Prompt: Complexity. Futurists believe that a simple one-dimensional or single-discipline orientation is not satisfactory. Trans-disciplinary approaches that take complexity seriously are necessary. Systems thinking, particularly in its evolutionary dimension, is also crucial.
Futurists are motivated by change. They are not content merely to describe or forecast. They desire an active role in world transformation.
They are hopeful for a better future as a "strange attractor".
Most believe they are pragmatists in this world, even as they imagine and work for another. Futurists have a long term perspective.
Sustainable futures, understood as making decisions that do not reduce future options, that include policies on nature, gender, and other accepted paradigms. This applies to corporate futurists and other non-governmental organizations. Environmental sustainability is reconciled with the technological, spiritual, and post-structural ideals. Sustainability is not a "back to nature" ideal, but rather inclusive of technology and culture.
Prompt: We are in the midst of a historical transformation. Current times are not just part of normal history.
Multiple perspectives are at the heart of futures studies, including unconventional thinking, internal critique, and cross-cultural comparison.
Consideration of alternatives. Futurists do not see themselves as value-free forecasters, but instead aware of multiple possibilities.
Participatory futures. Futurists generally see their role as liberating the future in each person, and creating enhanced public ownership of the future. This is true worldwide.
Long-term policy transformation. While some are more policy-oriented than others, almost all believe that the work of futures studies is to shape public policy, so it consciously and explicitly takes into account the long term.
Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. At international meetings, structural and individual factors are considered equally important.
Prompt: The Moon is Earth's only natural satellite. It is the fifth largest satellite in the Solar System and the largest and most massive relative to its parent planet,[f] with a diameter about one-quarter that of Earth (comparable to the width of Australia).[16] The Moon is a planetary-mass object with a differentiated rocky body, making it a satellite planet under the geophysical definitions of the term and larger than all known dwarf planets of the Solar System.[17] It lacks any significant atmosphere, hydrosphere, or magnetic field. Its surface gravity is about one-sixth of Earth's at 0.1654 g, with Jupiter's moon Io being the only satellite in the Solar System known to have a higher surface gravity and density. The Moon orbits Earth at an average distance of 384,400 km (238,900 mi), or about 30 times Earth's diameter. Its gravitational influence is the main driver of Earth's tides and very slowly lengthens Earth's day. The Moon's orbit around Earth has a sidereal period of 27.3 days. During each synodic period of 29.5 days, the amount of visible surface illuminated by the Sun varies from none up to 100%, resulting in lunar phases that form the basis for the months of a lunar calenda
Prompt: The exploration of Jupiter has consisted solely of a number of automated NASA spacecraft visiting the planet since 1973. A large majority of the missions have been "flybys", in which detailed observations are taken without the probe landing or entering orbit; such as in Pioneer and Voyager programs. The Galileo and Juno spacecraft are the only spacecraft to have entered the planet's orbit. As Jupiter is believed to have only a relatively small rocky core and no real solid surface, a landing mission is precluded. Reaching Jupiter from Earth requires a delta-v of 9.2 km/s,[43] which is comparable to the 9.7 km/s delta-v needed to reach low Earth orbit.[44] Fortunately, gravity assists through planetary flybys can be used to reduce the energy required at launch to reach Jupiter, albeit at the cost of a significantly longer flight duration. Jupiter has 80 known moons, many of which have relatively little known information about them.
