Prompt: extremely detailed muted coloured hand drawing in the style of Ivan Shishkin
, mind blowing landscape with stone bridge and a remarkable old oak tree, dramatic clouds, fantastical, surrealistic, elegant, beautiful, high definition, striking drawing, artstation, intricate, beautiful, award winning, fantastic view, fantasy, elaborate, HDR, crisp quality,rich purple hues blend with warm lighting, creating an intricate, cozy atmosphere filled with nature's beauty. .
Prompt: A dream-like fantasy scene: Kaelen, a rugged female adventurer in weather-worn travel gear with leather straps, bow and quiver, stands in the foreground beside her dragon-like mount Varaan. Varaan has slate-gray scales threaded with glowing turquoise veins, moss-covered horns, and clearly visible travel gear on its back. Its eyes are vivid, lifelike reptilian eyes with textured irises and vertical slit pupils that catch the light naturally—no stylised dots, but real, attentive lizard eyes full of depth and awareness. Both figures are in sharp focus, slightly turned toward a towering crystalline fortress behind them: the “Gläserne Wacht”, a majestic glass citadel of shifting translucent towers and domes refracting ambient light like prisms. The mood is mystical, reverent, and still. Artistic style: Jeremy Fenske or Karla Ortiz.
Prompt: epic composition, Wendy Corduroy from the cartoon 'Gravity Falls' as a fantasy barbarian teenager carrying a battle axe, by Tim Hildebrandt, slim redhead warrior women with freckles, in style of mike savad”, , sergey zabelin, cavewoman, luis ricardo falero, portrait, style of tim hildebrandt, retro and fantasy style, tom bagshaw and sabbas apterus, hercules, david a, manowar album cover
Remembering Ray Bradbury's Martian Land Ships in the Red Desert
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: ornate alien Martian land ship with sails in the style of Ray Bradbury, sailing across the desert of Mars. ( Martian sand-ships in Ray Bradbury's novel the Martian Chronicles - Appearance & Atmosphere
Azure sails: Bradbury describes a dozen tall vessels, each with sails the deep blue of “cobalt butterflies,” drifting silently on the sands
Vessel bodies: According to model conceptualizations inspired by the text, you can imagine sleek, emerald‑green hulls with razor‑sharp prows and pale, moon‑white tillers—almost petal‑like in design.
- From the Text – Dramatic Scenes
Bradbury paints vivid scenes:
“There! The wind hurled the sand ship keening over the dead sea‑bottom, over long‑buried crystals, past upended pillars, past deserted docks of marble and brass, past dead white chess cities…”
This evokes a mystical journey across an ancient Martian seabed, where remnants of a lost civilization lie buried beneath dust. - Symbolism & Effect
Remembrance of the past: The sand‑ships are silent monuments to extinct Martian grandeur—reminders of a civilization reduced to ruins.
Beauty amid desolation: The contrast between the fragile, floating ships and the barren red wasteland underscores Bradbury’s lyrical approach—finding grace even in decay.
Atmospheric presence: Described as floating like ghosts or smoke, the ships heighten the eerie and melancholic tone of the scene. - Why They Matter
Visual poetry: The imagery is less about mechanics and more about mood—sand‑ships drift serenely, capturing both loss and wonder.
Literary anchor: In a novel built on snapshots, this memorable scene showcases Bradbury’s gift for weaving mythic symbolism into a futuristic setting.
In short: the Martian sand‑ships are graceful, ghostlike vessels with cobalt sails and sharp metallic husks, drifting across Mars' empty seas of dust. They symbolize the planet’s extinct glory and evoke a powerful, elegiac mood that lingers long after the passage. -- airbrush art, Marvel Comics, storybook illustration, poster art, landscape, fantasy, sci-fi, steampunk
Prompt: I beheld a chamber so prodigious in its dimensions that even the grand arena of ancient Rome, that colossus of human pride, seemed by comparison a mere child’s amphitheater—this was no construction of man. It was an abyssal vault hewn from the heart of the earth itself, from stone that bore the hue of dried blood mingled with rust, red-brown and bruised by ages. The air within held a silent gravity, a reverent dread, as though it had not been disturbed for millennia, as though the rock itself breathed solemnity and secrecy.
