#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The complex of temples at Baalbek is located at the foot of the south-west slope of Anti-Lebanon, bordering the fertile plain of the Bekaa at an altitude of 1150 m. The city of Baalbek reached its apogee during Roman times. Its colossal constructions built over a period of more than two centuries, make it one of the most famous sanctuaries of the Roman world and a model of Imperial Roman architecture. Pilgrims thronged to the sanctuary to venerate the three deities, known under the name of the Romanized Triad of Heliopolis, an essentially Phoenician cult (Jupiter, Venus and Mercury). The importance of this amalgam of ruins of the Greco-Roman period with even more ancient vestiges of Phoenician tradition, are based on its outstanding artistic and architectural value. The acropolis of Baalbek comprises several temples. The Roman construction was built on top of earlier ruins which were formed into a raised plaza, formed of twenty-four monoliths, the largest weighing over 800 tons. The Temple of Jupiter, principal temple of the Baalbek triad, was remarkable for its 20 m high columns that surrounded the cella, and the gigantic stones of its terrace. The adjacent temple dedicated
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Anjar was never completed, enjoying only a brief existence. In 744, Caliph Ibrahim, son of Walid, was defeated and afterwards the partially destroyed city was abandoned. Vestiges of the city of Anjar therefore constitute a unique example of 8th century town planning. Built at the beginning of the Islamic period, it reflects this transition from a protobyzantine culture to the development of Islamic art and this through the evolution of construction techniques and architectonical and decorative elements that may be viewed in the different monuments. Founded during the Umayyad period under the Caliphate of Walid Ibn Abd Al-Malak at the beginning of the 8th century, the excavated vestiges of the city of Anjar, which was abandoned after a short period, provide an eminent testimony, precisely dated, of the Umayyad civilization. Architectural complex possessing all the true characteristics of the Umayyad civilization, the city of Anjar constitutes an outstanding example of 8th century town planning of the Umayyad caliphate. The evolution of certain protobyzantine styles towards a more developed Islamic architecture is apparent in the building techniques as well as in the architectonical.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Founded during the Umayyad period under Caliph Walid Ibn Abd Al-Malak (705-715), the city of Anjar bears outstanding witness to the Umayyad civilization. Anjar is an example of an inland commercial centre, at the crossroads of two important routes: one leading from Beirut to Damascus and the other crossing the Bekaa and leading from Homs to Tiberiade. The site of this ancient city was only discovered by archaeologists at the end of the 1940s. Excavations revealed a fortified city surrounded by walls and flanked by forty towers, a rectangular area (385 x 350 m). Dominated by gates flanked by porticos, an important North-South axis and a lesser East-West axis, superposed above the main collectors for sewers, divide the city into four equal quadrants. Public and private buildings are laid out according to a strict plan: the great palace of the Caliph and the Mosque in the South-East quarter occupies the highest part of the site, while the small palaces (harems) and the baths are located in the North-East quarter to facilitate the functioning and evacuation of waste waters. Secondary functions and living quarters are distributed in the North-West and South-West quarters.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Prior to the Struve Geodetic Arc, an arc of about 2,400 km had been measured in India by Lambton and Everest (completed in 1845), and a shorter arc in Lithuania by Carl Tenner. Struve, who was working at the Dorpat University (currently University of Tartu in Estonia), decided that he would establish an arc following a line of longitude (meridian) passing through the observatory of the university. The new long arc, later to be known as the Struve Geodetic Arc, was eventually created by connecting earlier, shorter arcs to the southern one measured by Tenner, and their extension to the north and south. The arc thus covered a line connecting Fuglenæs, near Hammerfest at the Arctic Ocean, with Staro-Nekrassowka, near Ismail, on the Black Sea shores, along more than 2,800 km. The original arc consisted of 258 main triangles with 265 main station points. The inscribed property includes 34 of the original station points established by Struve and his colleagues between 1816 and 1851 – four points in Norway, four in Sweden, six in Finland, two in Russia, three in Estonia, two in Latvia, three in Lithuania, five in Belarus, one in Moldova and four in Ukraine.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Struve Arc is a chain of survey triangulations stretching from Hammerfest in Norway to the Black Sea, through 10 countries and over 2,820 km. These are points of a survey, carried out between 1816 and 1855 by the astronomer Friedrich Georg Wilhelm Struve, which represented the first accurate measuring of a long segment of a meridian. This helped to establish the exact size and shape of the planet and marked an important step in the development of earth sciences and topographic mapping. It is an extraordinary example of scientific collaboration among scientists from different countries, and of collaboration between monarchs for a scientific cause. The original arc consisted of 258 main triangles with 265 main station points. The listed site includes 34 of the original station points, with different markings, i.e. a drilled hole in rock, iron cross, cairns, or built obelisks.