Prompt: a rag-tag, dim looking young country giant (a bit comical looking) (He does not have a bead, he has a strong chin and a heavy brow), bare foot, dressed in home-made armor he has made from farm equipment (water barrels, ploughs, parts of grain carts) , in a heroic pose in the style of Brian Froud. He is like a living cartoon character
Prompt: fantasy illustration in the style of The Brothers Hildebrandt - cute, shapely, little flirty female red imp with horns and a pointy tail gleefully playing with fireworks
Prompt: fantasy illustration in the style of The Brothers Hildebrandt - cute, shapely, little flirty female red imp with horns and a pointy tail gleefully playing with fireworks
Prompt: fantasy illustration in the style of The Brothers Hildebrandt - cute, shapely, very busty, little flirty female red imp with horns and a pointy tail, gleefully playing with fireworks
Prompt: a rag-tag, dim looking young country giant (a bit comical looking) (He does not have a beard, he has a strong chin and a heavy brow), bare foot, dressed in home-made armor he has made from farm equipment (water barrels, ploughs, parts of grain carts) , in a heroic pose in the style of Brian Froud. He is like a living cartoon character
Prompt: in the style of a fairytale woodcut - the red haired half human daughter of the bridge troll sits under her father's bridge smiling with a cheeky grin. she has freckles on her cheeks and a playful nature. (full figure in picture) she is tall and gangly but in a cute way, she has large pointed ears and green skin. there are aspects of the troll about her, like fur on her shoulders, but not enough of the troll to make her ugly. Towering cliffs and the rough stone bridge create a magical backdrop.
Prompt: ornate alien Martian land ship with sails in the style of Ray Bradbury, sailing across the desert of Mars. ( Martian sand-ships in Ray Bradbury's novel the Martian Chronicles - Appearance & Atmosphere
Azure sails: Bradbury describes a dozen tall vessels, each with sails the deep blue of “cobalt butterflies,” drifting silently on the sands
Vessel bodies: According to model conceptualizations inspired by the text, you can imagine sleek, emerald‑green hulls with razor‑sharp prows and pale, moon‑white tillers—almost petal‑like in design.
- From the Text – Dramatic Scenes
Bradbury paints vivid scenes:
“There! The wind hurled the sand ship keening over the dead sea‑bottom, over long‑buried crystals, past upended pillars, past deserted docks of marble and brass, past dead white chess cities…”
This evokes a mystical journey across an ancient Martian seabed, where remnants of a lost civilization lie buried beneath dust. - Symbolism & Effect
Remembrance of the past: The sand‑ships are silent monuments to extinct Martian grandeur—reminders of a civilization reduced to ruins.
Beauty amid desolation: The contrast between the fragile, floating ships and the barren red wasteland underscores Bradbury’s lyrical approach—finding grace even in decay.
Atmospheric presence: Described as floating like ghosts or smoke, the ships heighten the eerie and melancholic tone of the scene. - Why They Matter
Visual poetry: The imagery is less about mechanics and more about mood—sand‑ships drift serenely, capturing both loss and wonder.
Literary anchor: In a novel built on snapshots, this memorable scene showcases Bradbury’s gift for weaving mythic symbolism into a futuristic setting.
In short: the Martian sand‑ships are graceful, ghostlike vessels with cobalt sails and sharp metallic husks, drifting across Mars' empty seas of dust. They symbolize the planet’s extinct glory and evoke a powerful, elegiac mood that lingers long after the passage. -- airbrush art, Marvel Comics, storybook illustration, poster art, landscape, fantasy, sci-fi, steampunk
Prompt: a rag-tag, dim looking young country giant (a bit comical looking) (He does not have a bead, he has a strong chin and a heavy brow), bare foot, dressed in home-made armor he has made from farm equipment (water barrels, ploughs, parts of grain carts) , in a heroic pose in the style of Brian Froud. He is like a living cartoon character
Prompt: in the style of a fairytale woodcut - the red haired half human daughter of the bridge troll sits under her father's bridge smiling with a cheeky grin. she has freckles on her cheeks and a playful nature. (full figure in picture) she is tall and gangly but in a cute way, she has large pointed ears and green skin. there are aspects of the troll about her, like fur on her shoulders, but not enough of the troll to make her ugly. Towering cliffs and the rough stone bridge create a magical backdrop.