The walls, irregular and coarse as if gnawed by time or claw, soared up into a vaulted gloom from which no light source could be seen, yet all was faintly illumined by some uncanny phosphorescence, as if the very stone exhaled a corpse-light. Within this cyclopean crypt stood row upon row of vast contrivances—engines, wombs, tombs—at first glance resembling titanic kettles forged of burnished copper. Each was as large as a farmer’s cart, and in their rounded, burnished flanks were set thickened panes of green glass, warped with age and pressure, their surface dulled by time and yet betraying, through that murky translucence, the unthinkable contents within.
Suspended in each vat—no, entombed—floated a figure. And these were not the forms of men, though their silhouettes hinted at some dreadful parody of the human shape. They were tall, impossibly slender, and their limbs held a grace not born of our world. Each bore long, curling horns that arced like question marks from brows too wide, too silent. Their visages were masks of tranquil beauty, a beauty that stirred revulsion—perfect, serene, and wholly alien. Their eyes remained closed, though even in slumber there seemed a watching, a knowing, as though their dreams crept outward in invisible tendrils.
They hung in fluid stasis, swathed in a gelatinous medium the color of jaundiced emeralds, and though their chests did not rise, a sense of growth—a slow, unnatural becoming—thrummed in the silence.
From the base of each metallic womb extended thick brass pipes, organ-like, which slithered across the floor like serpents caught mid-coil, and rose in winding tangles toward the unseen ceiling. There they formed a congested canopy of conduits, an intricate forest of gleaming limbs, forming a web of alchemical and perhaps spiritual intercourse between the vessels. It was as if the room itself was a great lung or mind, every pipe a nerve, every join a pulse point.
From the seams and fissures of this grotesque machinery there wept a fluid. It fell in heavy drops—green, slow-moving, and gemlike—as if the very lifeblood of this monstrous nursery condensed in sorrowful beads. Upon striking the stone, the drops crystallized instantly into jagged pearls of ichor, each one humming with a quiet menace, as though storing whispers. I dared not touch them.
There was a sanctity to the place, a wicked reverence. My soul trembled with the recognition that I stood not within a laboratory or temple, but in some terrible confluence of both—a genesis chamber for the gods of a forgotten pantheon, or the unborn nightmares of a race long buried beneath the earth. The silence pressed upon me, thick and alive. And in that silence, I felt the great room breathe.
A Charming Devil of Pointless Folly in Vintage Elegance
Model:
DaVinci2
Size:
1352 X 760
(1.03 MP)
Used settings:
Prompt: the devil of pointless folly (with short dark horns and a face that speaks of folly and a wasted life) wears a powdered British lawyer's wig and dressed like a dandy from a Charles Dickens' novel, he carries a large bottle of wine and a deck of playing cards, in the style of Leonora Carrington. he has a look of drunker joy on his face. must have horns on his head and look like a devil, he has a crafty glint in his eyes
Prompt: Futuristic tourist town on an alien world, beach scene if designed in the 1970's. Stephen Hillenburg Kelly Freas renaissance painting romanticism oil on canvas colorful complex detailed ethereal hyperdetailed holographic infinity light dust fantasy sci-fi dystopian futuristic retrofuturism
Prompt: (A masterpiece of unparalleled excellence), (("Surreal objects punctuate the chaotic geometry of urban expansion". Side View, Ultra detailed, High quality rendering, Colorful complex stipple texture)), Inspired by the style illustrations of Arthur Rackham, Friedensreich Hundertwasser, Joan Miró, Edward Gorey and Tomasz Setowski. (Full Size image).
