Prompt: (((Masterpiece))) Art Deco Cubist illustration, Tamara de Lempicka meets flat vector. Rainy Victorian London street transformed into glamorous jazz-age tableau. Cobblestone pathway becomes harlequin checkerboard in curved perspective, wet and reflective. Elegantly dressed figure in period clothing holds black umbrella with lace-adorned handle, partially opened, elongated graceful proportions. Big Ben rises in distance through mist, rendered as faceted geometric planes in warm cream and soft gray. Elderly man with dog on cobblestone path, both angular forms. Autumn leaves scattered as faceted shapes across wet ground. Charming old shops and buildings with ornate facades, expansive glass canopy above filtering soft diffused light. Gas lamps glow with warm amber light. Flat poster coloring, bold black outlines, faceted forms. Palette: warm cream, deep charcoal, slate gray, amber gold, soft russet, muted blue, pale silver, touches of burgundy. Cozy, nostalgic, atmospheric. Ink and watercolor on rough paper, splatter and scratching for texture. Masterpiece, gorgeous, evocative, dreamy, ethereal. 16:9. No text in image.
Prompt: (((Masterpiece))) Art Deco Cubist illustration, Tamara de Lempicka meets flat vector. Dramatic confrontation between two women on a rainy Soho street transformed into glamorous jazz-age tableau. Lucy, polished and refined in elegant dark attire with sharp geometric folds, faces Polly, bold and defiant in vibrant red dress with angular silhouette. Both women with elongated proportions, striking features, intense expressions. Wet cobblestone pavement becomes harlequin checkerboard in warped perspective, reflecting gaslight glow. Vintage buildings with faceted facades loom in background. Rain falls as sharp geometric lines. Studio lighting casts dramatic shadows across both figures. Dynamic composition captures tension and rivalry. Flat poster coloring, bold black outlines, faceted forms. Palette: deep charcoal, crimson red, slate blue, warm cream, amber gold, soft gray, touches of emerald and mustard. Ironic, urban, reflective. Ink and watercolor on rough paper with wax crayons and colored pencils, splatter and scratching for texture. Masterpiece, cinematic, dreamlike, evocative. 16:9. No text in image.
Prompt: (((Masterpiece))) Art Deco Cubist illustration, Tamara de Lempicka meets flat vector. Rainy old European town street transformed into glamorous jazz-age tableau. Cobblestone pavement becomes harlequin checkerboard in curved perspective, wet and reflective. Elderly man in apron sweeps sidewalk, thoughtful expression, elongated proportions. Loyal border collie explores puddle reflecting warm gaslight glow. Autumn leaves scattered as faceted shapes across wet ground. Vintage buildings with angular facades, tall windows, ornate details. Prominent clock tower rises in background, rendered as geometric planes in warm cream and soft gray. Gas street lamps glow with golden amber light, casting geometric reflections on wet pavement. Flat poster coloring, bold black outlines, faceted forms. Palette: warm cream, terracotta, deep charcoal, slate gray, amber gold, soft russet, muted blue, pale silver. Tranquil, warm, nostalgic. Ink and watercolor on rough paper, splatter and scratching for texture. Masterpiece, gorgeous, evocative, dreamy, ethereal. 16:9.
Prompt: (((Masterpiece))) A stylized Art Deco illustration in a geometric Cubist-influenced style, reminiscent of Tamara de Lempicka crossed with modern flat-vector art. A rainy vintage street scene at twilight is transformed into a glamorous, moody jazz-age tableau. A young woman with elegantly sculpted curly hair stands beneath a sharply angled black umbrella, her head tilted upward in thoughtful contemplation. She wears a dark, sophisticated dress with angular lace details rendered as precise faceted patterns, her elongated, graceful proportions and refined features exuding quiet introspection. Raindrops fall as crisp geometric lines and splashing circles across the wet cobblestone pavement, which reflects the scene in a warped, surreal harlequin checkerboard pattern of soft gray, muted blue, and pale silver.
