. Light: Soft light from a tall lamp casts muted shadows on their faces, illuminating the space between them, as if highlighting all that remains unsaid. This blend of warm yet cold light tones brings the drama of the scene to the forefront, while reflections from the cups and table merge into subtle hues.
Prompt: On a dark, rustic wooden board, an impressive scene is created using the encaustic painting technique. Heated wax, mixed with pigments, is applied in layers and carefully shaped while still warm, creating rich texture and depth.
Foreground: Depicted is a lonely cottage by the lake. The walls of the cottage are crafted from warm brown tones of wax, with golden hues reflecting the light of the setting sun. The roof is covered in darker shades, with carefully shaped tiles giving a sense of age and patina.
Background: In the background, a serene lake stretches out, with reflections of the sky and surroundings gently rippling. The water is represented by cool blue and green tones of wax, with smooth transitions and soft lines illustrating the calm surface. Mountains rise on the horizon, made from darker shades that provide depth and contrast.
Sky: The sky is covered with dramatic clouds, with layers of wax in shades of pink, orange, and purple, creating a spectacular sunset. The clouds are layered, giving them a three-dimensional look extending over the landscape.
Details: Next to the cottage, a tree in autumn attire stands as a witness to time. The leaves are crafted from tiny spots of wax in shades of red, yellow, and orange, adding warmth and life to the scene. Small details like birds in the sky and reeds by the lake further enrich the scene, creating a sense of peace and stillness.
Prompt: Scene Mixing Palette Knife and Impasto Techniques
Foreground: A cobblestone street in a quaint village, the individual stones depicted with precise palette knife strokes to show their varied shapes and textures. Flower pots filled with colorful blooms, painted with thick impasto, line the street, their vibrant petals and leaves adding depth and interest.
Middle Ground: A charming café with outdoor seating occupies the center of the scene. The café's awning and chairs are rendered with bold palette knife strokes, while the tables are adorned with thick impasto strokes to show the texture of tablecloths and dishes. Patrons sit at the tables, enjoying their meals and drinks, their figures captured with dynamic, textured strokes.
Background: The village buildings, painted with a mix of impasto and palette knife techniques, rise in the background. The facades are detailed with thick, textured strokes to convey the aged plaster and brick, while windows and doors are highlighted with smooth, precise strokes. Ivy and flowers climb the walls, adding a touch of nature to the scene.
Sky: The sky is a clear blue, transitioning to a warm golden hue as the sun begins to set, applied with broad palette knife strokes. Soft, fluffy clouds, created with thick impasto, drift lazily across the sky, catching the light of the setting sun.
Details and Lighting: The scene is bathed in the warm glow of the setting sun, casting long shadows across the cobblestones and creating a cozy, inviting atmosphere. The sunlight catches on the windows and metal surfaces, creating glints and reflections that add depth and realism. The flowers and ivy are illuminated, their textures enhanced by the impasto technique.
Emotional Impact: This scene captures the serene charm of a village evening. The combination of thick, textured impasto and precise palette knife strokes adds depth and richness. The interplay of light and shadow, the contrast between the lively café and the quiet street.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired girl sitting on the floor of an old art studio, surrounded by half-finished canvases. The central canvas in front of her is exploding with Mixing Palette Knife textures — thick, bold strokes of crimson, ultramarine, and amber. Heavy Impasto layers rise from the surface, catching warm afternoon light. Over the textured paint, vibrant colored ink wash (turquoise, magenta, gold) drips and flows in organic patterns, creating unexpected contrasts. Soft Glazing layers in the background blur shelves, brushes, and glass jars into warm, dreamy shapes. The girl has copper hair tied in a messy knot, freckles, and stained fingers dripping with ink. She leans back laughing, one hand in the air holding a palette knife, as splashes of colored ink scatter around her. Cozy golden light entering through dusty studio windows, painterly realism, vivid textures, tactile atmosphere, rich color depth.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Ginger in the Rainlit Glow”
On a street corner in the late afternoon, just before the city lights up.
