Prompt: Forgiveness Sunday
Dr. N.D.N.
The first pancake climbs in a lump,
he's a lump right in his throat,
I congratulate everyone on spring,
who offended - I forgive everyone!!!
Prompt: At a company picnic, the boss asks Homer why his family behaves rudely and forgets about any respect for others? Although Homer's family does not agree with the claims, Homer believes that his household needs to contact Dr. Marvin Monroe at the Center for Family Psychology. Homer is confident that visiting a psychologist will improve family relationships. At Monroe's request, the Simpsons draw the source of their problems. The finished drawings amazed Homer so much that he tries to attack his family. And the doctor has to use “shock therapy” as an element of alternative medicine.
Prompt: As a result of a reactor accident at the Springfield Nuclear Power Plant, Homer loses his job and unsuccessfully looks for a new one. He rethinks his views on life and after some thought, the father of three children saw himself as a fighter for public safety and even organized a rally, outlining his position on speed limits on the roads and the fight against his former boss. But the appearance of the envious Burns and his promises made Homer forget about social activities, and he again took up his previous job, leaving his followers to fight for justice alone.
Prompt: The Simpsons go shopping for gifts for the upcoming Christmas and Bart runs off to get a tattoo. Marge soon finds out about her brother's prank and spends all her Christmas savings to remove the tattoo. A father receives bad news from work and realizes he won't be able to buy Christmas presents. In order not to upset his family, he decides to work as Santa Claus. But his efforts are not enough. Desperate, Homer and Bart go to a greyhound race in hopes of winning. Father and son return home with a new family member.
Prompt: Симпсоны отправляются за подарками к предстоящему Рождеству и Барт сбегает, чтобы сделать себе татуировку. Мардж вскоре узнаёт о выходке брата и тратит все рождественские накопления для удаления тату. Отец получает неприятные новости с работы и понимает, что не сможет купить рождественские подарки. Чтобы не огорчать семью, он принимает решение поработать Санта-Клаусом. Но его стараний оказывается мало. Находясь в отчаянии Гомер и Барт собираются на собачьи бега в надежде на выигрыш. Домой отец и сын возвращаются уже с новым членом семьи.
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Prompt: A beautiful flower bouquet, delicately coloured in pale luminous purple and pink pastel watercolour wash. Fragile, Thin and Delicate Rice Paper, Semi-Transparent. Black matt background. Ethereal. Backpropagation algorithm optimization lighting in pale delicate purple glow
Prompt: The Return of the Prodigal Son" 1666-1669 is a Rembrandt painting based on the plot of the New Testament parable of the prodigal son. Several people gathered in a small area in front of the house. In the left part of the painting, the prodigal son is depicted kneeling with his back to the viewer. His face is not visible, his head is written in profil perdu. The father gently touches his son's shoulders, hugging him. The painting is a classic example of a composition where the main thing is strongly shifted from the central axis of the painting for the most accurate disclosure of the main idea of the work. "Rembrandt highlights the main thing in the painting with light, focusing our attention on it. The compositional center is located almost at the edge of the painting. The artist balances the composition with the figure of the eldest son standing on the right. The placement of the main semantic center at one-third of the distance in height corresponds to the law of the golden ratio, which has been used by artists since ancient times to achieve the greatest expressiveness of their creations
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: Leonardo da Vinci kept his own name forever. His paintings have not been forgotten for the sixth century. The most important of them is “La Gioconda”, or “Mona Lisa”. Surprisingly, in the diaries of the genius there are no records of work on this portrait. No less unusual is the number of versions about who is depicted there. Some believe that this is an ideal female image or the artist’s mother, some see it as a self-portrait, and others see it as a student of da Vinci. According to the “official” opinion, Mona Lisa was the wife of a Florentine merchant. Whatever the reality, the portrait is truly unusual. A barely noticeable smile curves the girl’s lips, and her eyes are stunning - it seems as if the picture is looking at the world, and not the viewer
Prompt: The heroine of Ivan Kramskoy’s painting “The Unknown” was interpreted by many contemporaries as a courtesan - for example, the famous expression of the critic Vladimir Stasov “a cocotte in a carriage” is known. Later, the audience stopped reading both the language of the costume (fashionable, not accepted among aristocrats) and the surroundings (an open carriage, an empty seat nearby). In addition, after the publication of Blok’s poem “The Stranger” (1907), two images were combined in the public’s imagination (Blok’s description includes satin fabric, an ostrich feather, and a narrow hand), and the lady began to be perceived as mysterious and sophisticated. Although in reality Blok’s stranger is also not a noble lady at all, but a prostitute.
