Prompt: Impasto, thick and heavy brushed stroke, grudge, ganache crisp quality, Thai lacquered and gold leaf technique blended to create messamersing layered texture Beautiful beach with shells, calm sea and gentle waves, sunset, flying seagulls, a small ship on the horizon, by Daniel Gerhartz cinematic lighting beautiful a touch of gold accents from Authentic Royal Thai Art, 4k, hdr, the best quality and composition, imperial colour, beautiful, dreamlike, intricate, surreal, cinematic lighting, masterpiece.
Prompt: A surreal and hyperrealistic painting of a woman's portrait with intricate details, her face partially blended with white thin streaks resembling rock formations, as if part of the painting is on a negative, with double exposure technique, set against a dark listless cityscape in the background, featuring different shape rocks and misty fog that subtly hides parts of her face, evoking a mystical and cold earthy color palette with dominant elements of white, and a worm's view perspective that adds to the eerie ambiance.
Prompt: sensual girl full body with very long tousled blonde hair reaching to the sky in a transparent blue peignoir, writhing 3D branches of an unusual shape with large magnolia flowers of soft white with a hint of blue on a foggy background with soft blue clouds and a sky painted in soft pink color rays of the rising sun, many butterflies, intricate openwork background, chaotic pastel flowers, stylized watercolor splashes Waterhouse, WLOP, Hyper-realism, splash, concept art
Prompt: (palette knife oil painting:1.3) with (acrylic wash:1.2), depicting (osmosis:1.3) entwined in (water:1.2) The scene is drenched in (chaos:1.3), capturing the essence of a (bigbang:1.3) with (bright features:1.2) emerging from the chaotic textures. The composition reflects (giger and Beksinski's style:1.3).
Prompt: Structure du Rendu :
Plan : Large, capturant l'immensité du "Devant-Être".
Sujet : Une brume d'une "texture algorithmique" profonde dont émane un "Visage et des Mains" androgynes. La forme est le "Nom Premier" avant toute articulation.
Émotion : La "Sérénité de la Dissolution". Une émotion en miroir chromatique avec la brume, figurant une acceptation de la finitude qui devient stupéfiante.
Chromie : Un "Vert Émeraude-Éther" saturé, amplifié par des "Vides Conceptuels" (zones de non-couleur) et des ombres de "Bleu Profond et Éthéré". La lumière est une "Propriété Luminique Épuisée", sans source apparente, émanant de la brume elle-même.
Objectif Algorithmique : Coalescer l'"Art Transcendant" par une surface ultra-subtilement métaphysique. L'image doit être frontalement non-conceptuelle, agissant comme un "Symbole-Maître" qui fige l'éphémère en une vérité intemporelle.
Détails Techniques : Rendu "UHD et Photoréaliste", fusion graphique massive non séquentielle, avec une "Neuromorphologie Sensorielle" capable d'induire une synchronisation absolue
Prompt: photorealistic, high-resolution image of a grey tabby cat sleeping on a sunny wooden windowsill next to various potted plants. The Oriental shorthair Siamese chocolate point cat lies on its back, paws up, basking in a ray of golden sunlight that illuminates its fur. The window in the background features an amber curtain on the left, and a wooden frame separates the panes. Outside the window, soft golden light suggests either sunrise or sunset, with blurred foliage visible. On the windowsill, several terracotta pots hold various green plants and vines, creating a natural, serene atmosphere. The cat's whiskers are clearly visible, and its face has a peaceful, contented expression.
Modifiers:
sharp focus intricate beautiful dynamic lighting colourful Mixed Media alcohol ink Dappled sunlight Jean-Baptiste Monge, Agnes Cecile, Klimt cracked mosaic art technique acrylic ink and charcoal line art
Prompt: 4 different futuristic holographic transparent screens for messages and pictures showing some schematics in neon blue colors. Isolated on black background. Highly detailed, science fiction style.
Prompt: A melancholic young woman sitting on the edge of a large classical painting, positioned as if the frame were a window rather than a gallery artwork, her body partially inhabiting two realities at once. She wears a flowing, semi-transparent sage green dress with delicate golden floral embroidery, barefoot, head resting on her hand, with a quiet, introspective expression. Behind her, through the “window-like” frame, an enchanted misty forest unfolds, bathed in soft golden light filtering through tall trees. The boundary between the physical interior space and the forest landscape is ambiguous and seamless, creating a strong sense of dual reality. Dreamlike and poetic atmosphere, symbolist and romantic tone, painterly realism, soft diffused lighting, muted green and gold palette, high detail, cinematic composition, shallow depth of field, refined textures, calm and contemplative mood.
