Prompt: A hyperrealistic macro-grotesque photograph. An extreme close-up of a detailed plague flea with human-like muscular arms. It is straining with all its might, feet braced, trying to bend open a giant, rusty horseshoe. The texture of the flea's chitin and the pitted iron of the horseshoe are rendered in incredible detail. The scene is lit with dramatic studio lighting, casting sharp shadows. The mood is absurd, darkly humorous, and scientifically eerie, symbolizing a futile struggle against fate.
"A step the length of a life." (The mood is serene, tragic, and philosophical)
Model:
Nano Banana Pro
(Base)
Size:
2219 X 1664
(3.69 MP)
Used settings:
Prompt: A profound and melancholic metaphysical photograph. A single, perfectly illuminated baby's foot is taking a step on a vast, dark, reflective surface that resembles black marble or still water. The foot is soft, pristine, full of life. However, its reflection in the surface below is not a mirror image. It is distorted, blurred, and dissolves into a dark, smoky vortex or a faint, ghostly trail that stretches infinitely into the void, symbolizing the path to mortality. The background is completely empty and dark, focusing all attention on this one step and its ominous reflection. The style is a mix of Sally Mann's evocative photography and the symbolic depth of Francesca Woodman. Ultra-sharp focus on the foot, ethereal and smoky for the reflection. The mood is serene, tragic, and philosophical. --ar 4:3 --style raw
Prompt: Dark philosophical surrealism — hyper-detailed oil painting, chiaroscuro lighting, Bosch × Magritte × Zdzisław Beksiński aesthetic.
A damp, vaulted medieval cheese cellar: stone walls, dripping moisture, racks of aging wheels in shadows.
Center: A melted “7” sculpted from greyish cheese, riddled with holes — soft, sagging, vulnerable.
The Cutter: A grey rat in a 14th-century plague doctor’s hat and a butcher’s stained apron, wearing dented knight’s greaves. His tail is bound to a glowing incandescent bulb — casting a harsh, surgical spotlight on his work as he saws the “7” into equal slices with a rusty hacksaw. Sweat glistens on his brow. Focus: absolute.
The Arrivals:
A cart pulled by four decorative white mice (tiny bells on their harnesses).
Two rat riders:
• Harlequin Rat — diamond-patterned motley, floppy hat, holding a ledger.
• Capitano Rat — puffed sleeves, mock-heroic breastplate, fake moustache twirled, brandishing a wooden sword. (Yes — «Il Capitano» from Commedia dell’arte: the boastful, cowardly warrior.)
The Ambush (in deep shadow, left):
A tall, black cat, sleek and sinister — one paw resting on a steel tape measure. His eyes gleam yellow.
✨ Speech bubble (elegant Gothic script, glowing faintly):
“While you measure seven times…
someone’s already cutting.”
Background details:
A clock with no hands on the wall.
A broken abacus in the corner.
On the floor: crumbs spelling “7 > ∞”.
Style: Flemish still-life precision + German Expressionist distortion + metaphysical unease. Mood: ominous, ironic, intellectually thrilling. No logos.
Prompt: An editorial-style cartoon in the vein of The New Yorker. A flabbergasted psychiatrist sits at his desk in a classic office (bookshelf, couch, diploma). Before him stands a former patient, dressed in a modest suit, looking serene. A large, coarse sack sits open on the floor, spilling out extravagant regalia: a crown, a bishop's mitre, a sceptre, a robe. The patient says with sincere gratitude: ""Thank you, doctor. You cured me of my delusions of grandeur. Now I am simply... the most humble man in the world."" Clean lines, expressive faces, subtle coloring. The humor is intellectual and visual.
Prompt: Cyber-noir theatrical tragedy — ultra-detailed, cinematic chiaroscuro, oil-and-metal textures.
A decaying 19th-century opera house, now a relic in a post-human world. Every seat occupied by motionless humanoid robots — brass, porcelain, rusted steel — watching in silent protocol.
On stage, under a flickering spotlight:
Othello: a towering black-finished android, hydraulic arms extended, gripping Desdemona by the neck joint, lifting her as coolant drips from her joints like tears. His optical sensors burn crimson; voice modulator distorts with static.
Desdemona: slender white ceramic unit, hair like spun fiber-optic strands, chest panel cracked open — revealing a softly pulsing blue Core Integrity light. Her eyes flicker between calm blue and emergency amber.
✨ Speech bubbles (holographic, glitching):
OTHELLO:
“Did you upload your sins today, Desdemona?”