Prompt: Internet censorship is the legal control or suppression of what can be accessed, published, or viewed on the Internet. Censorship is most often applied to specific internet domains (such as Wikipedia.org) but exceptionally may extend to all Internet resources located outside the jurisdiction of the censoring state. Internet censorship may also put restrictions on what information can be made internet accessible.[1] Organizations providing internet access – such as schools and libraries – may choose to preclude access to material that they consider undesirable, offensive, age-inappropriate or even illegal, and regard this as ethical behaviour rather than censorship. Individuals and organizations may engage in self-censorship of material they publish, for moral, religious, or business reasons, to conform to societal norms, political views, due to intimidation, or out of fear of legal or other consequences.[2][3]
Prompt: While the observation of objects in space, known as astronomy, predates reliable recorded history, it was the development of large and relatively efficient rockets during the mid-twentieth century that allowed physical space exploration to become a reality. The world's first large-scale experimental rocket program was Opel-RAK under the leadership of Fritz von Opel and Max Valier during the late 1920s leading to the first crewed rocket cars and rocket planes,[2][3] which paved the way for the Nazi era V2 program and US and Soviet activities from 1950 onwards. The Opel-RAK program and the spectacular public demonstrations of ground and air vehicles drew large crowds, as well as caused global public excitement as so-called "Rocket Rumble"[4] and had a large long-lasting impact on later spaceflight pioneers like Wernher von Braun. Common rationales for exploring space include advancing scientific research, national prestige, uniting different nations, ensuring the future survival of humanity, and developing military and strategic advantages against other countries.[5]
Prompt: Space exploration is the use of astronomy and space technology to explore outer space. While the exploration of space is carried out mainly by astronomers with telescopes, its physical exploration is conducted both by uncrewed robotic space probes and human spaceflight. Space exploration, like its classical form astronomy, is one of the main sources for space science.
Prompt: Darkover is the planet that gives its name to the Darkover series of science fiction-fantasy novels and short stories by Marion Zimmer Bradley and others published since 1958.[1] According to the novels, Darkover is the only habitable planet of seven orbiting a fictional red giant star called Cottman. Bradley describes Cottman's Star as a red giant, around which seven planets orbit. Among these, Cottman IV, known to its inhabitants as Darkover, is the only habitable planet. The three inner planets and two outer planets are not habitable. Cottman V is an ice planet that while not toxic to humans, cannot naturally support a self-sustaining human population. Like Cottman V, Darkover is a planet stuck in a permanent ice age. Only one small equatorial strip of its single smallish continent is warm enough to support limited agriculture, fishing, and livestock. Similar in size to Earth, Darkover has a lower gravity due to its relative lack of metals; it also has a higher percentage of oxygen in the atmosphere. The planet's period of rotation is 28 hours (Star of Danger, Chapter 2). One Darkover year is roughly equal to fifteen Earth months.
Prompt: As a science fiction literary subgenre and art movement, solarpunk works address how the future might look if humanity succeeded in solving major contemporary challenges with an emphasis on sustainability, human impact on the environment, and addressing climate change and pollution. Especially as a subgenre, it is aligned with cyberpunk derivatives, and may borrow elements from utopian and fantasy genres.[5] Solarpunk can risk being greenwashed through aesthetics that give the appearance of sustainability without addressing the root causes of actual environmental issues.[7]
Prompt: Dune, also known as the Dune Chronicles, is an American science fiction media franchise that originated with the 1965 novel Dune by Frank Herbert and has continued to add new publications. Dune is frequently described as the best-selling science fiction novel in history.[1][2] It won the inaugural Nebula Award for Best Novel and the Hugo Award in 1966, and was later adapted into a 1984 film, a 2000 television miniseries, and a 2021 film. The latter will be followed by a 2023 direct sequel. Herbert wrote five sequels, the first two of which were concomitantly adapted as a 2003 miniseries. Dune has also inspired some traditional games and a series of video games. Since 2009, the names of planets from the Dune novels have been adopted for the real-world nomenclature of plains and other features on Saturn's moon Titan.
