Prompt: „Medieval elderly tax collector reading and speaking a parchment in front of angry northern german farmers , man and woman, with raised tools, weathered rural clothes, expressive angry gestures, natural lighting, full body scene, historic clothing, castle background“
Prompt: Highly detailed painting of a group of Norse adventurers with decorated round shields, standing near stylized dragon-prowed ships under a dramatic cloudy sky. In the background, mythical creatures with wings soar above glowing structures. Nordic fantasy scene, cinematic composition.
Prompt: Highly detailed painting of a group of Norse adventurers with decorated round shields, standing near stylized dragon-prowed ships under a dramatic cloudy sky. In the background, mythical creatures with wings soar above glowing structures. Nordic fantasy scene, cinematic composition.
Prompt: "Do not crop! Keep full width, Hyybrid symbiosis of Reference images, "Use the uploaded PNG image with the very exact inscription 'WALHALLA EDITION' in Angars Runes font as the central and unaltered element. Preserve the exact shape, proportions, and placement of the letters – do not modify or replace the font. Extend the horizontal canvas on both sides with richly textured, aged driftwood – bleached, weathered, and cracked from the sea. Integrate detailed bronze Viking dragon heads into the extended driftwood surface, one on each side of the inscription. Add subtle metallic Celtic knotwork to the top and bottom borders of the wood. Illuminate the scene with warm, directional light from above to bring out the grain of the driftwood and the embossed bronze elements. The original text must remain fully visible and perfectly centered."
Prompt: Comic book page in DIN A4 format, early Marvel style. No page title. Five dynamic panels about trench warfare in a surreal cancer-themed setting ("Krebsfront").
Panel 1: Officer Onko leans over a map in a dark trench, fog and tired soldiers around. Speech: “Do you really think now’s the right time to debate a chemical weapons ban?”
Panel 2: Karzinom whispers to muddy young soldier. Speech: “Yesterday it was photon weapons. Tonight? Heavy ions – sold to China.”
Panel 3: Circular panel of Blastom shrugging. Speech: “Another trench rumor.”
Panel 4: Wide battlefield panel with grave markers and fog. Caption: “The frontline was marked with crosses and glass tombstones…”
Panel 5: Lower fifth of the page is a blank colored box (same muddy background tone) for inserting German source text later.
Style: vintage comic with strong ink lines, expressive shadows, saturated but gritty tones. Panels are irregular, one circular. No title banner.
Prompt: A hyperrealistic and symbolically charged scene: Sigmund Freud stands on a windswept plateau, just after completing a powerful golf swing. He holds a realistically rendered golf club in both hands, mid-follow-through. From the point where the ball would have been struck, a glowing spiral arcs into the sky – a vast, ascending double helix that follows the imagined flight path of the golf ball. The helix is made of semi-abstract, fully clothed human figures interwoven into the twisting structure: symbolic archetypes like child, scholar, laborer, elder, and visionary. The spiral rises diagonally into the sky in a long, graceful curve, trailing light and shadow. As it gains altitude, it becomes increasingly translucent, fading into stardust or memory. Freud stands calmly, his coat caught by the wind, bathed in golden low-angle light. The background is a vast sky of stormy greys and cosmic glow. Mood: sublime, introspective, mythic, psychologically charged.
Prompt: Transform this concept into a hyperrealistic steampunk hybrid symbiosis of a creature design, based on the reference images. Focus on highly detailed mechanical surfaces, intricate gearwork, and embossed textures with realistic shadows and dimensional depth. The figuresshould look like a monumental machine-beast, as if sculpted from aged bronze, brushed steel, and oiled iron — parts gleaming, others oxidized. Use dramatic lighting to enhance surface volume and glossy patina effects. Include subtle engravings and blueprint-like background details, but elevate the scene into a cinematic, lifelike render — halfway between scientific illustration and surreal diorama. --style photographic --ar 16:9 --ref [Deine Skizze(n)] --v 5
Prompt: Surreal cabinet of curiosities, a hyperrealistic panopticon of hybrid beings and anthropomorphic chimeras, blending fish, birds, skeletal remains, and twisted vegetative forms reminiscent of mangrove roots and strangler fig vines. Some creatures displayed in ornate glass reliquaries and shadow boxes like sacred relics, others moving freely through the scene. Sparse accents of polished bronze and gilded metal contrast with organic textures. Soft, indirect lighting and subtle shadows create depth. No vivid colors – a muted, earthy palette with occasional glossy highlights. The overall effect: dreamlike, tactile, eerily plausible --ar 16:9 --v 6 --style raw --hd
Prompt: Wunderkammer by Jens Rusch, with surreal, mystical Animals, otherwordly creatures, Deepsea creatures, No furry animals, without human person, phantastic creatures, Fishes with birdheads, Fish-skelletons, anthropomorphical beings, By David Merriam, Norman Rockwell, James Jean, Mark Ryden, Brian Froud, Zdzisław Beksiński Polish painter, H. R. Giger, Hieronymus Bosch, Greg Rudkowski, high definition, crisp quality.
