Prompt: The Return of the Prodigal Son" 1666-1669 is a Rembrandt painting based on the plot of the New Testament parable of the prodigal son. Several people gathered in a small area in front of the house. In the left part of the painting, the prodigal son is depicted kneeling with his back to the viewer. His face is not visible, his head is written in profil perdu. The father gently touches his son's shoulders, hugging him. The painting is a classic example of a composition where the main thing is strongly shifted from the central axis of the painting for the most accurate disclosure of the main idea of the work. "Rembrandt highlights the main thing in the painting with light, focusing our attention on it. The compositional center is located almost at the edge of the painting. The artist balances the composition with the figure of the eldest son standing on the right. The placement of the main semantic center at one-third of the distance in height corresponds to the law of the golden ratio, which has been used by artists since ancient times to achieve the greatest expressiveness of their creations
Prompt: The Return of the Prodigal Son" 1666-1669 is a Rembrandt painting based on the plot of the New Testament parable of the prodigal son. Several people gathered in a small area in front of the house. In the left part of the painting, the prodigal son is depicted kneeling with his back to the viewer. His face is not visible, his head is written in profil perdu. The father gently touches his son's shoulders, hugging him. The painting is a classic example of a composition where the main thing is strongly shifted from the central axis of the painting for the most accurate disclosure of the main idea of the work. "Rembrandt highlights the main thing in the painting with light, focusing our attention on it. The compositional center is located almost at the edge of the painting. The artist balances the composition with the figure of the eldest son standing on the right. The placement of the main semantic center at one-third of the distance in height corresponds to the law of the golden ratio, which has been used by artists since ancient times to achieve the greatest expressiveness of their creations
Would you like to report this Dream as inappropriate?
Prompt:
The Return of the Prodigal Son" 1666-1669 is a Rembrandt painting based on the plot of the New Testament parable of the prodigal son. Several people gathered in a small area in front of the house. In the left part of the painting, the prodigal son is depicted kneeling with his back to the viewer. His face is not visible, his head is written in profil perdu. The father gently touches his son's shoulders, hugging him. The painting is a classic example of a composition where the main thing is strongly shifted from the central axis of the painting for the most accurate disclosure of the main idea of the work. "Rembrandt highlights the main thing in the painting with light, focusing our attention on it. The compositional center is located almost at the edge of the painting. The artist balances the composition with the figure of the eldest son standing on the right. The placement of the main semantic center at one-third of the distance in height corresponds to the law of the golden ratio, which has been used by artists since ancient times to achieve the greatest expressiveness of their creations
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
Artist