Prompt: in Hell a bald, naked, Middle Eastern Cyclops (One eyed Giant) sits aside the stone bridge he has built over a wild rive of black water and crashing waves. the hills around him and his bridge are jagged rocks without grass or trees on them. the sky is full of angry storm clouds with a tint of red to them. there is sweat on his skin. he has a sinister lustful expression on his face as he looks at the viewer. - illustration in the style of Brothers Hildebrandt
Remembering Ray Bradbury's Martian Land Ships in the Red Desert
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: ornate alien Martian land ship with sails in the style of Ray Bradbury, sailing across the desert of Mars. ( Martian sand-ships in Ray Bradbury's novel the Martian Chronicles - Appearance & Atmosphere
Azure sails: Bradbury describes a dozen tall vessels, each with sails the deep blue of “cobalt butterflies,” drifting silently on the sands
Vessel bodies: According to model conceptualizations inspired by the text, you can imagine sleek, emerald‑green hulls with razor‑sharp prows and pale, moon‑white tillers—almost petal‑like in design.
- From the Text – Dramatic Scenes
Bradbury paints vivid scenes:
“There! The wind hurled the sand ship keening over the dead sea‑bottom, over long‑buried crystals, past upended pillars, past deserted docks of marble and brass, past dead white chess cities…”
This evokes a mystical journey across an ancient Martian seabed, where remnants of a lost civilization lie buried beneath dust. - Symbolism & Effect
Remembrance of the past: The sand‑ships are silent monuments to extinct Martian grandeur—reminders of a civilization reduced to ruins.
Beauty amid desolation: The contrast between the fragile, floating ships and the barren red wasteland underscores Bradbury’s lyrical approach—finding grace even in decay.
Atmospheric presence: Described as floating like ghosts or smoke, the ships heighten the eerie and melancholic tone of the scene. - Why They Matter
Visual poetry: The imagery is less about mechanics and more about mood—sand‑ships drift serenely, capturing both loss and wonder.
Literary anchor: In a novel built on snapshots, this memorable scene showcases Bradbury’s gift for weaving mythic symbolism into a futuristic setting.
In short: the Martian sand‑ships are graceful, ghostlike vessels with cobalt sails and sharp metallic husks, drifting across Mars' empty seas of dust. They symbolize the planet’s extinct glory and evoke a powerful, elegiac mood that lingers long after the passage. -- airbrush art, Marvel Comics, storybook illustration, poster art, landscape, fantasy, sci-fi, steampunk
Prompt: I beheld a chamber so prodigious in its dimensions that even the grand arena of ancient Rome, that colossus of human pride, seemed by comparison a mere child’s amphitheater—this was no construction of man. It was an abyssal vault hewn from the heart of the earth itself, from stone that bore the hue of dried blood mingled with rust, red-brown and bruised by ages. The air within held a silent gravity, a reverent dread, as though it had not been disturbed for millennia, as though the rock itself breathed solemnity and secrecy.
The walls, irregular and coarse as if gnawed by time or claw, soared up into a vaulted gloom from which no light source could be seen, yet all was faintly illumined by some uncanny phosphorescence, as if the very stone exhaled a corpse-light. Within this cyclopean crypt stood row upon row of vast contrivances—engines, wombs, tombs—at first glance resembling titanic kettles forged of burnished copper. Each was as large as a farmer’s cart, and in their rounded, burnished flanks were set thickened panes of green glass, warped with age and pressure, their surface dulled by time and yet betraying, through that murky translucence, the unthinkable contents within.