some elements in shining silver metalic and bronze
Prompt: Wunderkammer by Jens Rusch, with mystical Animals, otherwordly creatures, Deepsea creatures, No furry animals, without human person, By David Merriam, Norman Rockwell, James Jean, Mark Ryden, Brian Froud, Zdzisław Beksiński Polish painter, H. R. Giger, Hieronymus Bosch, Greg Rudkowski, high definition, crisp quality.
some elements in shining silver metalic and bronze
Prompt: Create a darkly symbolic and hyperrealistic tableau, merging elements from own surreal artworks: a dramatic scene with puppet-like wooden figures on a patterned surface, surrounded by claw-like machines and tangled root structures; a ritualistic council of robed figures with bird-like masks and ancient skeletal remains, set in a pale, misty hall; and a majestic throne chamber with a seated thinker, surrounded by gothic architecture, animal guardians, and looming stone effigies. Blend these elements into one atmospheric composition. Emphasize tactile materials like carved wood, aged cloth, oxidized bronze, and rough stone. Use cinematic lighting: warm glow near the center, fading into cool ambient shadows. Maintain a metaphysical mood, rich in allegory, but avoid horror clichés. The scene should feel visionary and timeless – like a dream painted with a realist’s precision. Focus on texture, contrast, and architectural depth. The tone is introspective and monumental, as if excavated from a forgotten myth.
Prompt: Create a darkly symbolic and hyperrealistic tableau, merging elements from own surreal artworks: a dramatic scene with puppet-like wooden figures on a patterned surface, surrounded by claw-like machines and tangled root structures; a ritualistic council of robed figures with bird-like masks and ancient skeletal remains, set in a pale, misty hall; and a majestic throne chamber with a seated thinker, surrounded by gothic architecture, animal guardians, and looming stone effigies. Blend these elements into one atmospheric composition. Emphasize tactile materials like carved wood, aged cloth, oxidized bronze, and rough stone. Use cinematic lighting: warm glow near the center, fading into cool ambient shadows. Maintain a metaphysical mood, rich in allegory, but avoid horror clichés. The scene should feel visionary and timeless – like a dream painted with a realist’s precision. Focus on texture, contrast, and architectural depth. The tone is introspective and monumental, as if excavated from a forgotten myth.
Prompt: A photorealistic 3D rendering based directly on a surreal sketch of a group of vintage garden gnomes in theatrical poses. The composition follows the original hand-drawn layout: several gnomes with exaggerated proportions are arranged theatrically. One gnome pushes a realistic wheelbarrow in which a single, oversized cucumber lies horizontally, clearly visible and naturally resting. Each of the other gnomes holds a large cucumber in their hands. All of the gnomes’ pointed hats taper off organically in the shape of cucumbers. The entire image is rendered in a uniform sepia tone, styled like an antique daguerreotype photograph from the 19th century. Warm stage lighting casts realistic shadows and textures. The background is covered in aged, yellowed typewritten manuscript pages, referencing Arno Schmidt. The phrase 'PENIDEN, ALLES PENIDEN' is subtly embedded in the background. The scene has faded edges, dust particles, and a surreal, intellectual, vintage atmosphere.
Prompt: A realistic fish wrapped in a german newspaper, showcasing the fish's scales and fins clearly. The newspaper is crumpled and tied with string, with the headline "SCHAUERFELD" visible. The background is plain and neutral, highlighting the unusual combination of the fish and the wrapped newspaper. The overall composition emphasizes the contrast between the natural form of the fish and the man-made texture of the newspaper.