DESDEMONA (voice soft, decaying):
“My core is clean… but my sensors detect your corruption.”
Symbolic details:
At Othello’s feet: a shattered Confession Module v.2.0 — screen frozen on “ERROR: TRUST VIOLATION”.
In the wings: Iago-bot, a lean, silver unit with a “System Admin” badge, one optic green (corrupted), quietly plugging a logic bomb into the theatre’s mainframe.
On the curtain: embroidered in gold thread — “ERROR 404: TRUTH NOT FOUND”.
Style: Caravaggio lighting × Flemish hyperrealism × retro-futurist decay. Mood: tragic, clinical, devastatingly poetic.
Prompt: Baroque surreal allegory — oil painting style, chiaroscuro lighting, hyper-detailed textures.
A single matchstick, anthropomorphized with weary eyes and tiny limbs, crawls up a rough, aged stone wall — on its back, a small matchbox labeled “FATA MORTIS”. It strains toward a tall iron sconce (wall-mounted torch holder), where a grand, blackened torch stands upright, its unlit wick frayed but proud.
Speech bubbles (elegant script, glowing faintly):
MATCH: “It’s time to burn.”
TORCH: “You burn. I blaze.”
Ambient details:
Dust motes float in a single shaft of moonlight.
The sconce is forged in the shape of a skeletal hand — holding not a weapon, but light.
In the shadows: faint carvings of extinguished torches on the wall — past keepers of the flame.
Floor below: scattered burnt matchsticks — some whole, some snapped, all spent.
Style: Caravaggio’s light + Rembrandt’s texture + Bosch’s symbolism. Mood: solemn, poetic, quietly heroic.
Prompt: A melancholic grotesque caricature. An old, ornate wardrobe stands in a dusty, decadent room. Its door is open. Inside, on a bent hanger, hangs a moth-eaten, cracked sheepskin coat with a black fur collar. A grotesque, elderly woman's torso and head are merged with the coat; it is her body. Her face shows vacant longing and fatigue, with poorly applied makeup. The scene is a literal metaphor for "старая вешалка." Style: a fusion of Aubrey Beardsley's graphic decadence and Egon Schiele's expressive distortion. Sepia and grey palette with a single spot of garish lipstick red. Dramatic chiaroscuro lighting highlighting texture and decay.
"DiversitySaturday" -"Rights fighters" are turning into "spiritual spammers"
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: Logo Design Concept:
Visual Elements:
Rainbow Cloud:
Gradient transitioning through all rainbow colors (ROYGBIV)
Fluffy, rounded shape with subtle wispy details
Black rectangular sunglasses (reflective lens effect)
Power Cord:
Coiled black cable with a white/light gray highlight
Standard 3-prong plug at the end (simplified vector style)
Appears to "hang" from the cloud's bottom
Text:
"Connection interrupted" in a clean, modern font (e.g., Montserrat SemiBold or Poppins)
Centered above the cloud
Optional: Slight glitch effect on the text (2-3 displaced horizontal segments)
Technical Specifications:
Style: Flat vector illustration with subtle gradients
Color Palette:
Cloud: Vivid rainbow spectrum (HSV color wheel progression)
Sunglasses: #000000 with #333333 reflections
Cord: #222222 with #AAAAAA highlights
Text: #333333 or dark gray (for readability)
File Format: SVG (scalable) with PNG versions at 512px, 1024px, and 2048px
Prompt: Hyper-detailed dark fantasy digital painting, 4K HDR, cinematic chiaroscuro lighting.
A werewolf minstrel in medieval tunic and feathered cap stands on a cobblestone street beneath a towering Gothic cathedral, howling passionately into the night while strumming a lute. His voice rises toward a balcony above — ornate, wrought-iron, draped with velvet curtains. Moonlight pierces through storm clouds, illuminating his fur and the ancient stone spires. Bats fly across the full moon. In the distance: torches flicker in alleyways, silhouettes of gargoyles watch from rooftops. Style: fusion of classical oil painting textures with digital realism, rich shadows, dramatic contrast. Mood: romantic horror, mystical ritual, lunar devotion. Add subtle detail: faint glowing runes appear near the balcony during specific moon phases — hinting he sings only when the moon aligns.
