Prompt: A studio photograph of an abstract minimalist sculpture in Scandinavian wabi-sabi style. On the top right, perched on a flat grey river stone ledge, is a tiny stylized ant crafted from a smooth black river pebble with delicate, thin black wire legs and antennae. The ant holds a long, slender, arching driftwood branch that bends gracefully like a fishing rod or crane. Suspended from the tip of this wooden branch is a minimal, abstract elephant silhouette assembled from delicate curved driftwood twigs and small smooth grey pebbles. Tied below the wooden frame with a thin piece of jute twine, a massive, heavy grey river boulder hangs suspended in mid-air, dangling right above a simple rectangular wooden block base. Soft natural studio lighting, neutral warm beige textured background, perfect sense of physical balance and tension, full composition in frame, 1:1 aspect ratio, hyper-realistic natural material textures.
Prompt: Minimalist concept: A weathered wooden cube with visible texture. A thumbtack is partially driven into it; perched on the thumbtack is a figure expertly crafted from paperclips, holding a wooden clothespin overhead—posed like a gymnast with arms spread wide. Background/style: romantic minimalism, studio photography; all elements are material-based. Chosen style: Swedish.
Prompt: Let’s turn this into a feature, not a bug. "Japandi style, Scandinavian minimalism, surrealism, 8K./RAW/Concept: A hand (or glove) composed of many smaller hands (like a matryoshka doll). It is holding a face assembled from various objects—cutlery, stationery, and architectural details—in the spirit of Arcimboldo"
Prompt: Homage to Ralph Steadman.
A doorway in which two men are stuck, glaring at each other with displeasure.
The first — fat, short, with a sour, displeased face, in a tuxedo and bow tie — has pinned the tall, thin, intellectual-looking man in a suit and tie against the doorframe with his huge belly.
The second — tall, thin, intellectual — looks down at his opponent with a defiant, condescending stare from above.
On the wall to the left: a sign reading "EVERYBODY IN SOMEBODY'S WAY". An old, peeling doorframe, scuffed walls, a brass door handle, a light switch. The composition is tight, cramped, claustrophobic.
Vertical 3:4 composition, all elements within frame..
"Sot's Checkers"(Before the game — a shot. For the nerves. Tradition.)
Model:
ChatGPT 2
(Base)
Size:
1664 X 2224
(3.70 MP)
Used settings:
Prompt: "Caricature in the style of Ronald Searle, British satirical illustration, pen and ink with watercolor wash, grotesque but elegant linework. Nervous, scratchy ink lines, spontaneous ink splatters, loose watercolor washes, slightly chaotic composition. Two heavily drunk men sit opposite each other at a small table playing checkers. The board is laid out with precise checkerboard squares, and on the squares stand small shot glasses — the black squares hold glasses of dark cognac on one side, the white squares hold glasses of clear vodka on the other. Each player has a wristwatch lying on the table beside the board, face up, showing different times. The man on the left is fat, red-faced, with a swollen nose and heavy jowls, wearing a rumpled but respectable dark suit with a loosened tie. The man on the right is thin, gaunt, with sunken cheeks, stubble, and bloodshot eyes, wearing a wrinkled but intact grey suit, jacket open. Both have grotesque drunken faces — heavy eyelids, slack jaws, comic exhaustion. Their suits are untidy but not torn, not patched — respectable, international-level disarray. A bottle of cognac stands beside the fat man, a bottle of vodka beside the thin man. Minimal background, soft neutral tone. Pen and ink hatching, cross-hatching, watercolor wash. Aspect ratio 3:4.
Prompt: A masterpiece of caricature, the grotesque, and minimalism—depicting a twisted take on friendship (Toxic friendship: he pours himself a shot and piles his plate high with food, while foisting a large tumbler and a tiny sandwich onto you). In the best tradition of British humor; the style is reminiscent of Ralph Steadman. English watercolor. 8K. Composition: A portly, well-fed man in a dark suit sits at a restaurant table—a jovial, good-natured fellow, the sort people call a "jolly good chap." His collar button is undone, and his tie hangs over the back of the chair; before him sits a huge plate of delicacies and a small shot glass filled with vodka. Opposite him sits his tall, thin, sickly-looking friend in a grey suit and tie, watching in bewilderment as the portly friend pours vodka into his large tumbler; beside him sits a plate holding a tiny sandwich topped with a single sprat. Concept: "There are friends who pour themselves a small shot but foist a large tumbler on you." No text. 3:4 aspect ratio. No text included. The entire composition is set within a frame.