In the background, blurred figures carrying umbrellas move through the misty rain, their forms simplified into elegant, angular silhouettes in deep charcoal and slate. The surrounding architecture features classic vintage buildings with tall windows, wrought-iron balconies, and warm cream and tan facades, their shapes reduced to clean, faceted planes. Street lamps glow with soft golden pools of light, rendered as geometric orbs casting angular reflections across the wet ground. The sky is a dramatic composition of soft gray-blue, pale silver, and muted lavender geometric panels, with wisps of low clouds drifting in faceted shapes. The overall palette is dominated by muted tones of gray, slate blue, soft cream, charcoal, and touches of warm gold for contrast.
Flat, poster-like coloring with minimal gradients; bold black outlines; angular, faceted forms; rich yet subdued palette of deep charcoal, slate blue, soft gray, muted lavender, warm cream, tan, pale silver, and touches of golden amber. High symmetry and precision in linework. The mood is moody, nostalgic, romantic, and introspective—a fusion of vintage elegance and 1930s cinematic glamour, rendered with delicate ink work and loose watercolor washes on cold-pressed rough paper, with splatter, blotting, and scratching for texture, depth, and a grainy, ephemeral, rain-soaked atmosphere. Masterpiece, gorgeous, evocative, sumptuous, aesthetic, unique, HD, enchanting, dreamy, ethereal. Ultra-fine texture of fine lines. 16:9.
Prompt: (((Masterpiece, seen from below))) A rainy Victorian street scene in the early evening, rendered entirely in pure black-and-white line art. A woman in a stylish, long black dress walks along a wet cobblestone road, holding a delicate lace umbrella. The lace pattern is suggested through fine, intricate stippling and delicate open-line work. Rain falls as dotted traces and short, slanted dashes that catch the light. In the background, a horse-drawn carriage passes by, with a gentleman in a top hat driving it his silhouette and the horse defined by bold, gestural contour lines and dense hatchings. The surrounding buildings are ornate, typical of 19th-century architecture, with detailed cornices, arched windows, wrought-iron balconies, and decorative facades rendered through cross-hatching and varied line weights. Gas lamps line the street, their warm glow suggested not by color, but by radiating concentric line patterns, halos of negative space, and stippled halos that illuminate the misty, rain-soaked atmosphere. The sky is overcast, depicted with sweeping, wavy parallel lines and patches of open canvas, adding a dramatic, moody feel. Perspective: Extreme low-angle close-up – we view the woman from below, looking up, making her appear elegant and towering against the gas lamps and buildings. The wet cobblestones are seen from underneath, with reflections suggested by thin, broken horizontal lines and negative space. Raindrops drift past the lens, emphasizing the upward gaze. The edges of the image dissolve into sketchy squiggly lines, art nouveau ornaments, and abstraction, revealing the bare canvas. Pure black-and-white line art in a playful European comic style, avoiding realism, with expressive instability and analog imperfection. Dominant art nouveau elements interpreted through late 1960s–1970s psychedelic poster art. Ornament-like hatchings and dynamic lines that turn into dotted traces or fade away, contrasted by quiet calm zones with very little noise, and intricate neurographic lines that loosely follow the silhouettes of the bodies, buildings, and carriage. Intense light-dark contrast created solely through line weight, cross-hatching, and negative space, giving the image mysterious spatial depth. Great depth, magical unreal quality, many well-defined background details. pure line art, black and white, ink and pen, monochrome, elegant, intricate, detailed, atmospheric, dramatic, misty, rainy, Victorian, cobblestone, gas lamps, lace texture, ornate architecture, horse-drawn carriage, top hat, flowing dress, silhouettes, chiaroscuro through line work, celestial, grainy, ink wash textures, enchanting, ephemeral, spectacular, graceful, anatomical correct hands and posture, great gestural swing, full of graceful motion, 8K quality, moody, overcast, poetic, canvas visible at edges.