Prompt: An old-school cartoon caricature in vintage comic strip style (rubber-hose animation). The tense moment before a trap springs. Scene: A crudely hewn wooden coffin in a misty swamp. Its heavy lid is propped open. The Trap Mechanism: Instead of a knife, a single, clean, shiny human femur (бедренная кость) is wedged vertically between the lid and the coffin's base, holding it open. A thin, strong rope is clearly and tightly tied around the middle of the bone. The Bait & The Victim: A curious, greedy swamp zombie (drawn in classic, droopy cartoon style) is leaning in, mesmerized. His hand is outstretched, about to grab the tempting bone. The Trickster: Behind the coffin, partially hidden, a hooded, skeletal Death (the Grim Reaper) holds the other end of the rope, pulling it taut. He is rubbing his bony hands together in gleeful anticipation and giving a sly, knowing wink directly to the viewer. Composition & Mood: Dynamic tension. The lid teeters, the rope is stretched, the zombie is frozen in desire. The style is satirical grotesque with dark humor, rich detail, and a retro comic aesthetic. Mist, dramatic shadows.
Prompt: Core Concept & Style Fusion:
Concept: A grotesque, satirical tavern scene where societal vices and human types are literally caged as birds in their heads, set in a universe that is a direct sequel to the nightmares of Hieronymus Bosch.
Style: A meticulous fusion of:
Иероним Босх – for the infernal, hybrid creatures, symbolic chaos, and uncanny, crowded composition.
Микеланджело Меризи да Караваджо – for the extreme, dramatic chiaroscuro (tenebrism). The scene should be lit by a single, harsh light source (a lantern, fire), casting deep, theatrical shadows that hide and reveal horrors.
Антонис ван Дейк – for the exquisite, detailed rendering of the Flemish 17th-century fashion on the humanoid figures, creating a cruel contrast between elegant attire and monstrous reality.
2. The Central "Human" Figures (With Bird-Cage Heads):
The Puritan Woman (Ворона):
Body: Dressed in severe, dark, high-necked Flemish fashion with a white, starched cap (чепец) around the base of the cage.
Cage/Head: A tall, elegant silver cage. Inside, a gloomy, preening raven.
Posture: Upright, judgmental, pointing a bony finger.
The Luxurious Woman/The Thief (Сорока):
Body: Dressed in rich, but gaudy and overly ornate Flemish gown (lots of lace, brocade, but cheap-looking).
Cage/Head: A slightly tarnished, ornate gilt cage. Inside, a restless magpie adorned with paste jewels and shiny trinkets glued to its feathers.
Posture: Gestures dramatically, as if arguing or boasting.
The Greedy Husband (Попугай):
Body: Dressed like a flamboyant, ridiculous dandy in garish colors (like a parrot).
Cage/Head: A squat, robust cage. Inside, a drunken parrot clutching a tiny bottle of rum in one claw. The parrot is screaming, speech bubble: "PIECES OF EIGHT! PIECES OF EIGHT!" ("Пиастры!").
The "Wise" Husband (Сова):
Body: Dressed in somber, scholarly attire.
Cage/Head: A hooded, wooden cage (like an owl's nesting box). Inside, a stern-looking owl that seems to be judging everyone with contemptuous silence.
3. The Boschian Tavern Environment & Creatures:
The Bar & Bartender: The bar is made of gnarled, living wood and bone. Behind it stands the bartender: a swamp-goblin-zombie hybrid with mossy skin, a single twisted horn on its forehead, and empty eye sockets. It mindlessly wipes a glass.
The Sign: Above the bar, a wooden sign with the crudely carved motto: "SHUT UP & SOBER UP".
The Weasel-Waiter: A grotesque, humanoid weasel (куница) in a tattered apron. On its tray: a foaming beer mug, a bar of soap, and a noose (symbolizing the tavern's "services": drinking, cleaning sins, suicide).
The Running Hybrids: On and behind the bar, Bosch-like hybrid creatures scuttle: a bird with a snail shell, a fish with rodent legs, a pot with insect limbs, etc. They are the products of insane "breeding."
The "Dishes": The bar is littered with hallucinogenic inventory: mugs shaped like screaming faces, spoons that are bent fingers, bottles containing tiny, swirling storms.
The Portrait of Rumpel: On the wall, a large, grim portrait of Rumpelstiltskin (from your series), looking sinister. Underneath, a plaque: "NOTORIOUS DEBTOR".