Prompt: Pre-modern writers typically assumed that extraterrestrial "worlds" would be inhabited by living beings. William Vorilong, in the 15th century, acknowledged the possibility that Christ could have visited extraterrestrial worlds to redeem their inhabitants.[5] Nicholas of Cusa wrote in 1440 that the Earth was "a brilliant star" like other celestial objects visible in space, which would appear similar to the Sun from an exterior perspective due to a layer of "fiery brightness" in the outer layer of the atmosphere. He theorized that all extraterrestrial bodies could be inhabited by men, plants, and animals, including the Sun.[6] Descartes wrote that there was no means to prove that the stars were not inhabited by "intelligent creatures," but their existence was a matter of speculation.[7] The writings of these thinkers show that interest in extraterrestrial life existed throughout history, but it is only recently that humans have had any means of investigating it.[citation needed]
Prompt: Extraterrestrial life has been hypothesized to exist on planets other than Earth. Such lifeforms would range from simple microorganisms to complex alien intelligences akin to humans. However, it is unclear if life and intelligent life are ubiquitous in the cosmos or rare. The hypothesis of ubiquitous extraterrestrial life relies on the vast size and consistent physical laws of the observable universe. According to this argument, made by scientists such as Carl Sagan and Stephen Hawking it would be improbable for life not to exist somewhere other than Earth.[12][13] This argument is embodied in the Copernican principle, which states that Earth does not occupy a unique position in the Universe, and the mediocrity principle, which states that there is nothing special about life on Earth.[14]
Prompt: The evolution from simple cells to eukaryotes, and from them to multicellular lifeforms, is not guaranteed. The Cambrian explosion took place thousands of millions of years after the origin of life, and its causes are not fully known yet. On the other hand, the jump to multicellularity took place several times, which suggests that it could be a case of convergent evolution, and so likely to take place on other planets as well. Palaeontologist Simon Conway Morris considers that convergent evolution would lead to kingdoms similar to our plants and animals, and that many features are likely to develop in alien animals as well, such as bilateral symmetry, limbs, digestive systems and heads with sensory organs.[38] Scientists from the University of Oxford analyzed it from the perspective of evolutionary theory and wrote in a study in the International Journal of Astrobiology that aliens may be similar to humans.[39] The planetary context would also have an influence: a planet with higher gravity would have smaller animals, and other types of stars can lead to non-green photosynthesizers. The amount of energy available would also affect biodiversity, as an ecosystem sustained by black sm
Prompt: The chemistry of life may have begun shortly after the Big Bang, 13.8 billion years ago, during a habitable epoch when the universe was only 10–17 million years old.[16][17] Life may have emerged independently at many places throughout the universe, as it arose on Earth roughly 4.2 billion years ago through chemical processes. Alternatively, life may have formed less frequently, then spread—by meteoroids, for example—between habitable planets in a process called panspermia.[18][19] In any case, complex organic molecules may have formed in the protoplanetary disk of dust grains surrounding the Sun before the formation of Earth.[20] According to these studies, this process may occur outside Earth on several planets and moons of the Solar System and on planets of other stars.[20]
Prompt: Extraterrestrial life, colloquially referred to as alien life, is life that may occur outside of Earth and which did not originate on Earth. No extraterrestrial life has yet been conclusively detected, although efforts are underway. Such life might range from simple forms like prokaryotes to intelligent beings, possibly bringing forth civilizations that might be far more advanced than humankind.[1][2][3] The Drake equation speculates about the existence of sapient life elsewhere in the universe. The science of extraterrestrial life is known as astrobiology.
Prompt: Conversely, some fannish terms have been made obsolete by changes in technology (the decline of the mimeograph has doomed corflu for "correction fluid"), cultural changes (a femmefan' [female fan] is no longer unusual) or the mere passage of time (slan shack for "a house where a bunch of fans live together" has faded, since fewer young fans have read Slan by A. E. van Vogt). Slan also produced one of the most common fan idioms: "Fans are slans". Fanspeak is so interwoven into the fabric of fandom that it is difficult to discuss fandom without resorting to fannish terms such as fanac "fannish activity" or filk music (originally a typo for "folk music").
Prompt: Modern agronomy, plant breeding, agrochemicals such as pesticides and fertilizers, and technological developments have sharply increased crop yields, but also contributed to ecological and environmental damage. Selective breeding and modern practices in animal husbandry have similarly increased the output of meat, but have raised concerns about animal welfare and environmental damage. Environmental issues include contributions to climate change, depletion of aquifers, deforestation, antibiotic resistance, and other agricultural pollution. Agriculture is both a cause of and sensitive to environmental degradation, such as biodiversity loss, desertification, soil degradation, and climate change, all of which can cause decreases in crop yield. Genetically modified organisms are widely used, although some countries ban them.
