Prompt: Dreamy hazy breezy watercolor, wet on wet painting, beautiful thick aquarelle paper, gold sprinkles, soft edges. A stunning young woman with long neon pink hair wearing a silky pink top hat with a pale pink ribbons and a rose in her hair. She is wearing an edgy pink and white dress where bare skin is exposed, almost futuristic with silver buckles, white knee highs and sparkly neon pink glitter high heel boots with buckles. She is sitting next to a huge pink and white long fur tabby cat wearing a grin while looking at the camera. Shrink to fit, full body in frame. In the background are big white rabbits with cherry blossom pink trees. Awesome creativity, ultra detailed, magical, enchanting, unique. No frame no artifacts no words.
Prompt: *Impressionistic oil on canvas, visible brush strokes, vibrant heavenly colour palette.
*The scene shows the upper surface above the water, while the lower one is below the surface of the sea with a female person in a meditating position.
*I ran away. I ran away to the sea. I quit my job, ran away from abusers in the company and family. Drove for 12 hours in the worst serpentines at night. But I ran away, just so my soul could find rest. Because the sea has always been the only place where I can breathe. I'm not drowning, I'm consciously looking and talking in the water, I'm hunting the sun's rays below the surface and the sun's stars on the surface. The sea not only heals my soul but also my body, hormonally destroyed due to psychological abuse. At least 10 days. Although I miss Kozma too much. But he wouldn't make it this time easily. I am an experienced driver. And I need solitude this time. The last jolts of this summer to show me where to go and whether to go. Sea please save me. I can only breathe with you.
Prompt: Lovecraftian, pastoral folk horor.
Pine forest scene. Abandoned woodland.
Black,crimson, brass, ochre and sepia, high contrast.
Some kind of masterpiece would be nice.
(((Very Cosmic horror, much eldritch and hyper Lovecraftian))).
Satanic nostalgia, glory. Moody, nauseating, desaturated colors.
Ink and oil on paper.
In the style of Jakub Schikaneder, Felicien Rops and Jacek Yerka.
Ensure all significant elements remain within boundaries.
Prompt: iridescent pale watercolor, gouache, light brush strokes, wet on wet. Story book fantasy. A whimsical scene featuring a slender, gender-neutral character riding correctly a vintage bicycle. The character has a fair skin tone and striking, large eyes. Their long, black hair is styled in an elaborate, swirling manner, creating a sense of motion. They are dressed in a stylish gray and yellow dress with intricate patterns, the skirt billowing out in ruffled layers. The character's legs are elongated, adorned with black, knee-high stockings and elegant black ankle boots. In the woven basket on the front of the bike, two adorable, stylised cats—one sitting upright with a playful expression and the other peering over the edge—add a charming touch. The background features an ethereal, softly blurred cityscape under a pale sky, detailed with whimsical flowers and delicate butterflies fluttering around. The overall colour palette features warm browns, creams, and hints of darkness, enhancing the captivating blend of whimsy and elegance in the scene.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene reinterprets a lush bamboo forest as the grand, ornate interior of a vast, organic cathedral. The bamboo stalks soar overhead like intricate columns and vaulted arches, their segmented forms beautifully detailed with fine ink lines and soft, variegated washes of emerald, jade, and charcoal. In the center stands a tall, elegant woman, her form a vision of avant-garde haute couture. Her dark grey dress is an architectural masterpiece of layered tulle, raw silk, and technical fabric, meticulously rendered with controlled cross-hatching and diluted ink washes to create a stark, sophisticated silhouette against the chaos. Her pose is one of alarm, reinterpreted as a high-fashion gesture—her head tilted back, her face pale and serene with large, captivating eyes wide with stylized surprise. Her headpiece is an abstract, geometric construction reminiscent of fractured bamboo, adorned with delicate, blood-red accents drawn with fine stippling, like scattered petals or drops of ink. Descending from the canopy are multiple figures, transformed from wuxia assassins into avant-garde models in lethal, architectural ensembles. Their black-clad forms are crafted from sharp, swift ink strokes—energetic splatters, drips, and precise cross-hatching—making them appear as ethereal, lethal extensions of the forest itself. Their garments feature exaggerated, razor-sharp tailoring, with harness-like elements and flowing trains that blend into the chaotic inkwork, as if they are repelling down strands of ink and shadow. Their faces are obscured by minimalist masks or stylized makeup, emphasizing their role as surreal, menacing motifs. The lush green of the bamboo is a bold, selective watercolor wash, with vibrant wet-on-wet blends and splashes that pool and bleed into the paper’s texture, creating an abstract, dreamlike backdrop. The overall color palette is a study in high-contrast elegance: the deep blacks and greys of the figures’ outfits punctuated by the vibrant emerald and jade of the forest, and dramatic accents of deep crimson. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the woman’s cheek, mirroring the descending assassins. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the dynamic tension and haunting beauty of the moment. Pen and ink drawing, watercolor, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, high-contrast, surreal fashion, organic architecture, bamboo forest, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The tranquil riverside is reimagined as the grand, hallowed interior of a natural cathedral. The solitary birch tree transforms into a soaring, architectural column of textured white bark, its dark markings intricately detailed with fine ink lines and soft sepia washes, evoking the grandeur of a sacred space.