The rain has only just stopped, and the asphalt still carries the reflections of neon lights.
At the center of the sidewalk stands a young ginger-haired woman, her copper curls shimmering, slightly damp, catching droplets that cling to her hair like tiny crystals.
The scene is built with broad palette knife strokes across the background — sharp, sweeping lines shaping the blurred, wet shine of the city. Buildings rise in impasto texture, thick and vibrant, as if a small golden flame burns behind each window.
She wears a loose mustard-yellow coat, created in soft glazing layers that add depth and a translucent glow.
In her hand, she holds a half-open umbrella, droplets sliding down its edge — rendered with thin streaks of colored ink, bright blue and violet, giving the impression of movement, as if time itself is still dripping.
She steps forward — a subtle motion, but enough to shift the energy of the scene:
from the puddle beneath her boots rises a faint orange neon reflection, acting like her personal spotlight.
In her eyes — a blend of adventure and quiet melancholy.
As if she has just walked out of one story and is ready to fall into another.
Everything is calm, yet vibrating.
As if the city still breathes in the rhythm of her footsteps.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Rainlight Café”
(Mixing Palette Knife, Impasto, Glazing & Colored Ink)
A warm afternoon drizzle paints the glass — raindrops melting into golden reflections. Inside a small café by the river, a ginger-haired girl sits by the window, her curls glowing like embers under the dim light. She sketches on a napkin with blue and crimson ink, her hand leaving tiny splashes of color that bleed into the paper like memories dissolving in time.
The background hums with life — blurred silhouettes, laughter, steam rising from coffee cups.
Palette knife strokes build texture on the glass, each layer glazed to capture the shimmer of reflections and the gentle chaos of color.
Her gaze — distant, thoughtful — seems to blend into the world outside, where the rain writes its own rhythm across the cobblestones.
And in that moment, it’s unclear — is she drawing the world, or is the world quietly drawing her?
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Whispers of the Rooftop”
A warm twilight settles over the city — rooftops glowing in copper and violet hues.
On an old terrace, a ginger-haired girl sits cross-legged beside a cracked flower pot. Her curls catch the last rays of sun, shining like liquid fire. In one hand, she holds a small glass bottle of colored ink, dripping crimson and blue into a shallow puddle on the tiles — creating tiny galaxies that swirl with every breeze.
She hums softly, sketching shapes with her fingers on the wet surface — a skyline dissolving into dreams.
Palette knife strokes carve the golden light on her cheek; glazing layers melt it into the lavender dusk. The air smells of ink, dust, and coming rain.
Far below, life moves in straight lines — cars, windows, patterns. But up here, among the stains of ink and laughter, everything bends — to her rhythm.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “After the Rain”
On a rooftop, just after the rain has stopped, two young women — one with copper, rain-soaked hair, the other in a leather jacket with a smile that dares the wind.
The city below shimmers, clouds glinting in tones of blue glazing and silver ink wash.
On the concrete, droplets turn into stars under the glow of streetlights.
One stands barefoot, brushing the rain from her hair, while the other pulls a Polaroid from her pocket — catching the instant before it fades.
Palette knife strokes trace their outlines — quick but tender — layers of color breathing with the night.
The impasto texture builds the depth between sky and skyline, while lines of colored ink — violet and green — pulse with movement, like wind alive on canvas.
On the horizon, the tram lights bend through the falling mist.
One of them raises her hand, touches the air — and catches a drop of light.
Laughter. Silence. Stillness.
Everything feels like a frame between two thoughts —
a moment that could change everything, yet says nothing at all.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Midnight Vinyl Café”
In the half-light of an old café, the glow from the window spills across the vinyl records scattered on the counter.
On the wall, old jazz portraits shimmer under layers of glazing — sepia and ultramarine tones melting into a soft, nostalgic haze.
