Prompt: An interdimensional stargate pulses at the heart of an ancient stone temple, its colossal masonry etched with intricate relief carvings depicting forgotten alien deities and cryptic cosmic histories. The portal itself is a vast, helical vortex of iridescent light and multidimensional energy, a rotating labyrinthine infused with ultra-advanced extraterrestrial technology. Within its scintillating core, sacred geometry blooms in luminous fractals-sinuous tessellations and undulating hyperspatial patterns woven with glowing alien glyphs, each inscription emanating a sentient, otherworldly intelligence. From this swirling nexus emerges a UFO, its sleek surface shimmering with patterns and flowing plasma-like energy currents. As it glides forward, the surrounding forest ripples and distorts. Trails of warped space-time follow the craft, creating gravitational ripples and spectral light waves that fracture reality into aberrated anaglyph effects-a prismatic 3D optical illusion radiating from its path.
Prompt: A masterpiece of space fantasy realism with elements of futurism. A huge silver futuristic spaceship hovers in space near a field of space asteroids. The spaceship looks like a large metal pelican. In the front part it has a large wide metal beak that turns into a large soft storage bag for storing cargo. In the back part of the spaceship, in addition to space engines and powerful nozzles, there are two large metal mechanical manipulators similar to bird's feet. Folding metal wings of the spaceship are located on the sides of its upper part. Numerous rows of black shiny solar panels are visible on the wings.
Prompt: Cinematic wide landscape view. Ancient alien temple off-center to the right, shrouded in mist among towering Douglas firs and mossy spruce of the Oregon coastal forest. Helical interdimensional stargate glowing with luminous multidimensional energy, sacred geometry, and glowing alien inscriptions. UFO emerging in midground with bioluminescent plasma, warping fog and trees with spectral anaglyph ripples. Foreground ferns and fallen logs, midground temple and UFO, background dense forest receding into beach and ocean in distance for depth. Psychedelic sky with swirling nebulae, moons, and alien planets illuminating the mist. Android Jones style, visionary cosmic surrealism, fractal alien architecture, radiant spectral gradients, ArtStation quality
Prompt: Wide-angle cinematic landscape view. Ancient alien stone temple partially hidden among dense pine and juniper forest on crimson sandstone cliffs, canyons and waterfalls placed off-center to the left for balanced composition. Massive helical interdimensional stargate glowing with iridescent multidimensional energy, sacred geometry, and glowing alien inscriptions. UFO emerging in midground shimmering with bioluminescent plasma patterns, leaving trails of warped space-time and aberrated anaglyph 3D effects. Vast canyon landscape extends into the horizon with layered cliffs for scale. Psychedelic sky with radiant nebulae, moons, and alien planets casting spectral gradients. Android Jones style, visionary cosmic surrealism, fractal alien architecture, ArtStation quality.
Prompt: Behold: Armageddon: the apocalypse:“ The end of the world"
Structure the image around the artistic styles of both Richard M Powers and Roger Dean.
Prompt: Professional high-end photography. A full-body shot of the Black Pearl, a majestic galleon sailing into golden hour light across a vast ocean. Its dark, polished wood gleams like black pearl, carved with ornate details that catch the warm hues of sunset—vibrant oranges, pinks, and purples lighting ship and sea alike. Waves crash and foam beneath the hull, carrying the spirit of freedom and faint echoes of Jack Sparrow’s melody on the breeze—his voice a promise of tales untold. Immortalized with the best film equipment in existence, through the eye of a virtuoso cameraman. Gallery-worthy, iconic masterpiece, 32k, 600DPI resolution.
Each processing use: (Ultimate worlds-best balanced processing. Every minute asset at worlds-best quality, ultimate-realistic, hyper-refined, finest microscopic hyper-detailed, unique, at (32k, 600DPI resolution) + ultra-refined, sleekest, continuous lines).
Custom triple-pass modeling Rhino 8 (Grasshopper - parametrics), CLO3D 2015 (sails, ropes), ZBrush 2025.2.2 (finest detail), V-Ray 7 (phoenix - water), realistic boat, dark wood ultra-details.
