Prompt: Crocheted Heart and Makeup Brush: A handmade red crocheted heart with delicate arteries is placed beside a well-worn blush brush on a cracked porcelain tray.
Primary Artist: Frida Kahlo.
Enhancement Artist: Judy Chicago.
Emotional Impact: Feminine, layered.
Additional Elements: The heart’s thread tangles lightly with the bristles.
Prompt: The Garden Bench After Rain: Tucked beneath an arch of flowering pear branches, a wrought-iron garden bench rests, rain-speckled and dusted with fallen petals. A forgotten journal lies open on the seat, its pages curling from moisture, ink blurring slightly at the edges. The air is thick with the smell of wet earth and spring blossoms. All around, the garden shimmers with renewal — tulips gleaming, daffodils bowing beneath their own weight, bees humming low in the branches above. A small puddle at the foot of the bench mirrors the blossoms overhead, the reflection trembling gently with each new drop. Maxfield Parrish infuses the entire scene with diffused brilliance — rainlight caught in blossom and puddle alike. Andrew Wyeth renders the worn cover of the journal, the softness of the damp paper, the iron scrollwork kissed by rust. Albert Bierstadt gives the garden a dreamlike symmetry — as if the world has briefly returned to a more tender version of itself.
Prompt: Camp Beneath the Cedar Stars: In a clearing surrounded by towering cedar trees, a small canvas tent glows from within by lantern light. Smoke from a dying fire drifts upward in slow spirals, curling into a night sky scattered with stars. The forest is deep and dense, but around the campsite, the ground is alive with detail — pine needles, low moss, a weathered mug, and boots left just outside the tent flap. Maxfield Parrish turns the stars and tent glow into magical light, rendering the campsite like a page from a myth. Andrew Wyeth makes the gear and forest floor palpably real, worn and human. Albert Bierstadt stretches the cedar trunks heavenward and layers the forest with depth, transforming a humble camp into a nocturnal sanctuary.
Prompt: Morning Mist on the Seine at Vétheuil:
A low, pearly fog drifts along a gentle bend of the Seine, where willows and poplars stand half-veiled in translucent gray. Soft ripples on the silvered water reflect muted greens and ochres of overhanging branches, while a solitary rowboat glides in silence, its oars leaving feathered trails. Distant rooftops peek through the haze, anchoring the composition with a human touch.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by using the shimmering light effects of Claude Monet to capture the pearlescent interplay of mist and water; the intimate rural charm of Camille Pissarro to bring warmth and texture to the riverbank foliage; and Alfred Sisley’s harmonious, atmospheric landscapes to deepen the sense of space and serene expanse.
Prompt: Ink-Stained Cast with Orange Blossom: A plaster cast for a forearm lies ink-stained with chaotic line drawings, pierced with a single fresh orange blossom, its scent imagined.
Primary Artist: Frida Kahlo.
Enhancement Artist: Marina Abramović.
Emotional Impact: Expressive, wounded.
Additional Elements: The cast bears tiny mirror shards embedded like tattoos.
Prompt: Sunset Behind the Sleeping Butte: As the sun lowers behind a colossal butte, its curved silhouette resembles a figure at rest — a great stone sleeper wrapped in shadow. The sandstone surface, wind-worn and time-carved, glows with the last warmth of day: gold fading into rose, then into the indigo of coming night. The sky stretches wide and undisturbed, brushed with translucent lavender cirrus, while the land itself holds still as prayer. A single ocotillo stands in the foreground, its long green spines tipped with red blooms, barely trembling in the breeze. Maxfield Parrish saturates the horizon in radiant bands of color, the sky flowing like a desert lullaby. Andrew Wyeth captures the grain of the butte’s face, the dusty fray of each bloom, and the still breath of the ocotillo. Albert Bierstadt positions the scene as if seen from a cathedral — the desert sanctified in quiet, light, and the holiness of scale.
