Prompt: Old, run-down wooden houses are all that is left of a village. Pale moonlight shines down on the scene. In the background, a ravine and a towering mountain in the distance. Spooky atmosphere, fantasy style.
Prompt: A web of streets in a city in renaissance-style. The city is on a hill. The streets are narrow, the pavement is of cobblestone. There are two-store houses in the city, also renaissance-style. Fantasy style.
Prompt: A sea serpent looking directly at the camera. The sea serpent: blue and green scales. Open jaws Intriguing blue eyes. The eyes look into the camera The background: a stormy sea
Prompt: A sea serpent looking directly at the camera. The sea serpent: blue and green scales. Open jaws Intriguing blue eyes. The eyes look into the camera The background: a stormy sea
Prompt: A picture of a man and a woman.
*The man,
*45 years old.
*Grey, short beard,
*grey short hair
*grey eyes.
*He wears a blue uniform with golden buttons
*The woman,
*deep blue eyes,
*black hair tied in one braid that goes backwards.
*She wears a white dress with a thick, white shawl that covers only part of her head.
The man and the woman look at one another and take each other’s hand.
A night, starry sky in the background. Medieval style Fantasy.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 62, Sei Shōnagon, of the Ogura Hyakunin Isshu: "The rooster's crowing / In the middle of the night / Deceived the hearers; / But at Osaka's gateway / The guards are never fooled." The image shows a magnificant, colorful rooster with ruffled feathers and wings open wide crowing zestily. He is sitting atop a pile of hay outside a lowly shed at midnight, and is lit by the half-moon. The image of the rooster completely dominates the picture. Ever details of his colorful feathers and cock's comb can be made out. Finest linocut additionally colored with wet watercolor. Magnificent feathers, very detailed hay in the haystack, every detail of the planks of wood of the shed behind the haystack finely worked with the linocutter's tool. Dark sky with a pale moon. Deft execution, whimsical nature motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 64, Gonchūnagon Sadayori,of the Ogura Hyakunin Isshu: "In the early dawn / When the mists on Uji River /
Slowly lift and clear, / From the shallows to the deep, / The stakes of fishing nets appear.'" It is early morning in winter, and the whitish-gray mist lies over the still Uji River, gradually lifting to show a row of dark-gray wooden fishing stakes extending far out into the river. The horizon is the tender pink and yellow of a winter dawn, but the shadows are all shades of gray. Wet-on-wet watercolor, splash painting style, capturing a perfect still moment with aquarelle technique. Skilled and deft execution, peaceful nature motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 65, Sagami, of the Ogura Hyakunin Isshu: "Even when your hate / Makes me stain my sleeves with tears / In cold misery, / Worse than hate and misery / Is the loss of my good name." A visibly sad and distraught contemporary Japanese woman is kneeling on her bed, her hands on her knees. crying. Her apartment is sparsely furnished, except from four panels of Japanese paintings on the walls evoking the Heian period. Each panel shows part of a continuous motif of a sakura tree rendered in ink on a golden background. The woman, the bed and the apartment are rendered as a heavy impasto oil painting in various shades of white, gray, tan, and borwn, with the black and gold of the four panels providing a welcome contrast. Skilled and masterful execution juxtaposing the traditional feel of the four panels and the contemporary ambiance with the sorrowful Japanese woman. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 66 - Saki no Daisōjō Gyōson
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph enhanced with ink highlights to provide depth. The image is rendered in magnificent colors on rough handmade paper and shows the visuals of poem number 66, Saki no Daisōjō Gyōson, of the Ogura Hyakunin Isshu: "Let us think of each / other fondly, / O mountain cherries! / For, outside of your blossoms, / there's no one who knows my feelings." Atop a hill in a gently rolling spring landscape blooms a single, majestic, solitary mountain cherry tree, a yamazakura. The blossoms are pure white and as graceful as snowflakes. New, light green leaves peek forth between the white blossoms, enhancing the depth of the image. The rolling hills are covered with fresh grass, the sky is baby blue with puffy, white clouds. Skilled and masterful execution. Enchanting nature motif, with a hint of melancholy. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate brocade tapestry in rich colors, executed on rough handmade paper of poem number 69, Nōin Hōshi, of the Ogura Hyakunin Isshu: "It's the autumn leaves / of the hills of Mimuro, / where the tempests blow, / that are the woven borcade floating / on the waters of Tatsuta River!" We see a whirl and dance of red maple leaves coming down from the mountain slopes and landing like a beautiful, woven, brocade carpet on the river. The surface of the lazily flowing, broad, straight river is almost entirely carpeted with maple leaves shimmering in all shades of red, scarlet and maroon, coming together in a textile-like cover. The sky is bright blue and clear, the mountain slope is covered with maple trees in festive, autumn colors. The image is rendered as an almost palpable textile with exceeding detail, making the river cover look like a precious