Prompt: A realistic fish wrapped in a german newspaper, showcasing the fish's scales and fins clearly. The newspaper is crumpled and tied with string, with the headline "SCHAUERFELD" visible. The background is plain and neutral, highlighting the unusual combination of the fish and the wrapped newspaper. The overall composition emphasizes the contrast between the natural form of the fish and the man-made texture of the newspaper.
Prompt: A realistic fish wrapped in a newspaper, showcasing the fish's scales and fins clearly. The newspaper is crumpled and tied with string, with the headline "DAILY NEWS" visible. The background is plain and neutral, highlighting the unusual combination of the fish and the wrapped newspaper. The overall composition emphasizes the contrast between the natural form of the fish and the man-made texture of the newspaper.
Prompt: A wide, hyperrealistic panorama of the Eider River gently winding through a Northern German landscape at dusk. On both riverbanks, majestic trees rise — but each one is the transformed body of a classical musical instrument.
Brass instruments, woodwinds, and strings — all seamlessly turned into trees:
– A tuba becomes a massive oak with twisted, moss-covered limbs
– A French horn resembles a hornbeam, its coils embedded in bark
– A trombone stretches into a tall ash, its slide fused into a central trunk
– A saxophone weeps like a willow with curved brass branches
– A clarinet sprouts slender alder-like branches from its tone holes
– A violin is reborn as a flowering cherry, fine cracks in the varnish filled with lichen
– A double bass becomes a thick yew with ancient roots gripping the shore
– A harp rises as an ethereal birch, its strings replaced by trailing vines
– A grand piano lies half-buried, its open lid forming wings of ivy-covered bark, branches bursting through the keys
The foliage on all these trees is entirely natural — rich and varied: oak, beech, ash, willow, birch — all rendered in painterly detail. No literal notes or symbols. Only upon close viewing do some forms echo musical shapes: a branch curves like a clef, the bark's grooves resemble faded staves.
The river Eider reflects the trees softly, its surface rippling with the golden light of early evening. Thin mist rises from the water. The atmosphere is solemn, reverent, and dreamlike — as if music once played here has taken root and become eternal.
Prompt: A hyperrealistic, dreamlike riverside scene near " TELLINGSTEDT" wooden sign, during early evening. Large anthropomorphic freshwater fish — with realistic fish heads (carp, trout, zander, pike) and human arms and legs — return solemnly to the river. Each carries heavy stacks of books: some under their arms, others strapped to their backs with leather harnesses or nets. One fish holds a book with the clearly readable title “SCHULE DER ATHEISTEN.”old weathered Daguerrotypie
Prompt: Ultra-realistic , hyperrealistic , surrealistic riverside scene near Tellingstedt, , early evening. A fish-man sits rowing in a particularly large handfolded paper boat, A big group of large anthropomorphic freshwater fish – lifelike textures, human legs and arms, fish heads (carp, trout, zander, pike) – are returning to the river.
Each fish still carries a stack large, heavy books: some tucked under their humanlike arms, others strapped to their backs with leather harnesses or nets. One fish clearly holds a thick volume with the visible title “SCHULE DER ATHEISTEN” (no spelling errors).
Several fish stand on the muddy riverbank, while others wade knee- to waist-deep into the Eider. ,
Some are carefully placing big paper boats with typographical words of Arno Schmidt into the water – delicate, hand-folded from stained manuscript pages. A few boats are already drifting downstream.
The town sign “TELLINGSTEDT” stands in the far background, farther away but still clearly readable.
Mist rises softly from the water, grass sways slightly in the breeze, and a quiet ritual mood fills the scene.
Paper text is abstract or blurred except for the book title. Rich textures: wet scales, book leather, soaked paper, muddy water. No irony – the mood is solemn, symbolic, poetic.
Style: painterly hyperrealism, like a dream remembered in absolute clarity.
Prompt: Ultra-realistic , hyperrealistic , surrealistic riverside scene near Tellingstedt, , early evening. A fish-man sits rowing in a particularly large handfolded paper boat, A big group of large anthropomorphic freshwater fish – lifelike textures, human legs and arms, fish heads (carp, trout, zander, pike) – are returning to the river.
Each fish still carries a stack large, heavy books: some tucked under their humanlike arms, others strapped to their backs with leather harnesses or nets. One fish clearly holds a thick volume with the visible title “SCHULE DER ATHEISTEN” (no spelling errors).
