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A surreal, conceptual sculpture in an Op-art style, featuring a male mask that plays with the "hollow-face" illusion. The mask is presented from a single key angle and visually divided into two coexisting states: one half of the face is convex—a frontal view with realistic male features protruding forward—while the other half, shown in profile, is deeply concave (hollow), inverted, and receding into a dark background. A small gap separates the two. Dramatic, high-contrast studio lighting casts paradoxical shadows, accentuating the inverted perception effect within the hollow portion of the sculpture. The piece follows a minimalist "Japandi" aesthetic, rendered in a monochrome palette of black and creamy white, and evokes the psychological surrealism of René Magritte and M. C. Escher. -- the entire scene is contained within the frame. Aspect ratio: 3:4.