Behind the bar, a girl wrapped in orange scarves moves quickly, yet with precision — like palette knife strokes on a living canvas.
At the table by the window, a young man sketches on a napkin with colored ink — red and blue bleeding into violet, spreading like a slow heartbeat.
In the background, an old record crackles. The bass hums through the walls.
Their eyes meet for a brief moment, and the light above the table catches their shadows — merging into one through impasto layers of paint and air.
On the glass, a raindrop slides down, smudging the colors of the night.
It feels as if someone painted the second before a kiss, yet neither of them moves.
Time stands still.
And only the music flows — in the rhythm of words left unspoken.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Bass Beneath the Skin”
The bar door creaks open like an old vinyl spinning — sound and light spill together, thick and warm.
Inside — haze, rhythm, and the scent of smoke and whiskey.
The bass drops low, pulsing through the walls like a heartbeat.
She walks in slowly, her gaze scanning the room.
For a moment — time holds its breath.
On stage, the band lives inside the groove — drums whisper, guitar sways, and the bass leads — deep, velvety, clinging to the air.
The palette knife catches the glint of light across her face — quick strokes of ochre and ultramarine shadow.
Impasto textures the table: a trace of ash, a glass sweating with dim reflections.
Glazing veils the air with thin layers of translucent smoke — you can almost smell the pigment.
Colored ink flows through the background — violet strokes marking the bassline,
deep green arcs tracing the breath of the drums.
Her figure stands at the center — bold in form, soft in tone.
And as the bassist closes his eyes,
she nods, barely —
as if she already knows
where the next note will fall.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “She Moves Through the City Beat”
Streetlights flicker on the wet cobblestones — the evening breathes in rhythm with the bass.
From a half-open bar door comes a deep groove; the moment it swings wide, the night gains a heartbeat.
On the threshold stands her — wind in her tousled hair, coat slightly undone, a smile carrying the taste of wine and victory.
Colors spill like sound waves: midnight blues and violet tones, their edges carved by a palette knife that slashes through the light.
Impasto strokes on her shoulders catch the neon’s glow, while a glazing layer wraps her in a faint warmth — as if lit from within.
On the pavement, reflections shimmer — trails of yellow and orange ink sliding like notes across paper.
Behind her, silhouettes of passersby dissolve in soft washes of colored ink, mere hints of motion and rhythm.
Her shadow, a blend of black ink and blurred ultramarine, moves beside her like a melody that never ends.
As she takes her first step down the street, the bass merges with her stride —
the click of her heels and the pulse of the city become one.
In that instant, the whole scene breathes, alive — like a song that has just begun.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques:
A misty autumn plain at dawn, painted with Mixing Palette Knife, Impasto, Glazing, and colored ink wash. A long country road stretches into fog, scattered with fallen leaves in orange and ochre tones.
A large tree on the right shines with knife-blended warm hues, and the soft fog is layered through glazing technique.
In the center, a ginger-haired girl walks slowly, carrying a double bass on her back. Her coat and hair glow with colored ink wash reflections, blending into the misty light.
The atmosphere feels nostalgic, like a painting breathing between memory and silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Late afternoon on a city rooftop. The sky shifts between gold and violet, wind brushing through her ginger hair that glows under the sun. She sits on a concrete ledge, old camera in her hands, legs dangling above the city hum — distant music, echoes of life.
Around her, on the rooftop walls, splashes of colored ink wash stain the surface — traces of earlier experiments now shaped by the breeze into abstract maps of her day.
Mixing Palette Knife brings texture to concrete and clouds, Impasto catches the shimmer of sunlight on her shoulder and hair, while Glazing softens the skyline, wrapping it in a translucent glow.