Prompt: Last Light on the Cliffside Hermitage: Perched on the edge of a wind-swept cliff high above the ocean, a tiny wooden hermitage clings to stone like a sacred afterthought. Its weather-beaten roof is streaked with moss, and the narrow windows glow faintly from within as dusk descends. Below, the sea is glassy and still, tinged with rose and lavender, catching the sky’s colors like a mirror. Wisps of fog roll in from the water’s edge, drifting slowly upward, brushing against the cliffs and the pine trees that lean forward as if listening. The path to the hermitage is rugged — carved from granite and overgrown with brush, where wildflowers and lichen still find purchase in the cracks. Maxfield Parrish bathes the ocean horizon in a luminous wash of twilight, evoking a spellbound hush. Andrew Wyeth brings intense, earthy intimacy to the rocky path, aged wood, and tufts of windswept flora, while Albert Bierstadt opens the expanse with drama and clarity, lending vast reverence to the sky and sea beyond. Every detail speaks of solitude, devotion, and the elemental silence of place.
Prompt: Spring Blossoms at Giverny Bridge:
Arching wooden planks, draped in pastel-hued wisteria, span a lily-dappled pond where dragonflies skim the surface. Petals carpet the walkways in soft pinks and lavenders, while the early sun casts dappling patterns through the vine-heavy railing. Reflected greens and rose tints shimmer gently in the placid water below.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by using Monet’s luminous brushwork to evoke the glinting light on blossoms; Pissarro’s cozy rural intimacy to emphasize every petal and leaf in the foreground; and Sisley’s balanced, misty horizons to unite water, bridge, and sky in atmospheric harmony.
Prompt: Broken Compact Disc and Virgin Candle: A shattered CD reflects rainbow light across a white votive candle bearing the image of the Virgin of Guadalupe, the flame flickering low.
Primary Artist: Frida Kahlo.
Enhancement Artist: Banksy.
Emotional Impact: Sacred disruption.
Additional Elements: Ash from the wick touches the CD’s edge.
Prompt: Bones Beneath the Mesquite Tree: Beneath the twisted shade of an ancient mesquite tree, a scattering of sun-bleached bones lies half-buried in the sand — ribs, vertebrae, a weathered skull hollowed by time. Tiny sprouts of brittlebrush and desert marigold surround the bones, reaching up through the dry crust of soil. The mesquite’s branches claw skyward, casting spidery shadows that move slowly with the sun. In the silence, a lizard warms on a nearby rock, unmoving but alive. Maxfield Parrish casts the light in crystalline stillness, the bleached white of bone glowing subtly against ochre and gold. Andrew Wyeth captures the cracking of bark, the powder-fine dust clinging to stone and bone alike, and the aching stillness that speaks louder than wind. Albert Bierstadt draws the desert out in sweeping solitude — making these humble remains feel as sacred and monumental as ancient ruins.
Prompt: Storm Clearing Over the Riverbend Pines: A great river curves gently through the landscape, its banks hemmed in by towering pines, dark with rain. The storm has just broken — thick, cobalt clouds lifting like a curtain — revealing a narrow strip of golden sunlight that pours across the river, catching the tops of the trees in a sudden blaze of color. The water is flecked with light and ripple, still stirred by wind, and carries broken twigs and drifting leaves downstream. In the foreground, slick stones glisten, and a broken paddle rests abandoned beside a half-submerged canoe. Maxfield Parrish captures the high-drama lighting, where storm-shadow and golden brilliance live in delicate balance. Andrew Wyeth renders every wet pine needle, waterlogged plank, and the dull sheen of rain-soaked bark with painstaking realism. Albert Bierstadt gives grandeur to the trees and riverbend, widening the frame and magnifying the moment where storm and light collide in awe-filled stillness.
Prompt: Harvest Near Pontoise:
Golden wheat fields wave beneath a cloud-flecked sky, where peasant women in straw hats bend to their labor, their figures framed by distant cottages. Scattered sheaves peek in warm ochre and russet, while drifting dust catches slanted rays of late afternoon sun. A narrow dirt track winds between rows, guiding the eye toward a lone barn.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by applying Monet’s vibrant light to the shimmering wheat; Pissarro’s heartfelt charm to the human forms and foreground textures; and Sisley’s serene perspective to situate the harvest within a vast, harmonious countryside.
Prompt: Cervical Collar with Monarch Wings: A white cervical collar is decorated with pinned monarch butterfly wings, forming a circle of transformation around the throat.
Primary Artist: Frida Kahlo.
Enhancement Artist: Gabriel Orozco.