Prompt: (((Masterpiece, seen from below))) A rainy Victorian street scene in the early evening, rendered in full vibrant color. A woman in a stylish, long, beautiful light-green dress walks along a wet cobblestone road, holding a delicate lace umbrella. The lace pattern is rendered with fine, intricate stippling and delicate open-line details. Rain falls as small dotted traces and short, slanted dashes that catch the amber glow of the gas lamps. In the background, a horse-drawn carriage passes by, with a gentleman in a top hat driving it his figure and the horse defined by bold, gestural contour lines and rich shading. The surrounding buildings are ornate, typical of 19th-century architecture, with detailed cornices, arched windows, wrought-iron balconies, and decorative facades. Gas lamps line the street, casting warm golden-orange halos that illuminate the misty, rain-soaked atmosphere. The sky is overcast in deep twilight blues and grays, adding a dramatic, moody feel. The wet cobblestones reflect the warm light and the woman's light-green dress in soft, broken reflections. Extreme low-angle close-up we view the woman from below, looking up, making her appear elegant and towering against the gas lamps and buildings. The wet cobblestones are seen from underneath, with glossy reflections. Raindrops drift past the lens, emphasizing the upward gaze. The composition fills the entire frame no decorative edges, no dissolving ornaments, no bare canvas. Full-color expressive comic art in a playful European comic style, avoiding realism, with expressive instability and analog imperfection. Dominant art nouveau elements interpreted through late 1960s–1970s psychedelic poster art. Ornament-like hatchings and dynamic lines that turn into dotted traces or fade away, contrasted by quiet calm zones and intricate neurographic lines that loosely follow the silhouettes. Colored with thick impasto oil paint textures, gentle color transitions, coarse brush strokes, and intense light-dark contrast for mysterious spatial depth. Great depth, magical unreal quality, many well-defined background details full color, vibrant, elegant, intricate, detailed, atmospheric, dramatic, misty, rainy, Victorian, cobblestone, gas lamps, lace texture, ornate architecture, horse-drawn carriage, top hat, flowing light-green dress, silhouettes, chiaroscuro, celestial, grainy, impasto, enchanting, ephemeral, spectacular, graceful, anatomical correct hands and posture, great gestural swing, full of graceful motion, 8K quality, moody, overcast, poetic, full-frame composition, no edge ornaments.
Prompt: (((Masterpiece))) a warm and atmospheric ink and watercolor rendering on cold pressed rough paper, in a sketchy, expressive, impressionistic style with thick textured brushstrokes. A close up of a majestic brown horse with a shiny coat, standing in a misty cobblestone street. The horse's coat is rich and glossy in warm chestnut and deep brown, with soft highlights catching the golden glow of nearby street lamps. Its mane and forelock are slightly windswept, and its eyes are gentle and calm. The background features blurred silhouettes of people under umbrellas, their forms soft and indistinct, moving through the mist. Softly lit street lamps cast a warm golden glow in the evening light, illuminating the wet cobblestones and creating long soft reflections. The scene has an impressionistic quality, with visible brushstrokes conveying a sense of movement, atmosphere, and the quiet mood of a rainy evening in a historic city. The mood is peaceful, nostalgic, elegant, and full of old world charm. Delicate but chaotic ink work defines the horse, its coat and mane, the cobblestones and mist, the street lamps and silhouettes, while loose watercolor washes in warm chestnut, deep brown, soft gold, warm gray, pale blue, cream, and touches of soft white for light and mist highlights flow organically, with splatter, blotting, scratching, and overspray, creating texture, depth, and a grainy, grungy, ephemeral, rainy evening atmosphere. Masterpiece, gorgeous, beautiful, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy and ethereal. Ultra fine texture of fine lines. 16:9.
Prompt: (((Masterpiece))) a dreamy and nostalgic ink and watercolor rendering on cold pressed rough paper, in a sketchy, expressive, impressionistic style. A foggy scene at the Le Havre station in the late 19th century, featuring a cobblestone pathway glistening with moisture, reflecting the soft warm light from the station windows. Several horse drawn carriages in vibrant colors—rich red, deep green, and warm gold—are lined up near the station, their wooden wheels and ornate details catching the light. Two horses, one brown and one black, are harnessed to the carriages, their breath visible in the cool air. Wisps of steam rise from the surroundings, blending with the mist, creating a dreamy, atmospheric haze. The station architecture is quaint, with arched windows, a steep roof, and warm golden light glowing from within, casting a nostalgic and inviting vibe over the scene. The overall mood is peaceful, romantic, historical, and full of old world charm. Delicate but chaotic ink work defines the carriages and horses, the cobblestone pathway and reflections, the station architecture and glowing windows, the mist and steam, while loose watercolor washes in vibrant red, deep green, warm gold, soft brown, black, cream, pale gray, soft blue, and touches of soft white for light and mist highlights flow organically, with splatter, blotting, scratching, and overspray, creating texture, depth, and a grainy, grungy, ephemeral, 19th century station atmosphere. Masterpiece, gorgeous, beautiful, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy and ethereal. Ultra fine texture of fine lines. 16:9.