The colored ink wash flows freely, like her thoughts — vivid, untamed, alive. As the shutter clicks, she captures a world seen through feeling — where color breathes and light remembers.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: In a summer afternoon, the scent of lemon and fresh basil drifts through the open window. The ginger-haired girl and her Black friend stand barefoot in the kitchen, their feet sticking to the cool tiles. On the counter — a mess of flour, orange slices, and a few broken eggs.
The ginger girl laughs while trying to separate the yolk, and her friend playfully sprinkles flour on her nose. The sound of the mixer and their giggles fill the air. Colored ink wash strokes capture the flour swirling midair — a turquoise mist floating above them.
Mixing Palette Knife shapes the textured kitchen wall — thick, almost sculpted strokes catching the sunlight from the window. Impasto highlights the glow on their shoulders and hair, while Glazing warms the background with golden-orange tones of late afternoon.
They burst into laughter as the dough falls to the floor — a moment chaotic yet alive, all colors and warmth, a pure painting of friendship and joy.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Late afternoon light filters through the studio windows, glinting off glass jars filled with brushes. The ginger-haired girl and her Black friend sit on the wooden floor, surrounded by scattered sheets and splashes of paint.
On the canvas before them — a portrait of a smiling dog, accidentally smudged with their fingerprints. The ginger girl laughs, curls falling over her shoulders, while her friend gently hands her a brush dipped in turquoise colored ink wash. Their palms and knees are stained with color — yellow, turquoise, and burgundy blending into joyful chaos.
Mixing Palette Knife builds bold texture; Impasto deepens the light’s play on raised edges. Glazing softens the background with golden and rose hues, wrapping the scene in a warm dusk glow.
And the colored ink wash flows freely over the paper — merging their laughter, their strokes, and their friendship into one vivid, living masterpiece.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “One Umbrella”
Rain begins to fall — soft at first, like whispered rhythm — and the ginger-haired girl and her dark-skinned friend hurry through a narrow city street, laughing as they squeeze beneath one oversized umbrella.
The wet cobblestones are rendered with Mixing Palette Knife, their surface thick and reflective — bronze, violet, and silver layered in bold, restless strokes. Each reflection glows like a heartbeat beneath their feet.
The shimmering reflections of neon signs and passing cars are softened with Glazing, giving the whole scene a feeling of depth and damp warmth — the kind that only exists between rain and light.
Their silhouettes are shaped in Impasto, the umbrella arching above them in sculpted texture — deep ultramarine and streaks of vermilion capturing the city’s pulse. The paint stands high, tactile, like you could touch the curve of their shoulders.
Then Colored Ink flows across the surface — thin magenta lines outlining the movement of raindrops, the curves of their hair, the laughter that escapes into the night air. Ink splatters — deliberate, lively — dance across the street like jazz in color.
The ginger-haired girl tilts her head toward her friend, rainlight glinting in her lashes. They share a story in silence, framed by the rhythm of drops on the umbrella.
The night hums — the city, the rain, and them — one small universe painted in wet shine and warmth.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Paper Kites at Dusk”
The ginger-haired girl stands on an open hill above the small town, her hair blazing in the late sunset like copper silk caught in wind. Beside her — a dark-haired friend laughs as the two of them hold onto homemade paper kites painted in messy colors.
The sky behind them is created using Mixing Palette Knife, wide horizontal strokes layering pinks, golds, and lavender into a living gradient. The air feels thick with motion — every stroke carved with energy.
Their figures are modeled in Impasto, thick textures of burnt sienna and coral bringing out the rhythm of their movement — paint raised on canvas like the pulse of youth itself.
The distant grass and the folds of their clothes shimmer under Glazing, thin washes of olive and honey-light filtering across the surface. The glow feels both real and dreamlike — as if memory itself was painted with transparency.
Then, Colored Ink cuts in — fine azure and crimson lines trace the strings of the kites, their laughter, the curves of the wind. A few ink splashes scatter across the sky — intentional accidents — the playfulness of life caught mid-breath.