Prompt: A masterpiece dark fantasy t-shirt design graphics. In a detailed dark engraving and gritty ink-wash style, heavy shading, dramatic high-contrast line-art. A classic Grim Reaper in a tattered, highly textured dark frayed robe sits cross-legged. On his lap rests a large, fluffy, calm pet rat wearing a detailed plague doctor mask. The Reaper uses his perfectly anatomically correct, detailed skeletal bony hands to gently stroke the rat. The entire scene is framed by a colossal weapon: the massive, ultra-sharp, curved metal blade of a scythe sweeps seamlessly around the characters, its smooth and flawless arc forming a perfect, unbroken geometric circle border. The metal blade has intricate textures of worn forged steel, while the wooden shaft has a detailed grainy wood texture. Flat pure black and pure white colors with meticulous stippling and cross-hatching detail. Clean vector-sharp edges, solid white background. Dramatic dark humor, cinematic composition, ultimate micro-details. No text.
Prompt: Black and white minimalist surreal photography. A low-angle shot from asphalt pavement looking out over a dark, calm river at night. In the immediate foreground, four distinct vertical white stripes of a zebra crossing are painted on textured black asphalt, perpendicular to the viewer. Behind them, the crossing continues as horizontal white stripes extending into the distance across the water surface. The white stripes gradually dissolve and distort as they merge with the dark water, covered by ripples. A bright full moon hangs in the center of the dark sky, casting a shimmering silver reflection on the water's surface. The reflection forms a luminous path leading toward the horizon, broken by the ripples. Dark horizon line with subtle clouds. No people, no animals. Deep water, mysterious atmosphere, high contrast, photorealistic, cinematic composition, 3:4 aspect ratio.
Prompt: Concept: Philosophical provocation art / GROTESQUE: "THE ANCHOR THAT REFUSES TO SINK"
Visuals:
Boat: Rubber inflatable boat. Bright orange. Like a life jacket. Like anxiety.
Man: Wearing only bermuda shorts and a hat. Holding a fishing rod, but without a hook. He is not catching. He is releasing an anchor on the line.
Anchor: Inflatable. Bright pink. Shaped like an anchor, but inflatable.
Water: A huge puddle, perfectly calm. Calm as glass. Like a mirror. It reflects the sky and the moon — the moon in the reflection seamlessly merges with his hat.
Rope: Not taut. Sagging loosely. Like life. Like everything.
Action:
He cast the anchor with the fishing rod. The anchor is on the surface — it doesn't sink. He watches. He waits. The anchor doesn't sink. It laughs. Or it cries. Can't tell.
Meaning:
This is not fishing. This is meditation. This is absurdity.
Constraints:
no text, no labels, no captions.entire composition in frame"
Prompt: Minimalism, high detail. Marble floor with a cold gray pattern, perfectly smooth, reflecting faint light. In the center of the frame, a shadow — it is the silhouette of an ostrich that comically and desperately hides its head in the marble, literally "pressing" itself into the seam between the floor tiles. The lighting is cold, studio-like, creating sharp, graphic boundaries of the shadow. No unnecessary objects, only the floor and the ostrich's shadow. An atmosphere of tense silence: as if the whole world has frozen so as not to scare away this moment of self-deception and ostrichophobia.
Prompt: A hyper-realistic photograph in the *trompe-l'œil* style. A woman in a swimsuit stands on a wooden footbridge over a river; dark, murky liquid drips from her tightly clenched hands—liquid identical in shape and texture to actual water droplets. Most strikingly, the vast sheet she holds—extending upward from her hands—is the stormy sky itself. There is no visible edge or seam; the fabric's light blue color and textile texture have been completely replaced by the realistic, textured patterns of storm clouds that merge seamlessly with the rest of the sky. It creates the distinct impression that she is wringing out the sky itself. The transition from the bunched fabric in her hands (which retains enough textile character to convey tension) into the clouds is flawless. The entire scene—bridge, river, and horizon—is set beneath a unified, continuous, and ominous stormy sky. The lighting is dramatic, accentuating the texture of the clouds. Highly detailed.3:4 composition, all elements within frame.
