Prompt: According to Khan-Magomedov, two forerunners of the style were Ivan Fomin and Ilya Golosov. They converged on the same form from opposite directions – neoclassicism and constructivism. Fomin's concept, easily formulated, erected in steel and granite in Moscow (Dynamo Building), was well understood even by the inexperienced youth. "The youth instinctively followed those who managed to declare their stance clearly. The youth believed that this period is a self-sufficient cultural stage, not a transition to something else". In 1933–34, Golosov publicly disposed of the avant-garde. He returned to Neoclassicism, trying to avoid direct citations from the past. For example, he used square columns instead of traditional, round ones. Square, lean columns without capitals became a trademark feature of the emerging style. Golosov's entries in public design contests exposed his style to numerous followers.
Prompt: Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, employing French and Italian Baroque and Rococo formulas combined with an impressionistic finish and realism. In the façade shown above, Diana grasps the cornice she sits on in a natural action typical of Beaux-Arts integration of sculpture with architecture. Slightly overscaled details, bold sculptural supporting consoles, rich deep cornices, swags and sculptural enrichments in the most bravura finish the client could afford gave employment to several generations of architectural modellers and carvers of Italian and Central European backgrounds. A sense of appropriate idiom at the craftsman level supported the design teams of the first truly modern architectural offices.
Prompt: The Beaux-Arts training emphasized the mainstream examples of Imperial Roman architecture between Augustus and the Severan emperors, Italian Renaissance, and French and Italian Baroque models especially, but the training could then be applied to a broader range of models: Quattrocento Florentine palace fronts or French late Gothic. American architects of the Beaux-Arts generation often returned to Greek models, which had a strong local history in the American Greek Revival of the early 19th century. For the first time, repertories of photographs supplemented meticulous scale drawings and on-site renderings of details. Beaux-Arts training made great use of agrafes, clasps that link one architectural detail to another; to interpenetration of forms, a Baroque habit; to "speaking architecture" (architecture parlante) in which the appropriateness of symbolism was paid particularly close attention. Beaux-Arts training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, and knowledgeable detailing. Site considerations included the social and urban context.
Prompt: The Pavilions of Futuroscope in Poitiers by Denis Laming, 1984
The Tour de Montréal in Montreal by Roger Taillibert, 1987
The Tour de Montréal in Montreal by Roger Taillibert, 1987
L'Hemisfèric in the City of Arts and Sciences, Valencia by Santiago Calatrava, 1998
L'Hemisfèric in the City of Arts and Sciences, Valencia by Santiago Calatrava, 1998
The British Library of Political and Economic Science in London by Norman Foster, 2000
The British Library of Political and Economic Science in London by Norman Foster, 2000
L'Oceanogràfic in the City of Arts and Sciences, Valencia by Félix Candela, 2003
L'Oceanogràfic in the City of Arts and Sciences, Valencia by Félix Candela, 2003
Auditorio de Tenerife in Santa Cruz de Tenerife by Santiago Calatrava, 2003
Auditorio de Tenerife in Santa Cruz de Tenerife by Santiago Calatrava, 2003
El Palau de les Arts Reina Sofía in the City of Arts and Sciences, Valencia by Santiago Calatrava, 2005
El Palau de les Arts Reina Sofía in the City of Arts and Sciences, Valencia by Santiago Calatrava, 2005
The Turning Torso in Malmö by Santiago Calatrava, 2005
The Turning Torso in Malmö by Santiago Calatrava, 2005
Prompt: The distinctive white building resembles a flying saucer that has landed on its four legs. The initial design was created by James Langenheim, of Pereira & Luckman, subsequently taken to fruition by a team of architects and engineers headed by William Pereira and Charles Luckman, that also included Paul Williams and Welton Becket. The appearance of the building's signature crossed arches as homogeneous structures is a design illusion, created by topping four steel-reinforced concrete legs extending approximately 15 feet above the ground with hollow stucco-covered steel trusses. To counteract earthquake movements, the Theme Building was retrofitted in 2010 with a tuned mass damper without changing its outward appearance. Constructed near the beginning of the Space Age, the building is an example of how aeronautics and pop culture, design and architecture came together in Los Angeles.