One kite slips loose, flying higher and higher. The ginger girl squints up, shading her eyes, her friend shouting in joy beside her. In that moment, time feels like watercolor — blurred, vivid, alive. The ink lines tremble where they meet the horizon, merging with the last orange light of day.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques:“Whispers of Color”
In a sunlit attic, the ginger-haired girl sits by the open window — light pours in like honey across the wooden floor. Dust swirls in slow motion, every particle catching the day’s warmth.
Her portrait begins through Mixing Palette Knife, where wide, bold strokes carve the first shapes of her figure — rough, alive, imperfect. Then comes Impasto, layering the paint thick over her shoulders, so that her freckles and the shimmer of her copper hair almost lift off the canvas. You can feel texture with your eyes.
Glazing softens the air — transparent amber and rose layers that melt the scene into a dreamlike calm. The light through the window glows softer, like it’s remembering something.
And then, the breath of detail — Colored Ink (tuš u boji). Fine, delicate lines of crimson and gold trace the edges of her curls, flowing like silent music. The ink drips slightly at her wrist, forming small rivers of warmth that fade into the folds of her linen blouse. A touch of blue ink shades her shadow, giving it quiet emotion, as if her thoughts spill into the space beside her.
She’s sketching something — maybe a letter, maybe her own face. A mug of coffee cools next to her, forgotten. Outside, the branches sway, and the whole room hums like a held breath — a moment suspended between stillness and memory.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Evening Stillness”
The ginger-haired girl sits on the balcony as dusk folds over the city. The sky melts from violet to ink-blue, while the last sunbeam catches the copper threads of her hair — soft fire against the cooling air.
The background is laid with Mixing Palette Knife, carving the skyline with rough, confident strokes — rooftops shimmer in textured blues and grays. Each ridge feels alive, imperfect, breathing.
Her silhouette is shaped through Impasto, thick strokes of warm sienna and umber building the depth of her form. The paint rises from the surface like emotion — tangible, honest, unhidden.
A layer of Glazing slides over her skin and the night air — transparent amber that glows faintly around her shoulders, suggesting warmth that memory refuses to let go.
Then comes the Colored Ink — fine violet and emerald lines define her gaze and the folds of her sweater. The ink dances where precision meets feeling — a whisper around the edges of her eyes, like light remembering its path. A drop of ink runs down the paper, merging with a darker tone — the accidental beauty of sadness finding its shape.
She’s holding a small glass jar with a candle inside. Its flame flickers, catching her reflection in the window — two faces, one real and one imagined. Her eyes are thoughtful, almost smiling, as if she’s quietly talking to someone the night has already taken.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Two Shadows Under Neon Rain”
The ginger-haired girl still stands beneath the hum of the streetlight when, from the blur of rain and reflections, a friend appears — her laughter breaking through the mist like a small rebellion against the night. She’s dark-skinned, glowing with warmth, her curls catching the droplets like stars.
The painting unfolds through Mixing Palette Knife, Impasto, Glazing, and Colored Ink (tus u boji) — each stroke breathing life into their meeting. The Impasto thickens their silhouettes where their umbrellas touch, giving their closeness texture, almost a heartbeat. The Palette Knife pulls soft reflections across the puddles, making the street seem like a mirror where memory dances.
Glazing veils the background in transparent layers of violet and deep blue — the hush of the city made visible. Then comes the colored ink, bleeding through the edges: a crimson blush for the ginger girl’s hair, sapphire tones outlining her friend’s laughter, and faint gold lines tracing the rhythm of raindrops around them.
They talk fast, overlapping words, their faces glowing under a neon sign that flickers “Open All Night.” You can almost hear the jazz hum from a nearby bar, smell the coffee steaming in the dark.