Prompt: A surreal cinematic low-angle shot looking straight along the surface of a long, black lacquered wooden table. The camera is positioned extremely low, right at the table's edge. A person is hidden under the table, looking up; only their real mouth and parted lips are visible just below the edge of the tabletop. Resting on the hyper-glossy, black-reflective surface of the table are ordinary objects: a pair of vintage metal scissors arranged horizontally to look like eyes, with the blades pointing down the length of the table to form a nose. The flawless lacquer acts as a liquid mirror, stretching the dark reflection of these objects along the table's length, perfectly aligning them above the real human lips to create an eerie, complete illusion of a human face. Moody art gallery lighting, deep contrast shadows, René Magritte style pareidolia. --ar 4:3
Prompt: A highly detailed, monochrome graphic illustration in engraving style — fine cross-hatching, etched lines. At the center: a large, intricately feathered vulture, bald head, hunched posture, perched on a sheet of white textured paper on a dark weathered wooden table, isometric view, slight top-down angle. The vulture leans forward, its beak lowered into a small deep circular hole in the paper, filled with black ink. The surrounding paper is torn, cracked, fragmented like shattered ice — an inky "ice hole". The vulture drinks. Beside it: an antique glass inkwell with dark shimmering ink, cork stopper. To the right: an elegant quill pen. Dramatic side light, deep shadows, high contrast. Visible paper grain, wood grain. Black-and-white ink drawing. Centered, balanced. No color, no text, no extra objects.1:1, centered, not cropped.
Prompt: "A minimalist conceptual sculpture on a dark background. A hand in a white Carrara marble glove is pulling away a theatrical mask of Thalia (comedy). The mask of Thalia is made of sticky, stretched pink bubblegum, pulling and stretching like melted chewing gum. Underneath the removed mask, a second mask of Melpomene (tragedy) is revealed. The mask of Melpomene is made of translucent, rainbow-colored hard candy. It is crying. The tears are formed by the melting, dripping candy, creating streaks of liquid sugar. Dark background, dramatic lighting, high contrast. Photorealistic textures of marble, gum, and candy. Minimalist composition. No text."
THE CASTLE/LOCK:"In Russian, Castle and Lock are the same word."
Model:
ChatGPT 2
(Base)
Size:
1664 X 2224
(3.70 MP)
Used settings:
Prompt: Professional book design. A copy of Franz Kafka’s novel *The Castle* stands upright on a dark, antique wooden table; the three-quarter angle reveals both the front cover and the spine. The cover features an old-fashioned wrought-iron padlock, which itself bears an illustration of an ancient castle—gloomy, with soaring spires, set against a backdrop of mountains and a full moon. The background of the cover employs a bokeh effect, with the faint outlines of a village barely discernible.
The texture of the paper pages is rendered in great detail, with a subtle curve visible in the leaves. A photorealistic image, 8K resolution, highly detailed; aspect ratio 3:4.
Prompt: Minimalism, macro photography, 3:4 aspect ratio. A simple glass tumbler sits on a dark, matte wooden surface. Inside is a liquid containing round bubbles (resembling those that appear when an aspirin tablet dissolves). Light enters from the side, refracting through the glass and making the bubbles look like tiny pearls. Resting horizontally at the bottom of the vessel is a single, slightly oxidized coin—a thaler (a large, historical silver coin that played a significant role in European financial transactions and international trade from the 16th to the 19th century). There are no superfluous details; the entire composition is contained within the frame.
Concept: money as a remedy for a headache.
Prompt: Mid-century graphic advertisement style, dynamic energy, rich retro palette, crisp outlines, halftone shading. Close-up, low-angle shot: a male hand in a formal suit sleeve with a gold watch firmly grips the decorative handle of a kitchen utensil. The wire loops of the whisk are designed as a highly stylized, elegant sculptural silhouette of a retro mannequin. The chrome steel coils of the whisk form smooth artistic S-curves and a spiraling metallic wire structure that perfectly mirrors a graceful pin-up pose. The top of the wire structure seamlessly transitions into a polished wooden handle with fine grain textures. Action: the hand is vigorously whisking thick glossy cream in a glass bowl at the bottom, creating dynamic splashes and arcs of spray. High-contrast studio lighting casting dramatic shadows on the metallic spirals. The glass bowl features realistic light refraction and bright highlights. Next to the bowl is a small, distressed vintage label with clean typography reading in English: "Tired of the right? Work the left!" Masterful composition, retro glamour print aesthetic, 1970s magazine page texture.