Prompt: The painting depicts a gang of boatmen during the transportation of a barge. The group consists of eleven figures moving from the depths of the canvas from right to left, so that the leftmost of them are closest to the viewer. The boatmen are lined up along the same line, forming a small angle with the horizontal — as a result, almost all the figures are located on the same plane, as on a bas-relief, in accordance with the principles of classicism, which was an important part of academic education. Such a construction, on the one hand, allows you to convey the difficulty of movement and the severity of the work, and on the other — to reveal the inner world of individual boatmen and show the "complex unity" of their totality as a whole. The monumentality of the boatmen's figures is emphasized by the relatively low horizon line
Prompt: A 3D HGR (((of a strange designed rotten apple))), with its HDR colors create a stunning forest, waterfall that spills out of the apple with birds and animals world inside the apple in a background that fades into (dramatic contrasting) dark blue smooth obscurity
The Death of a Miser (painting of the reincarnatio
Model:
PhotoMage
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: The painting depicts a narrow and high bedroom, through the open door of which Death is already looking in. The guardian angel, supporting the dying man, tries to turn his gaze to the crucifixion in the window niche, but the man is completely occupied with thoughts about those material riches with which he is now destined to part. With one hand, he mechanically reaches for a bag of gold, which is handed to him by a demon sticking out from under the canopy. Another demon with barely marked wings leaned against the barrier with a red robe thrown over it and a knight's sword leaning against it — both should indicate power and high position, which a person also loses by passing into another world. The composition of the painting serves as a kind of illustration to the popular in the XV century theological book "Ars moriendi" ("The Art of dying"), repeatedly reprinted in the Netherlands and Germany. This little "guide" describes the temptations that overcome the dying legion of demons gathering at the deathbed, and how his guardian angel gives him comfort and strength to resist them every time. In the book, the angel wins — triumphantly, he lifts the soul to Heaven, while the devil's army howls in impotent malice below. In Bosch's painting, the outcome of this battle is far from a foregone conclusion.
Prompt: "Harlequin Carnival" is one of the most famous paintings in the career of Joan Miro (1893-1983), a Spanish painter who developed a unique style, which also contains elements used by Cubist and expressionist artists. Of all the surrealist works he created, this one is the closest to the essence of the movement.
The name of the main character of the work is Aof Lekin, he often appears in one of the types of Italian folk comedy theater called "Comedy of Masks" (also known as "Commedia dell'arte"). The hero is always easily recognized thanks to his plaid suit. The carnival in the title of the work is a direct reference to the celebration of the Mardi Gras carnival (the Tuesday before Ash Wednesday and the beginning of Catholic Lent, the last day of the carnival).
Prompt: Even taking a quick glance at a painting by the Austrian artist Otto Rapp, you want to immediately look away. A decomposing human head on a birdcage, an untouched tongue inside it - such a “still life” strains not only the psyche of the audience, but also causes purely physiological discomfort. One can guess what meaning the artist put into the work, but it is quite obvious - this is a truly frightening picture! And if someone dreams of a similar plot at night, then you need to “thank” Rapp’s masterful technique for the nightmare
itan Kronos devouring his children in fear of bein
Model:
Animatron
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: itan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: Titan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: Titan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: The artist chose an ancient occupation of various kinds of scammers as the plot of the painting — a trick with thimbles. While everyone present is staring at the magician, his accomplice in the crowd is stealing a purse. Hieronymus Bosch depicted an allegorical symbol on the table and in the mouth of a frog bent over the table. This amphibian was included in paintings where it was necessary to convey some kind of vice or ridicule church rituals (for example, exorcism). The magician's clothes suggest an analogy with the red mantle of papal cardinals, and the table with objects for tricks is a church altar. The artist endowed each of the crowd at the table with individual features and engaged in their own business. Leaning over the table is a wealthy citizen, from whose mouth a frog peeks out as a symbol of vice and sinfulness. The man who steals money from him is depicted in the clothes of a member of the Dominican Order. A man in black clothes openly flirts with a woman in a red headdress, placing one hand on her shoulder and the other on her chest. The nun is closely watching the magician's actions, and a man in green clothes standing next to her is looking at the audience. As it was noticed by researchers of Hieronymus Bosch's work, the face of a man in green clothes is found on other canvases. The color of the genre scene is based on the juxtaposition of colors such as white, red and black, as well as minor shades of brown, blue and green
Prompt: The artist chose an ancient occupation of various kinds of scammers as the plot of the painting — a trick with thimbles. While everyone present is staring at the magician, his accomplice in the crowd is stealing a purse. Hieronymus Bosch depicted an allegorical symbol on the table and in the mouth of a frog bent over the table. This amphibian was included in paintings where it was necessary to convey some kind of vice or ridicule church rituals (for example, exorcism). The magician's clothes suggest an analogy with the red mantle of papal cardinals, and the table with objects for tricks is a church altar. The artist endowed each of the crowd at the table with individual features and engaged in their own business. Leaning over the table is a wealthy citizen, from whose mouth a frog peeks out as a symbol of vice and sinfulness. The man who steals money from him is depicted in the clothes of a member of the Dominican Order. A man in black clothes openly flirts with a woman in a red headdress, placing one hand on her shoulder and the other on her chest. The nun is closely watching the magician's actions, and a man in green clothes standing next to her is looking at the audience. As it was noticed by researchers of Hieronymus Bosch's work, the face of a man in green clothes is found on other canvases. The color of the genre scene is based on the juxtaposition of colors such as white, red and black, as well as minor shades of brown, blue and green
Prompt: The artist chose an ancient occupation of various kinds of scammers as the plot of the painting — a trick with thimbles. While everyone present is staring at the magician, his accomplice in the crowd is stealing a purse. Hieronymus Bosch depicted an allegorical symbol on the table and in the mouth of a frog bent over the table. This amphibian was included in paintings where it was necessary to convey some kind of vice or ridicule church rituals (for example, exorcism). The magician's clothes suggest an analogy with the red mantle of papal cardinals, and the table with objects for tricks is a church altar.