Suspended in each vat—no, entombed—floated a figure. And these were not the forms of men, though their silhouettes hinted at some dreadful parody of the human shape. They were tall, impossibly slender, and their limbs held a grace not born of our world. Each bore long, curling horns that arced like question marks from brows too wide, too silent. Their visages were masks of tranquil beauty, a beauty that stirred revulsion—perfect, serene, and wholly alien. Their eyes remained closed, though even in slumber there seemed a watching, a knowing, as though their dreams crept outward in invisible tendrils.
They hung in fluid stasis, swathed in a gelatinous medium the color of jaundiced emeralds, and though their chests did not rise, a sense of growth—a slow, unnatural becoming—thrummed in the silence.
From the base of each metallic womb extended thick brass pipes, organ-like, which slithered across the floor like serpents caught mid-coil, and rose in winding tangles toward the unseen ceiling. There they formed a congested canopy of conduits, an intricate forest of gleaming limbs, forming a web of alchemical and perhaps spiritual intercourse between the vessels. It was as if the room itself was a great lung or mind, every pipe a nerve, every join a pulse point.
From the seams and fissures of this grotesque machinery there wept a fluid. It fell in heavy drops—green, slow-moving, and gemlike—as if the very lifeblood of this monstrous nursery condensed in sorrowful beads. Upon striking the stone, the drops crystallized instantly into jagged pearls of ichor, each one humming with a quiet menace, as though storing whispers. I dared not touch them.
There was a sanctity to the place, a wicked reverence. My soul trembled with the recognition that I stood not within a laboratory or temple, but in some terrible confluence of both—a genesis chamber for the gods of a forgotten pantheon, or the unborn nightmares of a race long buried beneath the earth. The silence pressed upon me, thick and alive. And in that silence, I felt the great room breathe.
Prompt: epic composition, Wendy Corduroy from the cartoon 'Gravity Falls' as a fantasy barbarian teenager carrying a battle axe, by Tim Hildebrandt, slim redhead warrior women with freckles, in style of mike savad”, , sergey zabelin, cavewoman, luis ricardo falero, portrait, style of tim hildebrandt, retro and fantasy style, tom bagshaw and sabbas apterus, hercules, david a, manowar album cover
A Charming Devil of Pointless Folly in Vintage Elegance
Model:
DaVinci2
Size:
1352 X 760
(1.03 MP)
Used settings:
Prompt: the devil of pointless folly (with short dark horns and a face that speaks of folly and a wasted life) wears a powdered British lawyer's wig and dressed like a dandy from a Charles Dickens' novel, he carries a large bottle of wine and a deck of playing cards, in the style of Leonora Carrington. he has a look of drunker joy on his face. must have horns on his head and look like a devil, he has a crafty glint in his eyes
Prompt: Beautiful hyper detailed lovely stunning country living fantasy art Willem Haenraets style with the delicate, expressive watercolour techniques of Griffith and the ethereal alcohol ink painting, vibrant and whimsical landscape featuring a large, abstract tree with circular blue foliage. The tree should dominate the composition, with its rounded, overlapping blue circles resembling clusters of fruit or flowers. The boot should be a warm brown, twisting and extending gracefully from the ground. In the background, incorporate a serene sky filled with fluffy white clouds scattered amongst shades of blue. To the left, depict a tranquil landscape with soft, rolling hills, dotted with smaller, stylized trees in varying shades of green, as well as some small structures that suggest a quaint village. Add details such as a distant view of the ocean shimmering under the sunlight. The overall palette should consist of cool blues, soft whites, and earthy browns, harmonizing to create a dreamlike, mosaic-like effect that invites the viewer into this enchanting scene , watery wet on wet painting, watercolor painting, cinematic bright rococo filigree ethereal, award winning, shabby chic, highly detailed, breathtaking beauty, best quality, 8k resolution, pure perfection.