Prompt: Grotesque, caricature, provocation: imagine this scene — a birthday, and in the center of the table, among all kinds of dishes, sits a cake with that very ill-fated number "40" (a fatal date that many idiots consider improper to celebrate) — with two candles burning on the digits, turning the "40" into a zero. And the man of the hour raises a toast to the health of those gathered — and at that very moment the guests drop dead right at the table: he has poisoned them. You are to capture — in the spirit of Steadman — the faces of those who fell victim to this treachery, dictated by superstition. The entire composition in frame.
Prompt: A hilarious, high-comedy narrative oil illustration in the expressive, detailed artistic style of Norman Rockwell. A classic "jealous husband returns home" trope with a witty modern twist. The Characters & Expressions (Stanislavsky's acting): A middle-aged jealous husband in a trench coat has just burst into the bedroom and flung open the heavy wooden wardrobe doors. His face is a masterpiece of total, comedic shock, utter confusion, and wide-eyed bewilderment — instead of a lover-man, he found a woman. Inside the closet stands a beautiful young brunette woman in elegant luxury lace lingerie, looking back at him with a funny, frozen, guilty-but-scared expression, clutching a silk hanger to her chest. Meanwhile, on a wide, rumpled king-size bed, the clever wife is lying down, playfully pulling the satin blanket up to her chin, laughing with a triumphant, knowing, mischievous smirk on her face. Environment & Technique: A cozy, wealthy mid-century modern master bedroom. Soft warm vintage lighting, detailed textures of polished wood, satin sheets, and clothing. Rich color palette, cinematic composition, focused entirely on the brilliant, exaggerated theatrical facial expressions. High storytelling art.
Prompt: Studio macro photography. Surrealism. Concept: a detailed depiction of numerous watches—ranging from large to very small—flying in a V-formation (reminiscent of migratory birds). The objects, composed of watches and unbuckled watch straps, create the illusion of wings while remaining clearly identifiable as straps. Real-world items—actual watches and straps—were used. Dramatic lighting, high contrast, a monochrome palette, and a misty sky. 8K resolution, with extreme detail in materials and textures.
Aspect ratio 3:4; the entire composition is contained within the frame.
Meaning: time flies by in an instant.
Prompt: "A studio photograph of an abstract minimalist sculpture in Scandinavian wabi-sabi style. Composition: imagine a bubble wand made of wire hands; it holds a bubble ring and 'blows' a bubble — but instead of a soap bubble, there is a balloon floating above a scattering of pebbles. A thin, almost invisible thread ties the balloon to one of the pebbles on the ground, anchoring it. The thread is taut, creating a sense of tension — the balloon wants to fly away, but the thread holds it down. The wire hands are made of matte black metal, the balloon is translucent pale pink, the pebbles are smooth grey river stones. The entire object is in frame; aspect ratio 1:1; hyperrealistic textures of natural materials, soft studio lighting, neutral warm background, minimalist composition. No text."
Prompt: A minimalist still life. A matte black ceramic mug. A black cigarette pack labeled "NOIR" is lodged vertically inside the mug. Harsh side lighting from the left. A long, sharp, dark shadow stretches across a dark textured table. Deep shadows, pitch-black background. Monochromatic, noir, tragic and oppressive mood, fine art photography, high contrast, 8k. --ar 3:4 --style raw
Prompt: Vintage Pulp Cover illustration, "The Night Shift" — in the style of a 1960s pulp fiction novel cover! Aesthetic: 1960s tabloid cover, vintage pin-up, sharp outlines, warm sepia-toned colors, and a muted palette with splashes of deep red.
Composition — "The Blood Bank Confidential": A striking, utterly insane mother-vampire sits behind a medical reception desk. She has an elongated face, high cheekbones, hollow cheeks, and a long neck. Her almond-shaped eyes are glowing yellow, framed by exceptionally long false lashes. Her hair is styled in a high "bouffant" (babette) updo, but adorned with a tiara made of glass test tubes filled with blood. She wears a tight, provocatively unbuttoned white medical coat over a black lace corset, with a medical mask pulled down under her chin. She holds a giant vintage syringe and is drinking blood from it through a long plastic straw, looking at the viewer with a manic, unhinged grin.
Next to her, her daughter (a modern vampire nurse with a pink stethoscope and a smartphone) is flirting with a terrified male donor whose arm is strapped to a vintage blood machine.
