eat your veggies - delicata squash (truly delicate!)
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full-screen, frontlit, sharp-focus, macro-view, close-up watercolor of several delicata squash, lying on a rough, grass-green linen tablecloth. The longish squash are pale yellow with greenish and brownish stripes. One squash is cut in half lengthwise to reveal the light-orange fruit pulp and the light-beige pumpkin seeds. Behind the squash, we see a wooden cutting board with flat-leaf parsley and a small, ordinary kitchen knife, and behind the cutting board, we can make out a rectangular pyrex baking dish with generous pats of butter. The culinary still life is sunlit from the front and stands in front of dark green wood paneling. The background is rendered in splotchy, wet-on-wet watercolor and is painted all the way to the edges of the paper whereas the squash, the parsley and the cutting board are lovingly, deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with some outline details highlighted in pen-and-ink. Above all the delicata squash are painted with great attention to detail, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
eat your veggies - or do you consider avocados fruits?
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, side-lit, sharp-focus, macro-view large watercolor of a shallow, light-green, rough-patterned, ceramic bowl containing several avocado fruits. The avocados have a green-and-borwn speckled, rough, leathery skin. One avocado outside the bowl is halved to show the large, smooth, brown pit and the delicately olive-green, creamy edible part. The bowl stands on a smooth beechwood cutting board along with a small, simple, green-handled paring knife. The wall behind the culinary arrangement is apricot-colored, and the sunrays cast a pattern of pink, orange, apricot and gold onto the wall. The avocados, the bowl and the cutting board with the knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Above all the avocados are extremely detailed, with the details partly emphasized with pen-and-ink. The wall is out of focus, blurry, splotchy and is speedpainted in wet watercolor and alcohol ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of famous contemporary biological illustration artists and Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, frontlit, sharp-focus, macro-view, close-up watercolor of a head of fully purple heritage cauliflower with the lush, green outer leaves still attached. The head of cauliflower lies on a smooth oakwood cutting board facing the viewer. Next to the cauliflower lies one small, sharp, valuable, fully stainless steel Zwilling kitchen knife. Behind the culinary arrangement is a reflective, gold-stained glass wall. The background glass wall is rendered in splotchy, wet-on-wet watercolor and is painted comletely, all the way to the edges of the paper whereas the cauliflower, the knife and the cutting board are lovingly, deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with especially the cauliflower intricately detailed and highlighted in pen-and-ink, with great attention to detail, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sun streaming in a window, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is several large, shiny, red onions spilling from a burlap bag onto a kitchen counter made of heavy, dark, gold-veined marble. Behind the onion arrangement, the kitchen cabinets are a dark shade of burgundy-red, with the molding standing out and casting shadows from the side lighting by the sun. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the onions, the burlap bag and the marble countertop are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, front-lit, sharp-focused, macro-view closeup of a wicker bowl lined with a linen cloth, containing ripe, orange-yellow prickly pears. A few prickly pears lie outside the box on a dark stone kitchen counter. Watercolor painting in diaphanous, wet-on-wet aquarelle, painted to the edge of the paper, with pen-and-ink highlights. The prickly pears, the wicker bowl and the linen cloth are carefully, intricately, lovingly, and painstakingly rendered, whereas the surrounding, greenish environment appears blurred and spotty, painted in wet alcohol ink. The artwork extends to the edges of heavy, handmade rag paper, capturing a high-quality, museum-style botanical illustration inspired by renowned contemporary and classical biology illustration artists such as Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, strongly toplit, sharp-focus, macro-view, close-up watercolor of several leek stems lying on a reflective stainless steel professional kitchen counter. Behind the leek stems, we see a pile of red potatoes on a wooden cutting board. The vegetables are waiting to be prepared for vichysoisse soup.In the background behind the culinary still life, we can barely make out a professional gas range, which is rendered in splotchy, wet-on-wet watercolor and is painted completely and all the way to the edges of the paper. Conversely, the leeks and potatoes are lovingly, deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with some outline details highlighted in pen-and-ink. Above all the leeks are painted with great attention to detail, like a biology illustration. No other utensils or objects are included in the painting. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
eat your veggies - but be careful with the chili peppers
Model:
AIVision
Size:
5232 X 3816
(19.97 MP)
Used settings:
Prompt: Wide-screen, strongly sunlit, sharp-focused, macro front-view close-up of a few strings of red chili peppers drying in the sun. The chili pepper strings are hanging on nails in rough wooden slats of a garden shed. The focus of the image is on the intricately, painstakingly, and lovingly detailed drying red chili peppers, with extreme attention to detail. The dark, weathered wooden slats behind the chili peppers present in a watercolor-and-ink effect. The artwork extends completely and fully to the edges of heavy, handmade rag paper, capturing a high-quality, museum-style botanical illustration inspired by renowned contemporary and classical biological artists such as Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Simple culinary still life rendered full-screen, sidelit by kitchen lights, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a small paper shopping bag spilling perfect, green snow pea pods onto a kitchen counter made of strongly patterned, semiprecious lapis lazuli stone. Behind the seemingly artless arrangement, we can make out a simple ochre wall that contrasts sharply with the green snow pea pods. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the snow pea pods, the shopping bag and the countertop are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, toplit, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a large, ripped, paper shopping bag lying on the ground in a supermarket parking lot spilling its produce contents: Scattered around the ruined paper bag lie organic eggplants, tomatoes, potatoes, onions, garlic, sweet potatoes, carrots, celeriac and bell peppers. Around and between the haphazard arrangement, the asphalt of the parking lot peeks through. The still life is painted all the way to the edges of the paper. The shopping bag and the produce are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary garden still life rendered full-screen, sunlit from the back, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is an old wooden wheelbarrow filled with freshly harvested, red-cheeked apples piled high in the wheelbarrow. The wheelbarrow stands in the apple orchard in front of the gnarled, dark trunk of an old apple tree whose heavily laden branches hang all the way down to touch the wheelbarrow. Scattered on the grass lie some fallen apples. The still life is painted all the way to the edges of the unframed paper. The wheelbarrow and the apples inside are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. The tree trunk and garden background are rendered in quick, wet-on-wet watercolor and are not as detailed. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
juicy fruit - exquisite fruit display for Francis Geralds!
