Prompt: A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow.
Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon.
Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows.
Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface.
Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury.
Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw
(For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)
Prompt: A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow.
Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon.
Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows.
Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface.
Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury.
Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw
(For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)
Would you like to report this Dream as inappropriate?
Prompt:
A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow.
Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon.
Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows.
Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface.
Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury.
Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw
(For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)
A mysterious woman in a dramatic black dress stands by a vintage train station. Steam billows from the locomotive, and gas lamps cast a soft glow in the misty atmosphere, evoking a gothic vibe.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
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