Two souls, caught mid-laughter — painted in light, ink, and the kind of friendship that warms even the coldest rain.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Late Rain Over the City”
Under a streetlight that hums softly in the drizzle, a ginger-haired girl stands with her umbrella half-closed, watching colors melt into puddles. The air smells of wet asphalt and lilac perfume. The scene is painted using Mixing Palette Knife, Impasto, Glazing, and delicate layers of Colored Ink (tus u boji) — creating a shimmering depth where raindrops seem alive.
The Impasto technique thickens the glow of the lamplight, forming tactile halos on the wet pavement. With Palette Knife strokes, the city behind her blurs into motion — like time refusing to stand still. Glazing adds a transparent melancholy to the window reflections, and the colored ink outlines the girl’s hair in fiery copper tones, dripping softly into the night.
Her coat is slightly open, her hand touching her heart as if remembering something unsaid. Behind her, light breaks in fractured hues — turquoise, violet, and amber — merging into a quiet symphony of emotion.
The final touch: a thin trail of crimson ink tracing her shadow, like a memory walking beside her.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: The ginger-haired woman sits by the window in the half-dark of her room, wearing a thin grey sweater. Behind her, the city glows — lights flicker as if they’re breathing. A small candle burns on the table, its flame mirrored in her eyes.
The glass of the window is painted using Glazing technique, with layered light and shadow shaping the depth of night.
Her face, touched by the candle’s glow, is rendered through Impasto technique, thick, emotional strokes holding every unspoken thought.
The reflection of her face on the window is created with Color Ink Wash, cool tones of indigo and violet sliding softly down the glass like a dream.
The background, done with Mixing Palette Knife technique, shows sharp contrasts of light and darkness — the quiet architecture of night itself.
She stares through her own reflection, as if trying to remember who she was — before the world goes dim.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired woman sits by the window in a loose beige shirt, morning light tracing her shoulders and dancing through strands of copper hair. An old book lies open beside her, a cup of black coffee cooling slowly.
The window is painted using Glazing technique, layers of light and shadow breathing across the glass.
Her figure — the curve of her neck and shoulders — is shaped through Impasto technique, thick textures catching the golden glow.
On the table, the reflection of the spoon and book is rendered with Color Ink Wash, soft trails of blue and ochre whispering of morning calm.
The background wall is built with Mixing Palette Knife, rough gradients that echo the rhythm of her quiet breath.
In her gaze, serene and distant, the world still sleeps — wrapped in the hush of dawn.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Late night in the city.
A ginger-haired woman sits alone by the café window. Outside, car lights slide through the fog, painted with colored ink wash, spreading softly across the glass like a weary thought.
In her eyes, the night is reflected; the warm tones of her face and shoulders shimmer under the lamp light, textured through the Mixing Palette Knife technique, capturing the quiet pulse of warmth and stillness.
Impasto defines the table, the cup, and the reflections, giving each element tangible depth and quiet gravity.
Through Glazing, her face and reflection merge in a delicate transparency, as the city lights blend into her image — erasing the border between her and the world beyond the glass.
For a moment, she seems to become part of the reflection itself — a soft, luminous presence breathing within the colors.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Afternoon after the rain.
A ginger-haired woman sits on a wide window ledge, holding a cup of warm tea. The walls around her seem soft, painted with colored ink wash, where shades of blue and gray blend like quiet air after the storm.
Her hair catches the pale light, textured with Mixing Palette Knife, while her reflection on the glass emerges as a delicate transition between the real and the imagined.
The Impasto technique shapes the raindrops and window edges, giving them a tactile depth — as if the paint itself is breathing.
Across her skin and hands, Glazing softens the light, merging her inner warmth with the cool tones of the outside world.
In her reflection, through the layers of color and water, her unspoken thought lingers — seen not in words, but in the silence of paint.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Late evening. A young ginger-haired woman sits at her desk, lit only by the glow of the computer screen. Blue and golden tones dance across her face, and her reflection shimmers faintly on the monitor glass — calm, yet thoughtful, as if she’s talking to herself in silence. The room is still, the soft hum of the computer blending with the faint city lights outside.