Prompt: (Masterpiece), ((The Yesterday and Tomorrow of the Soul)), By Gustav Klimt, Catrin Welz-Stein, Zdzisław Beksiński, Van Gogh, Alphonse Mucha, Luis Royo, Boris Vallejo, The piece should evoke a sense of wonder and awe, utilizing techniques reminiscent of colorful pencil sketch and ultra detailed watercolor painting. Full Length Image.
Prompt: (A masterpiece of unparalleled excellence), ("Surreal objects scattered across the urban sprawl." By Daniel Merriam, Friedensreich Hundertwasser, Dee Nickerson and Dana Irving. Transautomatism Style, figurative, Mixed media), ((As if created by Sarunas Sauka, Joan Miró, Beksinski, Tomasz Setowski, Jacek Yerka, Amanda Clark, Aubrey Beardsley, Josephine Wall. Full size image)).
Prompt: Surrealism, the atmosphere of Shakespeare's sonnets, a tea set in the style and color of theatrical dramas, behind the glass a woman with a Protea cynaria flower, in style by Gerald Brom
Prompt: stunning digital painting capturing the tranquil beauty of a blue hour sunset on a vast, mirror-like lake. The serene atmosphere is accentuated by a solitary tree with sparse, dried branches and just three vibrant leaves. Fisherman fishing on a fishing boat lies adrift on the water, adding a touch of human presence amidst the solitude. The distant horizon features soft, white puffy clouds, while the water's surface reflects the vibrant hues of the sky. The realistic style, with its minimalist touch, highlights the intricate details of the tree and boat, creating a captivating focal point. The soft natural color palette of blues, greens, and browns, combined with gentle lighting, evokes a sense of calm and solitude, cinematic, photo, vibrant
Prompt: oil painting with Impasto and palette knife technique of a female ballet dancer in a voluminous pink dress, twirling in the rain. Her back is to the viewer, arms outstretched. The background is a mix of light grey and dark grey thick impasto strokes representing rain; the foreground is a textured rain-slicked surface with light reflections. The dress is layered with thick, sculpted pink and iridescent textures, creating a flowing effect as if catching water droplets. The overall style is expressive and tactile, emphasizing thick, bold brushstrokes. Dramatic lighting creates strong contrasts.
Prompt: Engraving of a goat herder with dark hair and a mischievous and inviting gaze at the viewer. She is looking up from a book as if someone has gotten her attention. She is leaning on an unpainted wooden fence rail. She wears a floral peasant top, brown skirt and boots. She is holding a baby goat and surrounded by a herd of goats. The background features a lush natural landscape with rolling hills covered in dense green foliage, trees, and wild grasses. It’s the peak of the day and flooding with sunlight.
Classical hand-engraved illustration style with cross-hatching and line work rich in colorful and contrasting tones. Background elements muted for atmospheric depth, while foreground subject has rich, contrasting colors and sharp detail. 18th-century engraving aesthetic with earthy palette, creating visual hierarchy through traditional techniques where foreground renders with greater intensity than background less
Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 4, Yamabe no Akahito, of the Ogura Hyakunin Isshu: "When I take the path To Tago's coast, I see Perfect whiteness laid On Mount Fuji's lofty peak By the drift of falling snow." The image shows a full scenic view of Mount Fuji from the coast at Tago near Eijiri, based on Katsushika Hokusai's woodblock print from his series "Thirty-Six-Views of Mount Fuji." In the foreground, we see wooden fishing boats steering through strong currents shown in repetitive wave patterns. In the mid-ground, we see the gentlecoastline. The upper half of the image is dominated by the spectacular view of Mount Fuji, with its blindingly white snow-capped peak and its archetypal curved silhouette, with its reverse curvature compared to the fishing boats in the foreground. The sun is shining on the mountain, and the trees along the coast as well as the choppy waves indicate that a strong wind is blowing. Exquisite Japanese folio.
Prompt: A high-quality digital painting of a beautiful and elegant shebullfighter with blond medium-length hair in a square style. The body is in a pose of movement, exuding a lot of dynamics, movement, and action. The shebullfighter has scattered hair, open red lips, and hands holding an open perlina in the middle of the arena.