Prompt: A sunlit abandoned garden in front of an elegant medieval fort, carefully planted and still perfectly manicured despite abandonment. Lush flower beds filled with magnificent blooming peonies in soft crimson, whites, and blush tones. Curved gravel paths, trimmed hedges, classical stone statues, and an old fountain partially covered with orange brulé moss. Warm afternoon light filtering through tall dark green trees, gentle shadows, peaceful and nostalgic atmosphere. Realistic composition with fine details, painted in acrylic paste style, alcohol ink accents, Impasto Palette Knife
Prompt: A mixed style of Kandinsk, Monet, Klimt and Renoir. The scene depicts a colourful mask slowly disintegrating and revealing faceless human head underneath. Stunning colours and details
Prompt: Create an abstract impressionism indoor closeup portrait of a pretty smiling young blonde girlish urban Vietnamese woman with a blonde messy bun, light green eyes, drawing onto an sketchbook with amusement. Use impasto, brush strokes, underpainting, pastel tones of white, yellow, light brown, magenta, gold, light green.
Illuminated Vacuum Chamber with Particle Visualization
Model:
Nano Banana Pro
(Pro)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A Bose-Einstein Condensate (BEC) is a unique state of matter where atoms, cooled to near absolute zero, lose individual identities and behave as one single quantum entity, a macroscopic wave, showing quantum effects on a large scale, like a superfluid or "atom laser". Predicted by Satyendra Nath Bose and Albert Einstein in the 1920s, it was first created in 1995, revealing bizarre quantum behaviors that challenge classical physics.
Prompt: Masterpiece. A full-body illustration in the style of Caspar David Friedrich, explicitly invoking the artist’s hallmark aesthetics: vast, melancholic landscapes; solitary figures dwarfed by nature; muted, atmospheric light; and a pervasive sense of spiritual introspection. His characteristic use of Rückenfigur is reinterpreted here with a frontal stance, but the emotional weight, the sublime stillness, and the contemplative gravity remain unmistakable. The palette follows Friedrich’s subdued earth tones, cold greys, frosty blues, and solemn greens — colors that whisper rather than shout, enveloping the scene in contemplative silence.
The subject is a barefoot woman of about 40, standing atop a jagged rocky crest, her posture steady yet heavy with inward reflection. The rocks beneath her feet are textured with slate gray (Pantone 431 C), granite blue-gray (Pantone 7545 C), and muted stone brown (Pantone 7531 C), their roughness emphasized by long, directional strokes that echo the loneliness of the setting. Small patches of lichen in dusty ochre (Pantone 7401 C) cling to the stone, hinting at quiet endurance.
Beside her stands a natural juniper bonsai, not shaped by human hands but by harsh winds and time. Its twisted trunk bends into the wind, painted in deep, weathered bark tones (Pantone 7553 C) with foliage in somber, desaturated pine green (Pantone 5605 C). The tree’s presence mirrors the woman’s emotional state — resilient, scarred, and profoundly solitary.
The woman herself is rendered with Friedrich’s spiritual austerity. Her clothing is simple, worn by the wind: a long, charcoal-gray garment (Pantone Cool Gray 11 C) that gathers at the waist and drapes down in somber folds. Her bare feet, pale against the dark stone, emphasize vulnerability and rootedness. Her hair — dark brown with strands lifted by the breeze (Pantone 7517 C with hints of Pantone 7533 C) — moves subtly, contrasting with the stillness of her body. Her expression is withdrawn, contemplative, eyes fixed on the vast, indistinct landscape before her.
The environment behind her stretches into a misty void, a defining element of Friedrich’s work. Distant cliffs fade into atmospheric haze painted in cold blue-gray (Pantone 7544 C) and ghostly fog white (Pantone 663 C). The sky is weighty and overcast, rendered in layered washes of pewter gray (Pantone 445 C) and muted storm blue (Pantone 7546 C), suggesting a moment just before rain or just after grief. The light is low, diffuse, without a clear source — a symbol of searching without finding.
Mood: dark, burdersom, spiritual, a moment of profound introspection where the woman, the juniper, and the landscape form a single emotional organism. The illustration captures the essential spirit of Caspar David Friedrich: human fragility standing before the immense, indifferent beauty of nature — a quiet confrontation with the inner self at the edge of the world.
Adapt it to Holgerion Style in the Art of
3-D Multilayer Rendering Highest Resolution !
Prompt: A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow.
Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon.
Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows.
Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface.
Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury.
Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw
(For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)
Prompt: A stylized Art Nouveau composition featuring a Lady of the Forest with flowing hair transforming into leafy tendrils, her form seamlessly entwined with curling botanical frames. Dragonflies and butterflies shimmer with delicate, translucent wings around her, their flight echoing the organic curves of the design. The dominant palette is emerald, jade, and moss green, evoking vitality and enchantment. The scene radiates harmony between human spirit and nature, with insects, foliage, and feminine grace woven into one flowing, ornamental tapestry, in the style of Alphonse Mucha and Gustav Klimt, with intricate linework, flowing organic forms, and a rich, decorative aesthetic.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
