Serene Landscape with Grasses, Trees, and Dramatic Sky

Ogura Hyakunin Isshu No. 39 - Sangi Hitoshi

2.70K

200

Artist
irene mueh...
DDG Model
Access
Public
Created
10mos ago
Similar Try (2)
Public
2.70K

3

200
- Share
  
  https://deepdreamgenerator.com/ddream/nqummk75ndm COPY LINK
- Info
  Ogura Hyakunin Isshu No. 39 - Sangi Hitoshi
  
  Model:
  
  Size: 5960 X 3352 (19.98 MP)
  
  Used settings:
  
  Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 39, Sangi Hitoshi, of the Ogura Hyakunin Isshu: "Though I reveal my love / as sparingly as the sparse reeds / that grow in low bamboo fields, / it overwhelms me - why is it / that I must love her so?" We see a gently sloping, green meadow densely populated by shorter reed grass, among which stands taller bamboo grass. Extreme woodcut esthetic. The sky is filled with little, puffy clouds rendered as woodcut lines that, upon closer inspection, hide the barely discernible image of a Japanese man. The Japanese man is definitely to be made out in the clouds. Combination linocut and woodcut, hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.
  
  Using base image: No
  
  Aspect Ratio: landscape_wide
- Report
  
  Would you like to report this Dream as inappropriate?

Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 39, Sangi Hitoshi, of the Ogura Hyakunin Isshu: "Though I reveal my love / as sparingly as the sparse reeds / that grow in low bamboo fields, / it overwhelms me - why is it / that I must love her so?" We see a gently sloping, green meadow densely populated by shorter reed grass, among which stands taller bamboo grass. Extreme woodcut esthetic. The sky is filled with little, puffy clouds rendered as woodcut lines that, upon closer inspection, hide the barely discernible image of a Japanese man. The Japanese man is definitely to be made out in the clouds. Combination linocut and woodcut, hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.

Modifiers:

sharp focus elegant extremely detailed intricate beautiful award winning close up ultra detailed high definition crisp quality watercolor Landscape line art woodblock print rich colors graceful linocut screen-filling size

Prompt

16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 39, Sangi Hitoshi, of the Ogura Hyakunin Isshu: "Though I reveal my love / as sparingly as the sparse reeds / that grow in low bamboo fields, / it overwhelms me - why is it / that I must love her so?" We see a gently sloping, green meadow densely populated by shorter reed grass, among which stands taller bamboo grass. Extreme woodcut esthetic. The sky is filled with little, puffy clouds rendered as woodcut lines that, upon closer inspection, hide the barely discernible image of a Japanese man. The Japanese man is definitely to be made out in the clouds. Combination linocut and woodcut, hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.

More about Ogura Hyakunin Isshu No. 39 - Sangi Hitoshi

Poem No. 39 from the Japanese poetry collection Ogura Hyakunin Isshu (https://100poets.com/2011/08/13/a-thousand-swift-swords-poem-number-39). Do you see the Japanese man in the pttern of the clouds and sky? No? Well, he's supposed to be there.