Enedo Pulso Trimor

Before the bath

• Model: DaVinci2

• Size: 1544 X 2744 (4.24 MP)

• Used settings:

  • Prompt: Futurism, Bauhaus, Rene Magritte, black and white graphite drawing, silverpoint drawing, Charles Prosper Sainton, tenebrism, 1950.
  • Using base image: Yes

Something wicked this way comes

• Model: DaVinci2

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: XVII art. Japanese art. Erotic art. Woodblock print. Japanese print. Ukyoe. Naoko Takeuchi style. Japanese girls bathing each other.
  • Using base image: No
  • Aspect Ratio: portrait_tall

08 - Untittled Hidden Track

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, untitled hidden track
  • Using base image: No
  • Aspect Ratio: landscape_wide

07 - The Sixth Extinction Crept Up Slowly, Like Sunlight Through the Shutters

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, The Sixth Extinction Crept Up Slowly, Like Sunlight Through the Shutters, as We Looked Back in Regret
  • Using base image: No
  • Aspect Ratio: landscape_wide

06 - Our Happiest Days Slowly Began to Turn into Dust

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, Our Happiest Days Slowly Began to Turn into Dust
  • Using base image: No
  • Aspect Ratio: landscape_wide

05 - A Brief Moment of Clarity Broke Through the Deafening Hum, but It Was Too Late

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, A Brief Moment of Clarity Broke Through the Deafening Hum, but It Was Too Late
  • Using base image: No
  • Aspect Ratio: landscape_wide

04 - Mechanical Sounds Cascaded Through the City Walls and Everyone Reveled in Their Ignorance

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, Mechanical Sounds Cascaded Through the City Walls and Everyone Reveled in Their Ignorance
  • Using base image: No
  • Aspect Ratio: landscape_wide

03 - The Soundless Dawn Came Alive as Cities Began to Mark the Horizon

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, The Soundless Dawn Came Alive as Cities Began to Mark the Horizon
  • Using base image: No
  • Aspect Ratio: landscape_wide

02 - Buildings Began to Stretch Wide Across the Sky, And the Air Filled with a Reddish Glow

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, Buildings Began to Stretch Wide Across the Sky, And the Air Filled with a Reddish Glow
  • Using base image: No
  • Aspect Ratio: landscape_wide

01 - Alone and Unaware, the Landscape was Transformed in Front of Our Eyes

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Oil on canvas, Odilon Redon, Alone and Unaware, the Landscape was Transformed in Front of Our Eyes
  • Using base image: No
  • Aspect Ratio: landscape_wide

The bath

• Model: DaVinci2

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: Glass esculpture. Delicate figurine. Fine details. Transparent glass and white background. Erotic art. Girl taking a bath.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Avis Universalis Geneticum

• Model: DaVinci2

• Size: 1296 X 1728 (2.24 MP)

• Used settings:

  • Prompt: An 18th-century scientific illustration of a fantastical bird created by blending the anatomical features of all known bird species, both flying and flightless. The bird is perched on a twisted natural branch beside a carefully crafted nest containing several speckled eggs of varying sizes and colors, reflecting its diverse genetic origins. The creature's plumage is intricate and multicolored, inspired by peacocks, parrots, ostriches, and penguins. Its beak blends features of eagles, toucans, and flamingos; the strong legs resemble those of ostriches, with talons like those of raptors, gripping the branch near the nest. The wings are large and multi-layered, with feathers of many shapes and textures. The illustration is rendered in the style of historical ornithological plates, with detailed ink lines and watercolor washes. It is titled Avis Universalis Geneticum in elegant calligraphy, and surrounded by fine Latin annotations identifying anatomical parts and egg characteristics. Background is plain parchment with aged texture. The plate bears the signature “Dr. Thaddeus Wexley, Naturae Studiosus, 1763.” Vintage naturalist style, highly detailed.
  • Using base image: No
  • Aspect Ratio: portrait

Mechanicher

• Model: DaVinci2

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: Futurism art, art deco art, Giger style, Malevich style, oil on panel painting, XIV century art,
  • Using base image: No
  • Aspect Ratio: portrait_tall

June

• Model: DaVinci2

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Oil on camvas portrait of Elisabeth Debicki similar to the painting tittled Flaming June by Frederic Leighton.
  • Using base image: No
  • Aspect Ratio: square

Natalie

• Model: DaVinci2

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: A highly technical and delicately rendered silverpoint drawing of Natalie Dormer in the combined style of Albrecht Dürer and Leonardo da Vinci, created on aged parchment with a gesso ground, 16:9 aspect ratio. The scene is a refined still life in strict frontal perspective, composed according to the rule of thirds. The drawing is rendered in extremely fine, soft silverpoint lines with meticulous tonal gradation. Subtle highlights and shimmering accents are added using white chalk pencil, illuminating the reflections, and sunlit surfaces. The silver has oxidized in places, creating a delicate patina, and the parchment shows signs of aging, with worn edges, abrasions, and light discoloration. The overall impression is quiet, radiant, and masterfully precise, evoking Renaissance scientific observation through balanced asymmetry and refined elegance.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Oh... Architects...

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A highly technical and delicately rendered silverpoint drawing in the combined style of Albrecht Dürer and Leonardo da Vinci, created on aged parchment with a gesso ground, 16:9 aspect ratio. The scene is a refined still life in strict frontal perspective, composed according to the rule of thirds. A white-painted window with Renaissance architectural details and chipped paint occupies the left two-thirds of the vertical frame, with soft morning light streaming through. The glass is drawn frontally, but offset — a half-filled glass of water rests precisely along the right vertical third of the image, on a pale wooden table that spans the foreground. Through the window, a flat pastoral landscape with sparse trees extends to the horizon where the sun is just rising under a lightly clouded sky. The drawing is rendered in extremely fine, soft silverpoint lines with meticulous tonal gradation. Subtle highlights and shimmering accents are added using white chalk pencil, illuminating the edges of the glass, water reflections, and sunlit surfaces. The silver has oxidized in places, creating a delicate patina, and the parchment shows signs of aging, with worn edges, abrasions, and light discoloration. The overall impression is quiet, radiant, and masterfully precise, evoking Renaissance scientific observation through balanced asymmetry and refined elegance.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Still Life

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A highly technical and masterfully rendered silverpoint drawing in the combined style of Albrecht Dürer and Leonardo da Vinci, created on aged parchment prepared with a gesso ground, 16:9 aspect ratio. The composition is a refined still life presented in a completely frontal perspective. At the center, a half-filled glass of water sits precisely on a pale wooden table. Behind it, a white-painted window is viewed straight on, with soft morning light streaming through. The window’s frame shows areas of flaking paint and subtle Renaissance architectural detailing. Through the window, a flat pastoral landscape extends to the horizon, with sparse trees and a rising sun visible directly ahead. The upper part of the sky is lightly clouded. The drawing exhibits meticulous frontal linework and tonal gradation, with oxidized silver creating a soft, aged patina. The parchment bears signs of time — subtle abrasions, edge wear, and discoloration. The overall image is quiet, luminous, and precise, evoking the optical realism and disciplined composition of Renaissance scientific illustration.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The outer limits Chapter 2

• Model: ProVideo

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Mode: Base
  • Generated From: Image
  • Duration: 5 seconds

Fractaland I

• Model: DaVinci2

• Size: 1296 X 1728 (2.24 MP)

• Used settings:

  • Prompt: Blueprint-style technical drawing on aged drafting paper, using fine blue ink lines with variable thickness. Intricate fractal structures—based on recursive geometries like Mandelbrot sets and Koch snowflakes—are layered to create a sense of spatial depth. Foreground elements are crisp and highly detailed, while background patterns become progressively smaller and slightly faded, simulating depth with a blueprint drafting aesthetic. The composition resembles generative algorithmic design fused with architectural schematics, emphasizing precision, repetition, and spatial clarity. Main Style: Ink Sub Styles: Blueprint, Fractal, Abstract
  • Using base image: No
  • Aspect Ratio: portrait

Rawr

• Model: ProVideo

• Size: 1108 X 828 (0.92 MP)

• Used settings:

  • Mode: Base
  • Generated From: Image
  • Duration: 5 seconds