Prompt: Dahinden influenced the field of architecture with ideas which have resulted in numerous suggestions and impulses. The centre of Dahinden's philosophy of the holistic nature of architecture is that it is a service to the human being. It is equally important to man as a physical and as a mental reality. In architecture the rational fulfilling of needs has to be complemented by taking into consideration the emotional world of the human being, whose state of mind and behavior are fundamentally influenced by architectural design. To Dahinden architecture as a language is of equal importance to architecture as a function. From this he has developed a very individual theory about contextualism in architecture.
Prompt: The Museum of Glass was designed by Canadian architect Arthur Erickson and was his first major art museum in the United States. The museum totals 75,000 square feet (7,000 m²) in area, featuring 13,000 square feet (1,200 m²) in gallery space and a 7,000-square-foot (650 m²) hot shop. This hot shop, shaped as an angled cone, is the museum’s most striking architectural feature. The cone, inspired by the wood "beehive burners" of the sawmills that once dotted the waterway, is composed of 2,800 diamond-shaped stainless steel panels and is 100 feet (30 m) in diameter at its base. Also featured in the Museum of Glass’ architecture are a sweeping concrete stairway that spirals around the exterior of the building, and three rimless reflecting pools featured on the museum’s terraces. Connected to the museum is the Chihuly Bridge of Glass, designed by Arthur Erickson in collaboration with artist Dale Chihuly, to connect the Museum of Glass to downtown Tacoma.
Prompt: It’s difficult to evaluate an architectural movement that exists almost entirely in conceptual terms. At present, the closest thing stylistically to Solarpunk architecture might be Singapore’s Garden City: a political initiative introduced by Lee Kuan Yew in 1967 to transform the dense city into an urban environment brimming with greenery. In recent years, Singaporean architecture has produced dozens of stunning projects evoking the Solarpunk ethos: the Supertree Groves, the Cloud Fountain, the Jewel Changi Airport and the Marina Bay Sands are but a few prominent examples. Such projects regularly make waves on the Solarpunk Reddit to varying degrees of approval, and some Redditors have offered mitigated praise for the city with the slogan: “Singapore minus cars = Solarpunk”.
Prompt: Therein lies the biggest pitfall of Solarpunk. The movement risks being whittled down to an aesthetic dimension, which in turn will undermine its own ecological philosophy. Solarpunk risks becoming a style without principles; a “green” architecture without green policies. Worse still, the movement could easily be co-opted by developers eager on giving the impression that their projects are environmentally sustainable while they continue to rely to carbon-emitting materials and energy-intensive design principles.
Prompt: Embedded within Harbin’s wetlands, the Harbin Opera House was designed in response to the force and spirit of the northern city’s untamed wilderness and frigid climate. Appearing as if sculpted by wind and water, the building seamlessly blends in with nature and the topography—a transfusion of local identity, art, and culture. “We envision Harbin Opera House as a cultural center of the future – a tremendous performance venue, as well as a dramatic public space that embodies the integration of human, art and the city identity, while synergistically blending with the surrounding nature,” said Ma Yansong, founding principal, MAD Architects.
Prompt: Taking advantage of the orientation of the plot, the function of the central cylinder is to allow the passage of light to the central space, where the pool is located, however, given its great camber, it provides the space with enough shade during sunrise and sunset to exempt the use of a roof on the terrace, allowing the space to be inhabited below shade most of the day. Its strategic location, right next to the interior social area, achieves the link between both spaces by opening all the sliding doors that separate the interior from the exterior.
Prompt: Neo-futurism with Art Nouveau elements is a unique architectural style that combines the sleek, futuristic forms of neo-futurism with the curvilinear lines and natural motifs of Art Nouveau. This style blends together the latest technologies and construction techniques with the elegance and refinement of Art Nouveau. One of the key features of neo-futurism with Art Nouveau elements is the use of organic shapes and natural motifs. Buildings in this style often feature undulating curves and flowing lines, creating a sense of movement and fluidity. The use of natural motifs such as flowers and leaves adds an element of elegance and sophistication to the design. Another hallmark of neo-futurism with Art Nouveau elements is the use of advanced materials and technology. Buildings in this style often incorporate the latest in sustainable materials and construction techniques, such as solar panels and green roofs. The combination of these elements creates a style that is both futuristic and timeless, incorporating the best of modern technology with the beauty and elegance of Art Nouveau.