The rugged man is re-envisioned as a tall, elegant figure in a moment of haute couture contemplation. His beard is meticulously groomed into a sharp, sculptural shape, and his cap becomes an abstract, architectural headpiece reminiscent of twisted roots or a deconstructed fedora, adorned with delicate patterns of blood-red foliage or bark, drawn with fine stippling. His rolled-up shirt is transformed into a deconstructed avant-garde garment—layered panels of raw linen, textured silk, and leather that mimic birch bark and river-worn stone, rendered with precise cross-hatching and diluted ink washes that reveal a tailored, proportional anatomy beneath.
The river flows gently beside him, its currents etched in sinuous ink lines and translucent washes of slate grey and muted aqua, blending seamlessly with the ethereal, flowing trains of his attire. The lush green trees and stunning mountain peaks are stylized into a surreal, fashion-forward backdrop: the foliage forms intricate, embroidered-like patterns, and the peaks become sharp, architectural silhouettes against a softly colored sky, washed in hues of dawn pink and twilight blue. The overall palette is muted and elegant: the ochres of the earth, the sepia and charcoal of the tree, and the deep greens of the forest, punctuated by the figure’s monochrome ensemble and dramatic accents of crimson and burgundy.
His face is pale and serene, with large, captivating eyes turned inward in reflection; a single, perfect tear of crimson watercolor rolls down his cheek, symbolizing profound solitude. The style fuses symbolist art and avant-garde fashion illustration, capturing the textured, painterly quality of a moment of reverence within nature’s cathedral. Pen and ink drawing, watercolor, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, textured paper, translucent washes, muted color palette, deep crimson accents, surreal fashion, natural architecture, Beksinski-esque lines, Redon symbolism, non-photorealistic, high fashion editorial, intricate detailing.
Prompt: An interior scene featuring an African American woman wearing a knight's helmet, seated in a white rocking chair, with her legs extended in front of her; a smaller figure of a person with a knight's helmet, riding a rocking horse and holding a long golden instrument is placed suspended behind and to the left of the woman. The scene is set against a coral-colored wall with a decorative raised panel and stylized magnolia branches. There is an intentional naive art style, reminiscent of poster illustration and early 20th-century modernism, with simplified forms and flat planes.
The color palette is dominated by coral-pink hues, contrasted with browns, stark whites, muted emerald greens, and touches of golden yellow. The overall artwork exudes an intriguing mood, capturing a sense of quietude and contemplative isolation.
Composition is a balanced vertical, with foreground potted plants and the woman in the rocking chair prominently featured, while the figure on the rocking horse accentuates the wall behind them. The artist employs a low angle, with flat, diffuse lighting, creating soft shadows and highlighting texture details in the wall's paneling and the woman's bare skin.
Prompt: Abstract geometric composition, inspired by Malevich, incorporating elements from Endre Penovac and Lee Bogle, fine sand painting technique, vamp aesthetic, textured surface, gray and burgundy color palette, grainy texture for depth, silhouette of a couple in the foreground, minimalist yet expressive, intricate patterns in the sand, high contrast, sharp lines, avant-garde interpretation, intricate details, mysterious lighting.