Prompt: Dark surreal horror, Slavic folklore. A stunning Slavic woman in an ornate, beaded Boyar gown and kokoshnik performs a ritual before a huge, dusty antique mirror. She has drawn a card/staircase on the glass, lit a black candle, and whispers: "Appear and punish my rival." The horror: the "Pique Dame" is not in the mirror. She is her own aged, corrupted future self, standing directly behind her in a rotten version of the same gown. The young woman turns, her face a mask of absolute terror upon seeing herself. The doppelgänger whispers wearily: "If you seek revenge, take it yourself. Do not trouble me." Style: a fusion of Zdzisław Beksiński's surreal dread and Ivan Bilibin's folkloric stylization, lit by a single candle. Hyper-detailed textures of embroidery, dust, and waxen skin. The composition plays with the mirror's reflection versus reality, creating psychological tension.
Prompt: Yellow Teddy Bear's Winter Wonderland In a charming English watercolor scene, a bright yellow teddy bear named Topyanka sits nestled beneath a towering evergreen tree, surrounded by an abundance of festive Christmas presents. The delicate aquarelle technique captures the soft, ethereal quality of the winter setting. HDR lighting bathes the scene in a warm, inviting glow, highlighting the glossy wrapping paper and twinkling fairy lights adorning the gifts. The bear's fluffy form seems to radiate joy and contentment as he surveys his bounty, his button eyes sparkling with childlike wonder. The juxtaposition of the simple, nostalgic subject matter with the sophisticated painting style creates a poignant, heartwarming image that evokes feelings of comfort, love, and the magic of the holiday season..
Prompt: An abandoned, overgrown pirate cemetery on a remote island in Oceania, in the midst of a storm. In the center is a freshly dug rectangular grave, perfectly sized for a coffin. In the background rise the meager masts of a pirate ship. Funeral: Beside mine sits an open, ornate coffin—open the "funeral coffin," not the chest. It is filled to the brim with pirate treasure: royal coins, jewels, goblets, and strange artifacts, glinting dully in the stormy world. Crew: A motley circle of grotesque, weather-beaten pirates (one-eyed, with visible legs, on crutch, covered in scars and bandages) in tattered classical uniforms watch. Their faces are a mixture of grimness, sadness, and madness. Captain: Towering over them is a beastlike, John Silver-like captain with a prosthetic leg and a crutch tucked under his arm, a mocking parrot slung over his shoulder. He holds a tattered map, delivering a screeching, blasphemous eulogy for the treasure they ritually commit to the earth. Style: The rich characterization and stormy atmosphere of N.C. Wyeth's pirate novel illustrations meets the dark, mythic grandeur of Frank Frazetta's fantasy art. Dramatic lighting from a rift in the storm clouds.
Prompt: Raw style digital acrylic painting, 8K, surreal grotesque caricature. On a dirty kitchen table, an anthropomorphic hot dog (sausage in bread slathered in mayo) holds two large price tag guns like shotguns. It declares: "2x1". Next to it, a naked sausage lays out potato chips meticulously and states in Latin: "Tertium non datur!". Another sausage objects in English: "Debatable. Highly debatable." Style: raw, aggressive brushwork, gritty textures, acidic colors, high contrast. Influenced by the "Neue Wilde" (New Wild) painting movement. The mood is absurd and consumerist.
Prompt: Masterpiece oil painting, combined style of Alexei Savrasov and Ivan Shishkin. Titled "The Bullfinches Have Pecked". Deep taiga wilderness, impassable snow-covered coniferous forest, frost on cedar branches. In a clearing stands a Minecraft-style snowman, assembled from perfect snow cubes with the texture of polished Carrara marble with veins. A huge flock of bullfinches is fiercely pecking at the edges of the cubes, the sculpture is damaged, chips and dents are visible. Dramatic winter light, long blue shadows on the snow, highlights on the marble. Bright red spots of the bullfinches contrast with the snowy marble and forest. Detailed rendering of nature.
Prompt: Core Concept - Allegory:
Concept: The changing of the guard between years, depicted as two Santa Clauses. The old, battered 2025 is forced to carry the burden of the past, while the young, arrogant 2026 rides on his shoulders into the future.
Mood: Darkly humorous, satirical, grotesque. A mix of holiday cheer and post-apocalyptic fatigue.
2. Characters & Details:
2025 (The Old Santa):
Appearance: A battered, exhausted Santa Claus. His red suit is filthy, torn, and faded. His beard is matted and grey. He has a black eye and bandages. He walks hunched over under the weight.
Burden: Carries a gigantic, heavy garbage bag slung over his shoulder. From a hole in the bag protrudes the head of a green, hissing snake (symbol of hidden problems, betrayal, toxicity of the year).