Emotional Impact: Metamorphic, defiant.
Additional Elements: A soft floral scarf is partially wrapped through the collar.
Prompt: Desert Monastery at Dusk: Built into a cliff face of rose-hued stone, a remote adobe monastery sits bathed in the solemn hush of dusk. Its simple shapes — domes, steps, a bell tower — are nearly camouflaged against the canyon wall, as though carved from it by unseen hands. A single bell glows faintly above the courtyard, and from a chimney, the thinnest thread of smoke rises into the cooling sky. No people are seen, but the silence hums with ancient presence. Maxfield Parrish stains the canyon with colors between worlds — copper, violet, the near-invisible blue of oncoming stars. Andrew Wyeth renders the adobe surface in exquisite quiet — fine cracks, smudged soot, the slow fading of warmth in stone. Albert Bierstadt unfolds the canyon beyond, vast and windless, a cathedral of carved light and silence wrapped around the monastery like a mantle.
Prompt: Early Frost at the Edge of the Orchard Lane: A narrow dirt lane, flanked by low stone walls, winds its way through a dormant orchard touched by the first frost of late autumn. The trees, their leaves fallen, stand bare and reaching — delicate branches traced in frost, catching morning light like spun silver. Fallen apples, soft and bruised, litter the ground in clumps of red and gold. The air is crisp, and the frost bites quietly into the cracked earth and weeds growing at the roadside. In the distance, the path disappears into a pale mist that hovers just above the ground, lending mystery to what lies beyond. Maxfield Parrish washes the orchard in a luminous pastel haze, where light filters through mist like watercolor through silk. Andrew Wyeth imbues the orchard floor, apples, and rough textures of frost-bitten bark with heartfelt precision — quiet, nostalgic, and stark. Albert Bierstadt lifts the soft morning fog and deepens the orchard rows into vastness, transforming a simple country path into a pilgrimage through memory and season.
Prompt: Snow at Louveciennes:
A thin, pristine blanket of snow cloaks stone cottages and bare hedgerows, interrupted only by the dark lines of window frames and fence posts. Footprints trail toward a warmly lit window, where glowing interior light spills onto glistening drifts. Pale winter sun casts long, soft shadows that lend depth to the white expanse.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by infusing Monet’s subtle tonal variations into the snow’s surface; Pissarro’s attention to the cozy architecture and muted color accents; and Sisley’s atmospheric layering to convey the crisp clarity of a still winter’s day.
Prompt: Mirror Shard with Eyebrow Pencil: A triangular shard of broken mirror reflects a single dark eyebrow, with an open eyebrow pencil lying diagonally across a lace cloth.
Primary Artist: Frida Kahlo.
Enhancement Artist: Cindy Sherman.
Emotional Impact: Intimate, identity-laden.
Additional Elements: A faint signature is scratched into the mirror edge.
Prompt: Desert Monastery at Dusk: Built into a cliff face of rose-hued stone, a remote adobe monastery sits bathed in the solemn hush of dusk. Its simple shapes — domes, steps, a bell tower — are nearly camouflaged against the canyon wall, as though carved from it by unseen hands. A single bell glows faintly above the courtyard, and from a chimney, the thinnest thread of smoke rises into the cooling sky. No people are seen, but the silence hums with ancient presence. Maxfield Parrish stains the canyon with colors between worlds — copper, violet, the near-invisible blue of oncoming stars. Andrew Wyeth renders the adobe surface in exquisite quiet — fine cracks, smudged soot, the slow fading of warmth in stone. Albert Bierstadt unfolds the canyon beyond, vast and windless, a cathedral of carved light and silence wrapped around the monastery like a mantle.
Prompt: Nightfall Beneath the Sentinel Oak: A massive oak tree dominates the crest of a grassy hill, its twisted limbs silhouetted against a star-laced indigo sky. Below, a blanket is spread near the tree’s roots, along with an open book, a lantern, and a pair of worn leather boots — evidence of someone recently there, or just gone. The grass glows faintly in the lantern light, and the stars above seem impossibly close, emerging like diamond dust from the deepening blue. The air is still, holding the silence like a sacred breath. Maxfield Parrish wraps the sky in velvet tones of midnight and indigo, blending it seamlessly into the lantern's warm glow. Andrew Wyeth paints the worn objects and the earth beneath the oak with emotional gravity, where every scuff and fold tells a private story. Albert Bierstadt expands the hilltop into myth, lifting the oak and stars into the realm of timeless reverie.