Prompt: The Domaine de Bayssan Auditorium and Open-Air Amphitheater is a modern cultural complex located in Béziers, France. Designed by the French architectural firm Coloco, the complex is situated on a large estate and features a number of distinctive architectural elements. The auditorium is a large, cylindrical structure made of solid earth and planted with native vegetation, giving it a natural and organic appearance. The open-air amphitheater is a more traditional performance space, with a large semi-circular stage and seating for up to 1,800 people. The amphitheater is surrounded by a series of stepped terraces, which provide additional seating and create a sense of intimacy and connection between performers and audience members. The complex also includes a number of smaller buildings, including a reception area, a ticket office, and a storage facility. Overall, the Domaine de Bayssan Auditorium and Open-Air Amphitheater is a unique and innovative example of contemporary cultural architecture, which seamlessly blends natural and man-made elements to create a space that is both functional and visually striking.
Prompt: Neo-futurism is a style of architecture that emerged in the 21st century as a continuation of the earlier futurist movement. It is characterized by an emphasis on innovative technologies and sustainable design, as well as a fluid and organic approach to form and space. In contrast, modernism is a style of architecture that emerged in the early 20th century and emphasized simplicity, functionality, and the use of new materials and technologies. In the context of contemporary architecture, neo-futurism and modernism have been combined to create buildings that are both innovative and practical. Contemporary architects often incorporate modernist design principles, such as the use of clean lines and simple forms, and combine them with neo-futurist elements, such as the use of organic shapes, biomorphic structures, and sustainable materials. Examples of this combination of styles can be seen in buildings such as the Heydar Aliyev Center in Baku, Azerbaijan, designed by architect Zaha Hadid, which features a sweeping, fluid form that incorporates both modernist and neo-futurist design principles. Another example is the Shanghai Tower in China, designed by the American architectural fir
Prompt: urrealist architecture is a design style that emerged in the 1920s and 1930s as a way to challenge traditional architectural norms and explore the relationship between the built environment and the subconscious mind. Surrealist architecture often features dream-like elements such as unexpected juxtapositions of materials, spaces that seem to defy the laws of physics, and the use of organic shapes and forms. It often incorporates elements of surprise, whimsy, and subversion. Examples of surrealist architecture can be found in the works of architects such as Antoni Gaudi, Salvador Dali, and Frank Gehry. Famous structures in this style include the Casa Batlló and Sagrada Familia in Barcelona, Spain, and the Guggenheim Museum in Bilbao, Spain. Overall, surrealist architecture is a highly imaginative and playful style that challenges our preconceptions of what buildings should look like and how they should function. It encourages us to see the built environment in new and unexpected ways, and can be a source of joy and inspiration for those who encounter it.
Prompt: A futuristic building with lots of lines and waves would feature a highly innovative and dynamic architectural design that is both striking and functional. The building would be designed with a focus on fluidity and movement, with curved lines and wave-like forms that create a sense of energy and momentum. The exterior of the building could be made of sleek and reflective materials, such as glass or polished metal, to create a futuristic look. Lines and waves could be used to create patterns and shapes that emphasize the building's flow and motion. At night, the building could be illuminated with dynamic lighting that highlights its lines and waves. The lighting could change colors and patterns, creating an ever-changing spectacle that is visible from afar. Inside the building, the lines and waves could be used to create an immersive and dynamic experience for visitors. Spaces could be designed with fluid shapes and curves that create a sense of movement and flow. Interactive technologies could be used to create an engaging and interactive experience for visitors, allowing them to navigate the building's spaces in a unique and innovative way.
Prompt: Elliptic paraboloids are three-dimensional shapes that have an elliptical base and parabolic curves that run along its vertical axis. When these shapes are combined with neo-futuristic design principles, they can create stunning and dynamic structures that are both functional and visually appealing. One way to incorporate elliptic paraboloids in neo-futuristic designs is to use them as structural elements. The unique geometry of these shapes allows them to bear a lot of weight while remaining visually interesting. For example, a design could use a series of elliptic paraboloids to create a futuristic building that is both functional and visually striking. Regular polyhedrons, also known as platonic solids, are three-dimensional shapes with congruent faces and angles. Combining these two concepts can result in some interesting and creative designs. One way to incorporate regular polyhedrons in neo-futuristic designs is to use them as building blocks or modules.