Details: In his coat pocket, the neck of a clear vodka bottle is visible. His expression is one of profound exhaustion and resignation.
2026 (The Young Santa):
Appearance: A young, robust, smug Santa Claus. His suit is bright, clean, and impeccably tailored. His beard is full and white. He exudes obnoxious health and confidence.
Action: Riding on the shoulders of Old Santa-2025, as if on a throne or a beast of burden. He smokes a fat, expensive cigar.
Key Symbol: The smoke he exhales magically forms the shape of a fiery, charging horse (the symbol of 2026 from our previous work). The horse's silhouette is made of orange and blue smoke.
Burden: Carries a tiny, almost decorative trash bag on his own back, mocking the burden of the old year.
3. Setting & Atmosphere:
Location: A dirty, snow-covered alley at the junction of December 31st and January 1st. The sky is dark, but a hint of dawn (or fireworks) is on the horizon.
Lighting: Dramatic. A cold, blue moonlight illuminates the misery of Old Santa. The glowing tip of the cigar and the fiery smoke-horse provide a warm, ironic contrast.
Details on the ground: Trash, empty bottles, torn calendar pages litter the snow around Old Santa's feet.
4. Artistic Style & Execution:
Style: Satirical Grotesque, Political Cartoon style with painterly details.
Influences:
Ronald Searle – for the wonderfully expressive, scratchy line work and grotesque character design.
Modern Digital Caricature – for the clean, bold colors and readable concept.
A touch of Zdzisław Beksiński – for the texture of decay and filth on the old suit.
Color Palette:
Old Santa: Muted, dirty reds, browns, greys.
Young Santa: Vivid, saturated red, pure white.
Accents: The green of the snake, the amber of the vodka, the orange-blue of the smoke-horse.
"Un choix... sans choix." / "A choice... without a choice."
Model:
Nano Banana Pro
(Pro)
Size:
2400 X 1792
(4.30 MP)
Used settings:
Prompt: A grotesque political caricature in the distinct sculptural style of Honoré Daumier. The scene: a macabre "shell game". Marie Antoinette sits opposite the three revolutionary leaders.
FOCUS ON HIGHLY DETAILED, CARICATURED FACES:
Maximilien Robespierre: A thin, pale face with a large prominent nose, small tight mouth, and piercing, fanatical eyes behind oval glasses (pince-nez). An expression of cold, absolute conviction.
Georges Danton: A broad, pockmarked, powerful face with a broken nose, thick lips often in a cynical grin, and dark, heavy eyebrows. A vulgar, robust plebeian.
Jean-Paul Marat: A sickly, haggard face with sharp, bony features, sunken cheeks, and a feverish, paranoid glare.
The action: On a crude table between them are three thimbles. Under each is a visible miniature execution device: a GUILLOTINE, a GALLOWS, and an EXECUTIONER'S BLOCK with an axe.
The dialogue (in French/English bubbles):
Danton (grinning): "Du choix, Madame!" / "So many choices!"
Robespierre (coldly): "Une riche sélection." / "A rich selection."
Marat (hissing): "Un choix... sans choix." / "A choice... without a choice."
Marie Antoinette (with icy sarcasm): "Une fin... pour couronner le tout." / "An end... to crown it all."
Setting: A dark, cellar-like room with dramatic chiaroscuro lighting, highlighting the grotesque faces and the gleaming miniature guillotine. Pen-and-ink style with muted, dirty colors.
Prompt: "Digital acrylic and oil painting in the style of Caravaggio, Van Dyck, and Bruegel: A Muslim man performing public salat (prayer/namaz) on a prayer rug inside a grandiose art museum, with his gaze fixed upon Kazimir Malevich's 'Black Square' hanging on the wall. Dramatic lighting, high textural detail, religious humor, grotesque aesthetic." Would you like me to adjust the prompt to be more descriptive or provide any alternative stylistic suggestions?
"Prescription: Eternal Peace. And it's completely painless."
Model:
Nano Banana Pro
(Pro)
Size:
2400 X 1792
(4.30 MP)
Used settings:
Prompt: An editorial cartoon in a satirical grotesque style. Death as a doctor: a skeleton in a white medical coat with a stethoscope and tiny glasses, intently writing a "Death Certificate" at an office desk. Its scythe leans against the desk. A confused, ordinary living man (patient) sits nearby and asks in a speech bubble: "So... what's the prescription, doc?". Death replies calmly in a speech bubble: "Eternal rest. And it's completely painless." The scene is set in a drab, mundane doctor's office, creating a mordantly humorous contrast. Style: clean ink lines with cross-hatching, influenced by Ronald Searle and Edward Gorey, limited muted colors.