Prompt: The major agricultural products can be broadly grouped into foods, fibers, fuels, and raw materials (such as rubber). Food classes include cereals (grains), vegetables, fruits, cooking oils, meat, milk, eggs, and fungi. Global agricultural production amounts to approximately 11 billion tonnes of food,[3] 32 million tonnes of natural fibres[4] and 4 billion m3 of wood.[5] However, around 14 percent of the world's food is lost from production before reaching the retail level.[6]
Prompt: Agriculture encompasses crop and livestock production, aquaculture, fisheries and forestry for food and non-food products.[1] Agriculture was the key development in the rise of sedentary human civilization, whereby farming of domesticated species created food surpluses that enabled people to live in cities. While humans started gathering grains at least 105,000 years ago, nascent farmers only began planting them around 11,500 years ago. Sheep, goats, pigs and cattle were domesticated around 10,000 years ago. Plants were independently cultivated in at least 11 regions of the world. In the twentieth century, industrial agriculture based on large-scale monocultures came to dominate agricultural output.
Prompt: After the canopy closes, with the tree crowns touching each other, the plantation is becoming dense and crowded, and tree growth is slowing due to competition. This stage is termed 'pole stage'. When competition becomes too intense (for pine trees, when the live crown is less than a third of the tree's total height), it is time to thin out the section. There are several methods for thinning, but where topography permits, the most popular is 'row-thinning', where every third or fourth or fifth row of trees is removed, usually with a harvester. Many trees are removed, leaving regular clear lanes through the section so that the remaining trees have room to expand again. The removed trees are delimbed, forwarded to the forest road, loaded onto trucks, and sent to a mill. A typical pole stage plantation tree is 7–30 cm in diameter at breast height (dbh). Such trees are sometimes not suitable for timber, but are used as pulp for paper and particleboard, and as chips for oriented strand board.
Prompt: A tree plantation, forest plantation, plantation forest, timber plantation or tree farm is a forest planted for high volume production of wood, usually by planting one type of tree as a monoculture forest. The term tree farm also is used to refer to tree nurseries and Christmas tree farms.
Prompt: The timber resources used to make wood pulp are referred to as pulpwood. While in theory any tree can be used for pulp-making, coniferous trees are preferred because the cellulose fibers in the pulp of these species are longer, and therefore make stronger paper. Some of the most commonly used softwood trees for paper making include spruce, pine, fir, larch and hemlock, and hardwoods such as eucalyptus, aspen and birch. There is also increasing interest in genetically modified tree species (such as GM eucalyptus and GM poplar) because of several major benefits these can provide, such as increased ease of breaking down lignin and increased growth rate.
Prompt: Before the widely acknowledged invention of papermaking by Cai Lun in China around 105 AD, paper-like writing materials such as papyrus and amate were produced by ancient civilizations using plant materials which were largely unprocessed. Strips of bark or bast material were woven together, beaten into rough sheets, dried, and polished by hand.[3][4] Pulp used in modern and traditional papermaking is distinguished by the maceration process which produces a finer, more regular slurry of cellulose fibers which are pulled out of solution by a screen and dried to form sheets or rolls.[5] The earliest paper produced in China consisted of bast fibers from the paper mulberry (kozo) plant along with hemp rag and net scraps.[5][6][7] By the 6th century, the mulberry tree was domesticated by farmers in China specifically for the purpose of producing pulp to be used in the papermaking process. In addition to mulberry, pulp was also made from bamboo, hibiscus bark, blue sandalwood, straw, and cotton.[7] Papermaking using pulp made from hemp and linen fibers from tattered clothing, fishing nets and fabric bags spread to Europe in the 13th century, with an ever-increasing use of rags being centr
Prompt: Pulp is a lignocellulosic fibrous material prepared by chemically or mechanically separating cellulose fibers from wood, fiber crops, waste paper, or rags. Mixed with water and other chemical or plant-based additives, pulp is the major raw material used in papermaking and the industrial production of other paper products.