Prompt: Cows by the Oise under Storm Clouds:
Black-and-white dairy cows graze on verdant pasture as a looming thunderhead billows overhead, its underbelly flushed with violet and silver. Rain-slick grass reflects the ominous sky, pooling in shallow hollows. In the distance, poplars bend to the approaching breeze, their motion muted by the weight of the storm.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by channeling Monet’s dynamic contrasts between light and shadow; Pissarro’s textured brushwork for the cows’ coats and marshy ground; and Sisley’s mastery of moody skies to underscore the approaching tempest.
Prompt: Crutches and Red Lipstick on Wood Floor: A pair of wooden crutches lie crossed like an “X” beside a red lipstick tube on a sun-washed wooden floor, cast in late afternoon shadows.
Primary Artist: Frida Kahlo.
Enhancement Artist: Sophie Calle.
Emotional Impact: Pain and performance.
Additional Elements: A faint footprint is visible between the crutches.
Prompt: Wind Trough Between the Dunes: Between two towering dunes, a narrow trough of shadow lies untouched, wind-sheltered and perfect. The sand here is unbroken — no tracks, no mark, just ripples like soft music frozen in gold. On the far side of the trough, a lone desert hare crouches still, ears upright, eyes catching the red last light of day. The wind has ceased. The air holds its breath. Maxfield Parrish captures the soft transitions in the sand — from peach to sienna to violet, where sun meets shade. Andrew Wyeth details the fur’s bristle, the precise curl of a ripple’s edge, the subtle fold of an undisturbed dune. Albert Bierstadt stretches the vista beyond the dunes into infinity — making the hare’s presence feel mythic, a figure etched in the eternal hush of land and sky.
Prompt: Golden Hour Beside the Tumble Creek Bridge: A hand-built wooden footbridge arches gracefully over a rocky creek where sunlit waters rush through smooth boulders and fallen logs. Late-day light filters through the forest canopy, striking the bridge and surrounding stones in sharp, honeyed beams. Ferns and saplings grow thick near the water’s edge, while golden leaves drift lazily in the current. A pair of muddy boots sits abandoned on the creek bank, suggesting a crossing, a pause, or a beginning. Maxfield Parrish transforms the light into liquid gold, capturing that fleeting hour when the world becomes transcendent. Andrew Wyeth evokes weight and presence in the moss-covered stones, damp bark, and worn leather of the boots. Albert Bierstadt carries the creek beyond the frame, suggesting it tumbles endlessly through sun and shadow, forever winding, forever wild. The bridge becomes a symbol — not merely of passage, but of presence.
Prompt: Poplars Along the Epte in Autumn:
Tall, golden-leafed poplars line a mirrored river, their reflections creating a perfect echo of vertical shafts of amber and olive. Fallen leaves drift downstream, mingling with floating ripples, while the riverbank’s damp earth glows under a soft, diffused light. A distant farmhouse, half-hidden by trees, anchors the autumnal vista.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by using Monet’s dappled light to animate the foliage; Pissarro’s affectionate rendering of path and embankment textures; and Sisley’s leisured perspective to blend sky, trees, and water into a harmonious whole.
Prompt: Avocado Seed Sprouting in Jar: A suspended avocado seed sprouts long white roots in a glass jar of water, surrounded by a circle of votive candles and blue ribbon.
Primary Artist: Frida Kahlo
Enhancement Artist: Hilma af Klint
Emotional Impact: Hopeful, ritualistic
Additional Elements: A hummingbird brooch rests at the base
Prompt: Old Water Tank in a Forgotten Canyon: Deep within a craggy desert canyon, an old cylindrical water tank stands rusted and alone, its metal surface blistered by sun and scratched with fading paint. Around it, the ground is cracked and littered with broken branches and the shattered shell of a tortoise long gone. A raven perches atop the tank’s rim, head tilted to the side, watching the canyon mouth as golden light breaks across the stone. The silence feels eternal — as if the canyon has swallowed every sound that came before. Maxfield Parrish renders the golden flare with reverence, making the rust and ruin glow like treasure. Andrew Wyeth captures the tank’s battered surface with forensic grace, the texture of age honored in every flake and scratch. Albert Bierstadt lifts the cliffs around it into solemn monument — light and ruin coexisting in holy balance, echoing with silence.