Prompt: Neo-futurism architecture is a contemporary architectural style characterized by its innovative, cutting-edge, and often unconventional designs that incorporate advanced technology, sustainable practices, and innovative materials. It is an evolution of the earlier Futurism movement of the early 20th century, which was characterized by a fascination with speed, technology, and industry. A cubic plane curve, on the other hand, is a mathematical term referring to a curve on a two-dimensional plane defined by a cubic equation, which involves x and y coordinates raised to the third power. In simpler terms, it is a curve that has three bends, intersections or loops when graphed on a Cartesian plane. In the context of Neo-futurism architecture, the cubic plane curve can be used as a design framework to create unique, futuristic buildings that display a sense of fluidity, movement, and innovative form. Neo-futurist architects might employ the curve to explore novel architectural concepts and generate new spatial arrangements that could not be achieved using traditional straight lines or rectilinear angles.
Prompt: A combining of Neo-futurism and Art deco architecture with huge holes would result in a bold, unique and abstract design. The combination of these two architectural styles emphasizes both functionality and aesthetic appeal, leading to a structure that conveys both modernism and classical elegance. The Neo-futurist style would be reflected in the design’s use of steel, glass, and concrete, with clean lines and simple forms. This futuristic style would be broken up with an Art deco flare, incorporating ornate details such as metallic elements and geometric shapes. The shapes would range from sharp angularism to sleek curves, with the latter being emblematic of the Art deco period. The randomly placed huge holes would break up the building’s surface, creating a dynamic and intriguing visual effect. These gaps would be utilized for architectural functions, such as creating a wide entrance or allowing natural light to illuminate the interior. This design element would also serve as an innovative approach to airflow and sustainability, as it would allow for natural ventilation to cool down the building’s temperature.
Prompt: Combining Neo-futurism and Art deco architecture in Neptune would result in a unique and distinct architectural style that blends the futuristic with the historic. The Art deco architecture, known for its geometric shapes, bold colors, and intricate details, would add a sense of elegance and sophistication to the overall design. This style would feature symmetrical elements such as zigzags, curves, and chevrons, as well as metallic finishes, sleek lines, and intricate patterns. On the other hand, the Neo-futuristic style, characterized by its sleek and minimalist approach, would add a modern and innovative touch to the architecture of Neptune. This style would feature asymmetrical shapes, smooth curves, and a mix of materials such as glass, concrete, and metal.
The combination of the two styles would create a one-of-a-kind Neptune architecture that would stand out from other structures. The Art deco elements would bring a sense of nostalgia and character, while the Neo-futuristic elements would bring a sense of modernity, innovation, and technological advancement.
Prompt: Combining Neo-futurism and Art deco architecture in Uran would create an architectural style that is both futuristic and timeless. The Art deco style, known for its opulence, geometric shapes, and decorative detailing, would create a sense of elegance and luxury in the urban landscape of Uran. Meanwhile, the Neo-futuristic style, which favors simplicity, clean lines, and an emphasis on technology, would balance out the ornate Art deco details with a more streamlined and utilitarian approach. In this fusion architecture, we might see an Art deco façade with intricate geometries, bold colors, and embellished materials like glass, metal, terrazzo, and stucco. This aesthetic could extend beyond the exterior of the building to the interiors, with lavish furnishings, curved shapes, and bold patterns. However, to allow the building to meet the demands of modernity, the Neo-futuristic aspect of the design would incorporate concrete, steel, and glass to give it a sleek and minimalistic feel. The building could have a more open, streamlined layout, and feature technological advancements such as innovative lighting, energy-efficient heating and cooling, and high-tech security systems.
Prompt: Neo-futurism architecture with Astroids, Atriphtaloids, Nephroids, and Quadrifoliums is an advanced design movement that emerged in the late 20th century. It is characterized by its use of complex geometrical shapes to create buildings with a futuristic and innovative look. These shapes include Astroids, Atriphtaloids, Nephroids, and Quadrifoliums. Astroids are shapes that resemble stars with sharp edges. They are created by the intersection of two circles and can be used to create exciting exterior shapes of buildings. Atriphtaloids are another type of shape that can be used in the construction of buildings. They are created by the intersection of two ovals and are smooth, flowing shapes that can create a sense of movement in a structure. Nephroids are shapes that have the appearance of an hourglass. They are produced by the intersection of two arcs and are used to create a visually appealing pattern that looks futuristic. Finally, Quadrifoliums are four-leaf clover-shaped figures that are used to create a wide range of designs on building surfaces. They are derived from the intersection of four circles and can be used to create both organic and geometric shapes.
