#woodcut

Harmonious Duality: A Vibrant Landscape Print

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Masterpiece, a vibrant and harmonious multi-block color woodcut print, expertly printed on the textured surface of rough handmade paper , marbled paper, twisted trees night landscape summer town, style of Frances MacDonald McNair, Nicolas Delort,Make a spring garden in front of a cottage in thé mountains with a little river in thé landscape and that all in thé morning Modifiers: Van Gogh , crisp quality colored ink luis royo sketch Paul Corfield colorful ink wash Charcoal shaded dark fantasy, dark asthetic Smudge , A split-image landscape unfolds, harmonizing two contrasting worlds within a single, seamless composition. On the left, a lush, vibrant environment thrives. A waterfall cascades energetically down mossy rocks, rendered with dynamic, carved lines and printed in luminous shades of aqua and silver. It flows into a serene pool surrounded by tropical trees heavy with oranges and lush greens. Each leaf and fruit is a masterpiece of intricate, zentangle-like carving, bursting with color. The twilight sky glows with soft, radiant spheres, printed in translucent layers of gold, peach, and lavender that create a magical, atmospheric effect. On the right, a tranquil and subtle realm rests. The same mountain form stands, but here the waterfall is a gentler, misty veil, evoked through delicate horizontal scoring on the block and soft grey and white inks. The trees are pale and spectral, their branches etched with fine, ghostly lines against a dreamlike haze. Birds are suggested by a few minimal, graceful carved strokes, enhancing the serene and ethereal atmosphere. The two sides are united by a shared mountain silhouette and a masterfully balanced composition, where vibrant life and quiet stillness coexist in poetic harmony. The mood is uplifting, contemplative, and deeply peaceful a visual meditation on duality and balance, achieved through the masterful use of color, contrast, and the exquisite texture of the printed surface. Harmonious, ethereal, vibrant, tranquil, intricate, elegant, award-winning, ultra-detailed, high definition, crisp quality, rich colors, graceful, screen-filling, atmospheric. Woodcut, linocut.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 55 - Izumi Shikibu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 55, Dainagon Kintō, of the Ogura Hyakunin Isshu: "Though the waterfall / Ceased its flowing long ago, / And its sound is stilled, / Yet, in name it ever flows, / And in fame may yet be heard." The image consists of two layers superimposed like two panes of glass: The layer undeneath features a mountainside with a lively, sparkling, silver waterfall dashing merrily down rocks to a still, dark pool among rich, verdant vegetation. The second layer, semi-transparently covering the first layer, shows the same mountainside, but the vegetaion has withered and the waterfall no longer exists, exposing the craggy rocks beneath the erstwhile waterfall. The layer underneath is a memory, and the layer on top is a currnet representation of the landscape. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, hand-colored woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 53 - Udaishō Michitsuna no Haha

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 53, Udaishō Michitsuna no Haha, of the Ogura Hyakunin Isshu: "Lying all alone, / Through the hours of the night, / Till the daylight comes: / Can you realize at all / The emptiness of that night?" The image shows a lonely, contemporary Japanese woman dressed in a silk bathrobe she is hugging tightly around her. She is standing at the window of her apartment, looking out into the gloomy night sky, her back to us. She is in her bedroom, wainting for daybreak. She reflects on her emotional pain, frustration and loneliness. Her husband is spending time with his mistress and has abandoned his wife to solitude and melancholy. The nighttime sky is overcast, and the entire image seems steeped in darkness, except for a dim night light located outside the image on the right-hand side. The dim light strikes the woman's silhouette from the right, so that the pattern of her silk bathrobe and her messily arranged hairdo become visible, and casts faint shadows that put the left side of the image into complete darkness. The colors range from faint yellow to deep, velvety black, with a range of blues and grays in between. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif combining a traditional woodcut with a contemporary zentangle esthetic. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 51 - Fujiwara no Sanekata

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 51, Fujiwara no Sanekata, of the Ogura Hyakunin Isshu: "How can I tell her / How fierce my love for her is? / Will she understand / That the love I feel for her / Burns like Ibuki's fire plant?" The image shows an well-polished, ancient oak table with a bundle of dried mugwort tied with a satin ribbon. Next to the bundle of dried mugwort lies a moxibustion set. The therapy room in which the table stands is dark, only the table and the moxibustion parapernelia are well-lit. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like woodcut, with strong, rich and varied colors. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 50 - Fujiwara no Yoshitaka

