Prompt: A photorealistic 3D rendering based directly on a surreal sketch of a group of vintage garden gnomes in theatrical poses. The composition follows the original hand-drawn layout: several gnomes with exaggerated proportions are arranged theatrically. One gnome pushes a realistic wheelbarrow in which a single, oversized cucumber lies horizontally, clearly visible and naturally resting. Each of the other gnomes holds a large cucumber in their hands. All of the gnomes’ pointed hats taper off organically in the shape of cucumbers. The entire image is rendered in a uniform sepia tone, styled like an antique daguerreotype photograph from the 19th century. Warm stage lighting casts realistic shadows and textures. The background is covered in aged, yellowed typewritten manuscript pages, referencing Arno Schmidt. The phrase 'PENIDEN, ALLES PENIDEN' is subtly embedded in the background. The scene has faded edges, dust particles, and a surreal, intellectual, vintage atmosphere.
Prompt: A realistic fish wrapped in a german newspaper, showcasing the fish's scales and fins clearly. The newspaper is crumpled and tied with string, with the headline "SCHAUERFELD" visible. The background is plain and neutral, highlighting the unusual combination of the fish and the wrapped newspaper. The overall composition emphasizes the contrast between the natural form of the fish and the man-made texture of the newspaper.
Prompt: A realistic fish wrapped in a german newspaper, showcasing the fish's scales and fins clearly. The newspaper is crumpled and tied with string, with the headline "SCHAUERFELD" visible. The background is plain and neutral, highlighting the unusual combination of the fish and the wrapped newspaper. The overall composition emphasizes the contrast between the natural form of the fish and the man-made texture of the newspaper.
Prompt: A realistic fish wrapped in a newspaper, showcasing the fish's scales and fins clearly. The newspaper is crumpled and tied with string, with the headline "DAILY NEWS" visible. The background is plain and neutral, highlighting the unusual combination of the fish and the wrapped newspaper. The overall composition emphasizes the contrast between the natural form of the fish and the man-made texture of the newspaper.
Prompt: A wide, hyperrealistic panorama of the Eider River gently winding through a Northern German landscape at dusk. On both riverbanks, majestic trees rise — but each one is the transformed body of a classical musical instrument.
Brass instruments, woodwinds, and strings — all seamlessly turned into trees:
– A tuba becomes a massive oak with twisted, moss-covered limbs
– A French horn resembles a hornbeam, its coils embedded in bark
– A trombone stretches into a tall ash, its slide fused into a central trunk
– A saxophone weeps like a willow with curved brass branches
– A clarinet sprouts slender alder-like branches from its tone holes
– A violin is reborn as a flowering cherry, fine cracks in the varnish filled with lichen
– A double bass becomes a thick yew with ancient roots gripping the shore
– A harp rises as an ethereal birch, its strings replaced by trailing vines
– A grand piano lies half-buried, its open lid forming wings of ivy-covered bark, branches bursting through the keys
The foliage on all these trees is entirely natural — rich and varied: oak, beech, ash, willow, birch — all rendered in painterly detail. No literal notes or symbols. Only upon close viewing do some forms echo musical shapes: a branch curves like a clef, the bark's grooves resemble faded staves.
The river Eider reflects the trees softly, its surface rippling with the golden light of early evening. Thin mist rises from the water. The atmosphere is solemn, reverent, and dreamlike — as if music once played here has taken root and become eternal.
Prompt: A hyperrealistic, dreamlike riverside scene near " TELLINGSTEDT" wooden sign, during early evening. Large anthropomorphic freshwater fish — with realistic fish heads (carp, trout, zander, pike) and human arms and legs — return solemnly to the river. Each carries heavy stacks of books: some under their arms, others strapped to their backs with leather harnesses or nets. One fish holds a book with the clearly readable title “SCHULE DER ATHEISTEN.”old weathered Daguerrotypie
Prompt: Ultra-realistic , hyperrealistic , surrealistic riverside scene near Tellingstedt, , early evening. A fish-man sits rowing in a particularly large handfolded paper boat, A big group of large anthropomorphic freshwater fish – lifelike textures, human legs and arms, fish heads (carp, trout, zander, pike) – are returning to the river.