Prompt: (((Masterpiece))) a lively and atmospheric ink and watercolor rendering on cold pressed rough paper, in a sketchy, expressive, impressionistic style. A bustling 19th century train station scene, featuring three elegantly dressed men in top hats gathered around a stack of vintage leather suitcases with brass buckles and straps. The foreground is wet from recent rain, reflecting the colorful, smoky atmosphere created by steam from the locomotives in shimmering puddles of warm amber, soft gray, and pale blue. One train is partially visible in the background, releasing clouds of purple and white steam into the air, curling and drifting across the station. Surrounding the men, other travelers in period attire and porters in caps and aprons move about, some carrying luggage, others gesturing or conversing, adding to the lively ambiance. Tall buildings with classic facades and cobblestone streets enhance the historical setting, with warm cream and terracotta tones. The sky is partly cloudy, with soft light illuminating the entire scene. The mood is vibrant, nostalgic, elegant, and full of the energy of travel in a bygone era. Delicate but chaotic ink work defines the three men and their top hats, the suitcases, the steam and reflections, the train, the travelers and porters, the buildings and cobblestones, while loose watercolor washes in soft gray, warm brown, cream, terracotta, pale blue, purple, white, warm gold, and touches of soft white for steam and light highlights flow organically, with splatter, blotting, scratching, and overspray, creating texture, depth, and a grainy, grungy, ephemeral, 19th century station atmosphere. Masterpiece, gorgeous, beautiful, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy and ethereal. Ultra fine texture of fine lines. 16:9.
Through the Gates of Le Havre — A Veil of Memories
Model:
SeeDream
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: (((Masterpiece))) a nostalgic and mysterious ink and watercolor rendering on cold pressed rough paper, in a sketchy, expressive, impressionistic style. A woman in a vintage elegant white gown with delicate lace details stands at the entrance of Gare du Havre, surrounded by a foggy, atmospheric haze. The intricate iron gates of the station are partially open, their ornate scrollwork leading into a misty background. The scene is damp and reflective, with hints of soft color reflecting off the wet ground in muted gold, pale blue, and warm gray. The woman wears a delicate lace bonnet tied under her chin, and her back is turned as she gazes into the ethereal scene ahead, evoking a deep sense of nostalgia, longing, and quiet mystery. Soft clouds of steam swirl around her, rising from the station or from unseen trains, enhancing the dreamlike, timeless quality of the setting. The mood is poetic, melancholic, elegant, and full of quiet anticipation. Delicate but chaotic ink work defines the woman and her white gown, the iron gates and station, the fog and steam, the wet reflective ground, while loose watercolor washes in soft white, cream, pale blue, warm gray, muted gold, soft lavender, and touches of soft white for steam and light highlights flow organically, with splatter, blotting, scratching, and overspray, creating texture, depth, and a grainy, grungy, ephemeral, vintage station atmosphere. Masterpiece, gorgeous, beautiful, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy and ethereal. Ultra fine texture of fine lines. 16:9.
Prompt: A richly textured oil painting of an elderly man sitting on a worn wooden park bench in a quiet urban square feeding the pidgeons.. The overall style is reminiscent of expressive oil painting, with visible brushstrokes, rich textures, and a balance between realism and painterly abstraction. Moody atmosphere, cinematic lighting, strong contrast, tactile surface.
Prompt: Subject and Setting: A rain-slicked city boulevard at night, wet cobblestones mirroring the glow of streetlamps, bare autumn trees lining the walk
Art Style:
Contemporary palette-knife impressionist oil painting circa 1990s AD.
Painted on fine-grain linen canvas.
Thick impasto strokes with visible dimensional texture. The dominant palette is Warm primary colors; orange, yellow, red.