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 50, Fujiwara no Yoshitaka, of the Ogura Hyakunin Isshu: "Even the life that / I'd not have been sorry to lose / just to meet you once, / now, having met, I think: / 'I want it to last forever'!" The image shows a futon in a Japanese house with messy bedclothes and a sumptuous, exquisitely embroidered silk bed spread, crumpled by the bedside. The bedspread has the sheen of silk and a highly ornate bird-and-blossom pattern in exquisite colors - shades of green, pink, magenta, burgundy and yellow - and is the focus of the image. The silk bedspread symbolizes the poet's love for his lover on the morning after. The stark bed and room contrast sharply with the floral sumptuousness of the bedspread. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like woodcut, with strong, rich and varied colors. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 49 - Onakatomi no Yoshinobu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 49, Onakatomi no Yoshinobu, of the Ogura Hyakunin Isshu: "Like the guard's fires / Kept at the imperial gateway-- / Burning through the night, / Dull in ashes through the day-- / Is the love aglow in me." The image shows an impressive, massive, ornate,pompous imperial gate to the emperor's court. On the left side and on the right side of the gate, a guard's fire is burning brightly, illuminating the gate and the immediate surroundings. The edges of the image are dark, and the starr-filled sky is dark. The image focuses fully on the guard fires and the ornate gate between them. The fires are burining in metal braziers in the shape of large bowls, and they are sending bright sparks into the air above. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like woodcut, with strong, rich and varied colors. The gate and the fires are executed in profound detail, whereas the surroundings are executed more hastily. The composition is lively. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 48 - Minamoto no Shigeyuki

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 48, Minamoto no Shigeyuki, of the Ogura Hyakunin Isshu: "Like a driven wave, / Dashed by fierce winds on a rock, / So am I: alone / And crushed upon the shore, / Remembering what has been." The ocean is buffeted by a gale-force storm driving mighty waves onto the shore made of high, rocky cliffs. The left side of the image shows the cliffs stretching out along the shore. The right side of the image shows ocean spray and foam flying high into the air as the waves crash into the cliffs. Dark blue-gray clouds scud before the gusts of wind. The ocean is a dark blue-green with white foam. The crashing waves symbolize the poet's desparation. The unmoved, rocky cliffs symbolize the dispassionate object of his desire. The image is executed as an exceedingly detailed, highly symbolic woodcut, with a strong, wet watercolor wash overlay, providing rich and varied colors and splashes. The ocean, the wind, and the clouds are rendered in painstaking detail; the composition is lively. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 47 - Egyō Hōshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 47, Egyō Hōshi, of the Ogura Hyakunin Isshu: "To the lonely house / where the weeds, eight layers deep, / have grown rank, / not a soul can be seen - / but autumn, at least, has come." This image shows a simple, dilapidated Japanese hut made of stone in the midst of high, dry, spent weeds that have gone to seed. Some of the weedy vines have engulfed the hut and have climbed almost all the way to the roof. It is autumn, and the air is crisp, the sky is blue with puffy, white clouds. The lovely fall day hides the fact that the house is lonely, decrepit, and that winter is around the corner. The hut symbolizes a person in the fall of life. The image is executed as a detailed, highly symbolic woodcut, with a strong, rich, wet watercolor wash overlay. Extreme detail, clarity of rendering, timeless motif combined with a classical woodcut esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 46 - Sone no Yoshitada

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 46, Sone no Yoshitada,of the Ogura Hyakunin Isshu: "Like a mariner / Sailing over Yura's strait / With his rudder gone: / Where, over the deep of love, / The end lies, I do not know." This image shows a Japanese sailor in a small skiff being tossed about by Hokusai-style waves. The young Japanese sailor has lost one of his two oars, so he is quite distraught and lacks orientation in the high waves. The weather is stormy, with rain and wind driving the the skiff in all directions. The image is executed as a detailed, highly symbolic woodcut, with the young sailor lost and without direction in the straits of love. Extreme detail, timeless motif combined with a classical woodcut esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Enchanted Barn of Fireflies at Dusk

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Witch's barn glowing in fireflies, woodcut texture, folk horror tones, with Eyvind Earle stylization
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 45 - Kentokukō