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Culinary still life rendered full-screen, spotlit from the top, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is a banquet table covered with a sumptuous, pink-and-cream, intricately floral-patterned jacquard tablecloth. The banquet table is laden with preciuos, mismatched plates and bowls of fresh fruit cut into reafy-to-eat pieces. Each plate and bowl contains a different fruit: watermelon, bananas, apples, raspberries, blueberries, pineapple, cantaloupe, papaya. In the middle of the table, towering over the bowls and plates, sits a breathtaking carved-watermelon centerpiece. The carved watermelon is shaped like a pagoda and is carved with unprecedentedly intricate detail. The festive banquet still life is painted all the way to the edges of the unframed paper. The culinary scene is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. The dark-pink-and-green wall in the background is rendered in quick, wet-on-wet watercolor. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a a medley of happy vegetables lying on a bright-green, rough linen tablecloth: fat, jolly carrots; crispy, crinkly lettuce; cool, firm cabbage; fresh and healthy green beans, potbellied, happy potatoes. The appetizing vegetables stand out against an unfocused, dark green and purplish background rendered in wet watercolor. The vegetable tableau is executed deftly, lovingly, painstakingly, and in great detail. The culinary still life shows fresh ingredients ready to be prepared and cooked. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, sharply front-lit, front-view close-up watercolor of two figures made of dried fruit and nuts strung up on a wire frame: prunes for arms and legs, figs for the body, a walnut crudely painted with a face for a head. The two prune figures are mounted on a wooden stand cut from the corss-section of a branch. The figures stand on a dining room table and are surrounded by tangerines, walnuts, oranges, apples, peanuts in the shell and a few glass Christmas baubles. The dining room table is covered with a dark-red linen tablecloth and stands against the dining room wall, whose wallpaper is elegantly striped. The holiday season still life throws a shadow on the wall. The wall background is blurry and is rendered in very wet watercolor. The dried fruit figures and the fruits and nuts on the table as well as the tablecloth are painted lovingly and in extremely great detail. The tableau is deftly and painstakingly rendered all the way to the edge of the paper, and resembles a prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Various gourds and pumpkins piled together at an outdoor market, viewed extremely close up. The foreground features a mix of orange, green, and yellow gourds, showcasing distinct shapes and textures. Prominent are a large, elongated orange squash with a bumpy texture, deep green striped gourds with curved shapes, and a pale cream-colored gourd with green stripes running vertically. The background reveals more pumpkins in shades of orange and yellow, contributing to the autumnal atmosphere. The lighting is bright and natural, highlighting the glossy surfaces and extremely intricate details of the gourds. The scene captures the essence of a fall harvest, evoking a warm and inviting rural feel. The pumpkins lie on weathered wooden boards, whlch peek through the pile at same spots. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted all the way to the edges of the paper. The pumpkins are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: A jumbled pile of rejected jack-o'-lanterns piled up against the weathered wooden back wall of an outdoor market stall on a cold November 1 morning, viewed extremely close up. The jack-o'-lanterns all have some kind of damage: mold, cracks, spots, some are split in half. The atmosphere of the farmer's market is autumnal, warm and inviting; the lighting is direct, bright, and natural, highlighting the extremely ornate, intricate details of the moldy, cracked jack-o'-lanterns. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted completely and all the way to the edges of the paper. The jack-o'-lanterns are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: A grand, ornate library interior featuring towering shelves filled with colorful books. The architecture includes intricately designed wooden shelves and decorative elements. A stunning stained glass ceiling with vibrant patterns casts colorful light into the space. In the center, there is an opulent chandelier hanging above a central reading area, complete with elegant wooden tables and chairs. One miracle is happenning on the grand hole and a grand bible hit the ground and opened and luminescent neon omnious lights from bible reach to sunlit lights form stained glass ceiling. The atmosphere is warm and inviting, with a sense of history and knowledge permeating the air.
Prompt: A spooky Halloween scene set in an eerie forest. In the foreground, a skeleton peeks over a weathered wooden sign, ready for a message. Surrounding the skeleton are two purple carved cucumbers with glowing faces, adding an amethyst glow to the dark surroundings. Mist swirls around the ground, with faintly lit lanterns hanging from crooked tree branches. In the background, shadowy grave markers can be seen, enhancing the haunted atmosphere. The scene is filled with an autumnal color palette of deep greens, browns, and oranges, conveying a sense of mystery and festivity.. Trending on Artstation. One third rule.
Prompt: Cinderella is crack head junkie drug addict laying on a floor. Mess in the cheap motel room. Syrengies. Troubling. Dull. Junkie. Painful. Pumpkin and rats on the floor
Prompt: Anthropomorphic ants fighting in World War 2. D-Day. Normandy. Tanks. Battlefield. Ants as soldiers. Dramatic. Epic. Explosions. Gunfire. Anthropomorphic ants.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
