Prompt: gorgeous portrait of a beautiful ancient princess. "Andean Cloisonné Patchwork Fashion Model" By Catherine Hyde's ethereal landscapes & Claude Monet for impressionism & Frida Kahlo for emotional depth & Gustav Klimt's use of gold leaf & Odilon Redon's dreamlike compositions & Alphonse Mucha for ornamental design & ∞
Prompt: Child storybook watercolor and pastel flecks etched with conte crayon mezzotint, hand made paper collage, a whimsical nighttime scene with ambiguous abstract textured woodcuts, Jacquard tapestries collage-style, cute ambiguous abstract textured horses galloping, accompanied by cute fluffy with exaggerated features black ambiguous abstract textured cats, with big yellow eyes sitting on ambiguous abstract textured horses backs, and bright small, ambiguous abstract textured birds flying alongside them. These ambiguous abstract textured life forms are under a silkscreen night sky with a crescent moon, surrounded by a field of small ambiguous abstract textured black wildflowers, against an ambiguous abstract textured stamp pad ink on paper linocuts background.
Prompt: =gorgeous+portrait+of+a+beautiful+ancient+princess=Andean+Iridescent+Fauvism+Pop+Patchwork+Fashion+SuperModel+By Gustav Klimt's use of gold leaf & Odilon Redon's dreamlike compositions & Alphonse Mucha for ornamental design & Catherine Hyde's ethereal landscapes & Claude Monet for impressionism & Frida Kahlo for emotional depth & ∞
Prompt: Lady Maidinallience swap through night metropolis in search of justice. Quick determined face. Tragic. Aesthetically pleasing. Dynamic emotions.
Prompt: Realistic painted artwork of a dot mandala cross on a white background.
The cross is 388 mm tall × 244 mm wide, Klimt-inspired style, rich color palette of gold, red, and green, elegant and dreamy ambiance, Gustav Klimt's artistic flair, Artstation, high resolution for detailed brushwork and textures , with symmetrical arms and rounded ends.
The painting uses acrylic-style dots arranged in precise rows and patterns.
• Top section (Rows 1–9) — Sun Zone:
9 concentric rings of yellow dots fading gradually to light green (#FFD600 → #AEEA00).
Center dot large and bright; outer rows smaller and lighter.
• Mid-upper (Rows 5–8) — Foliage Zone:
Light-green leafy dot clusters and vine-like arcs surrounding the sun.
• Center band (Rows 9–10) — Upper River:
Wide turquoise wave band across the arms using three blues: light #4FC3F7, teal #0097A7, dark #01579B.
• Center vertical section (Rows 11–16) — Tree Zone:
Brown trunk (#8B4513) dotted vertically in the center with branching patterns;
light-green leaf dots (#AEEA00, #66BB6A) radiating outward.
• Lower band (Rows 17–18) — Second River:
Narrow wavy band repeating the three-blue color blend.
• Bottom section (Rows 19–20) — Flower & Hill Zone:
Sloping hill of light-green dots with small yellow flower clusters (#FFD600) rising upward to the right.
Include a fine brown dotted outline around the cross edges (Top Dots, 0.5 mm spacing).
Lighting even and soft, paint dots slightly raised with gentle texture.
Center composition, no text or labels, white studio background.