brocade fabric. Personification of autumn. Clarity of rendering, masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich autumn colors, additionally highlighted with ink, executed on rough handmade paper of poem number 70, Ryōzen Hōshi, of the Ogura Hyakunin Isshu: "In my loneliness / I leave my little hut. / When I look around, / Everywhere it is the same: / One lone, darkening autumn eve." A modest wooden hut stands on a mountainside. A Japanese Buddhist monk in humble clothing sits, cross-legged, on the bare ground in front of the hut, meditating. It is late autumn, and evening. The sky is pink and yellow with the last light of the sun, which has set. At the edges of the sky, the dark blue of night is encroaching. The pink and yellow on the horizon is interrupted by the dark, backlit silhouette of a V-shaped formation of geese flyng south. The geese are a melancholy, poignant harbinger of the cold winter to come. Extreme detail, painstaking, masterful execution. Linocut in several layers. Clarity of rendering, exquisite technique. Traditional Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a wet-on-wet watercolor, diaphanous, transparent, of poem number 71, Dainagon Tsunenobu, of the Ogura Hyakunin Isshu: "When the evening comes, / From the rice leaves at my gate, / Gentle knocks are heard, / And, into my round rush-hut, / Enters autumn's roaming breeze." A round rush hut stands in a small garden, which is surrounded by a simple wooden fence. Outside fence stand ripe, yellowed rice plants, which the autumn wind gently blows against the gate in the fence. Evening is falling, and candlelight illuminates the hut, falling through the open door. At the edges of the sky, the dark blue of night is encroaching. The horizon is pink, magenta and yellow. A cozy scene unfolds on this lovely evening in autumn. Masterfully executed in wet watercolor with quick, deft brushstrokes, elegantly and perfectly capturing an autumn ambiance. Traditional Japanese scenery.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Ogura Hyakunin Isshu No. 74 - Minamoto no Toshiyori Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 74, Minamoto no Toshiyori Ason, of the Ogura Hyakunin Isshu: "It was not for this / I prayed at the holy shrine: / That she would become / As pitiless and as cold / As the storms on Hase's hills." A modern-day Japanese traveler is coming down the mountain through a snowstorm, his staff in his hand and his cloak whipped about by the relentless wind. He is returning from pilgrimage, glum and unhappy. In heavy cloud cover, we see the image of a scornful face of a woman with piercing eyes looking at the traveler exposed to the brunt of the bad weather. Early winter ambiance, painstakingly detailed linocut, especially of the cloud cover with the scornful woman's face. Exquisite Japanese foili depicting unrequited love.
Ogura Hyakunin Isshu No. 75 - Fujiwara no Mototoshi
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed vanitas-type oil painting of poem number 75, Fujiwara no Mototoshi, of the Ogura Hyakunin Isshu: "As dew promises / New life to the thirsty plant, / So did your vow to me. / Yet the year has passed away, / And autumn has come again." Dew richly covers a flowerbed of Japanese mugwort (Artemisia princeps), glittering and shimmering in the early morning sun, breaking the light into rainbow colors. The dew stands for a promise - which, alas, was later broken. But in this image, the hyperrealistic dewdrops, each reflecting and magnifying the leaves next to it, present a breathtaking spectacle. Painstakingly detailed, hyperrealistic oil painting in the technique of the old Dutch vanitas masters. The vanitas concept embraces the fleeting nature of life - like this soon to be broken proomise. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, multilayer linocut of poem number 79, Sakyō Dayū Akisuke, of the Ogura Hyakunin Isshu: "See how clear and bright / Is the moonlight finding was / through the riven clouds / That, with drifting autumn wind, / Gracefully float in the sky." The night sky is filled with altocumulus clouds between which a crescent moon throws shafts of light onto the dark, windblown autumn meadow. The clouds closest to the moon are backlit by the white crescent moon. The other clouds are grayish, or even black at the edges of the midnight-blue sky. The moon and the clouds close to it take pride of place in this masterful, extremely detailed linocut. Exquisite Japanese foilio.
Ogura Hyakunin Isshu No. 81 - Gotokudaiji no Sadaijin
Model:
AIVision
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, richly colored, multilayer, extremely finely tooled linocut of poem number 81, Gotokudaiji no Sadaijin, of the Ogura Hyakunin Isshu: "When I turned my look / Toward the place where I had heard / the cuckoo's call, / The only thing I found / Was the moon of early dawn." The early dawn of late spring is visible on the horizon, coloring the clouds and sky in magenta, pink, orange, and yellow. The sky above is turquoise, deepening to midnight blue the higher it rises over the horzon. In the distance, dark tree silhouettes line the horizon. Far above the horizon, in the darkest part of the sky, sits a tiny crescent moon, just a very small, white sliver high in the sky. A very small bird silhouette stands out dark against the low yellow of the horizon. The bird, a lesser cuckoo, is symbolic of the beginning of summer. Masterful, painstakingly executed, extremely detailed linocut combined with a wet watercolor wash. Exquisite Japanese foilio.