Substance 3D Suite + Rebelle 7 Pro(shiny metallics, pigments) + Mari 7 + Mixer, boat ultra-fine detailing, organic surface detail, micro-bump, displacement, adv. texture refine, metals, chains, wood aging, rust, decay, nat. imperf., fine decor + carvings.
Cinematic balanced composition/atmos. + framing isolated centered on background, layer, blend, Nuke studio 16.
Atmos. effects, water bubbles, refractions, caustics, light scattering, SSS on sails in Krakatoa 2.12 (volumetrics, particles), Corona 12.2 (dynamic light/shadow play, ultra-fine det. surfaces), + HDRI, RTX shaders, ray/path tracing.
Final render 3ds Max + V-Ray 7 refine detail/shading/light/lines.
Prompt: horses magazine cover, editorial photography style. A full-body atmospheric shot of a grunge style dark and majestic black unicorn marching toward the camera, with a long, flowing mane like dark smoke. Its obsidian coat gleams with highlights, and its spiraling horn glows faintly against a grungy backdrop with gold and brown textures. The unicorn's intense gaze and the haunting shadows create a surreal, otherworldly atmosphere with a sense of foreboding magic. Shot on RED Weapon 8k and Zeiss Otus 20mm lens, ultra-sharp optics at ISO:100 – f/8 – 1/30s on tripod.
Each processing should use: (ultimate-worlds-best balanced processing. Every asset, "material, texture, shader, particle, line" in worlds-best quality, ultimate-realistic, hyper-refined, finest microscopic hyper-detailed, unique and at (32k, 600DPI resolution) with "ultra-refined, sleekest, continuous lines". ).
Custom triple-pass modeling in Rhino 8 (all), ZBrush 2025.2.2 (finest detail), V-Ray 7 (Scans) for realistic textures/shaders, Substance 3D (Painter, Designer, Modeler, Sampler) for ultra-fine detailing. Balanced composition/atmosphere, fine texturing, Nuke Family 16 (all), Mari 7 (advanced texture refinement, natural imperfections), Mudbox 2026 (organic surface detailing, micro-bump, and displacement). Atmospheric effects, caustics, and light scattering in Krakatoa 2.12 (volumetrics, particles), FStorm 1.6ON (realistic shading, high contrast cinematic lighting, ultra-fine details on surfaces), with ray/path tracing, HDRI, RTX shaders. Final render with 3ds Max 2026 + V-Ray 7 (final detail passes, shading, and lighting). Post-processing in After Effects 25.2.2 (final tone adjustments, color balancing, and atmospheric glow), Capture One + Affinity 2 (final color grading).
Prompt: Professional photo of A surreal landscape bathed in prismatic light, featuring glowing, intricate beings from higher hyperdimensions. These creatures appear as delicate, luminescent drawings with fine, neon neuronal patterns resembling cnidarians, floating ethereally against a richly detailed, photo-realistic winter valley. The valley is blanketed in glittering snow under a softly diffused sun, with a warm rustic cabin nestled among majestic mountains. Vibrant impossible colors highlight the creatures’ otherworldly essence, contrasting with the natural environment’s calm palette. The scene blends impressionistic fantasy with fine art photographic realism. Extremely hyper-detailed. Art gallery grade iconic masterpiece with full clarity on main subjects. Brought to life in all its finery by a genius virtuoso, with the finest tools in existence.
Shot on Arri Alexa 35, 24mm Cooke S8/i T1.4 lens, internal ND 2.1 filter, f/8, ISO100, on tripod. Absolute obsession with ultra-high quality. Rendered via spectral engine with full photon mapping, bidirectional path tracing. Each processing uses: best in existence, luxury micro assets, finest geometry, refined texture fidelity, 32k 600DPI; smooth, ultra-thin, refined continuous lines.
L1: Rhino 8, ZBrush 2025, V-Ray 7 terrain and microdetails.
L2: Substance 3D, Mari 7, Mudbox 2026 extremely hyper-detailed refine nanoscopic textures.
L3: Nuke Studio 16, Golden Ratio compositing; Flame 2025 snow sparkle, creatures flow and sparcle.
L4: HDRI, RTX shaders, Corona 13, volumetrics, caustics, light scattering, creatures particle SSS.