Aspect ratio 388 mm × 244 mm (landscape orientation) , Crie uma flor azul tipo um lírio e que elas seja brilhante com uma luz azul saindo dela e com brilhosa verdes em volta
Ogura Hyakunin Isshu No. 51 - Fujiwara no Sanekata
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 51, Fujiwara no Sanekata, of the Ogura Hyakunin Isshu: "How can I tell her / How fierce my love for her is? / Will she understand / That the love I feel for her / Burns like Ibuki's fire plant?" The image shows an well-polished, ancient oak table with a bundle of dried mugwort tied with a satin ribbon. Next to the bundle of dried mugwort lies a moxibustion set. The therapy room in which the table stands is dark, only the table and the moxibustion parapernelia are well-lit. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like woodcut, with strong, rich and varied colors. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 52 - Fujiwara no Michinobu Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 52, Fujiwara no Michinobu Ason, of the Ogura Hyakunin Isshu: "Though I know indeed / That the night will come again / After day has dawned, / Still, in truth, I hate the sight / Of the morning's coming light." The image shows a very early, cold dawn outside the window of a spartan room. The light of dawn shows in shades of blue, pale yellow, and delicate orange on the horizon, whereas the sky higher up is still very dark blue. The view of the window toward the Eastern sky is from an unmade bed with crumpled sheets. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like wet watercolor, with strong, rich and varied colors. Extreme detail, clarity of rendering, timeless, symbolical motif combining wet watercolor with a low-poly and contemporary zentangle esthetic. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 55, Dainagon Kintō, of the Ogura Hyakunin Isshu: "Though the waterfall / Ceased its flowing long ago, / And its sound is stilled, / Yet, in name it ever flows, / And in fame may yet be heard." The image consists of two layers superimposed like two panes of glass: The layer undeneath features a mountainside with a lively, sparkling, silver waterfall dashing merrily down rocks to a still, dark pool among rich, verdant vegetation. The second layer, semi-transparently covering the first layer, shows the same mountainside, but the vegetaion has withered and the waterfall no longer exists, exposing the craggy rocks beneath the erstwhile waterfall. The layer underneath is a memory, and the layer on top is a currnet representation of the landscape. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, hand-colored woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 58, Daini no Sanmi, of the Ogura Hyakunin Isshu: "As Mount Arima / Sends its rustling winds across / Ina's bamboo plains, / I will be just as steadfast / And never will forget you." The image shows a highly detailed field of bamboo grass in beaturuful shades of green and tan being blown and bent by the wind. The bamboo grass is bent away from the steady wind. The woodcut is the perfect medium to show, in painstaking detail, the repetitive patterns of the bamboo grass. On the horizon, in the distance, lies Mount Arima. Woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, introspective, peaceful nature motif. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 64, Gonchūnagon Sadayori,of the Ogura Hyakunin Isshu: "In the early dawn / When the mists on Uji River /
Slowly lift and clear, / From the shallows to the deep, / The stakes of fishing nets appear.'" It is early morning in winter, and the whitish-gray mist lies over the still Uji River, gradually lifting to show a row of dark-gray wooden fishing stakes extending far out into the river. The horizon is the tender pink and yellow of a winter dawn, but the shadows are all shades of gray. Wet-on-wet watercolor, splash painting style, capturing a perfect still moment with aquarelle technique. Skilled and deft execution, peaceful nature motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 65, Sagami, of the Ogura Hyakunin Isshu: "Even when your hate / Makes me stain my sleeves with tears / In cold misery, / Worse than hate and misery / Is the loss of my good name." A visibly sad and distraught contemporary Japanese woman is kneeling on her bed, her hands on her knees. crying. Her apartment is sparsely furnished, except from four panels of Japanese paintings on the walls evoking the Heian period. Each panel shows part of a continuous motif of a sakura tree rendered in ink on a golden background. The woman, the bed and the apartment are rendered as a heavy impasto oil painting in various shades of white, gray, tan, and borwn, with the black and gold of the four panels providing a welcome contrast. Skilled and masterful execution juxtaposing the traditional feel of the four panels and the contemporary ambiance with the sorrowful Japanese woman. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a Symbolistic pastel painting int he style of Odilon Redon in rich, luminous colors, executed on rough handmade paper of poem number 68, Sanjō-in, of the Ogura Hyakunin Isshu: "Though I do not want / To live on in this floating world, / If I remain here, / Let me remember only / This midnight and this moonrise." We see an older Japanese man from the side. He is floating, prostrate, in the midnight air, his eyes closed and his arms crossed peacefully on his chest. Below him, a yellow moon is rising, just peeking over the dark horizon. The colors of the image are luminous blues, whites, yellows, and, for the loose-fitting, simple clothes of the man, magenta and light blues. The highly symbolistic pastel painting shows the man and the moon in exquisite detail, whereas the background is smudged and executed many layers of rich oil pastels. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 66 - Saki no Daisōjō Gyōson
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph enhanced with ink highlights to provide depth. The image is rendered in magnificent colors on rough handmade paper and shows the visuals of poem number 66, Saki no Daisōjō Gyōson, of the Ogura Hyakunin Isshu: "Let us think of each / other fondly, / O mountain cherries! / For, outside of your blossoms, / there's no one who knows my feelings." Atop a hill in a gently rolling spring landscape blooms a single, majestic, solitary mountain cherry tree, a yamazakura. The blossoms are pure white and as graceful as snowflakes. New, light green leaves peek forth between the white blossoms, enhancing the depth of the image. The rolling hills are covered with fresh grass, the sky is baby blue with puffy, white clouds. Skilled and masterful execution. Enchanting nature motif, with a hint of melancholy. Exquisite Japanese folio.