Several fish stand on the muddy riverbank, while others wade knee- to waist-deep into the Eider. ,
Some are carefully placing big paper boats with typographical words of Arno Schmidt into the water – delicate, hand-folded from stained manuscript pages. A few boats are already drifting downstream.
The town sign “TELLINGSTEDT” stands in the far background, farther away but still clearly readable.
Mist rises softly from the water, grass sways slightly in the breeze, and a quiet ritual mood fills the scene.
Paper text is abstract or blurred except for the book title. Rich textures: wet scales, book leather, soaked paper, muddy water. No irony – the mood is solemn, symbolic, poetic.
Style: painterly hyperrealism, like a dream remembered in absolute clarity.
Prompt: Damaged 19th-century daguerreotype photograph, heavily scratched and corroded at the edges, showing two men aboard a grotesquely baroque riverboat on a narrow, misty waterway. One resembles Arno Schmidt, wild-eyed, holding a crumpled scroll; the other, James Joyce, wearing a tilted bowler hat and small round glasses, gazing toward the muddy shoreline. Their ship is surreal and decayed, its bow shaped like a tentacled sea creature. The only legible word: KANDACE
Prompt: Ultra-detailed, hyperrealistic surreal oil painting of a grotesquely ornate baroque galleon sailing on the narrow Eider River in Northern Germany near Tellingstedt. The ship, named KANDACE, is a twisted tribute to H.G. Wells' journey. The deck is crowded with five eccentric literary giants portrayed as court jesters and visionaries:
– Arno Schmidt, center front, cross-legged, wearing a brightly colored jester's robe, holding a typoscript scroll, wild eyes
Prompt: Hyperrealistic oil painting of a Spanish "Saltar de palomos" scene. A large flock of domestic pigeons bursts into the sky in mid-flight, seen from below against a bright, slightly cloudy sky. The pigeons have vividly painted undersides of their wings — rich tones of red, yellow, green, orange and blue, as if brushstroked directly onto their feathers. Each bird shows dynamic wing movement, with detailed feather texture and gleaming iridescence. Light reflects off the pigment and feathers, capturing a festive and surreal moment. No people, only the birds in the sky, in a wide composition with soft Mediterranean daylight.
Prompt: Hyperrealistic oil painting of a Spanish "Saltar de palomos" scene. A large flock of domestic pigeons bursts into the sky in mid-flight, seen from below against a bright, slightly cloudy sky. The pigeons have vividly painted undersides of their wings — rich tones of red, yellow, green, orange and blue, as if brushstroked directly onto their feathers. Each bird shows dynamic wing movement, with detailed feather texture and gleaming iridescence. Light reflects off the pigment and feathers, capturing a festive and surreal moment. No people, only the birds in the sky, in a wide composition with soft Mediterranean daylight.
Prompt: Hyperrealistic surreal scene in wide format. Four Victorian hot air balloons made from oversized crystal glass light bulbs with ornate brass screw bases and antique > spiral tungsten filaments glowing softly inside < . Each glass balloon floats above a misty northern moorland sky. Suspended from each bulb is a massive uprooted tree – long oak and beech trunks still being torn from the ground, roots dangling and stretched, clumps of earth and stone flying through the air in all directions. The soil swirls around the roots in a dynamic arc, suggesting violent upward force. Below, the torn ground shows the scars of recent uprooting. The entire scene is pulled in a flowing, diagonal direction, like caught in an invisible wind. The mood is poetic, melancholic and filled with symbolic momentum – an elegant abduction of the natural world by light and thought.
Prompt: A wide-format, hyperrealistic surreal scene. Four elegant Victorian hot air balloons made from giant crystal light bulbs with intricate metal filigree and brass screw bases float through a pale northern sky. Suspended from each balloon is a colossal uprooted tree – oaks and beeches – still in the process of being torn from the earth. Their trunks stretch downward, roots tangled and elongated, clods of earth and rocks still falling and scattering mid-air. The soil trails behind in a dynamic arc, creating the impression of violent upward motion. The background is a misty, windswept moor, with scattered tufts of grass and torn-up ground where the trees once stood. The entire scene flows in a unified diagonal motion as if dragged by an invisible celestial force. The mood is tense and otherworldly – a poetic abduction of nature.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.