Nicolosko

no name

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: a road in miami. swimming pool with 4 people, by catherine abel and George Callaghan , hieronymus bosh, cloudy sky
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: 1MP
  • Face enhance: Yes
  • Upscale & Enhance: 1

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: 3dvolume, 1 people sitting in front of a table, emerging from the chaos of colors in the background of the image. pipes of Insektoid portrait in Painting 2006-7 radio organic, Parametric splash // in the style of Banksy, yayoi Kusama, , alien strange // by Frida Kahlo. Bump, surreal collage, bright colors.3d volume. render
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts 3d volume. render. Bump. shadow
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts 3d volume. render. Bump. shadow
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid of Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Today's artists are proving that contemporary art does not need to be a standalone movement. Drawing inspiration from the great masters not only offers the opportunity to renew and enrich tradition, but also to create a new pop culture convention. Artists like Lachapelle, Lichtenstein and Bacon have demonstrated that contemporary messages are perhaps even more striking in classical and iconic contexts.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid of 3 people running fast, top view, side view, wide angle, , splash hybrid portrait Homunculus bizzare connectivity, Homunculus // in the style of Paolo Veronese Alexander McQueen , in Painting 2006-7 organic, // by Piero della Francesca Johannes Vermeer, Bump, surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid of 3 people running fast, top view, side view, wide angle, , splash hybrid portrait Homunculus bizzare connectivity, Homunculus // in the style of Paolo Veronese Alexander McQueen , in Painting 2006-7 organic, // by Piero della Francesca Johannes Vermeer, Bump, surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid of 3 people running fast, top view, side view, wide angle, , splash hybrid portrait Homunculus bizzare connectivity, Homunculus // in the style of Paolo Veronese Alexander McQueen , in Painting 2006-7 organic, // by Piero della Francesca Johannes Vermeer, Bump, surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

the gate

• Model: Stable (v2)*

• Size: 1248 X 1248 (1.56 MP)

• Used settings:

  • Prompt: polaroid of 3 people running fast, top view, side view, wide angle, , cyborg strange generative stylized materialization, holographic human // in the style of Alexander Jansson , stylized hybrid, // by Jacek Yerka Studio Ghibli, Bump, surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: 1MP
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: polaroid of 3 people running fast, top view, side view, wide angle, , cyborg strange generative stylized materialization, holographic human // in the style of Alexander Jansson , stylized hybrid, // by Jacek Yerka Studio Ghibli, Bump, surreal dada collage, bright colors.3d volume
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

The Lord's Supper

• Model: Stable (v2)*

• Size: 1248 X 1248 (1.56 MP)

• Used settings:

  • Prompt: polaroid of One of these artists is none other than . His rendition of the Last Supper depicts Jesus very much in line with Christian iconography, but his apostles have changed slightly… polaroid cyborg strange generative stylized materialization, holographic human, holographic human Aside from the tattoos and baseball caps, they are undoubtedly a more accurate representation of the true apostles (Jews of Israel descended from the Egyptians). by David Lachapelle, Andy Warhol, Basquiat, Banksy, dada collage by Andy Warhol, Basquiat, Botero et Banksy, dada collage
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: 1MP
  • Face enhance: No
  • Upscale & Enhance: 0

The Lord's Supper

• Model: Stable (v2)*

• Size: 1216 X 1216 (1.48 MP)

• Used settings:

  • Prompt: polaroid of One of these artists is none other than . His rendition of the Last Supper depicts Jesus very much in line with Christian iconography, but his apostles have changed slightly… polaroid cyborg strange generative stylized materialization, holographic human, holographic human Aside from the tattoos and baseball caps, they are undoubtedly a more accurate representation of the true apostles (Jews of Israel descended from the Egyptians). by David Lachapelle, Andy Warhol, Basquiat, Banksy, dada collage by Andy Warhol, Basquiat, Botero et Banksy, dada collage
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: PhotoReal

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: PhotoReal

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: PhotoReal

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

no name

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: polaroid cyborg strange generative stylized materialization, holographic human, holographic humanv Ana Carolina Fernandez is a Brazilian photographer born in 1963. For three years, she photographed transgender people living in a community in a house in the Lapa district, the bohemian and artistic heart of Rio de Janeiro. She was introduced there by Luana Muniz, a trans personality known for her social and political actions. In this documentary essay, she shows the flesh and bodies of these people in search of identity, love and acceptance. In her series of photos, she approaches marginality, taboo and the unsaid through what is most tangible and material: bodies, flesh, full and palpable forms. The close-ups and the penumbra reveal games of curves and parts of the body. The latter are often bare and the faces almost always indistinct. Pieces of fabric, colored hair or golden jewelry sometimes catch the light and contrast with the dark flesh, immersed in constant darkness. Protruding muscles and voluptuous shapes are revealed. The contours of a body are drawn. We slowly learn to apprehend this body and to grasp it in its totality and in its complexity. We could sum up his photo
  • Using base image: Yes (Effect strength - 65%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0