L5: 3ds Max 2026, V-Ray 7, Krakatoa 2.12, final refinement, creatures extremely hyper-detailed refine nanoscopic spectral particles.
L6: After Effects 25.2.2 (Sapphire), Capture One LUTs, Affinity 2 grading. Output 32k, 600DPI.
Prompt: Professional sci-fi photography.
Epic frontal eye-level full-body photo of a massive glowing portal built from futuristic machinery with concentric rings of light at its center. The landscape features towering orange and red rock formations contrasting with distant blue-tinted spires. Late afternoon sun casts long shadows on rough rock and smooth metal surfaces. Vision of a brilliant genius realized with best equipment in existence.
RED V-RAPTOR (Global Shutter) VFX line, Canon RF 28-70mm f/2L USM crispy clear lens, f/2.8, ISO 100, Kolari UV-415 + Tiffen UV Haze 2A + Formatt Hitech UV Haze 2B Schott-Desag B270 + Tiffen Linear Polariser filter, on tripod.
Absolute obsession with ultra-high quality. Full clarity on main subjects. Output 32k, 600DPI.
Every process uses: best in existence assets with refined geometry and textures; ultimate line smoothness and precision.
L1: Custom triple-pass: Houdini 21 procedural hard-surface and terrain generation, Blender 4 base mesh refinement, parametric det, Modo 16 precision metallic detailing.
L2: Substance 3D Painter 2025 layered emissive shaders, Mari 7 displacement and micro-scratches.
L3: Houdini procedural terrain, Clarisse iFX for large-scale instancing, layout, seamless blending.
L4: HDRI, RTX shaders, path/ray tracing; Unreal Engine 5 Lumen afternoon lighting with occlusion, realistic light/shadowplay, reflections; Krakatoa 2.12 particle effects, volumetrics, metal surface spectral refractions, scatterings, SSS, caustics, adaptive sampling.
L5: Redshift, Nuke Studio 16 (Lustre, Lux LUTs and grain) final micro-detailing, touch-ups.
L6: After Effects 25.2.2 Sapphire bloom and flare, DaVinci Resolve editorial grading.
Sci-Fi art gallery-grade tight-framed masterpiece.
Prompt: Professional editorial photography.
Frontal aerial view of a futuristic city carved into a green mountain range with steep cliffs and waterfalls. The city splits into two levels: a river-hugging lower city of glassy, curved skyscrapers and an upper plateau with clustered towers and skybridges above dramatic drops. Verdant vegetation blankets the slopes; multiple bridges connect both layers. Dozens of waterfalls pour from cliffs and the plateau edge into the reflective river below. Sunlight diffuses through clouds, glinting off surfaces, casting gentle shadows. Harmony of architecture and nature, serene yet visionary.
Vision of a brilliant genius realized with best equipment in existence.
ARRI Alexa 35, Zeiss Supreme Prime 35mm T1.5 lens, f/8, ISO 100, B+W MRC Nano ND0.9 + Soft Diffusion FX filter on tripod. Ultra-HD 32k 600DPI, cinematic gallery-grade masterpiece.
Absolute obsession with ultra-high quality. Full clarity on main subjects. Every process uses: best in existence assets with refined geometry and textures 32k 600DPI; ultimate finest line smoothness and precision.
L1: Rhino 8(Grasshopper, RhinoLand), ZBrush 2025.2.2, Houdini 20 (terrain morphs, parametric det, flora).
L2: Mari 7, Substance 3D 2025 (micro detailing, elevation cracks, micro-imperfections).
L3: Gaea, Nuke 16 Studio, Fusion 18 (fog, cascade layers).
L4: (HDRI, TRX shaders, path/ray tracing), FStorm, Krakatoa (waterfalls, light scattering, caustics, volumetrics).
L5: 3ds Max 2026 + V-Ray 7 (color/light balancing, skyline integration).
L6: After Effects 25.2.2 (Sapphire FX), Capture One Pro LUTs, Affinity 2 (editorial grading/correcting, cristal clear clarity, epic quality, reality).
Output 32k, 600DPI.