Prompt: Neo-futurism architecture with Klein quartic is a design movement that aims to create futuristic and innovative structures using the mathematical concept of Klein quartic. Klein quartic refers to a symmetrical curve that intersects itself in a complex and circular pattern. The curve has 24 self-intersections, and its symmetrical properties create a sort of fractal-like pattern that can invoke feelings of both complexity and simplicity. Buildings that incorporate the Klein quartic curve can be quite complex and unique, as the curve’s properties make it an eye-catching and attention-grabbing feature. One notable example of Klein quartic-inspired architecture is the MAXXI National Museum of the 21st Century Arts in Rome, Italy. The building was designed by Iraqi-British architect Zaha Hadid and showcases her signature, futuristic style that incorporates a range of geometric shapes and curves. Neo-futurism architecture with Klein quartic emphasizes innovation, technology, and complex design concepts. It is a style that is most commonly associated with modern or contemporary buildings, as architects and designers aim to push the boundaries of traditional structural design.
Prompt: Neo-futurism architecture with Klein quartic is a design movement that aims to create futuristic and innovative structures using the mathematical concept of Klein quartic. Klein quartic refers to a symmetrical curve that intersects itself in a complex and circular pattern. The curve has 24 self-intersections, and its symmetrical properties create a sort of fractal-like pattern that can invoke feelings of both complexity and simplicity.
Prompt: Neo-futurism architecture with Bolza surfaces is a design movement that emphasizes the use of mathematical curves called Bolza surfaces to create geometrically complex and innovative structures. Bolza surfaces are a type of complex projective geometry that creates a curved surface using mathematical equations. These surfaces have a very particular look, featuring a repeating pattern of curves, symmetry, and volume. Buildings that incorporate Bolza surfaces are often characterized by their intricate and dynamic shapes. The use of these surfaces allows architects to create organically curved forms that can twist and turn in space. Some examples of buildings that utilize Bolza surfaces include the Solomon R. Guggenheim Museum in New York City, designed by Frank Lloyd Wright, and the Guangzhou Opera House in Guangzhou, China, designed by Zaha Hadid. Neo-futurism architecture with Bolza surfaces is an advanced design movement that requires a deep understanding of mathematics and geometry. As such, architects and builders who utilize this style are often highly skilled and experienced professionals. Bolza surfaces can be used to create a wide range of shapes and designs, from swooping
Prompt: Synth is a sub-genre of Neo-futurism architecture that is inspired by digital technology and computer-generated imagery. It is characterized by the use of curved lines and smooth surfaces to create buildings that resemble organic forms. Synth architecture is highly futuristic and often features bold colors and striking visual effects. Aqueducts, on the other hand, are structures that have been used for centuries to transport water from one place to another. They are a form of architectural engineering that combines both functionality and aesthetic appeal. In Neo-futurism architecture, aqueducts are often redesigned to incorporate innovative features such as sustainable materials, energy-efficient systems, and smart technology. This creates a new form of aqueduct architecture that is both functional and visually appealing.
Prompt: Synth Neo-futurism architecture is a sub-genre of the larger Neo-futurism movement that takes inspiration from digital technology and computer-generated imagery. It is characterized by the use of curves, smooth surfaces, and futuristic elements to create buildings that look like they could be from a science fiction movie. Synth architecture is all about innovation, creativity, and pushing boundaries. The Stoa, on the other hand, is a type of ancient Greek architecture that was used for public gatherings, markets, and other similar events. It is characterized by a long, covered walkway that is supported by columns on one side and a wall on the other. The Stoa was designed to provide shelter from the elements while also creating a space for people to gather and socialize. While these two styles of architecture may seem very different at first, they actually share a common goal: to create functional spaces that serve a specific purpose. While Synth architecture is focused on pushing the boundaries of what is possible with modern technology, the Stoa was designed to provide a practical solution to a common problem in ancient Greece.
Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes futuristic design elements, advanced technologies, and innovative materials. One of the distinguishing features of this style is its embrace of sustainable design practices and energy-efficient construction methods. Imbrex and tegula are two types of clay roofing tiles that were common in ancient Greek and Roman architecture. The imbrex is a half-tile, and the tegula is a long, flat tile. Both types of tiles were designed to interlock, creating a sturdy and water-resistant roof. In neo-futurism architecture, imbrex and tegula tiles may be used in decorative or functional ways. They may be incorporated into facades, creating intricate patterns that add visual interest to the structure. They may also be used as an energy-efficient roofing option, providing thermal insulation and reducing the amount of energy needed to regulate the temperature inside the building. Overall, neo-futurism architecture with imbrex and tegula represents a fusion of ancient construction techniques and modern design principles. By incorporating these traditional elements, neo-futurist architects are able to create stunning.
Prompt: Neo-futurism architecture is a contemporary architectural style characterized by a futuristic design aesthetic, advanced technology, and innovative construction materials. It emphasizes sustainable building practices and energy-efficient design to create structures that are visually stunning and environmentally responsible. Decorative arts refer to the creation of functional or ornamental objects that are aesthetically beautiful and add visual interest to structures. In neo-futurism architecture, decorative arts are often used to enhance the futuristic and sculptural quality of buildings. Decorative arts may include anything from glasswork and ceramics to metalwork, textiles, and various forms of sculpture. In neo-futurism architecture, decorative arts may be incorporated in a wide range of ways. For example, decorative lighting may be used to create unique visual effects within the building, while artworks and sculptures may be strategically placed to enhance the atmosphere of the building. Additionally, decorative elements may be integrated into the building’s façade as ornamental accents or sculptural features.
Prompt: Neo-futurism is a design and art movement that typically incorporates futuristic and technological elements while Cambrian geological period refers to a time period in Earth’s history that dates back to around 541 million years ago during which complex life forms emerged which had rudimentary forms of eyes and mouth. A fantasy combination of Neo-futurism with Cambrian geological period elements would be a world that is set in the future, where there are advanced technologies and an emphasis on sustainability, but the design and architecture are inspired by the forms of life that existed during the Cambrian period. The buildings and structures in this world would be designed to mimic the shapes and forms of ancient sea creatures such as trilobites, brachiopods, and crinoids. The materials used to construct these buildings would be specific to the world, incorporating naturally occurring minerals, metals and even fossils as part of the design elements. The interiors of these buildings would be designed to reflect modern comforts while also incorporating ancient designs such as cave-like spaces, biomimetic shapes, intricately patterned wall panels and textured surfaces.
Prompt: Neo-futuristic architecture is a style that blends futuristic elements with classic architectural design, creating a unique and innovative look. In a fantasy world, this style could be taken to new heights, incorporating elements that exist only in our wildest imaginations. One example of such a structure might be a towering cityscape that seems to grow up from the earth like a giant, shimmering crystal. The building’s walls would be made of a transparent, crystalline material, giving the illusion that the entire structure is floating in the air. The floors would be connected by wafer-thin bridges that seem to extend out into nothingness, creating the impression that the city is suspended in mid-air. Inside the building, the futuristic design would continue, with rooms decorated in a sleek, minimalist style. Hallways would be lined with softly glowing LED lights that change color depending on the time of day or the purpose of the space. In the center of the complex would be a massive green space, featuring a garden of lush, exotic plants and trees that seem to spring up from crystal beds.
Prompt: A combination fantasy Neo-futurism architecture with Klein bottle would be an innovative and visually stunning creation. The building would be characterized by its bold and angular shapes, shiny metal surfaces, and brightly colored accents. At the heart of the structure would be the Klein bottle, a complex mathematical concept that embodies a single continuous surface with no inside or outside. The Klein bottle would serve as the central element of the building, rising up from the ground like a towering sculpture. Surrounding the bottle would be a series of interconnected spaces, each with their own unique architectural features. Perhaps there would be a rooftop garden with winding, geometric pathways, or a lobby with a grand spiral staircase that wraps around the Klein bottle. The overall design of the building would embrace a futuristic aesthetic, with sleek lines and high-tech materials, and would incorporate sustainable features such as solar panels and green roofs. The interior space would be open and airy, with expansive windows that showcase breathtaking views of the surrounding landscape.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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