The image is rendered in monochrome, specifically black and white, with colorful accents in places highlighting the red lips, blonde hair styled in a bob-caret, and deep feelings expressed through the character's demeanor. The scene is set during sunset, creating an evening meeting full of inspiration, atmospheric ambiance, and emotional depth.
The artwork features a surreal and dreamy atmosphere, enhanced by dramatic lighting that creates high contrast shadows. The vintage style adds a calm and peaceful touch to the otherwise intense moment, making it introspective and poetic. The composition is artistic, whimsical, and deeply storytelling, inviting viewers into a world of imagination and beauty.
Overall, the image is meant to evoke a sense of nostalgia and wonder, capturing the essence of a shebullfighter's life in a unique and captivating way.
Prompt: Pointilist portrait, bursting with vibrant multi-dimensional embedding, multi-perspective, detailed and intricate patterns, ultra-high 128k resolution, printed on luxurious marbled paper, a statuesque figure exuding elegance and depth, refined vintage, visual harmony through precise paint dispersion, impossible lighting transitions. heavy, flat image, glittering, dreamy bokeh effect, luminous and ethereal lighting, inking style reminiscent of Rennie Mackintosh, watercolor technique inspired by Georges Seurat and Man Ray, captivating scratchboard illustration with warm coloring featuring yellow-green, dark-pink, dark-green, yellow, and light grey tones, fractalization for a stylized look, stippled, blotted, dots, grain, flecks, tesselation adding complexity, imaginative, romantic abstraction, orphism for a modern twist. alternative, polychromatic stylization, dry ink brush outlines, reminiscent of Georgia O'Keeffe's style with a figurative retropunk influence inspired by Zio Ziegler and Lyonel Feininger, dynamic composition with an asymmetrical layout, featuring a spectacular glitter effect that illuminates the scene, movement and action reminiscent of the styles of Man Ray and Ho Baron, infusing the artwork with a glossy skin texture and embodiment inspired by Georges Pichard, utilizing stylized hues to enhance the visual impact. Integrate a delicate filigree texture of fine lines to add depth and intricacy, complemented by a watery overspray of paint for a unique visual effect, tetradic color scheme burnt-orange light-orange currant-red goldenrut-yellow with delicate paper fibers and subtle paint cracks, mesmerizing splash ink technique.depth of field (DOF) enhancing realism, dreamy bokeh effect, stylized illustration 1.6, juminocore style, revealing, buxom, soft edges, warm coloring and grainy texture, parallax occlusion for added depth, aesthetic fine lineage, meticulous fine pen strokes, complex color scheme of sea-green and metallic honey, plasticity 1.3, uhd, hdr, vfx-inspired, brightness 1.3, plasticity 1.3, warm tones, raytraced shadows 1.6, vintage, stylized natural essence in line-art, pastel tones, reminiscent of orphism
Prompt: Devil's mask ( Perchten) , with Long horns, Vibrant, whimsical Mandelbrot fractal Details in base image with, textured acrylic ink and charcoal line art, zentangle style mix, Abstract, ornamental
Prompt: A ghostly woman draped in a tattered black gown wanders through a haunted forest of twisted, spiraling trees. The bark coils like smoke, and luminous, otherworldly flowers pulse from the dark soil beneath her bare feet. Moonlight filters through the fog, casting long, skeletal shadows. The air is thick with silence, sorrow, and ancient breath. Inspired by Zdzisław Beksiński and Caspar David Friedrich, painted in layered oil with digital accents, textured, decayed, glimmering, melancholic, grotesque, sacred, frozen.
Prompt: A luminous scene in watercolour in the style of Thomas Wells Schaller's paintings is a vivid depiction of tall sunflowers in full bloom, their bright yellow petals contrasting with the lush green foliage. Some of the sunflowers have already begun to wilt and have dark, seed-filled centres, while others look fresh and open. The background is a wooden wall of a house painted white, and the shades of light and shadow create depth. The sunlight creates a warm atmosphere, illuminating the petals and surrounding foliage
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.