Prompt: "A satirical grotesque caricature. The Marquis de Sade (in a powdered wig, leather corset over lace, latex leggings) and Leopold von Sacher-Masoch (in a bowler hat, red velvet fetish suit, pink faux-fur cloak) meet in a Rococo salon. The room features glamorous S&M props: a velvet-padded Saint Andrew's cross, a pearl whip, a gilded guillotine with a pillow basket. They face each other. Masoch says eagerly: "Maso...". De Sade replies coolly: "...Sado." Style: a fusion of Honoré Daumier's satire and high-fashion fetish illustration, clean lines, vibrant colors."
Prompt: A surreal, dark fantasy illustration in the style of Tim Burton. In a snowy, eerie landscape under a blood-red sky with three crescent moons, a monstrous, zombie-like cow with greenish skin, sharp horns, and a wide, toothy grin is climbing a giant, ice-covered Christmas tree. The tree is decorated with macabre ornaments: skulls, clocks, dolls, and strange baubles. Perched on a branch above, a black crow with large white eyes looks down at the cow. Speech bubbles show their dialogue: Crow: "Cow, why are you climbing a tree?" Cow: "I want apples." Crow: "But it's a Christmas tree!" Cow: "And I have some..." — holding up a sack full of bright red apples. The background features snow-covered, crooked houses with glowing windows. The overall mood is grotesque, whimsical, and unsettling, rendered in a detailed, painterly style with high contrast and rich textures.
Prompt: A highly detailed, grotesque-opulent scene. Focus on a pirate treasure graveyard: countless crosses, tombstones, and monuments all made of solid gold and encrusted with gems. Adjacent, a French Colonial palace. In the foreground, the portly, grotesque Caretaker—a former pirate—lounges in a chaise. He wears an opulent hybrid of 18th-century fashion and pirate style (velvet justaucorps, silk shirt, diamond-buckled shoes, tricorne with a jeweled skull). He smokes a cigar, sips cognac, and is attended by beauties with food, drink, and a fan. A jeweled cockatoo perches nearby. A luxury carriage with white horses stands by. He says in a speech bubble: "To Plunder or to Guard?" Art style: blend of Arthur Rackham's grotesque fantasy and Jean-Léon Gérôme's hyper-realistic texture rendering. Hyper-detailed, bright lighting, satirical tone.
Prompt: "Self-Portrait as Prometheus"
`A surrealist masterpiece in the exact hyperrealistic, dreamlike, and paradoxical style of Salvador Dali. Extreme detail, complex composition, symbolic narrative.
SCENE: The interior of a dream-logic kitchen. The central action is a controlled, creative chaos.
CENTRAL ACTION - THE ARTIST/FIREMAN:
Salvador Dali himself, with his iconic mustache and wild eyes, wears a harlequin-patterned firefighter's uniform. He stands in a pose of frantic, theatrical effort. He is spraying a burning toy giraffe on a frying pan atop a flaming gas stove. The giraffe is melting and charring. The extinguisher hose goes not into water, but into a jerrycan labeled "GASOLINE", from which he sprays more fuel onto the fire. This is the paradox: he fights fire with fire.
THE SURREALIST KITCHEN (A catalog of dream objects):
The Dining Table: Shaped like railroad tracks and sleepers. On it:
A plate of fried grasshoppers.
A plate with two fried eggs and a sausage with a precise swirl of mayonnaise.
A pitcher shaped like a 1930s telephone.
A small dish with three dates under a purple-and-black umbrella.
The Portrait: A gigantic, full-length, photorealistic portrait of Gala Dali on the wall. She is depicted in a pin-up style bikini, smirking enigmatically, overseeing the madness.
The Furniture:
A kitchen cupboard in Cubist style (geometric, fragmented).
A sink in the shape of a toilet bowl.
Chairs are replaced by large springs embedded in the floor, with giant, plump, artificial red lips as seats.
The Ceiling: Dripping a molten mixture of cheese and mold onto the floor, forming a bizarre, organic pattern.
LIGHTING & ATMOSPHERE: Dramatic, theatrical light, as if from a single spotlight, casting long, sharp shadows. The atmosphere is one of intense, self-generated madness, alchemical transformation, and ironic self-reflection. It is a portrait of the artist as both arsonist and fireman of his own imagination.
