Enedo Pulso Trimor

Rawness

• Model: FluX 2 (Base)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Create a fine-art black-and-white photograph of a small hand-carved figurine made from rough volcanic stone, suspended weightlessly inside a completely white lightbox, as if floating in an infinite seamless white void. The figurine should embody a perfectly balanced fusion of two visual traditions: the primitive, abstracted, highly simplified forms of Neolithic fertility figurines and prehistoric Venus sculptures, combined equally with the monumental, severe, geometric mass, raw surfaces, and austere presence of Brutalist architecture and sculpture. The body should be stylized, archaic, compact, and powerful, with exaggerated proportions and a sense of primordial fertility, while simultaneously possessing the heavy, monolithic, architectural character of Brutalist concrete forms. The carving must feel genuinely handmade, with visible chisel marks, irregular cuts, eroded edges, fractures, pores, and the coarse granular texture of volcanic rock. Photograph the sculpture as a museum-quality fine-art object, isolated against a perfectly pure, seamless white background with absolutely no visible horizon, walls, floor, or environmental context. The figurine appears to be physically suspended in the center of a large white lightbox, surrounded by an almost ethereal, infinite white space. No pedestal, support, wires, or shadows connecting it to a surface. Use extremely high-contrast black-and-white analog photography, with deep, dense blacks and brilliant whites, dramatic tonal separation, and sharply defined sculptural contours. The volcanic stone should retain rich tactile detail despite the extreme contrast. Simulate a heavily pushed film development, with abundant coarse photographic grain, pronounced film texture, subtle silver-gelatin imperfections, slight tonal irregularities, and the raw aesthetic of high-speed black-and-white film pushed several stops during development. The image should feel like an experimental 20th-century fine-art photograph printed from a heavily pushed negative. Minimalist composition, centered subject, generous negative space, front three-quarter view, sculptural lighting, crisp focus on the entire figurine, subtle rim light separating the dark stone from the white background. The result should feel simultaneously prehistoric and futuristic, primitive and architectural, sacred and monumental, like an unknown archaeological artifact from a civilization that never existed. No color, no gray studio backdrop, no visible environment, no pedestal, no museum display case, no text, no typography, no modern objects, no decorative elements, no additional figures. Pure white background, monochrome high-contrast photography, extreme film grain, raw volcanic stone texture, Neolithic Venus meets Brutalist sculpture. The background must be absolute pure white (#FFFFFF), completely blown out and featureless, with no visible tonal variation whatsoever, while the figurine itself retains extremely deep blacks and rich midtone detail.
  • Using base image: No
  • Aspect Ratio: portrait

Atavistic

• Model: DaVinci2

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: Sous les pavés, plus pavés.
  • Using base image: No
  • Aspect Ratio: portrait

Autumnal Valley Landscape

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Random. Oil on canvas.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A day at the beach

• Model: FluX 2 (Ultra)

• Size: 3360 X 2448 (8.23 MP)

• Used settings:

  • Prompt: Transform the source image into a masterful nineteenth-century watercolor painting, preserving the original composition while reinterpreting every detail with luminous transparent washes, subtle color transitions, expressive brushwork, and atmospheric depth. Blend the radiant light and ethereal atmosphere of J. M. W. Turner, the dramatic color harmonies and emotional energy of Eugène Delacroix, the elegant forms and refined painterly richness of Anthony van Dyck, the naturalistic outdoor light and confident watercolor technique of Winslow Homer, and the fluid, spontaneous brushwork and brilliant economy of John Singer Sargent. Delicate wet-on-wet passages merge with crisp dry-brush accents, soft edges dissolve into glowing light, while carefully placed sharp details guide the eye. Rich yet transparent pigments, layered glazing, luminous skies, reflected light, subtle tonal gradations, expressive textures, sophisticated color balance, and museum-quality craftsmanship. The result should feel like an authentic nineteenth-century watercolor painted by a master, never digital, never artificial, with graceful imperfections, natural paper texture, and exceptional artistic realism.
  • Using base image: Yes

Biomechanical I

• Model: FluX 2 (Pro)

• Size: 2512 X 3296 (8.28 MP)

• Used settings:

  • Prompt: Transform the image into a delicate 19th-century watercolor sketch in the style of Eugène Delacroix's preparatory studies. Use loose yet expressive brushwork, transparent watercolor washes, spontaneous ink and graphite construction lines, subtle tonal variations, and an unfinished artistic appearance. Preserve the composition and proportions of the original image while simplifying unnecessary details. Emphasize elegant gestural strokes, soft edges, atmospheric light, and the vibrant energy of Romantic-era sketchbooks. The paper should have a natural fine-grain watercolor texture with visible pigment blooms and slight paper absorption. Avoid modern digital rendering, photorealism, sharp outlines, heavy saturation, or cartoon aesthetics. The result should resemble an authentic museum-quality watercolor study from the mid-19th century, expressive, refined, and intentionally incomplete.
  • Using base image: Yes

Ethereal Silver Fish in Murky Depths

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Oil on canvas, odilon redon, Phenacogrammus interruptus
  • Using base image: No
  • Aspect Ratio: landscape

En(d)vision

• Model: ChatGPT 2 (Pro)

• Size: 2448 X 3376 (8.26 MP)

• Used settings:

  • Prompt: Transform this image into an extremely dark 18th-century etching in the style of Francisco de Goya’s Los Caprichos, intensely inspired by The Sleep of Reason Produces Monsters. Push the imagery toward brutal grotesque distortion and psychological horror. Use violent chiaroscuro with crushing blacks and blinding highlights. Render everything with frantic, obsessive cross-hatching, raw etched lines, and harsh aquatint textures. Introduce swarms of shadowy creatures, deformed faces emerging from darkness, twisted bodies, looming eyes, and suffocating forms pressing into the scene. The composition should feel chaotic, oppressive, and nightmarish, as if madness itself is infecting the image. The print must look old, corrupted, and degraded: stained paper, ink blotches, scratches, irregular margins, erosion, and physical decay.
  • Using base image: Yes

In halves

• Model: FluX 2 (Ultra)

• Size: 2448 X 3360 (8.23 MP)

• Used settings:

  • Prompt: Oil on canvas, Petrus Christus style, XV century art, flemish art.
  • Using base image: Yes

Night tale

• Model: DaVinci2

• Size: 1184 X 1592 (1.88 MP)

• Used settings:

  • Prompt: Transform this image into a painting in the style of early Piet Mondrian (circa 1908–1911), inspired by works such as "Evolution" (1911), "Summer Night", "Night Landscape", and "Forest near Oele". Emphasize a transition toward abstraction while retaining recognizable natural forms. Use a muted yet expressive color palette dominated by deep blues, violets, earthy browns, and soft greens, with subtle symbolic and spiritual undertones. Apply visible brushstrokes and a slightly textured, painterly surface. Simplify shapes into rhythmic, vertical and horizontal structures, suggesting trees or organic forms becoming increasingly geometric. Introduce a mystical, contemplative atmosphere with soft contrasts and a dreamlike quality. Maintain balance and harmony in composition, hinting at early modern abstraction but not fully geometric or grid-based. Avoid strong primary colors or strict grid compositions from later De Stijl works. Focus instead on the transitional, symbolic, and semi-abstract phase of Mondrian’s evolution.
  • Using base image: Yes

BWR

• Model: FluX 2 (Ultra)

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: Bauhaus style, Basquiat style, Druillet style, Bilal style, Warhol style, pencil and silk screen printing. Black, white and red colours.
  • Using base image: Yes

Study on technique

• Model: FluX 2 (Pro)

• Size: 3072 X 2672 (8.21 MP)

• Used settings:

  • Prompt: Pencil drawing, pencil sketch, red ink, neoexpressionism, unfinished art, Als ich can.
  • Using base image: Yes

Crown shyness

• Model: FluX 2 (Pro)

• Size: 2352 X 3520 (8.28 MP)

• Used settings:

  • Prompt: Fresco painting, tempera painting on panel, Giotto di Bondone style, XIV century art, gothic art, renaissance art, italian renaissance art.
  • Using base image: Yes

The witch

• Model: FluX 2 (Ultra)

• Size: 2688 X 3072 (8.26 MP)

• Used settings:

  • Prompt: Fresco painting, tempera painting on panel, Giotto di Bondone style, XIV century art, gothic art, renaissance art, italian renaissance art, altarpiece.
  • Using base image: Yes

Piranesi

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: A colossal marble chamber inside the infinite House from Susanna Clarke’s "Piranesi" during a rising tide — powerful ocean waves surging through the lower colonnades, foaming water crashing against monumental statues, reflections of towering pillars fractured across the moving surface. Grand staircases emerge partially submerged, leading upward into shadowed galleries. The architecture appears both eternal and vulnerable against the force of the sea. In the mid-ground, a solitary man in simple robes braces himself against a pillar, clutching a leather-bound journal, his hair swept by wind from the rushing tide. Seabirds wheel frantically above as mist rises from the churning water. The atmosphere is dramatic, elemental, and sublime. Rendered as an 18th-century copperplate engraving in the style of Giovanni Battista Piranesi — dense cross-hatching, dramatic chiaroscuro, turbulent motion captured through etched linework, exaggerated perspective, monumental scale, Carceri d’Invenzione intensity, intricate architectural detailing, stark black and white contrast, high-resolution engraving texture, museum-grade print quality. Wide cinematic composition, 16:9 aspect ratio, enhanced clarity, dynamic lighting, strong shadow contrast, atmospheric spray and mist rendered in fine etched lines.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Saint Lucy

• Model: FluX 2 (Ultra)

• Size: 2160 X 3856 (8.33 MP)

• Used settings:

  • Prompt: A delicate imagined portrait of Saint Lucy of Syracuse holding a small tray with her eyes resting on it. The drawing is executed in silverpoint on gessoed parchment, in the Renaissance style of Leonardo da Vinci, Raphael, Rembrandt, or Albrecht Dürer. The portrait appears aged, with visible signs of oxidation in parts of the silver lines and a patina of time on the parchment. Intricate and finely detailed linework, with a serene and solemn expression on the saint’s face, reminiscent of classical devotional art.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Amelia

• Model: FluX 2 (Ultra)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: Oil on canvas, John Everett Millais, Portrait of Amelia Earhart
  • Using base image: No
  • Aspect Ratio: portrait

Ce n'est pas une pie

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: Little purple glass figurine of a magpie against a plain yellow background.
  • Using base image: No
  • Aspect Ratio: landscape

Home

• Model: FluX 2 (Ultra)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: oil on paper, lyonel feininger, orange house with blue windows in the middle of nowhere at sunset with a ghost in a window and a hat at the door.
  • Using base image: No
  • Aspect Ratio: landscape

Anti party at the no house

• Model: FluX 2 (Ultra)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Oil on pane, Mijaíl Lariónov, El Lisitski, Aleksandra Ekster, rayism, black house, yellow windows, white sky, purple sun. Phantom in the sky.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Lion of Gripsholm Castle

• Model: DaVinci2

• Size: 1208 X 1568 (1.89 MP)

• Used settings:

  • Prompt: Transform this image into an extremely dark 18th-century etching in the style of Francisco de Goya’s Los Caprichos, intensely inspired by The Sleep of Reason Produces Monsters. Push the imagery toward brutal grotesque distortion and psychological horror. Use violent chiaroscuro with crushing blacks and blinding highlights. Render everything with frantic, obsessive cross-hatching, raw etched lines, and harsh aquatint textures. Introduce swarms of shadowy creatures, deformed faces emerging from darkness, twisted bodies, looming eyes, and suffocating forms pressing into the scene. The composition should feel chaotic, oppressive, and nightmarish, as if madness itself is infecting the image. The print must look old, corrupted, and degraded: stained paper, ink blotches, scratches, irregular margins, erosion, and physical decay.
  • Using base image: Yes