Prompt: wide shot of Australian outback landscape. Majestic twisting silver-barked gum tree with lush canopy beside rugged waterfall cascading over stratified red-rock cliffs into serene turquoise swimming hole. Mist and shimmer rise at waterfall base. Pool surrounded by sun-warmed smooth stones, vivid wildflowers, and outback grasses contrasting red-orange arid earth. Atmospheric perspective with distant ridges fading into haze. Golden-hour lighting with high sun casting dramatic shadows. Studio HDR+ rig simulating warm sunlight, bounce, caustics, ambient occlusion, water shimmer, and bloom. Balanced composition placing waterfall and tree in complementary thirds. Sharp foreground detail, soft distant depth rolloff. ARRI ALEXA 35 Cooke Panchro/i 152mm PL lens.
Cinema 4D 2026: precision terrain sculpt with stratified rock layers, smooth river basin; Mudbox 2026: ultra-fine bark and rock microtextures, detailed grasses and flowers; Houdini 2026: particles for waterfall mist, pollen drift, rock erosion; render: Arnold 2026 path tracing.
Substance Painter 2026 32k PBR: silvery bark with microcracks, peeling layers; moist mineral rock with shimmer maps; layered sand and grit on stones; translucent petals with high subsurface scattering; render: Arnold.
Ornatrix 4: procedural grass and foliage scattering, leaf age variance and bend, dense canopy with volumetric shadows; Houdini 2026 procedural wildflower clusters; Cinema 4D layout for perfect thirds; render: Arnold.
Arnold 2026 lighting: ray-traced direct sunlight with volumetric haze, water caustics, warm bounce from rocks, multi-layer ambient occlusion, glistening water shaders; golden-hour temp
Final render: RTX-enabled Arnold 2026 ultra-realistic path tracing, no denoise; subtle ripple glimmer on water; compositing and subtle depth grading in DaVinci Resolve and Fusion; edge sharpening.
Color grade: warm outback tones with HDR highlight preservation, enhanced cyan-turquoise water
Prompt: Mystical Courts of Chaos, inspired by Roger Zelazny's work, reminiscent of The Courts of Amber. Explore an ethereal realm filled with intricate patterns and ancient architecture. Picture male and female warriors engaged in a dynamic swordfight wielding magical swords. Capture the intensity of combat with dramatic poses, flowing capes, and a mystical glow surrounding them. Set in a fantasy backdrop with vibrant colors, ensure detailed linework to bring out the epic battle scene. Embrace a fantasy art style to enhance the mystical atmosphere. Illuminate the scene with dynamic lighting to highlight the powerful aura exuded by the characters.
The Slayers of the Dragon: Epic Battle in the Flame Caverns
Model:
AIVision
Size:
2688 X 1536
(4.13 MP)
Used settings:
Prompt: In a dramatic fantasy scene, a fierce battle unfolds within a cavern illuminated by brilliant hues of orange and blue. At the center, an enormous, menacing dragon with shimmering, scaled skin glows like molten lava, its fiery eyes fixed on the approaching adventurers. The dragon’s massive wings, edged with darker red, stretch ominously behind it, creating a sense of dominance in the frame.
In the foreground, a group of diverse warriors confronts the beast. On the left, a shadowy figure, dressed in dark leather armor, brandishes a bow, their stance indicating a defensive posture. Next to them, a heavily armored knight raises a gleaming sword that emits a burst of magical light, ready to engage. The knight's armor reflects the ambient light, adding an element of heroism to the scenario.
On the right side, two females and two males display unique attire and weaponry, with one woman holding a shield and another wielding a spear. Their expressions reflect determination and courage, ready to face the dragon’s impending attack. The muted colors of their clothing contrast sharply with the luminous dragon, emphasizing the intensity of the moment.
The background shows jagged rocks and faint outlines of the cavern, while sparks and embers float in the air, enhancing the chaotic atmosphere. The play of light and shadow adds depth to the scene, creating a stark contrast between the dark cave and the vivid dragon. Overall, the composition captures an epic confrontation between the forces of good and an indom
Prompt: A masterpiece of romantic fantasy graphics. A loving kiss of a young dark-haired man in a space pilot uniform with a beautiful thin alien girl with light blue skin and short golden hair. The girl is dressed in a tight short dress with blue and gold geometric patterns in the style of spiral cubism. The background is a small futuristic cabin of a spaceship.