Each fish still carries a stack large, heavy books: some tucked under their humanlike arms, others strapped to their backs with leather harnesses or nets. One fish clearly holds a thick volume with the visible title “SCHULE DER ATHEISTEN” (no spelling errors).
Several fish stand on the muddy riverbank, while others wade knee- to waist-deep into the Eider. ,
Some are carefully placing big paper boats with typographical words of Arno Schmidt into the water – delicate, hand-folded from stained manuscript pages. A few boats are already drifting downstream.
The town sign “TELLINGSTEDT” stands in the far background, farther away but still clearly readable.
Mist rises softly from the water, grass sways slightly in the breeze, and a quiet ritual mood fills the scene.
Paper text is abstract or blurred except for the book title. Rich textures: wet scales, book leather, soaked paper, muddy water. No irony – the mood is solemn, symbolic, poetic.
Style: painterly hyperrealism, like a dream remembered in absolute clarity.
Prompt: Ultra-realistic , hyperrealistic , surrealistic riverside scene near Tellingstedt, , early evening. A fish-man sits rowing in a particularly large handfolded paper boat, A big group of large anthropomorphic freshwater fish – lifelike textures, human legs and arms, fish heads (carp, trout, zander, pike) – are returning to the river.
Each fish still carries a stack large, heavy books: some tucked under their humanlike arms, others strapped to their backs with leather harnesses or nets. One fish clearly holds a thick volume with the visible title “SCHULE DER ATHEISTEN” (no spelling errors).
Several fish stand on the muddy riverbank, while others wade knee- to waist-deep into the Eider. ,
Some are carefully placing big paper boats with typographical words of Arno Schmidt into the water – delicate, hand-folded from stained manuscript pages. A few boats are already drifting downstream.
The town sign “TELLINGSTEDT” stands in the far background, farther away but still clearly readable.
Mist rises softly from the water, grass sways slightly in the breeze, and a quiet ritual mood fills the scene.
Paper text is abstract or blurred except for the book title. Rich textures: wet scales, book leather, soaked paper, muddy water. No irony – the mood is solemn, symbolic, poetic.
Style: painterly hyperrealism, like a dream remembered in absolute clarity.
Prompt: Damaged 19th-century daguerreotype photograph, heavily scratched and corroded at the edges, showing two men aboard a grotesquely baroque riverboat on a narrow, misty waterway. One resembles Arno Schmidt, wild-eyed, holding a crumpled scroll; the other, James Joyce, wearing a tilted bowler hat and small round glasses, gazing toward the muddy shoreline. Their ship is surreal and decayed, its bow shaped like a tentacled sea creature. The only legible word: KANDACE
Prompt: Ultra-detailed, hyperrealistic surreal oil painting of a grotesquely ornate baroque galleon sailing on the narrow Eider River in Northern Germany near Tellingstedt. The ship, named KANDACE, is a twisted tribute to H.G. Wells' journey. The deck is crowded with five eccentric literary giants portrayed as court jesters and visionaries:
– Arno Schmidt, center front, cross-legged, wearing a brightly colored jester's robe, holding a typoscript scroll, wild eyes
Prompt: Hyperrealistic oil painting of a Spanish "Saltar de palomos" scene. A large flock of domestic pigeons bursts into the sky in mid-flight, seen from below against a bright, slightly cloudy sky. The pigeons have vividly painted undersides of their wings — rich tones of red, yellow, green, orange and blue, as if brushstroked directly onto their feathers. Each bird shows dynamic wing movement, with detailed feather texture and gleaming iridescence. Light reflects off the pigment and feathers, capturing a festive and surreal moment. No people, only the birds in the sky, in a wide composition with soft Mediterranean daylight.
Prompt: Hyperrealistic oil painting of a Spanish "Saltar de palomos" scene. A large flock of domestic pigeons bursts into the sky in mid-flight, seen from below against a bright, slightly cloudy sky. The pigeons have vividly painted undersides of their wings — rich tones of red, yellow, green, orange and blue, as if brushstroked directly onto their feathers. Each bird shows dynamic wing movement, with detailed feather texture and gleaming iridescence. Light reflects off the pigment and feathers, capturing a festive and surreal moment. No people, only the birds in the sky, in a wide composition with soft Mediterranean daylight.
