Mysterious Woman in Black Dress at Train Platform

Mystery at the Vintage Train Station

576

100

Artist
©√52Hz Yas...
DDG Model
AIVision
Access
Public
Created
2mos ago
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  Mystery at the Vintage Train Station
  
  Model: AIVision
  
  Size: 1024 X 1024 (1.05 MP)
  
  Used settings:
  
  Prompt: A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow. Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon. Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows. Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface. Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury. Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw (For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)
  
  Using base image: No
  
  Aspect Ratio: square
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Prompt: A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow. Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon. Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows. Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface. Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury. Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw (For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)

Modifiers:

extremely detailed intricate cinematic lighting impasto J.M.W. Turner Frederic Edwin Church thick impasto ©Yashar Poetic romanticism of Yashar's style turbulent weather

Prompt

A heart-wrenching poetic-romantic Yashar-style masterpiece titled “The Last Train at the Forgotten Station”. Victorian era, 1880s. An abandoned, crumbling railway platform bathed in cold, misty twilight. In the foreground stands a solitary, breathtakingly beautiful young woman (early 20s) in a long black mourning dress with delicate lace collar and veil, her pale face half-lit by the dying golden light of a gas lamp. Her large, tear-filled eyes — painted with thick, glistening impasto tears that physically rise from the canvas — follow the departing train with unbearable longing and sorrow. Center-right: a majestic dark-green Victorian steam locomotive from the 1870s pulling away into the distance, its brass fittings glowing with warm highlights, thick white steam exploding in massive swirling clouds rendered in sculptural 3D impasto — huge ridges of titanium white, ivory black, and Payne’s grey rising 1–2 cm off the canvas, applied with violent palette-knife slashes and bold, expressive brushstrokes. Red tail-lights of the last carriage disappear into the foggy horizon. Left side of the platform: one ancient, gnarled oak tree growing straight through the cracked wooden boards, its twisted branches clawing at the stormy sky like desperate fingers, painted with brutal, textured strokes of burnt umber, deep green, and raw sienna impasto so thick it casts real shadows. Atmosphere: dramatic romantic storm brewing — sky a turbulent mix of deep Prussian blue, violet, and blood-red streaks slashed across with fearless, sweeping palette-knife marks. Cold blue fog rolls in low, contrasting with warm orange gas-lamp light that catches every ridge and valley of the ultra-heavy 3D impasto surface. Entire painting executed in the signature Yashar poetic-romantic style: hyper-emotional, almost sculptural oil painting where paint is piled in mountains of thick, three-dimensional impasto, visible palette-knife gouges and bold, passionate brushwork, extreme chiaroscuro, cinematic Victorian melancholy, raw longing and tragic beauty. Museum-quality texture, visible bristle marks, wet-on-wet blending only in the shadows, intense color vibration, romanticism fused with expressionist fury. Ultra-detailed, 8k, in the style of Yashar’s most emotional works crossed with John Singer Sargent’s portraits, J.M.W. Turner’s steam and light, and modern heavy-impasto masters —ar 3:4 —v 6 —q 2 —stylize 900 —chaos 30 —style raw (For maximum 3D impasto effect, add: —sref 284763919 or any extreme impasto reference image you have)

More about Mystery at the Vintage Train Station

A mysterious woman in a dramatic black dress stands by a vintage train station. Steam billows from the locomotive, and gas lamps cast a soft glow in the misty atmosphere, evoking a gothic vibe.