Prompt: Full-width, broad, 16:9 format of a delicate linocut all the way to the edge, rich colors, executed on rough handmade paper of poem number 92, Nijōin no Sanuki, of the Ogura Hyakunin Isshu: "Like a rock at sea, / At ebb-tide hidden from view, / Is my tear-drenched sleeve: / Never for a moment dry, / And no one knows it is there." The linocut shows a frontal close-up of a Japanese woman in an intricately patterned, richly colored ceremonial silk kimono. Her hands and underarms are hidden from view, each hand and underarm tucked away in the sleeve of the other hand, so that the lowest parts of the sleeves are bunched up. We do not see the bottoms of the sleeves, which are apparently wet with tears. The woman is stone-faced and stands in front of a row of yellow-leaved ginko saplings in fall. Color palette of rich colors, shades of red, yellow, magenta and blue in the kimono, yellow for the ginko leaves. Clarity of rendering, masterful print. Exquisite Japanese folio.
Prompt: A beautifully detailed illustration of a goldfinch perched on a branch, surrounded by delicate flowers and leaves. The bird showcases vibrant colors and intricate feather patterns.
#branch #flowers #gold finch #leaves #vibrant colors
Prompt: A children's book illustration of an angel playing the trumpet, flying in the sky with snowflakes and stars.
The background is a blue-green color with white glitter stars.
Prompt: A minimalist logo design featuring a stylized lotus flower in navy blue and red colors. The lotus is composed of a large circular blue shape with a white curved line running through it, and a red curved shape below it. The flower's petals are represented by four small blue leaf-like shapes arranged symmetrically at the top of the design. A small yellow accent element sits at the center where the blue and red shapes meet. The entire logo is set against a light gray background. The design has clean lines and sharp edges, using a limited color palette of navy blue, red, white, and yellow. The logo has a modern, simplified aesthetic with smooth curves and geometric shapes.
Prompt: Create an image of a vibrant red fox. The fox image has reddish orange fur huge with a smooth texture. Its fur is mostly a bright red, with hints of gray on its fur. The fox fur is beautiful with glossy dark eyes that reflect curiosity. Surrounding the fox are rich green pine-like branches adorned with gentle blue flowers, adding a touch of softness and color contrast to the composition. The background is a subtle pastel pink, providing a warm and inviting atmosphere. The overall feel of the image should be serene and uplifting, capturing the essence of nature in a whimsical style.
Prompt: Create an image of a vibrant teal 1970 Ford mustang mach1 muscle car. The car image has bold black accents with a smooth texture. The Ford mustang mach1 is mostly a bright teal, with chrome wheels. The ford mustang mach1 is beautiful with glossy glistening paint that reflect curiosity. Surrounding the Ford mustang mach1 are rich green pine-like branches adorned with gentle blue flowers, adding a touch of softness and color contrast to the composition. The background is a subtle pastel pink, providing a warm and inviting atmosphere. The overall feel of the image should be serene and uplifting, capturing the essence of nature in a whimsical style.
Prompt: A vibrant blue and white 1957 Chevrolet car parked under a branch adorned with soft pink cherry blossoms, set against a gentle, pastel background, evoking a serene spring ambiance.
#blue and white 1957 Chevrolet car #branch #cherry blossoms #pastel background #spring impressionism
Prompt: Create an image of a vibrant vintage 1950 Ford truck. The truck image has bold red, white and blue accents with a smooth texture. The 1950 Ford truck is mostly a bright red, with chrome wheels. The 1950 Ford truck is beautiful with glossy glistening paint that reflect curiosity. Surrounding the 1950 Ford truck are rich green pine-like branches adorned with gentle white flowers, adding a touch of softness and color contrast to the composition. The background is a subtle pastel blue, providing a warm and inviting atmosphere. The overall feel of the image should be serene and uplifting, capturing the essence of nature in a whimsical style.
Prompt: Oil painting on canvas, vibrant multi colors, a beautiful young blonde woman flowing blonde hair and striking blue eyes in an elegant silk white dress sits relaxed on the stone wall, vibrant and dramatic sky, grapes and green leaves hang beside her, a two white doves rests comfortably in the foreground
Prompt: A close-up of a young woman with intricate blue face paint resembling snowflakes, glowing orange eyes, and a floral crown. The scene exudes a mystical, winter-inspired atmosphere.
#face paint #floral crown fantasy #glowing eyes #snowflakes #woman
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
13d
5d