Prompt: Enemy Mine is a 1985 American science fiction action drama film directed by Wolfgang Petersen and written by Edward Khmara, based on Barry B. Longyear's novella of the same name. The film stars Dennis Quaid and Louis Gossett Jr. as a human and alien soldier, respectively, who become stranded together on an inhospitable planet and must overcome their mutual distrust in order to cooperate and survive. An international co-production between the United States, United Kingdom and West Germany, Enemy Mine began production in Budapest in April 1984 under the direction of Richard Loncraine, who quickly ran into "creative differences" with producer Stephen Friedman and executives at 20th Century Fox; the project was shut down after a week of shooting. Petersen then took over as director and reshot Loncraine's scenes after moving the production to Munich. Originally budgeted at $17 million, the film ultimately cost more than $40 million after marketing costs were factored in, and was a box office failure during the 1985 holiday season, earning only a little over $12 million. However, the film was successful in the former Soviet Union, where it became the first Western sci-fi film shown in
Prompt: The Metamorphoses (Latin: Metamorphōsēs, from Ancient Greek: μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, painting, and music, especially during the Renaissance. There was a resurgence of attention to his work towards the end of the 20th century. Today the Metamorphoses continues to inspire and be retold through various
Prompt: Elements of the supernatural and the fantastic were a part of literature from its beginning. Fantasy elements occur throughout ancient religious texts such as the Epic of Gilgamesh.[6] The ancient Babylonian creation epic, the Enûma Eliš, in which the god Marduk slays the goddess Tiamat,[7] contains the theme of a cosmic battle between good and evil, which is characteristic of the modern fantasy genre.[7] Genres of romantic and fantasy literature existed in ancient Egypt.[8] The Tales of the Court of King Khufu, which is preserved in the Westcar Papyrus and was probably written in the middle of the second half of the eighteenth century BC, preserves a mixture of stories with elements of historical fiction, fantasy, and satire.[9][10] Egyptian funerary texts preserve mythological tales,[8] the most significant of which are the myths of Osiris and his son Horus.[8]
Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
Prompt: Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries.[citation needed] Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction.[1][2][3] Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.[1][3] Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous.[1] Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resurgence in the 1980s and 1990s, under the labels of New Weird and Slipstream, which continues into the 21st century.
Prompt: Non-conformity to strict genre definitions is a commonly recognized facet of new weird fiction. In The 3rd Alternative forum debate, Miéville emphasized this fluidity in his post stating that "New Weird – like most literary categories – is a moment, a suggestion, a tease, an intervention, an attitude, above all an argument. You cannot read off a checklist and say 'x is in, y is out' and think you've understand what's at stake or what's being argued."[10] According to Gardner Dozois, the VanderMeers' anthology "ultimately left me just as confused as to what exactly The New Weird consisted of when I went out as I'd been when I went in."[11] Robin Anne Reid notes that while the definition of the new weird is disputed, "a general consensus uses the term" to describe fictions that "subvert cliches of the fantastic in order to put them to discomfiting, rather than consoling ends".[2] Reid also notes the genre tends to break down the barriers between fantasy, science fiction and supernatural horror.[2] In comparing the new weird to bizarro fiction, Rose O'Keefe of Eraserhead Press claims that "People buy New Weird because they want cutting edge speculative fiction with a literary sla
Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
Prompt: Science fiction aliens are both metaphors and real possibilities. One can probe the nature of humanity with aliens that by contrast illustrate and comment upon human nature. Still, as evidenced by widespread belief in alien visitors (see UFOs) and efforts to detect extraterrestrial radio signals, humans also crave companionship in a vast, cold universe and aliens may represent hopeful, compensatory images of the strange friends we have been unable to find. Thus, aliens will likely remain a central theme in science fiction until we actually encounter them.[2]
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.