Desk Details (NO TYPEWRITER): A vintage blood bank machine with dials, a stack of donor cards, an ashtray, and a large glass jar filled with formalin containing a floating heart.
Text and Slogans (integrate naturally into the cover design, mimicking vintage typography):
Top left (title): "MADAME HEMOGLOBIN & BLOODY MARY"
Top right (price tag): "Only 25¢"
Bottom left (tagline): "First time donor? You may not leave the same!"
Bottom right (cynical slogan): "She gives... so others may take!"
Near the blood machine (small caption): "Model 666: For when you need a little extra."
Cinematic lighting, authentic period details, a dynamic and humorous composition, full-shot view. Aspect ratio: 3:4.
Prompt: The painting is executed in a unique style combining the aesthetics of classic 1950s American pin-up with elements of surrealism in the spirit of Salvador Dalí and pop art.
Central figure: In the foreground is a young woman with an incredibly voluminous, fluffy platinum blonde bouffant hairstyle characteristic of the 1960s. Her face shows an expression of extreme surprise: wide-open eyes, a slightly open mouth with bright red lipstick. She is wearing a classic red polka-dot bikini.
Pose and action: The girl is in a complex pose: she is leaning forward, hips thrust back in a three-quarter turn toward the viewer. In her left hand she holds a long staff topped with a large femur bone, resembling a witchcraft or ritual artifact. With her right hand she holds the handle of a galvanized metal bucket. Pulsating green magical energy in the form of concentric rings and spirals emanates from the staff and around the bucket.
Key surreal and absurd details:
Magic staff: The base of the staff is a black rubber plunger suction cup, engraved with glowing green runes.
"Acme Beach" bucket: The bucket is galvanized, with the red inscription "ACME BEACH." Inside the bucket is a giant, realistic human eye. Next to the eye, a melting pocket chronometer in the style of Dalí "flows out" of the bucket, its dial dripping onto the sand, and beside it a simple alarm clock.
Melting moon: In the upper right corner, in the purple sky, hangs a crescent moon made of melting hard cheese (or wax), with drops dripping from it.
Landscape: The action takes place on a "purple beach" — the sand has a deep purple hue, transitioning into purple mountains on the horizon under a dark evening sky. The sea beyond them is dark blue.
Secondary objects: Scattered on the purple sand are small, absurd elements: a wooden sign reading "BEWARE THE TIDE," a rainbow crab in a tiny black top hat.
The entire composition is an absurd, vibrant cocktail of pop culture, internet humor, and classical art, united into a single, detailed painterly image.composition in frame"
Prompt: A surreal, conceptual sculpture in an Op-art style, featuring a male mask that plays with the "hollow-face" illusion. The mask is presented from a single key angle and visually divided into two coexisting states: one half of the face is convex—a frontal view with realistic male features protruding forward—while the other half, shown in profile, is deeply concave (hollow), inverted, and receding into a dark background. A small gap separates the two. Dramatic, high-contrast studio lighting casts paradoxical shadows, accentuating the inverted perception effect within the hollow portion of the sculpture. The piece follows a minimalist "Japandi" aesthetic, rendered in a monochrome palette of black and creamy white, and evokes the psychological surrealism of René Magritte and M. C. Escher. -- the entire scene is contained within the frame. Aspect ratio: 3:4.
Prompt: An expressive, hand-drawn illustration in ink and pencil on aged, textured graph paper, depicting a surreal mathematical catastrophe. At the top, the title is scrawled in a hasty, feverish hand (in English): "FUNCTION GRAPH: y = NOTHING." The composition centers on a hand-drawn coordinate system—featuring horizontal X and vertical Y axes marked with arrows at their ends—set against a backdrop of an uneven, worn grid. The "function" line begins on the left as a trembling, vibrating stroke of black ink, but as it moves to the right, it plunges sharply downward. At the point where it intersects the Y-axis, it literally tears through both the paper and the axis itself, exploding into chaotic ink splatters, cracks, and aggressive, erratic scribbles—as if the sheet had been ripped or burned right through. From this point of impact, the line spirals into a mad tailspin, twisting into a dense, frenzied vortex of heavy ink; mathematical order completely collapses, the motion spirals out of control, and the line vanishes off the bottom-right edge of the page. The piece has the feel of a feverish, spontaneous sketch that conveys a sense of total breakdown and existential absurdity; visible are ink drips, stains, traces of grime, and chaotic pencil shading. The style is high-contrast, rough, and raw. No digital processing..The entire composition within the frame
Prompt: "Create a minimalist caricature masterpiece—a subversive take on consumer culture in the finest tradition of British humor (reminiscent of Ralph Steadman’s style). English watercolor. Composition: A stout, red-faced man with chubby cheeks is making a desperate attempt to break free from the coils of a "sugar boa constrictor." The serpent has wrapped itself around him and is steadily tightening its coils—which are made of sugar cubes—while opening its maw directly over the man's head. The man is gripping the snake’s neck near its mouth with one hand, yet with his other hand—which holds a spoon laden with sugar cubes—he is trying to shove the sugar right into the serpent's gaping maw.