Techniques:
Colored ink wash for the background and light reflection on the window and monitor, creating a gentle, fluid glow.
Mixing Palette Knife on her hair and shoulders, capturing the warm gradient of light from the screen.
Impasto on the desk and keyboard, adding rich, layered texture and depth.
Glazing on her face and reflection, forming a subtle, glass-like realism that conveys quiet nighttime intimacy.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A young ginger-haired woman sits by the window in the morning light. Sunrays slip softly through peach-colored curtains, casting a reflection across her face as her fingers trace the rim of a coffee cup. Sketches and open books lie scattered on the table, while her gaze drifts — as if searching for meaning in colors.
Technique:
Colored ink wash for the background and lighting, with fluid, translucent hues around the window and walls.
Mixing Palette Knife for her hair and hands, to capture the warm, textured glow of sunlight.
Impasto on the table and cup, adding a tactile, layered surface.
Glazing over her face to create a soft, luminous reflection.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Inside a dimly lit city café with glass walls, a ginger-haired woman leans over her sketchbook, her face softly illuminated by the neon reflections from the street outside. The rain paints streaks of light across the window — red, blue, and violet — merging like watercolor dreams.
Her loose curls glow like molten copper under the flickering sign. She moves her hand swiftly, sketching the reflections themselves — the wet pavement, the blurred silhouettes, the chaos of colors. Each brushstroke made with Colored Ink Wash flows freely, translucent yet full of emotion.
Then, with a sudden motion, she reaches for her Palette Knife, scraping bold Impasto lines over the inked surface — carving texture into softness. A thin layer of Glazing follows, catching the faint gold from the café lights, giving the entire composition a quiet, cinematic warmth.
The moment feels suspended — between inside and outside, between her world and its reflection — as if the city itself is breathing through her art.
(Techniques used: Mixing Palette Knife, Impasto, Glazing, Colored Ink Wash — emphasizing contrast between wet reflection and textured color depth.)
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A young ginger-haired woman sits cross-legged on the floor of her art studio, wearing an oversized white shirt splattered with traces of cobalt blue and sienna. The late afternoon sun pours through the wide windows, reflecting on the jars of colored ink, spreading soft halos of pink, turquoise, and amber across the wooden floor.
Her fingers glide confidently, dipping a fine brush into the ink wash, and letting the colors bleed and merge into an abstract portrait on the canvas — her own reflection, slightly distorted but alive. Around her, the textures of Impasto strokes blend with thin Glazing layers, giving depth to the half-dried hues.
A Palette Knife lies nearby, coated in golden light, used to carve the thicker accents of paint that frame the delicate transparency of the ink. The whole composition breathes — between control and spontaneity, precision and freedom — just like her expression: serene, focused, and quietly powerful.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Echoes of the Night”
The same attic studio now breathes in shadows. The only light comes from a small lamp by the window — its glow caught in the glass jars of paint thinner, turning them into tiny amber lanterns.
The ginger-haired woman sits cross-legged on the wooden floor, wrapped in a loose linen shirt. Her copper hair spills around her shoulders like liquid fire. The canvas she worked on earlier leans against the wall, half-hidden in dim light — the reflection of her painted self now looks back at her from the dark.
She dips her palette knife into a deep blue, spreading it across the edges of the painting. The color moves like quiet water, merging with the warmer tones she laid before. Through Impasto, every gesture feels alive; through Glazing, every layer carries a whisper of her thoughts — soft, translucent, infinite.
Outside, rain begins to fall, tapping gently on the windowpane. The air smells of turpentine, rain, and solitude. She doesn’t notice time passing — only the rhythm of creation, echoing softly in the night.
Technique: Mixing Palette Knife, Impasto, and Glazing — emphasizing the play of texture and reflection in low light.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: In a softly lit attic studio, a young ginger-haired woman stands by the window. The late afternoon sun spills across her skin like melted gold. Her hair, still damp from a recent shower, glows in copper tones, curling gently over her shoulders.