TECHNICAL: Photorealistic rendering of textures (melting plastic, shiny latex, greasy food, polished metal). 8K, hyper-detailed, HDR. The color palette is Dali-esque: Mediterranean blues, warm ochres, vivid reds, and stark whites.
--ar 16:9 --style raw --v 6.0
"The Emergence of Self."(Я памятник себе воздвиг нерукотворный)
Model:
Nano Banana Pro
(Base)
Size:
2219 X 1664
(3.69 MP)
Used settings:
Prompt: A monumental, abstract hyperrealistic sculpture made of white Carrara marble. A man is carving himself out of the stone. The upper part of his body is perfectly finished, while the lower part is still a rough block. In his completed hands, he holds a hammer and chisel, ready to strike the stone and free his legs. At the base lie shards and fragments of marble. The idea of the sculpture is "self-creation as an endless, paradoxical act." A masterpiece with dramatic lighting (or striking lighting).
Prompt: Surrealist masterpiece, high definition, intricate details.
Composition: The reflection of a female artist(crazy old witch-hooked nose - evil and scary, bulging eyes, elongated face, thin figure) in a massive mirror. She stands in a whimsical pose holding a palette.
Character Details: She is dressed as a "wicked fairy" in a tight-fitting black lace dress and black lace gloves. Her long red manicured nails poke through the gloves. She wears a red beret with white polka dots. Her hair is gray, styled in a long braid ending with a purple bow.
Action: On the mirror's surface, she is painting the exact moment a brick impacts the glass, with realistic cracks radiating outward. She is also painting huge leeches swirling around her own reflection.
Background Character: Nearby, lounging on a huge throne, is a "Great White Shark Narcissus" wearing a golden crown and a red bathrobe. The shark is intently watching the artist work.
Style: Abstract surrealism influenced by the masters of the genre, oil painting texture, dramatic lighting, psychological depth.
"A Logic Trap" (An anecdote-mini-performance: from generosity to absurd cruelty)
Model:
Nano Banana Pro
(Pro)
Size:
2219 X 1664
(3.69 MP)
Used settings:
Prompt: `Medieval English caricature, satirical comic strip in one panel, dark humor. Detailed, expressive cartoon style similar to political satire illustrations.
SCENE: A forest path. Three key moments shown sequentially in one image:
(LEFT): Robin Hood, a heroic figure in green, gallantly throws a heavy sack of gold at the feet of a ragged, joyous beggar. Speech bubble: "I am Robin Hood! I steal from the rich and give to the poor!"
(CENTER): The beggar, now ecstatic, hugs the sack. His thought bubble shows a castle and a crown. Speech bubble: "My luck has changed! I AM FABULOUSLY RICH!"
(RIGHT): The immediate consequence. Robin Hood, with the same heroic expression, calmly runs his sword through the now-rich beggar. A new speech bubble from Robin: "I am Robin Hood! I steal from the rich and give to the poor!"
STYLE & DETAILS: The art is clean, illustrative, with exaggerated expressions (the beggar's extreme joy, Robin's unwavering zeal). The forest is stylized. The irony is visual and literal. The coloring is like a medieval manuscript illumination but with comic shading. The mood is absurd, logical, and brutally funny.
--ar 4:3 --style raw --v 6.0`
Prompt: Social realism caricature, night street scene, cinematic noir style. A moment of sharp dialogue on a grimy city street.
SCENE: A damp, poorly lit alley with a brick wall covered in graffiti. The central graffiti depicts a ghostly, stylized tram with the faded word "DESIRE" on its side. Leaning against this wall is a PROSTITUTE: a worn-out woman in vulgar makeup, with a short, cheap fur coat over a tawdry dress. She is in a classic street pose, one foot propped against the wall, smoking a cigarette. Smoke curls around her defiant face.
Facing her stands a puny, nervous INTELLECTUAL: a thin man in a rumpled suit and hat, clutching a briefcase. His body language is awkward, a mix of temptation and prudish judgment.
DIALOGUE:
The Intellectual is presumably asking his question (implied). The Prostitute blows out smoke and replies with a sarcastic, weary smirk. Her speech bubble reads:
"I'm not what you think. I'm waiting for the tram."
ATMOSPHERE & DETAILS: The lighting is dramatic, from a lone streetlamp, casting long shadows. The colors are muted — grays, browns, dirty yellows — with a garish pop from the woman's lipstick and the red of the tram in graffiti. The mood is one of gritty irony, urban decay, and a clash of worlds. Style reminiscent of the paintings of George Grosz or the film stills of film noir.