Prompt: (((Masterpiece))) drawn in vibrant colors with ink and a scratching, splashing, blotting quill pen, irregular stroke, squiggly line, evocative. colored with aquarelle, splatter, overspray of color.
Create an image featuring a very beautiful young blonde urban vietnamese woman in the garden of a european baroque palace by a lake, her blonde hair is loosely styled in a bun with many loose tendrils framing her face, she is kneeling down, looking at a frog sitting on a lotus leaf in the lake, the frog wears a tiny golden crown on its head, shiny metallic effects.
Masterpiece, squiggly, grainy, gorgeous, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD, style of by zettel
Prompt: Magazine photography style. Wide shot of a Viking camp by the shoreline, with rugged wooden longhouses and a massive, flickering campfire. A sprawling sunset sky in orange and violet hues stretches above, as gentle waves lap golden sand. A majestic dragon-headed longship glides across the azure waters—its carved hull and towering masts silhouetted against the light. Sea-worn driftwood and scattered stones lie by the tide. The editorial-style composition flows naturally from the camp to the glistening shore, lit by golden-hour sun that casts long shadows and evokes a sense of camaraderie and forgotten adventure.
1. Custom triple-modeling: Lumion 2025 (longhouses, ship) + Rhino 8 (+Bella, Lumion Sync) + ZBrush 2025 + RailClone (parametric archit detail) → stone, driftwood, wood, sand, textiles, firewood, subtle erosion, rugged archit and ship intricate details, tools → base render with V-Ray 7 (+Phoenix - flame, water), custom shaders/textures.
2. Substance 3D Suite(+alchemist) + Mari 7 (+Extensions) + Mudbox 2026 + Mixer 2022 → surface finest ultra-detailed detailing → render pass in Arnold 7.
3. Scene & lighting balance via Nuke Family 16.0 + Katana 8.0.
4. Krakatoa 2.12(thinkbox) → thin film, fire haze, waves frothing, cloud soft particles, light diffusion, glistening; FStorm 1.6ON → cinematic light/shadow play, reflections, caustics, environmental scattering; using ray/path tracing, HDRI and RTX shaders.
5. Microtexture ultra-refinement and final photo-pass in Arnold + Nuke Family.
6. After Effects 25.2 (Sapphire) + Capture One (LUTs) + Affinity 2 (PS plugins) → bold color grade, natural atmospheric glow, final contrast, clarity, and polish.
Prompt: Landscape photography style. A remarkable wide shot of a tranquil, glassy lake at dawn, surrounded by tall evergreen trees growing firmly on the shoreline, never extending into the water. A light mist drifts gently across the water’s surface, catching the first warm rays of sunlight as they stretch across the horizon. The golden light reflects softly in the mirrored water, casting a warm glow across the scene. Pastel hues with a touch of glitter.
1. Custom triple-modeling in Rhino 8 + ZBrush 2025.2.2 + SpeedTree 9 → greenery strictly on ground → base render pass with V-Ray 7 (Phoenix, Cosmos, Scans)
2. Substance 3D Suite + Mari 7 + Mudbox 2026 → ultra-fine texture creation, organic surface micro-details → render pass with V-Ray 7