She holds a half-finished painting — her own reflection captured in abstract strokes — one side bursting with warm impasto textures, the other side fading into translucent glazing layers, as if her soul is dissolving into the light.
A palette knife rests on the table beside a cup of cold tea, the brushstrokes on the canvas still alive with movement. You can almost hear the faint scratch of the metal over the paint, the whisper of creation itself.
The scene feels suspended between breath and silence — a woman confronting herself, not in a mirror, but through her art. The atmosphere shimmers — copper, ivory, and faint traces of ultramarine.
Technique: Mixing Palette Knife, Impasto, and Glazing — for texture, reflection, and emotion intertwined.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired woman stands under a streetlight in a quiet park at night. The world around her is still — only the rustle of leaves and the faint hum of distant traffic. Golden light from the lamp above spills softly across her hair, turning it into threads of fire against the dark. She holds her hands in the pockets of her coat, her gaze lost somewhere between the trees and the stars beyond them. A faint fog drifts along the path, wrapping the scene in quiet mystery.
The glow of the streetlight and the fog are created with Glazing technique to capture their soft transitions and atmospheric depth. The highlights in her hair and coat edges are built with Impasto technique, giving a tactile warmth against the cool night air. The shadows of the park and the subtle blending of light across the ground are painted with Mixing Palette Knife technique for a balanced contrast of texture and calm.
She stands there — neither waiting nor leaving — as if the night itself paused just to see her shimmer beneath its breath.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired woman sits on the edge of her bed in the early morning light. The window beside her is half-open, and thin beams of sunlight drift through the curtains, revealing tiny particles of dust dancing in the air. Her hair catches the light — glowing softly like copper. The room feels still, filled with the quiet rhythm of waking. There’s a cup of tea on the windowsill, untouched, steam rising gently. She looks toward the light, not moving — as if she’s listening to something only morning can say.
The sunlight and air particles are painted using Glazing technique to create a soft, diffused glow that feels alive. The texture of her hair and the fabric of her robe are rendered with Impasto technique, giving depth and warmth to every stroke. The interplay of light and shadow across her skin and the wall is captured with Mixing Palette Knife technique, blending clarity with a hint of dreamlike abstraction.
In this light, time slows — as if the world is holding its breath for her to begin the day.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired woman stands at the edge of a quiet river at dawn. The water is still, tinted with soft pink and silver hues of early light. She’s seen from behind, wearing a light coat that moves slightly in the breeze. In the calm surface before her, her reflection appears — delicate, dreamlike, perfectly mirrored with the morning sky above. The air feels fresh, filled with silence that hums like a heartbeat between worlds.
The reflection in the water is created with Mixing Palette Knife technique to capture gentle ripples and layered light. Her hair and the soft folds of her coat are rendered with Impasto technique for tactile realism and warmth. The misty glow of dawn and the subtle blending between sky and reflection are achieved through Glazing technique, bringing harmony and depth to the entire scene.
In the water, her reflection breathes — half sky, half memory.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired woman stands near a large window on a rainy afternoon. She’s seen from behind, her reflection appearing in the glass beside the soft pattern of raindrops sliding down. Outside, the city blurs — gentle gray-blue tones merge with the faint warmth of the room behind her. The reflection of her face in the window is subtle but full of life, as if she’s watching two worlds meet — the one she stands in, and the one that waits beyond the glass.
The rain and window surface are painted with Mixing Palette Knife technique to capture the layered texture of water and light. The soft transitions between her warm hair tones and the cool daylight are achieved through Glazing technique. Small highlights on raindrops and reflections are emphasized with Impasto technique, adding depth and tactile realism.
She looks through her reflection — not sure if she’s seeing the world, or if the world is quietly seeing her.
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18d
76
0
20
jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