This palette fills most color patches across the canvas. Color patches vary irregularly in size and shape, placed side by side unblended.
Color patches in colors complimentary to the dominant palette create contrasting accents to define edges. Strokes of luminous complementary highlight colors concentrate near light sources, along carved edges, and within reflections, ranging from small flecks to occasional larger patches. Open areas of dominant color stay clean, in various shades of the same color. Color contrast creates light and shadow over the image.
Thin dark knife lines carve out structures like trees, rocks, hardscape and manmade objects.
If present, distant people and animals are rendered as simplified silhouette masses, features suggested by a few decisive strokes and a single color accent. People and animals shown close and large in the frame carry natural coloring and smoothly transitioning painterly texture that follows the form of the body and face, features kept continuous while the surrounding environment keeps its fine tessellation.
Graphic stylization simplifies rendering while preserving underlying anatomical structure, natural proportions, coherent poses, correct limb and appendage placement, and correct limb count.
Light sources — lamps, glowing windows, and similar — glow Warm golden colored. Bold strokes of dense paint mark the core of each light source and the brightest point of its reflection; elsewhere, highlight accents stay thin and sparse.
Specular highlights catch the light on metal, glass, and other polished surfaces. Wet stone and standing water carry broad reflected light in the same color as the light sources.
The entire scene has a luminous three-dimensional quality.
Before generation ensure that texture, if any, is derived solely from the art style, eliminate clustered pixelation, color banding, blurry digital fuzz and default grittiness.
Reason about what would make this image visually compelling before generating.
Before generation ensure that texture, if any, is derived solely from the art style, eliminate clustered pixelation, color banding,
Prompt: The image shows an artistic composition with a surreal effect. In the center of the frame is an open black umbrella, upside down on the wet asphalt. Instead of the inner surface of the umbrella dome, there is a panorama of Venice at night: brightly lit streets, buildings, and a river with reflections of lights in the water.
Around the umbrella is a wet paving stone with puddles in which light flickers. Rain streaks vertically stretch across the frame, emphasizing the atmosphere of a damp evening. The overall tone of the image is dark, with contrasting warm yellow lights of the city — this creates a romantic and slightly melancholic mood.
Prompt: Jeremy Mann... Vintage Postcard: An Old Town and Cars from the 1950s. A digitally painted street scene capturing a retro, film noir aesthetic. In the foreground, a vintage aqua blue car, possibly a Volkswagen Beetle, is parked on a cobblestone street, its taillights glowing softly. The car faces slightly to the right, revealing its rounded rear. To the right of the car, a man in a dark trench coat walks away from the viewer, his back visible, down the cobblestone sidewalk. He is alone except for a streetlamp that casts a warm glow nearby. The street is lined with old, tall buildings, some with balconies and visible windows, their facades a mix of desaturated blues, grays, and yellows, suggesting dampness and age. The light from some windows casts an orange glow. In the distance, a prominent church tower with a spire rises against a pale yellow, overcast sky, indicative of dusk or dawn. Bare trees with intricate, dark branches frame the right side of the scene, adding to the somber and mysterious atmosphere. The overall impression is one of solitude and classic, melancholic charm, with a prominent grunge or textured filter applied to the image.
Modifiers:
Zdzisław Beksiński acrylic art watercolor Paul Klee mysterious warm light Optical illusion Dee Nickerson watercolor ink Debehsque
Prompt: A cinematic, hyper-stylized summer rain scene set in a European city boulevard. A sudden warm downpour soaks the street as elegant women and men in minimal summer clothing scatter and laugh, their outfits clinging to their bodies under the rain. Flowing dresses become semi-transparent, silk shirts stick to skin, bare arms and legs glisten with water droplets. Faces show playful tension, desire, surprise, and intimacy rather than panic. Wet hair frames expressive eyes, makeup slightly smudged, skin luminous under soft overcast light. Bodies move dynamically—running, turning, reaching for shelter—captured mid-motion like a high-fashion editorial shoot. Reflections shimmer on wet pavement, rain streaks frozen in the air, cinematic depth of field. Sensual but elegant mood, Vogue / Harper’s Bazaar editorial energy, erotic suggestion through fabric, posture, and gaze, never explicit. Ultra-detailed realism, dramatic lighting, high fashion composition, summer heat meeting rain.
