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In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Two young brownish skin tone Polynesia women drawn in a simple abstract surreal minimal style of artist Cheong Soo Pieng, with their disproportionally large almond shaped eyes closed with thick dark eye slits & thick pinkish lips, black long hair with turban, seated closely together beneath a dense, stylized canopy of leaves. Both figures have unnaturally elongated bodies & limbs, wearing batik patterned traditional Polynesia costumes, gently tilted heads, and closed or half-closed eyes with lashes, conveying quiet intimacy, contemplation, and emotional closeness. Their facial features are simplified and almond-shaped, with smooth, matte skin tones in warm ochres and muted browns. One woman leans her head softly against the other’s shoulder. They wear traditional patterned sarongs with intricate batik-inspired motifs in earthy reds, greens, and golds. One figure has a white cloth draped loosely over her shoulders, partially revealing her torso, rendered in a dignified, non-sensational manner. Hair is dark, sleek, and simply styled; small red earrings add restrained color accents, in the style of Kusama, against palm leaves & ferns on a white canvas, under shimmering waves of light & shadow, in the art style of Takashi Murakami. The background is richly textured and decorative rather than realistic: a tapestry-like field of repeating leaf patterns in gold, brown, and black fills the upper half, while the ground is composed of dotted, stippled textures in warm earth tones.
An oil painting in the style of postmodern Cubism with surrealist elements by Sadcon. The composition features five stylized female figures, each nude with pale, almost featureless skin and dark brown hair, positioned in various states of repose and embrace across a vibrant landscape. The women have closed eyes and soft red lips.
The background is fragmented into geometric shapes and planes, forming a dramatic abstract landscape that transitions between colors and angles. Dominant colors in the landscape sections include shades of green, blue, and earthy browns, with hints of red and orange.
In the upper central portion of the painting, a calm blue lake is visible, flanked by dark blue, pointed mountains under a pale blue sky. A small white boat floats on the lake. Throughout the composition, a scattering of solid red circular shapes of varying sizes is present, some appearing to float in the sky or over the landscape, others strategically placed on the women's bodies as if covering nipples or other areas, adding a subtle, abstract, and symbolic element.
The figures are interwoven with each other and the landscape.
- One pair of women is in the upper left, embracing intimately, with red geometric shapes accentuating their forms.
- Another woman lies across the mid