Prompt: Create a stunning seascape with a tall, beautifully detailed lighthouse on a rocky cliff. The lighthouse has a classic design with a red and white striped base, a glass lantern room at the top, and a weather vane. The sky above is painted with dramatically swirling stormy clouds. Capture the stormy sea waves crashing against the rocks. These are painted in various shades of blue-green and dark blue, showing their frothy white crests. In the foreground, depict a lone figure in a dark coat standing on the rocky shore, gazing out to sea. The figure should have a distinct silhouette, with hair slightly tousled by the wind. To the right of the lighthouse, place a small, cozy cottage with smoke rising from its chimney, suggesting warmth amidst the stormy scene. The overall atmosphere is intended to evoke a sense of mystery and tranquility, combining the beauty of nature with the charm of solitude by the sea, in the style of Caspar David Friedrich x Piotr Jabłoński x Frederic Edwin Church
Prompt: comics style drawing
from the outside of a broken wall of a manor, full body view of a cute teen witch with silver and rainbow flowing hair and white skin and dark lipstick is learning how to be a witch by reading rainbow books swirling around her freely, lost in a deep abandoned manor library,
the slender teen has a pointy nose, bright blue-grey eyes, and she is wearing sneakers, a sleeveless dark lacy top inspired by victorian fashion and a dark skirt over ragged thighs and high-heeled sneakers, she wears dark make up over her pale white skin
there are torches around but the light is quite dim
by eryn
the massive manor has broken walls and rooms open on the dreary night with a bright pumpkin moon, crows are watching the girl and portraits of famous witches from the past in big elegant paintings around her, the air is swirling with a sense of liberation and knowledge unbound, pretty colours, quirky cuteness overload
winter coming on the scenery outside
Prompt: Rich, detailed watercolor, colorful, entertaining, highly detailed, multi-layered composition rich fantasy art, side view, wide angle, grunge aesthetic, woman with bobbed blue hair, makeup, wearing patchwork skirt, green leggings, black boots and an orange top, sitting on the steps of an old brown stone apartment building, a crow perched on a wrought iron fence. Standing at the fence is a tall man with broad shoulders and a cowboy hat. Fall trees and city landscape in the background. Characters are different in style and personality. Yet relatable. Intrigue as to how the story will evolve.