Prompt: Hyperrealistic surreal scene in wide format. Four Victorian hot air balloons made from oversized crystal glass light bulbs with ornate brass screw bases and antique > spiral tungsten filaments glowing softly inside < . Each glass balloon floats above a misty northern moorland sky. Suspended from each bulb is a massive uprooted tree – long oak and beech trunks still being torn from the ground, roots dangling and stretched, clumps of earth and stone flying through the air in all directions. The soil swirls around the roots in a dynamic arc, suggesting violent upward force. Below, the torn ground shows the scars of recent uprooting. The entire scene is pulled in a flowing, diagonal direction, like caught in an invisible wind. The mood is poetic, melancholic and filled with symbolic momentum – an elegant abduction of the natural world by light and thought.
Prompt: A wide-format, hyperrealistic surreal scene. Four elegant Victorian hot air balloons made from giant crystal light bulbs with intricate metal filigree and brass screw bases float through a pale northern sky. Suspended from each balloon is a colossal uprooted tree – oaks and beeches – still in the process of being torn from the earth. Their trunks stretch downward, roots tangled and elongated, clods of earth and rocks still falling and scattering mid-air. The soil trails behind in a dynamic arc, creating the impression of violent upward motion. The background is a misty, windswept moor, with scattered tufts of grass and torn-up ground where the trees once stood. The entire scene flows in a unified diagonal motion as if dragged by an invisible celestial force. The mood is tense and otherworldly – a poetic abduction of nature.
Prompt: Ultra-detailed, hyperrealistic image of an old, weather-beaten chicken coop in Tellingstedt, built like a rough wooden bookshelf, patched together from aged planks. The shelves are crammed with thick, ancient books — Encyclopedia Britannica, Der große Brockhaus, Joyce’s "Ulysses", and Arno Schmidt’s "Zettels Traum", with their cracked and faded titles clearly visible. Chickens are huddled among the books, attentively gathered around a proud rooster perched on a worn copy of "Zettels Traum". The rooster is theatrically reading aloud from the book, with one wing raised in a lecturing gesture. The coop is filled with dusty light, scattered feathers, and hay. A faint North German fog lingers outside the open wooden door.
Prompt: Ultra-detailed, hyperrealistic image of an old, weather-beaten chicken coop in Tellingstedt, built like a rough wooden bookshelf, patched together from aged planks. The shelves are crammed with thick, ancient books — Encyclopedia Britannica, Der große Brockhaus, Joyce’s "Ulysses", and Arno Schmidt’s "Zettels Traum", with their cracked and faded titles clearly visible. Chickens are huddled among the books, attentively gathered around a proud rooster perched on a worn copy of "Zettels Traum". The rooster is theatrically reading aloud from the book, with one wing raised in a lecturing gesture. The coop is filled with dusty light, scattered feathers, and hay. A faint North German fog lingers outside the open wooden door.
Prompt: A daguerreotype-style image with slight sepia tone, subtle burn marks along the edges, and a soft vignette: on the riverbank sits an intricate origami paper tiger, folded from aged bureaucratic forms, stiff and motionless — the embodiment of fragile authority. In the foreground, a burning paper boat drifts downstream, its flame reflected in the dull gray water. A hand has just released it into the current — a quiet, poetic gesture of defiance. In the background, blurred silhouettes of cruise ships and tall sailing ships pass by. The scene feels melancholic and timeless, like a captured manifesto.
Prompt: A daguerreotype-style image with slight sepia tone, subtle burn marks along the edges, and a soft vignette: on the riverbank sits an intricate origami paper tiger, folded from aged bureaucratic forms, stiff and motionless — the embodiment of fragile authority. In the foreground, a burning paper boat drifts downstream, its flame reflected in the dull gray water. A hand has just released it into the current — a quiet, poetic gesture of defiance. In the background, blurred silhouettes of cruise ships and tall sailing ships pass by. The scene feels melancholic and timeless, like a captured manifesto.