Prompt: Realistic masterpiece, airbrush, watercolor, acrylic, on a white background, double exposure, full length, very beautiful Queen Cleopatra in brown and yellow outfit, sitting on a throne, Egypt, pharaohs, pyramids, Nile river, camel caravan in the distance, yellow sand, snake, 1 bird in the blue sky, hyperdetalization, cinematography, sketch, watercolor, sfumato with lots of details, drawing, pastel colors, Lee Bogle style
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Ginger-haired Girl and the Rooftop Garden
On top of a tall city building, hidden from the noise of the streets, there’s a small rooftop garden. The evening sky stretches wide, painted with Glazing layers of soft lavender and orange, blending into each other like melting silk.
Among potted plants, wildflowers, and vines climbing across wooden beams, sits a ginger-haired girl. Her curls glow like molten copper, built with thick Impasto strokes that catch the fading sunlight.
She leans back in a worn wicker chair, sketchbook in her lap. With a pencil in hand, she sketches the skyline – rooftops, antennas, and scattered windows lit like stars. The Mixing Palette Knife gives the city below a blurred, abstract texture, as if it’s part dream, part reality.
Around her, small lanterns begin to glow, and a light wind lifts strands of her hair. The scene feels private, secret – a world above the world, where she can create, think, and just be.
Prompt: A wistful young girl standing in a dark and ominous garden, mixed media, patchwork, quaint, Goth, black and white and red textures, mixture of illustration and photography; by Aubrey Beardsley, by Tomasz Setowski; vibrant melting whispy coloured patterns, blues, oranges, purples, ethereal aura, delicate feather-like shoulder designs, flowing hair intertwined with patterns, defined yet stylized facial features, mysterious expression, beauty and surrealism blend, organic and geometric shapes, white lines, deep black background.
Prompt: {Pointing a gun at viewer! turn it upside down and put it on its head and turn it right-side up and put it on its feet } Holli Would from Cool World ((( mind from mindlessness and thoughts from chaos of synthetic machinarium god ))) gomu gomu no mi downright traumatic, unpredictable, oppressively frightening {It's Natural to Be Afraid : by Gris Grimly as by Andy Kehoe, Seurat, Redon, Turner}_{comically grotesquely whimsical Hellish_Maggot_Vintage_Echoing_Visuals with one big red googly eye up there and titanium chattering teeth down there, It's playing Bat_Cat's Cradle game with a bloody string shaped as heart, Panic!, jiggly brain, it will grow out of hell spawn and with all that anger against life. Elements of photorealism in a truncated hyper-surreal scene. Blended art style in one by: Molzahn, Hockney, Caulfield, Craig-Martin, Voynich, Luigi Serafini, dystopian bio horror feeling}_{Inspired by The Andromeda Strain (1971) and Luigi Cozzi's movie Contamination (1980)}
Prompt: It's the shore, it's the sea, it's the sun, it's the blizzard, it's the swallows, it's the crows. Two eternal roads - love and separation - pass through my heart.
Prompt: at sunset, deep long shadows dominate the image, dark corners without light, rendered in a vibrant Risograph print style, skip, drift, overlapping shapes, using faded pink, mustard yellow, teal and darkest inky black.
A surreal, close up fisheye-lens view of a small boy looking up standing in the shadow of a skeleton Tyrannosaur Rex in the museum, bright overhead sunlight shines through the window and casts long dark deep shadows across the marble floor.
The skeleton towers over the boy with menace, shadowy jaws on the ground exaggerate the mood.
The floor is a brocade pattern in Italian marble, complex patterns that accent the long shadows.
Prompt: Create a surreal artwork that represents, in a colorful way, the following concept:
"Divine gift does not come from a higher power, but from our own minds."
Very balanced dreamlike composition, in style by Scott Bergey, Richard Burlet and Tang Yau Hoong
Prompt: Create a surreal image that represents, in a minimal, colorful way, the following concept:"There may be infinite ways to arrive at the inevitable." Very balanced dreamlike composition, in style by Andre Kohn, Bill Carman and Sana Takeda
Prompt: Create a surreal image that represents, in a creative way, the following concept:
“If you can’t laugh at yourself, you’re missing out on all the fun.”
Patchwork, surreal composition, in style by Richard Burlet and Kaia Coopman
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
3w