Prompt: A dramatic, medium-full shot features a young East Asian woman with her hair styled in a tight, elegant bun, her gaze cast downward with a serene, almost melancholic expression. She wears a strapless, dark black dress adorned with intricate floral embroidery in muted shades of cream, peach, and deep navy, featuring a high, mandarin-style collar and sheer, tattooed sleeves extending to her wrists. Her chest and arms are heavily tattooed with detailed imagery of flowers and mythical creatures. She holds an open, black and silver filigree fan in her right hand, its ribs fanning out behind her. Surrounding her are swirling, ethereal wisps of smoke or mist in shades of gray and sepia, interspersed with photorealistic depictions of vibrant koi fish in varying sizes, their scales catching subtle highlights. A large, stark white Yin and Yang symbol dominates the background, partially obscured by the mist and the figure, set against a textured, parchment-like surface with dark ink splatters and subtle oriental patterns. The lighting is dramatic and chiaroscuro-like, with soft, diffused light highlighting the woman's face and the koi, while deep shadows enshroud the edges of the scene, creating a painterly, almost dreamlike atmosphere with a low-contrast, desaturated color palette. Keywords: ethereal, mystical, traditional, elegant, symbolic, dark fantasy, artistic, intricate detail, photorealistic rendering, cinematic lighting, 8k, high resolution.
neg_prompt: blurry, low detail, poorly rendered, cartoon, anime, abstract, oversaturated, simple background.Style Nicoletta Ceccoli, Dee Nickerson, Luis Royo, Gustav Klimt, Catrin Welz-Stein, Masterpiece. Bold watercolors and alcohol ink.
Prompt: Scenes from the entertainment district. Inside a rustic medieval home kitchen and a wetland jungle botanical garden spread out. Soft sunlight. Heavy, Orientalist oil painting style.
Prompt: A beautifully composed watercolor illustration featuring a bouquet of Helleborus flowers in a rustic, gray pitcher. Standing on my grey stone garden table. The arrangement comprises delicate flowers with soft pink edges and creamy white centers, interspersed with lush green ferns that gracefully arch over the blooms. Thin, sinuous vines with small green leaves cascade down from the pitcher, adding a touch of elegance to the piece. The background is a soft gradient of muted grays and green textures and shadows, creating a dreamy artistic ambiance. The overall image evokes a serene and tranquil feeling, perfect for a natural, botanical aesthetic. First soft glistening snow is falling.
Prompt: Masterpiece, a delicate ink and watercolor wash rendering on rough handmade paper. An enchanting and serene scene unfolds in a graceful, screen-filling composition. A serene woman with cascading wavy chestnut hair, adorned with a single, intricately detailed flower, sits gracefully upon a smooth rock by a tranquil seascape. Her expression is one of peaceful contemplation, her connection to the landscape rendered through ultra-detailed fine ink lines that capture the softness of her features and the faraway look in her eyes. She is dressed in a flowing, golden gown that mirrors the warmth of the setting sun. The fabric is suggested not by solid color, but by layered, luminous washes of ochre, amber, and sienna, with delicate ink strokes defining its folds as it drapes around her, capturing the light like liquid metal. The background is dominated by a large, radiant sun lowering in the sky, a sublime circle of pale gold and peach wash bleeding softly into the paper. This celestial body casts a warm, atmospheric glow over lush, green hills and rugged rocky cliffs, evoked through rhythmic patterns of ink and muted washes of olive and slate. Gentle, lapping waves are implied by horizontal, calligraphic ink strokes and subtle gradations of pale cerulean and grey at the shore. The mood is profoundly peaceful and dreamlike, a harmonious blend of naturalistic observation and poetic artistry. The intricate details of the woman's form and clothing are balanced by the soft, evocative rendering of the landscape, creating a profound sense of unity between the figure and the natural beauty that envelops her.
Prompt: Sunny day, in the garden. A hyper-realistic, (((full-body view, perspective))), show legs, photograph of a happy woman. Woman has a long, blonde hair. Back view, a ((face and full body in the frame)). The image showcases the ideal of femininity, with detailed muscle definition and a clean, ((very wet skin)). The image is rendered with advanced light settings, high-resolution details, and a cinematographic quality, reminiscent of Mark Mann and Steve McCurry. The focus is sharp, and the resolution is UHD 32K, HDR, with 64 megapixels. The eyes are perfectly round and centered, with black pupils, ensuring a natural and symmetrical appearance.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