Prompt: Prison breakout, angry crab is locked down in a heavy barred dark prison cell with a small window and clutches the rusty bars with its powerfull two biggest crab claws trying to break the bars, hyper detailed photograph, ultra sharp photograph, --ar 16:9—
Prompt: "A hyperrealistic, surreal and chaotic academic uprising in front of a grand neo-Gothic English university building. At the center, a large owl in an academic robe with a monocle stands on a pile of collapsing antique books, raising a porcelain teacup like a revolutionary torch. Around it, at least six other owls with square academic caps and human arms in robes, holding books, scrolls, or teacups, each in animated, expressive poses. One owl holds a scroll banner reading 'Sapere aude!', another throws teabags, one lectures midair from a floating podium. The university façade leans slightly, with ivy-covered stone and fluttering footnotes falling from the towers. A spinning globe, and paper, feathers, and ink swirl through the air. Rich textures: aged leather, glossy feathers, shattered glasses, flapping robes. The scene is whimsical, revolutionary, absurdly detailed, and full of dynamic motion."
Prompt: "A surreal, hyperrealistic image of a majestic owl with a human body, dressed in a dark academic robe, sitting atop a towering stack of antique leather-bound books. The owl pours tea with porcelain teapot and cup, held delicately in human hands, while her talons grip the old tomes. The books are stacked haphazardly but supported by thin puppet-like strings. Around the base of the book tower, strange hybrid creatures gather: fish-birds with monocles, lobster beasts in academic robes, and sparrows in suits on a tandem bicycle. The scene is lit like a Renaissance painting, with warm tones and rich textures: feathers, leather, porcelain "chinese bue", brass, ink. Whimsical, absurd, and highly detailed."
Prompt: "A surreal, hyperrealistic image of a majestic owl with a human body, dressed in a dark academic robe, sitting atop a towering stack of antique leather-bound books. The owl pours tea with porcelain teapot and cup, held delicately in human hands, while her talons grip the old tomes. The books are stacked haphazardly but supported by thin puppet-like strings. Around the base of the book tower, strange hybrid creatures gather: fish-birds with monocles, lobster beasts in academic robes, and sparrows in suits on a tandem bicycle. The scene is lit like a Renaissance painting, with warm tones and rich textures: feathers, leather, porcelain, brass, ink. Whimsical, absurd, and highly detailed."
Prompt: "A surreal, hyperrealistic image of a majestic owl with a human body, dressed in a dark academic robe, sitting atop a towering stack of antique leather-bound books. The owl pours tea with porcelain teapot and cup, held delicately in human hands, while her talons grip the old tomes. The books are stacked haphazardly but supported by thin puppet-like strings. Around the base of the book tower, strange hybrid creatures gather: fish-birds with monocles, lobster beasts in academic robes, and sparrows in suits on a tandem bicycle. The scene is lit like a Renaissance painting, with warm tones and rich textures: feathers, leather, porcelain, brass, ink. Whimsical, absurd, and highly detailed."
Prompt: Surreal-realistic portrait of an elderly man surrounded by angry anthropomorphic mandrakes, all with twisted roots and expressive human faces. He holds one mandrake solemnly, as if it were a strange botanical specimen.
The background fades into a German typoscript – monospaced typewriter text, aligned in dense blocks like a manuscript. The text includes phrases like:
„Hohl=Formen in Menschen=Gestalt“, „voll=wachsen“, „ein geheimnis=reiches # aufs zierlichste zu malen“
The script merges organically with the shadows, root tendrils grow into lines of type. The tone is dark, ironic, intellectual. Inspired by Arno Schmidt, Kafka and Bosch.
Prompt: Hyperrealistic, natural scene aboard the tall ship "Passat": between its towering masts and intricate rigging, a massive Victorian-style cornucopia is suspended in the air, as if caught in the sails. From the oversized horn spill enormous, vividly detailed crabs, their legs clicking against the wooden deck as they scuttle outward. Freemasons dressed with aprons and high hats,—chase after them, struggling to wrestle the giant crustaceans to the ground. The lighting is stark and dramatic, with strong shadows and gleaming brass details on the ship. The atmosphere is surreal yet realistic, evoking tension and absurdity in equal measure.
Prompt: A hyper-realistic, surreal painting of a beautiful young Maya goddess, depicted in a post-apocalyptic landscape with skeletal creatures and a wrecked ship. She is positioned in the foreground, surrounded by nightmarish and fantastical elements such as skeletal horses, birds, and fish. The background features an abandoned jungle, with overgrown vines and decaying trees, evoking a sense of desolation. The sky above is dark and foreboding, with ominous clouds casting a dim light across the scene. Created using the painting style of German artist Jens Rusch, with a focus on intricate details and lifelike textures, hd quality, natural look --ar 16:9
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.