The artist endowed each of the crowd at the table with individual features and engaged in their own business. Leaning over the table is a wealthy citizen, from whose mouth a frog peeks out as a symbol of vice and sinfulness. The man who steals money from him is depicted in the clothes of a member of the Dominican Order. A man in black clothes openly flirts with a woman in a red headdress, placing one hand on her shoulder and the other on her chest. The nun is closely watching the magician's actions, and a man in green clothes standing next to her is looking at the audience. As it was noticed by researchers of Hieronymus Bosch's work, the face of a man in green clothes is found on other canvases. The color of the genre scene is based on the juxtaposition of colors such as white, red and black, as well as minor shades of brown, blue and green
The key place in the composition of the sash belon
Model:
DigitalDaVinci
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: The key place in the composition of the sash belongs to the image of a man-tree. On his head lies a tabletop and a bagpipe, around which demons lead sinners. Some researchers tend to see in this character a self-portrait of the master himself.
Prompt: girls with birds and berries on their heads, swimming in a lake, around which riders on different animals are moving. The foreground is filled with people having fun. The company of young people sitting in the thistle bushes is noteworthy. To their left, a young man, swimming with a girl and a stork in a large bright fruit through the dark waters of the lake, feeds blackberries to the swimmers. Immediately behind them to the left are several large birds. The figure of an already middle-aged man sitting on the back of a goldfinch is interesting; he lowered his head low, as if he did not want to look at the disgrace happening around him.
Prompt: srednevekov'ya.
A frozen pond with wormwood, where a sinner rushes astride a huge skate, people flying into the light like mindless midges, a man stuck in a door lock - all these images are allegorical and certainly were understandable to the artist’s contemporaries. Some of what was seen can be interpreted and interpreted even today, but from the point of view of a person of our time, and not of the late Middle Ages.
Prompt: The abnormality of this place is marked by the incredible size of the berries and fruits, scattered here and there throughout the sash. When you look at this, it’s not clear who is here – the berry people or the berry people? The world turned upside down and became home.
Prompt: In the artist's vision, hell appears as a monstrous surreal place. The right wing of the triptych is often called “Musical Hell” by critics due to the fact that many different musical instruments are used here. However, one should not hope that they are used for their intended purpose. In fact, even the devils don’t play them, as one might suspect. Bosch decided to use methods of using them that were completely far from the direct purpose of musical instruments. In most cases, they act as torture devices
Prompt: In the artist's vision, hell appears as a monstrous surreal place. The right wing of the triptych is often called “Musical Hell” by critics due to the fact that many different musical instruments are used here. However, one should not hope that they are used for their intended purpose. In fact, even the devils don’t play them, as one might suspect. Bosch decided to use methods of using them that were completely far from the direct purpose of musical instruments. In most cases, they act as torture devices
Prompt: The foreground of the picture is capable of shocking even a modern person seasoned with horror films. A rabbit is dragging a man with his belly cut open, who is tied to a pole. At the same time, a stream of blood literally pours out of the poor fellow. The predatory rabbit looks very peaceful, and this is a truly monstrous contrast to what he does and what his action should imply in the future.
Prompt: bodyscape double exposure cat portrait of a colorful intricated forest, forest and colorful stars of sparks on the front of an insanely beautiful fluffy cat body with colorful fur of fluorescent light emitting fiber optics, standing in a dark place, playing with the fur, fluorescent pigment body painting style by John Poppleton and Bob Ross, diffused lighting, double exposure, blend, illusion, octane render, digital painting, extremely detailed, Award winning photography, 8k, photorealistic, very attractive, beautiful, high detail, award winning, high definition, Unreal Engine, colorful, hdr, VRay, magical, Ultra realistic, by Mandy Jurgens, Russian model, glow in the darkness
Prompt: Alice of Wonderland runs down the Yellow Brick Road with the Tin Woodman, Cowardly Lion, the Scarecrow, Dorothy & Toto as the Queen of Hearts chases them on the way to see the Wizard of Oz.
Prompt: A monkey wearing a jockey outfit is riding on the back of a Big belly seahorse (Hippocampus abdominalis). swimming in wavy water with bubbles and splashing.
strakhi. Drawers, supports under the outgrowths on
Model:
Artistic 2
Size:
896 X 704
(0.63 MP)
Used settings:
Prompt: strakhi.
Drawers, supports under the outgrowths on their backs, arms outstretched forward, groping in the dark for at least some kind of support. The skin has already been torn off from the hands, the burgundy color of the exposed flesh is frightening. In the distance is a giraffe engulfed in flames. Anxious premonitions, tension, fears.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