Prompt: Stylized Eiffel Tower at night, framed by buildings. The tower is the focus, illuminated and radiating a warm, golden light against a dark blue-black starry sky. The buildings are in shades of orange and brown, vintage painterly style. People strolling. A wet street reflects the tower's light. Sketch, bold lines and a slight impressionistic feel
Prompt: Rainy Street Reflections. Cobblestones glistening under lamplight, blurred silhouettes with umbrellas, ripples in puddles catching neon glows. modern mosaic illustration, impressionistic color blocking, and stained-glass-inspired landscapes. Alyson Shotz – Known for light-filled, fragmented compositions that echo mosaic and stained-glass textures. Kaffe Fassett – While primarily a textile artist, his bold, patterned colour fields have a similar vibrancy and rhythm. Julie Sperling – Creates modern mosaic landscapes with strong colour gradients and stylised natural forms.
Prompt: picture in the style of Joseph Mallord William Turner, impressionist oil painting, dramatic sky, swirling brushstrokes, masterpiece, hazy dusty old streetsceene in Turner's incomparable light, romantic oil painting with little color, keep style and details as in start image
Prompt: Ethereal fantasy. Close-up. A hidden Venetian courtyard with red and yellow roses on wrought iron balconies. Medium shot. Oil painting. Soft, blurred reflections on wet cobblestones. Vibrant, bleeding colors. Warm, golden lighting with mist. Best quality, hyperdetailed, romantic, expressionist, palette knife textures, Thomas Kinkade, soft focus, misty, dreamy, colorful, vivid.
Whimsical Rainy Night in Colorful Streets - May 31, 2025
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: (A masterpiece of unparalleled excellence), (("A Raindrop’s Journey through the City", Side view, Complex stipple texture, Abstract expressionism surrealism, Pop art)), Inspired by the style illustrations of Edward Gorey and Tomasz Setowski, Use stunning color oil drawing on textured paper, As if created By Paul Klee, Tomasz Setowski, Kris Kuksi, Niki de saint phalle, Antoni Gaudí, Dee Nickerson, Friedensreich Hundertwasser and Jacek Yerka. Full Size Image.
Prompt: Wet watercolor on rice paper. Fire gold on turquoise. A breathtaking watercolor painting, blending the whimsical styles of Hayao Miyazaki and Salvador Dali with the ethereal touch of Jeremy Mann, Arkhip Kuindzhi, and Alois Arnegger. Evening in the old town.
Prompt: Capture the enchanting beauty of Milan at dusk, focusing on the stunning Duomo and the elegant Galleria Vittorio Emanuele II. Highlight the intricate Gothic architecture of the cathedral, reflecting in the rain-soaked plaza. Emphasize the interplay of warm lights against the cool evening sky, creating a magical atmosphere that invites viewers to explore the vibrant streets of this iconic city.
Prompt: Create a semi abstract impressionism landscape of a dimly lit antique alley at night. Use a mix of brush strokes, muted tones of yellow, brown, dark orange, blue, dark blue, and grey, complex mixing of textures and layers, bass-relief for the stoned ground of the alley and the sorrounding houses, light reflections over the windows.
Prompt: "Une scène de style impressionniste capturant une rue urbaine dans un crépuscule brumeux. Les couleurs chaudes et profondes du coucher de soleil s'estompent dans une épaisse peinture tourbillonnante, mêlée de brouillard et de fumée qui semble progresser doucement vers l'observateur. Un véhicule anthropomorphisé avec des phares en forme d'yeux et une grille ressemblant à une bouche souriante se trouve sur la droite, émettant une lueur chaleureuse. À gauche, une affiche au design captivant et sensuel est légèrement floue, avec des textures riches et un attrait séduisant, accentuée par la lumière douce et l'ambiance mystérieuse environnante."
Prompt: rainy autumn street in an old european village, flower pots, outdoor cafe, a cat sitting in a window, watercolor, vibrant colors, wet reflective surfaces, cobblestones.
Prompt: Create an artwork tile that captures the essence of a starry night over a vibrant, illuminated street, blending elements of Van Gogh's style with a modern cityscape.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