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 45, Kentokukō,of the Ogura Hyakunin Isshu: "Not one person who would / call my plight pathetic / comes at all to mind, / and so, uselessly, / I must surely die!" This image shows a desparate, young Japanese man standing in front of a large, modern window wall of in a very chic, open-plan house. He is standing outside in a bamboo patch, trying to gain the attention of the young Japanese woman inside the house. She is ignoring him, with her back turned to him, as she prepares tea in the kitchen. The young woman has spurned his love countless times, but he continues to persistently stalk her. The image combines an extremely detailed, richly colored, old-fashined woodcut technique with contemporary bokeh elements and some impasto abstraction. The two figures stand out in great detail, and the bamboo patch is painstakingly rendered as a woodcut, but the background, the open-plan house, is rendered in bokeh. Extreme detail, cutting-edge contemporary motif combined with old-fashioned artistic elements. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 43 - Fujiwara no Atsutada

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 43, Fujiwara no Atsutada, of the Ogura Hyakunin Isshu: "I have met my love. / When I compare this present / With feelings of the past, / My passion is now as if / I have never loved before." The image shows a young, pretty, dreamy-eyed, well-dressed Japanese salesgirl behind the well-lit perfume counter of a large department store, where she works. She is not concentrating on her work, but rather is leaning over the counter and is visibly contemplating a recent memory of being with her new love. The image combines an extremely detailed, richly colored, woodcut technique with watercolor and is executed in the style of Hokusai. Extreme detail, contemporary motif. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 42 - Kiyohara no Motosuke

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 42, Kiyohara no Motosukei, of the Ogura Hyakunin Isshu: "Our sleves were wet with tears / As pledges that our love - / Will last until / Over Sue's Mount of Pines / Ocean waves are breaking." The image shows a forlorn, weeping young Japanese man in a very ornately woven and patterned, red suikan. The garment is very loose-fitting and has very large sleeves. He is wiping his eyes with one wet sleeve as if it were a tissue. His lover's feelings have grown cold, even though the lovers had sworn each other eternal love during their time of passion. The man is standing in front of a pine tree rendered in high detailed; the pine tree is growing on Sue-no-Matsu Mountain. The image combines an extremely detailed, richly colored, woodcut technique with watercolor and is executed in the style of Hokusai. Extreme detail, lively motif. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 40 - Taira no Kanemori

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 40, Taira no Kanemori, of the Ogura Hyakunin Isshu: "Evem though I hide it, / it shows all over my face, / such is my longing, / so that people ask me / 'What are you thinking about?' " A contemporary, handsome, lithe, adolescent Japanese man dressed unassumingly in a white shirt and dark slacks stands half in, half outside a wood slat closet door. He has a pained look on his face, and is holding the doorknob, trying to decide whether he should come out of the closet or go inside. The hidden part of this young man's figure can be seen in the spaces between the vertical wooden slats. Combination linocut and woodcut, richly hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 39 - Sangi Hitoshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 39, Sangi Hitoshi, of the Ogura Hyakunin Isshu: "Though I reveal my love / as sparingly as the sparse reeds / that grow in low bamboo fields, / it overwhelms me - why is it / that I must love her so?" We see a gently sloping, green meadow densely populated by shorter reed grass, among which stands taller bamboo grass. Extreme woodcut esthetic. The sky is filled with little, puffy clouds rendered as woodcut lines that, upon closer inspection, hide the barely discernible image of a Japanese man. The Japanese man is definitely to be made out in the clouds. Combination linocut and woodcut, hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Fish-Eye of the Beholder

• Model: AIVision

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Fish-eye view; Eye to Eye: A portrait, goldfish swimming inside her eye, insanely detailed woodcut by Gustav Baumann 3D image
  • Upscale & Enhance: 1
  • Aspect Ratio: square

Polar Bear Carving Under Aurora Borealis

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Style of David Atchealak, Inuit carving of indigo polar bear under the northern lights, linocut, add northern lights, woodcut,
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Minimalistic

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: original Japanese woodcut painting of a lakeside with gently swaying bamboo and angular rocks. a lone crane looking at the lake. delicately detailed subtle Asian style illustration with extremely fine linework in muted tones: grey and silver with crimson red accents.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Enchanting Japanese Woodcut of a Geisha

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Japanese woodcut depicting a geisha by Kitagawa Utamaro
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

King of Demons witches monsters woodcut

• Model: Artistic 2

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: King of Demons witches monsters woodcut
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape