Андре Куппенс

Girl in a Forest

• Model: DaVinci2

• Size: 1136 X 904 (1.03 MP)

• Used settings:

  • Prompt: summer in fairytale land Patchwork Klimt, Nicoletta Ceccoli, Naoto Hattori, Didier Lourenço, Leonora Carrington
  • Using base image: Yes (Effect strength - 80%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Cats and Oranges

• Model: Ideogram

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Louis Wain, shabby chic, Sunset , oranges and orange blossoms on a tree in a forest
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape
  • Ideogram Style: General

The Quiet Spiral

• Model: AIVision

• Size: 954 X 954 (0.91 MP)

• Used settings:

  • Prompt: A woman with flowing dark hair and elegant draped dress, wearing a decorative knot detail, posed dynamically yet serenely, in soft gray watercolor-style brushstrokes, muted silver gray and beige tones, with paint splatters and wash effects, reminiscent of the styles of James Jean, Loish, and Kinuko Craft, with delicate shading, ethereal lighting, and subtle texture.
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait_tall

Pinocchio

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Pinocchio
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Surreal Dreamscape

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A wistful young girl standing in a dark and ominous garden, mixed media, patchwork, quaint, Goth, black and white and red textures, mixture of illustration and photography; by Aubrey Beardsley, by Tomasz Setowski; vibrant melting whispy coloured patterns, blues, oranges, purples, ethereal aura, delicate feather-like shoulder designs, flowing hair intertwined with patterns, defined yet stylized facial features, mysterious expression, beauty and surrealism blend, organic and geometric shapes, white lines, deep black background.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 5 - Sarumaru

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 5, Sarumaru, of the Ogura Hyakunin Isshu: "In the mountain depths, Treading through the crimson leaves, The wandering stag calls. When I hear the lonely cry, Sad--how sad!--the autumn is." The image shows a single, majestic stag in a bare autumn forest standing on a carpet of red, fallen leaves. The stag has lifted his head and is sending forth a rutting call. He has large, twelve-point antlers and is calling for a hind. One can see the breath of his call in the cold autumn morning air. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 4 - Yamabe no Akahito

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 4, Yamabe no Akahito, of the Ogura Hyakunin Isshu: "When I take the path To Tago's coast, I see Perfect whiteness laid On Mount Fuji's lofty peak By the drift of falling snow." The image shows a full scenic view of Mount Fuji from the coast at Tago near Eijiri, based on Katsushika Hokusai's woodblock print from his series "Thirty-Six-Views of Mount Fuji." In the foreground, we see wooden fishing boats steering through strong currents shown in repetitive wave patterns. In the mid-ground, we see the gentlecoastline. The upper half of the image is dominated by the spectacular view of Mount Fuji, with its blindingly white snow-capped peak and its archetypal curved silhouette, with its reverse curvature compared to the fishing boats in the foreground. The sun is shining on the mountain, and the trees along the coast as well as the choppy waves indicate that a strong wind is blowing. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 10 - Semimaru

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 12 - The Monk Henjo

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 12, The Monk Henjo, of the Ogura Hyakunin Isshu: "Let the winds of heaven Blow through the paths among the clouds And close their gates. Then for a while I could detain These messengers in maiden form." The image shows four beautiful Gosechi dancers in their colorful, elaborate, ornamented, multi-layered silk kiminos called jūni-hitoea, holding cypress fans, wearing their hair in an elaborate hairdo, and dancing to celebrate the rice harvest. Above the dancers, ominous, dark clouds are gathering decoratively, blown together by a strong wind. The purpose of the clouds is to detain the four "heavenly madens" from returning to heaven. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 13 - Emperor Yōzei

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

I wonder what lies beyond the gate?

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate linocut, additionally hand-colored of a black, palatial, intricately worked, wrought-iron gate in a state of disrepair. The gate is attached to a crumbling red brick wall on either side that encloses an overgrown garden that must have been splendid. Now, the garden is overgrown with grass, blooming weeds, tall, shady trees, and brambles overgrowing profusely blooming roses in all shades of pink. Dappled sunlight filters through to highlight the roses. The garden view is visible through the old gate. The patterns in the image are highly complex, combining a multi-layered linocut print with hand coloring.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 15 - Emperor Kōkō

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Emperor Kōkō, of the Ogura Hyakunin Isshu: "It is for your sake That I walk the fields in spring, Gathering green herbs, While my garment's hanging sleeves Are speckled with falling snow." The image shows an elegantly dressed, young man, Kōkō Tennō, bending over to pick wildflowers and green herbs in very early spring. Snowflakes are falling on the sleeves of the emperor's intricately patterned silk kimono. He is fully concentrated on his task, and is holding a small bouquet of greens and spring wildflowers in one hand while he is bending over and picking a single flower to add to the bouquet. The weather is cold and gray, with a strong wind blowing patterned clouds through the sky. The emperor's exquisitely colored silk robe contrasts starkly with the inclement, gray weather. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 19 - Lady Ise

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 20 - Prince Motoyoshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 21 - Sosei Hōshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 23 - Ōe no Chisato

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 23, Ōe no Chisato, of the Ogura Hyakunin Isshu: "When I look at the moon / I am overcome by the sadness / of a thousand, thousand things - / even though it is not Fall / for me alone." The image shows a waning, yellow moon, which has just risen over the horizon, in a starry, dark sky. Naked, black tree branches reach into the sky, creting intricate patterns. The large sickle of the moon peeks forth from a clearing between the branches. The meadow on the ground is even darker than the sky. A melancholy mood permeates the picture. The sky and the meadow have typical patterns of a woodblock print. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 24 - Kanké

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 26 - Teishinkō

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 26, Teishinkō, of the Ogura Hyakunin Isshu: "O autumn leaves / on the peak of Ogural Hill, / if you have a heart, / I would that you would wait / for one more royal progress." The image shows a single, old, large, magnificent Japanese maple tree with a gnarled trunk, winding branches, and feathery, scarlet leaves. The tree stands on a gently sloping, green, grassy mountainside. Some maple leaves are drifting downward on a breeze; they are curled into heart shapes. The leaves are awaiting a visit by the emperor. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Fate Still Owes Me A Dance

• Model: DaVinci2

• Size: 1168 X 880 (1.03 MP)

• Used settings:

  • Prompt: Fate still owes me a dance, soft watercolor in Art Deco style by Annigoni, Egon Schiele, Catrin Welz-Stein, Jean Metzinger, Klimt, highly detailed, jewel tones, hyper detailed. Watercolor and ink, patchwork mosaic stained glass background, luminism, detailed and intricate environment
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: Default
  • Upscale & Enhance: 0