Prompt: A bouquet of wild flowers and leaves in soft pastel shades of light lilac, pink and light blue, with intricate swirls and textures creating a floral pattern, in the best traditions of oriental motifs, soft tones, textured brushstrokes, in the background foliage of a tree in a Renaissance creation, all sorts of green, olive, emerald shades, double exposure, translucent layers with a smooth texture, emphasized by thin golden contours emphasizing their shape, depth and perspective, smoothly transitioning into a gradient of soft pink and soft white tones with barely noticeable variations creating the effect of depth. The overall aesthetic should evoke a feeling of fluidity and natural beauty, reminiscent of oil techniques combined with accents and soap bubble effects.
Prompt: Close up, highly impressionistic, ink and layered watercolor wash, [driving rain, blooming plants in a garden are bent in an arc with the blooms touching the ground from the force of heavy rain] in the style of Tomasz Sętowski, Philip Surrey, by Victor Nizovtsev; ethereal atmosphere
Prompt: "An abstract Wet-on-wet water paint strokes create a luscious texture of watercolor and ink flow painting depicting a close-up of a soft porcelain skin tone beautiful woman's face. Her messy red hair is adorned with rose-gold flowers, waring and off the should soft flowing textured clothing. While her expression conveys sadness and boredom. blending deep tones of soft pinks, oranges and metallic gold thread splashes. The intricate details, complemented by splashes of wet translucent color with contrasting tones, evoke a sense of depth and motion. The artwork blends with wet dripping watery textured finish, offering a striking visual narrative. Inspired by the styles of Brooke Shaden and Tom Chambers, the piece blends realistic imagery with painterly textures, evoking a serene interplay of motion, harmony, and natural elegance. On a white contrasting background "
Prompt: Additional prompt: 16:9 aspect ratio, ultramodern painting: A view of a coastal fishing village, with a monument to the fishermen who drowned in the stormy sea. The mayor is holding a memorial service in front of the gathered people...
Prompt: Additional prompt: 16:9 aspect ratio, realistic style oil on canvas painting: Reindeer herders wearing traditional Lappish clothing and their reindeer watch the greenish northern lights in Lapland...
Prompt: Additional prompt: 2:3 aspect ratio,, a truly special moody image: Fantastic house on the beach,, rippling water,, strong sunlight,, close-up portrait of a beautiful woman, captured in an expressive ink drawing style mixed with splashed watercolor and oil painting, depicted with irregular brush strokes,, a composition expressing a pleasant feeling: "The taste of sunlight". The woman's long, reddish-blonde hair falls in loose curls on her shoulders, the head is turned towards the Sun. Softly abstracted background, with seagulls flying in the sky, a modern, large cruise ship in the distance,, colored with muted impasto oil drops, layered brush strokes, splashes and colorful overblowing - summer yellows, browns, ochres and pale stone grays are mixed. In the lower left corner of the picture is a small, ornate "K" initial, the monogram,, Ultrarealist style
Prompt: Additional prompt: A lone horseman on an autumn evening, his figure blurred, drawn in a charcoal drawing style, with blurred lines, dramatic lighting, charcoal and shadow, hints of a creepy, ancient castle in the background, blurred edges, a dreamlike mood effect,, 16:9 aspect ratio...
Prompt: Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text, no artifacts. A small, delicate bird with soft blue feathers perched gracefully atop a vibrant, spiky thistle flower. The bird has a rounded body and a slightly elongated head, with gentle curves emphasizing its charming appearance. Its eyes are bright and attentive, and the beak is short and pointed, adding to its overall cuteness. The thistle sports a prominent purple hue at the top, contrasting beautifully with the muted shades of bluish-green in the surrounding foliage. The background features a dreamy bokeh effect, transitioning from soft pinks to blues, creating a serene and tranquil atmosphere. The composition captures the intricate details of the bird's feathers and the texture of the thistle while maintaining a soft focus that enhances the enchanting scene.
Prompt: young undead princess at her royal crowning ritual art by Zdzislaw Beksinski with ink illustration style by junji itoA painting of a blue-haired homeless geisha, loneliness, style similar to Egon Schiele but more realistic, expressionism, painting, schiele, dark-colored jacket with translucent silk shirt, vulnerable posture, full body, a melancholic face, disheveled clothes
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
