Nicolosko

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid, photography of 3 business men and 2 business woman, smiling, sitting over big weird colorful engine, antennas on the helmet, background beige, Insektoid spiky in Painting 2006-7 nonhuman splash ultra detailed , Homunculus holographic , hydraulic adversarial , // Miss Aniela
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid of 1 woman and 1 robot running fast, top view, side view, wide angle, , generative adversarial interconnected bizzare human Atomic, particles alien / in the style of Banksy, Raphael, , alien strange // by Frida Kahlo. Bump, surreal collage, bright colors.3d volume.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: // by yayoi Kusama, a superb Polaroid of 1 man with a gun in his hand surrender by 5 titanium women, wearing pretty masks, in a cloud of Indian powder and sea foam, side view, surreal collage, bright colors.// in the style of Banksy,, alien strange
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: Yes
  • Upscale & Enhance: 1

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: Bernhard Lang, German photographer, has devoted himself to aerial photography since 2010. It all started when, aboard a Munich-Tokyo flight, The photographic work of Miss Aniela (Leeds, United Kingdom, 1986) is centered on the female figure, contextualized in an elaborate staging. he flew over Siberia. Through the porthole, and at an altitude of more than 10,000 meters, Bernhard Lang contemplates the patterns drawn by the landscape seen from the sky... The English artist mixes surreal elements in her photographs through a skilful digital manipulation of images surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 1216 X 1216 (1.48 MP)

• Used settings:

  • Prompt: Bernhard Lang, German photographer, has devoted himself to aerial photography since 2010. It all started when, aboard a Munich-Tokyo flight, The photographic work of Miss Aniela (Leeds, United Kingdom, 1986) is centered on the female figure, contextualized in an elaborate staging. he flew over Siberia. Through the porthole, and at an altitude of more than 10,000 meters, Bernhard Lang contemplates the patterns drawn by the landscape seen from the sky... The English artist mixes surreal elements in her photographs through a skilful digital manipulation of images surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid of 1 woman and 1 robot running fast, top view, side view, wide angle, , generative adversarial interconnected bizzare human Atomic, particles alien / in the style of Banksy, Raphael, , alien strange // by Frida Kahlo. Bump, surreal collage, bright colors.3d volume.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid cyborg robot Parametric Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. materialization Homunculus, She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. hydraulic pipes of The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid cyborg robot Parametric Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. materialization Homunculus, She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. hydraulic pipes of The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid top view, side view, wide angle, Steven Meisel began his artistic career as an illustrator for stylist Roy Halston Frowick. , peculiar nonhuman, geometry dystopian holographic connected to cyborg generative, , He is inspired by the visuals of Vogue or Harper's Bazaar for his creations. After a few tries as a fashion editor, he became a photographer and was recruited by Seventeen magazine. He will then collaborate with the greatest to finally become the exclusive photographer for the covers of Vogue Italy from 1988. His photographs are distinguished by his love of feminine beauty and the sensuality that emanates from it. surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: Luxury magazines love it and LaChapelle's work explodes. , polaroid of 3 people running fast, top view, side view, wide angle, , cyborg glasses strange generative stylized materialization, holographic human // in the style of Alphonse Mucha , stylized hybrid, , The American David LaChapelle was passionate about photography during his youth, taking a simple snapshot of his mother: his passion never left him. It was Andy Warhol himself who noticed his talent and gave him his first job. He becomes a photographer for the magazine Interview Magazine. The magazine profoundly changed its conception of photography. Getting her work to appear in fashion magazines becomes a goal in itself. In this context, he launched into the chic, very fashionable at the time. It is distinguished by bright colors, saturated to the extreme, a staging sometimes very inspired by the history of art. In the early 2000s, he left the fashion world to devote himself to art photography. surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: Luxury magazines love it and LaChapelle's work explodes. , peculiar nonhuman, geometry dystopian holographic connected to cyborg generative, , The American David LaChapelle was passionate about photography during his youth, taking a simple snapshot of his mother: his passion never left him. It was Andy Warhol himself who noticed his talent and gave him his first job. He becomes a photographer for the magazine Interview Magazine. The magazine profoundly changed its conception of photography. Getting her work to appear in fashion magazines becomes a goal in itself. In this context, he launched into the chic, very fashionable at the time. It is distinguished by bright colors, saturated to the extreme, a staging sometimes very inspired by the history of art. In the early 2000s, he left the fashion world to devote himself to art photography. surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: old and damage skin with tatoo, polaroid Luxury magazines love it and LaChapelle's work explodes. , peculiar nonhuman, geometry dystopian holographic connected to cyborg generative, , The American David LaChapelle was passionate about photography during his youth, taking a simple snapshot of his mother: his passion never left him. It was Andy Warhol himself who noticed his talent and gave him his first job. He becomes a photographer for the magazine Interview Magazine. The magazine profoundly changed its conception of photography. Getting her work to appear in fashion magazines becomes a goal in itself. In this context, he launched into the chic, very fashionable at the time. It is distinguished by bright colors, saturated to the extreme, a staging sometimes very inspired by the history of art. In the early 2000s, he left the fashion world to devote himself to art photography. surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid of 3 people running fast, top view, side view, wide angle, , robot ultra detailed spiky alien cyborg connectivity, programming programmer biomechanical // in the style of Diane von Furstenberg Jeremy Lipking , biomechanical cyborg, // by Production I.G Bastien Lecouffe-Deharme, Bump, surreal dada collage, bright colors.3d volume
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

marylin

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: Luxury magazines love it and LaChapelle's work explodes. , peculiar nonhuman, geometry dystopian holographic connected to cyborg generative, , The American David LaChapelle was passionate about photography during his youth, taking a simple snapshot of his mother: his passion never left him. It was Andy Warhol himself who noticed his talent and gave him his first job. He becomes a photographer for the magazine Interview Magazine. The magazine profoundly changed its conception of photography. Getting her work to appear in fashion magazines becomes a goal in itself. In this context, he launched into the chic, very fashionable at the time. It is distinguished by bright colors, saturated to the extreme, a staging sometimes very inspired by the history of art. In the early 2000s, he left the fashion world to devote himself to art photography. surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: The American David LaChapelle was passionate about photography during his youth, taking a simple snapshot of his mother: his passion never left him. It was Andy Warhol himself who noticed his talent and gave him his first job. He becomes a photographer for the magazine Interview Magazine. The magazine profoundly changed its conception of photography. Getting her work to appear in fashion magazines becomes a goal in itself. In this context, he launched into the chic, very fashionable at the time. Luxury magazines love it and LaChapelle's work explodes. It is distinguished by bright colors, saturated to the extreme, a staging sometimes very inspired by the history of art. In the early 2000s, he left the fashion world to devote himself to art photography. // by titian
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: An American photographer known for his fashion photography and portraits, Irving Penn revolutionized American fashion photography after World War II. He joined the teams of the very famous Vogue magazine shortly before the 1950s. He distinguished himself in particular by his style. The photographer only shoots in the studio, with no other accessory than the outfit he has to highlight. And his models are none other than the very famous Yves Saint Laurent, Picasso, Woody Allen… He creates, in each portrait, a real intimacy with his model. This is his true signature.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid, photography of 3 business men and 2 business woman, smiling, sitting over big weird colorful engine, antennas on the helmet, background beige, Synthetic adversarial robot blue/red/green portrait Symmetrical, biomechanical five-dimensional // in the style of Tom Bagshaw , peculiar dystopian, // by Shepard Fairey, Bump, surreal dada collage, vivid colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0