Prompt: Stillness After Snowfall at the Broken Gate: A once-used farm gate stands half-collapsed, its wood warped and hinges rusted, now buried beneath a fresh layer of snow. The fence it once joined is long since vanished, leaving the gate alone, framed by skeletal trees and a pale sky thick with lingering winter clouds. The untouched snow glows faintly with blue shadows, broken only by the pawprints of a fox weaving between drifts. In the distance, a field stretches white and wide toward a barely visible treeline. Maxfield Parrish breathes an ethereal blue luminescence into the snow and clouds, softening the cold into quiet wonder. Andrew Wyeth captures every splinter and snow-caked knot in the broken wood, elevating the forgotten gate into poetry. Albert Bierstadt adds the expansive field and low winter sun, spreading the silence into something holy.
Prompt: Willow-Fringed Boathouse at Sunset:
A small boathouse, its stucco walls warmed by the sinking sun, leans over gently rippling water fringed by weeping willows. Copper and rose gradients flame across the sky, mirrored in every wave. Slender branches trail dew-darkened leaves onto the surface, softening the structure’s crisp lines.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by evoking Monet’s glowing color transitions at dusk; Pissarro’s warm, grounded touch on the boathouse details; and Sisley’s delicate sense of distance to meld building, tree, and water into sublime serenity.
Prompt: Blood Red Thread in Soap Dish: A white ceramic soap dish holds tangled red embroidery thread soaked slightly in water, resembling veins floating in a fragile pool.
Primary Artist: Frida Kahlo.
Enhancement Artist: Doris Salcedo.
Emotional Impact: Quiet agony.
Additional Elements: The soap dish bears faint cracks in the glaze.
Prompt: Starfall Over the Salt Flats: A boundless expanse of white salt crust stretches to the farthest edges of vision — unbroken, crystalline, shimmering faintly in moonlight. Near the center, a narrow depression holds a puddle of ancient water, still as glass, reflecting the stars with perfect clarity. Overhead, a meteor carves a bright arc across the midnight sky, leaving a fading ribbon of white fire. No sound, no wind, only the quiet crackle of salt contracting in the cool. A tumbleweed rests nearby, caught mid-roll, frozen in time. Maxfield Parrish renders the sky as a dream — black velvet streaked with silver, the stars like pinpricks into eternity. Andrew Wyeth brings out the raw, cracked geometry of the salt flats, the fragile edges of the mirrored puddle, and the timeless weight of stillness. Albert Bierstadt places the viewer within the bowl of the Earth — the moment so vast, yet intimate, that even a single falling star feels like a whispered invocation.
Prompt: Cabin with Smoke and Silence: Nestled against a forested ridge, a solitary log cabin rests with its chimney just beginning to release a thin trail of smoke into the crisp dawn air. The world is layered in snow — on the roof, the windowsills, and the low-stone steps — yet there are no tracks, as if the inhabitant has not yet stirred. Pines cluster around the back of the cabin like sentinels, their boughs laden with snow that glows with the faintest hint of sunrise. Maxfield Parrish illuminates the sky with a radiant peach-to-ice-blue gradient, as if the sun is just gathering courage to rise. Andrew Wyeth gives tactile life to the bark, snow, and smoky glass windows, grounding the image in human presence without showing a soul. Albert Bierstadt opens the forested ridge and fills the horizon with depth, suggesting solitude without loneliness.
Prompt: Village Lane under Lilac-Gray Rain:
Cobblestones glisten under a steady spring drizzle as villagers hurriedly pass beneath umbrellas. Purple-tinged clouds blur distant hills into haze, while rainwater channels between stones in silvery veins. Flower boxes drip with saturated greens and muted blossoms.
Enhance this tranquil and picturesque scene, rich in detail and atmosphere, by applying Monet’s wet-canvas techniques to capture rain’s sheen; Pissarro’s intimate portrayal of daily life and architecture; and Sisley’s nuanced handling of misty horizons to unify earth and sky.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