--ar 4:3--style raw --v 6.0`
Prompt: `Grotesque anthropomorphic caricature, detailed and painterly. A dark fable of greed and engineering.
COMPOSITION: A dramatic, Rembrandt-esque chiaroscuro scene in a cellar. The modified MOUSETRAP CATAPULT is a monstrous contraption of wood, wire, and spoons. The LAUNCHER MOUSE wears a makeshift pilot's helmet and goggles, saluting. The CREW MICE are a motley bunch: one is a frantic foreman with rolled-up blueprints, others are muscular laborers straining at ropes.
THE BAIT & THE PRIZE: On the ground, the official bait — a sad, single sesame seed on the trigger — is utterly disregarded. Above, bathed in a heavenly light, the cheese wheels are colossal, majestic, like wheels of fortune.
STYLE: Think of the dark, textured paintings of Giuseppe Arcimboldo (собранного из объектов) meets the satirical edge of Honoré Daumier. Rich but gloomy colors: browns, grays, with the golden yellow of the cheese as the only vibrant spot. The feeling is epic, foolish, and grimly hilarious.
--ar 4:3 --style raw --v 6.0
Prompt: "An abstract drawing: casting a model for fashion magazines in the style of Joan Miró. A whimsical, simplified figure (an "hourglass" with a large bust) of a woman sits on a sofa, her form is presented by smooth lines and biomorphic outlines. Abstract symbols representing magazines, a coffee cup, a cigarette, and a microphone stand float around her. A separate floating figure represents a camera, located in immediate proximity to the figure. The drawing is created with the purpose of liberating the consciousness from logic, using a muted color palette, playful lines, and a sense of dreamlike chaos.--v 6 --stylize 1000 --ar 4:3"
"Chronicler of Dead Linen."(with explanations below)
Model:
FluX 2
(Pro)
Size:
2224 X 1664
(3.70 MP)
Used settings:
Prompt: "An expressionistic cartoon depicting a grotesque monument to faded grandeur, a cabinet overflowing with lies. Its ornate carvings are a mockery of beauty, a gilded cage for rotting souls. Cracked nail polish adorns a manicured hand, a grotesque detail echoing the fissures in the carefully constructed faces of the powerful, the ones who think they can hide their ugliness behind their polished exteriors. The gut of the cabinet is a landfill of discarded ideals, a testament to the relentless crushing of innocence, each piece of junk representing someone's lost faith. This cabinet is the chronicler of a dying world, and every sigh within this room is a death rattle, rendered in exaggerated, distorted forms, with a harsh color palette of sickly greens and bruised purples, evoking a sense of decay and despair."
Prompt: `Gloomy grotesque illustration, backstage of a cursed puppet theater, dark fairy tale parody. Centered composition.
MAIN FOCUS: KARABAS-BARABAS, a giant, terrifying man with an enormous black beard(Long, thick, black beard reaching the floor) reaching the floor, sits on a wooden throne. He has a mad expression, wildly rolling eyes, and holds a large whip. A cartoon speech bubble contains the text: "It's just such a holiday!". At his feet: a grim rug made from the flattened fur of ARTEMON THE POODLE. In a fireplace nearby, the legs of PINOCCHIO are burning to ashes.
SECONDARY SCENE: At a richly set table sit CAT BASILIO and FOX ALICE, joyfully clinking wine glasses. Opposite them, the grotesque DUREMAR stares with an idiotic smile, a leech net beside him. On the table: a grotesque feast, many bottles, a central tureen of "Tortilla Soup" with the turtle's shell visible. HARLEKIN acts as a servant.
BACKGROUND DETAILS: PIERROT in full mime makeup, hangs lifelessly on a coat hook. MALVINA(doll with curly blue hair - wig) lies unconscious by the table, her dress torn. A cuckoo clock on the wall shows the dead CUCKOO hanging out, while a CRICKET plays a sad violin on top of the clock.
STYLE & QUALITY: In the highly detailed, ink-and-wash style of Arthur Rackham, combined with the dark satire of Francisco Goya's "Caprichos". Hyper-detailed, 8K resolution, intricate textures (wood grain, fabric, fur, glass). Dramatic chiaroscuro lighting from the fireplace and stage lamps, creating deep shadows. The mood is macabre humor, theatrical decay, and sinister celebration.
--ar 16:9 --style raw --v 6.0`
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