3. Krakatoa 2.12 → volumetric lighting, soft mist particles, caustics, light scattering, rays of god.
4. Advanced lighting setup for realism, detailed surface shading → render pass with FStorm 1.6ON
5. Final render pass with textures/shaders refine in Arnold 7
6. After Effects 25.2.2 + Capture One + Affinity 2 → final tone mapping, color correction, atmospheric glow, vivid grading, and polish
Prompt: Archival film still. Center-aligned two-shot of two astronauts (kevlar composites and nanofiber weave suits), in low-G coursing the sands of an alien planet, one holding a metering device. A faint trail of footprints leads toward an otherworldly building in the distance. Its rusted, weathered, oxidised steel, anodised titanium, exposed cabling and industrial pipes is etched by silence and slow erosion of time. Barren, rocky terrain in low-saturation tones, and subtle wear. An unearthly, pale yellow-green sky, light haze, tinged with alien trace gases. Calm composition. Space museum-grade iconic masterpiece with full clarity on main subjects. A moment caught just before the era shifts. Lit with memory, shaped by shadow, framed by longing. ARRI Alexa 35, REVEAL, dual gain, texture G444, ND 0.6, WB5600K. Leitz Hugo N 50mm T1.0 Prime, f/2.0, ISO 200. Tripod-mounted, still frame. Narrow DOF, archival exposure priority. Spectral rendering, full photon mapping, bidirectional path tracing. Absolute obsession with uncompromised ultra-high quality. Each stage uses best-in-existence ultra-lux 32k custom assets, flawless geometry, rich nanotexturing, razor-sharp detailing; sharpest, finest, continuous lines. L1: Moi3D, ZBrush 2025, Gravity Sketch Pro – building, terrain blockout, small rocks, suit. L2: Substance 3D 2025, Quixel 2024, Mari 7 – DCS suit scans, visor smudges, suit/boot deep surface grime stains, helmet scuffs, rust, suit fine detailing. L3: Nuke Studio 16 – framing; RealFlow X – low-G drifting plumes of sand particles. L4: HDRI, RTX shaders, ray/path trace: Corona 13, Krakatoa 2.12 – AO, haze, soft shadows, thin-atmosphere scattering, reflections in visors. L5: Arnold 7 (archival lens, suit detail refine), Rebelle 7 (imperfections), Flame Painter – motion drag. L6: Capture One LUTs (Kodak Vision3 250D), DaVinci Resolve 19 – faded film warmth, sepia/cyan matte grading, scuffed-film overlay. 32K, 600 DPI, archival tone preset.
Prompt: Bringing the otherworldly imagination from the brain to the canvas, Rodney Matthews creates Mechanical Momentum, The imaginative vision of Eyvind Earle and Hovik Zohrabyan transports us to a realm beyond the ordinary, where a three-storey colossus, a titan, a gargantua, a monument, a superlative, a remarkable, a wondrous, a magnificent, an admirable, a marvelous, a splendid, a great, a sumptuous, a gorgeous, a magnificent, a superb, an enormous, a huge, a vast, a grand, a tremendous, an immense, a grandiose structure rises before our eyes. It is a cyberpunk-futuristic locomotive, shrouded in a haze of white steam. The oil painting, executed with exquisite detail in the style of fantasy, is photorealistic in its 4K resolution, creating a mesmerizingly attractive and beautiful scene. The dynamic lighting, reminiscent of a watercolor patchwork, adds a touch of pastel colors to the aquarelle, creating a wet-on-wet effect. There are no people in this vision, only the awe-inspiring spectacle of this colossal structure, sublime in its grandeur.
Prompt: Bringing the otherworldly imagination to the canvas by Daniel Simon & Zdzisław Beksiński & Eyvind Earle creates "Mechanical Momentum", which depicts a high-speed Japanese futuristic train. "The Shinkansen", speeding through a futurISTIC JAPAN city with gigantic pyramids. The elongated form of the train is enhanced by its speed, mirroring the dynamic structures of Umberto Boccioni and incorporating the lines of speed of Giacomo Balla to emphasize the rapid movement of the train. The oil painting on canvas is incredibly detailed with a photorealistic quality and beautiful, dynamic lighting effects. It is a highly regarded work of fantasy featuring watercolors and pastels and the wet-on-wet technique, with people absent from the painting leaving only the train to convey the sensation of speed and movement.
Prompt: Maksymilian Novak-Zemplinski's "Dieselpunk city-locomotive of Babel" is a crazy awesome painting that takes your mind to another world. It's a huge epic movie-like masterpiece with so many intricate details and crazy stuff. It's like cyberpunk and steampunk combined in one. You know, like a futuristic city with pyramids and skyscrapers, all covered in fog at dawn. The sun's rays come through the fog and create this 3D effect, like it's actually there. And the colors are so realistic, it's hard to believe it's just a painting. It's so detailed, you can see every little thing. And the lighting is so cool, it adds to the whole vibe. This painting won awards for a reason. It's an incredible piece of art.. The painting doesn't have any people in it, but you can definitely feel the movement and energy
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
7w
7w