no text, no labels, no captions.entire composition in frame"
Prompt: Diptych: Panel 1: "Act of Aggression" (Horizontal or square) Subject: A man brazenly and cynically defiles urban infrastructure. Composition: Low-angle shot. A plastic portable toilet (blue or gray) is drawn with crooked, angular lines, making it look slightly askew. The man stands with his back to the viewer or in a three-quarter view. Steadman-esque accent: His stream should be rendered with furious, sharp strokes of yellow ink or watercolor mixed with black splatters. The man appears as the relaxed master of the situation, while the booth is a soulless plastic object. Here, he is the dominant force. Panel 2: "The System Strikes Back" (Vertical panel) Subject: The perspective shifts. A sudden, absurd, and humiliating counter-attack. Composition: Strict vertical orientation. We view the man head-on or from slightly above. He recoils; his face is contorted with rage, bewilderment, and disgust (bulging eyes, mouth in an "O" shape or screaming). Main focus (Stream dynamics): A powerful, whipping, toxic-yellow jet blasts from a small utility opening or ventilation grate in the plastic booth. In the Steadman style, it should look as if paint were forcibly splashed onto the page—with droplets flying in all directions and streaks running right across his face and clothes. The drama lies in this: the toilet—a symbol of the filthy city and a squalid, makeshift existence—literally pays him back in kind. In an instant, the man transforms from an aggressor into a pathetic victim of his own actions.
Prompt: A masterpiece in the style of an advertising poster. Grotesque, caricature, digital painting. The scene is set in a bathroom. A beautiful, stylish woman in a bikini holds a bottle of bath foam labeled "Dragon Root" and looks down in horror. However, this is no ordinary product; it is a magical remedy for hair growth and root strengthening.
Action: The woman clutches the bottle frantically (its design features the word "Foam" in elegant lettering at the top and "Dragon Root" at the bottom) and watches in terror as a huge, multicolored, writhing dragon rises from the bathtub—a creature woven entirely of foam, sporting a massive mane of long hair. The monster opens its terrifying maw, intent on punishing the woman. A huge "dragon root" (positioned where the tail should be) and the monster's massive body loom menacingly over the terrified woman.
Background: A bathroom with a minimalist yet beautiful interior.
High-resolution textures, meticulous detail, dark humor; the entire composition fits fully within the frame.
Prompt: Black and white photograph of a heavy minimalist sculpture. A stone collar with a necktie tied into a treble clef. No body, no head, no shirt. Just the collar and the tie. Dark matte granite or cast iron. Rough, heavy, solid. Hard side lighting, harsh shadows. The shadow of the treble clef falls on the floor. Plain grey concrete wall background. No text. No decoration. Raw, industrial, sculptural. 8K, hyper-realistic.
Prompt: Surreal studio sculpture (aspect ratio 3:4). Made of aged, weathered bronze with traces of corrosion and rust. The sculpture depicts a headless basketball player: his arms are raised in a shooting motion, and in his hands, he holds a heavy, oxidized bronze sphere (instead of a head). His neck is a steel leaf spring (stacked curved steel plates), reaching upward. At the top of this spring, a basketball hoop grows directly out of the metal. A long chain net hangs from the hoop, serving as the visual center of the composition. Symbolism: "The height and accuracy of the flight of thought." Lighting: Chiaroscuro technique, deep shadows on a dark grey background. Hyper-realistic textures: rust, corroded bronze, steel, chains. Negative prompt : human head, normal head, plastic, glossy, modern, bright colors, flat lighting, low resolution
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