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The preservation and development framework for the Historic Centre of Riga is constantly being elaborated e.g. by data base improvement, further elaboration of detailed plans and local plans for certain areas, overall visual impact studies and their requirements, procedures for heritage impact assessment as well as diversification of local community involvement. The municipality develops legal frameworks and provisions to deal with these challenges in a holistic and participatory manner. The planning approach is based on a new system of planning in Latvia, introduced in 2011. The new long-term Development Strategy and mid-term Development Programme as well as the Spatial Plan according to new principles are in their initial stages of development. The municipality has issued binding regulations concerning building and land-use, which will prevent the appearance of over-scaled new constructions affecting the site and the demolition of historic buildings. These initiatives are being strengthened by state-level binding regulations, which demand the evaluation of every intended change related to heritage or the original structure, based on an assessment of certain cultural.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Historic Centre of Riga is a spatially harmonic urban environment with relatively few destructive transformations. The Historic Centre of Riga and its buffer zone include a set of authentic cultural and historical attributes significant to its Outstanding Universal Value: structure of historic urban pattern with high-quality transformations of later periods, panorama and skyline, visual perspectives, historic structure, (particularly groups of buildings of the Middle Ages, Art Nouveau and wooden architecture and the scale and character thereof), archaeological cultural layer, public outdoor space, system of greeneries and green areas, historic water courses, waterfronts and water bodies, historic ground surfacing, and historic elements of improvements.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property is the whole central part of the capital city of Riga. Its boundaries and its buffer zone are specified in accordance with the integrity of the urban fabric and the effective protection of the important views of the site. It contains all elements necessary to express Outstanding Universal Value, namely the architectural monuments of respective historical styles of the medieval core; the semicircle of boulevards, dominated by harmonically balanced 19th century and early 20th century eclectic architecture and Art Nouveau; and the territory of former suburbs with buildings from the 18th to the 20th century, especially in wood. The outstanding panorama and visual perspectives of the Historic Centre of Riga reflect the effective protection of the important views of the property. The integrity of the site is challenged by the loss of original substance and authenticity of the site attributes, and the low-quality new developments in the Historic Centre of Riga not respecting the scale, character and pattern of the historic environment. The overall coherence of the site is also vulnerable to the possible adverse impact of new developments in and outside of the buffer zone.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Riga, which was founded as a port town in 1201, was one of the key centres of the Hanseatic League in Eastern Europe from the 13th to the 15th century. The urban fabric of its medieval core reflects the prosperity of those times, though most of the earliest buildings were rebuilt for actual needs or lost by fire or war. In the 17th century, Riga became the largest provincial town of Sweden. In the 19th century, it experienced rapid industrial development. It is in this period that the suburbs surrounding the medieval town were laid out, first, with imposing wooden buildings in neoclassical style, and later, when permanent stone buildings were allowed instead, in the Art Nouveau style. In the early 1900’s Riga became the European city with the highest concentration of Art Nouveau architecture with around 50 Art Nouveau buildings of high architectural value in the medieval part and more than 300 in the rest of the Historic Centre. The site reflects various architectural styles, which provide valuable insight into the stages of development of Riga as a city. The Historic Centre of Riga is comprised of three different urban landscapes – the relatively well-preserved medieval core.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor. Oriel windows are seen in Arab architecture in the form of mashrabiya and in Turkish are known as şahnişin or cumba. In Islamic culture, these windows and balconies project from the street-front of a house, providing an area in which women could peer out and see the activities below while remaining invisible.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This issue of definition, apparently so simple, has proven to be one of the most serious problems for advocates of vernacular architecture and landscapes research. A straightforward, convincing, authoritative definition has not yet been offered. Vernacular architecture is a phenomenon that many understand intuitively but that few are able to define. The literature on the subject is thus filled with what might be called non-definitions. Vernacular architecture is non-high style building, it is those structures not designed by professionals; it is not monumental; it is un-sophisticated; it is mere building; it is, according to the distinguished historian Nikolaus Pevsner, not architecture. Those who take a more positive approach rely on adjectives like ordinary, everyday, and commonplace. While these terms are not as pejorative as other descriptive phrases that are sometimes applied to the vernacular, neither are they very precise. For example, the skyscrapers of Manhattan are works of high style architecture, but they are also commonplace in Manhattan. Are they not logically New York City vernacular buildings?
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Riparian Plaza was designed by Harry Seidler (architect) and Robert Bird Group (structural engineer). Most office spaces have river views, due to the 45-degree angle to the river of the building and the lack of columns on these mid level floors. Each penthouse has its own curvilinear, projecting terrace that faces the river. The cantilevering balconies have a highly sculptured shape. Seidler claimed the composite stacking of sectors vertically is unique in Australia.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Blue Condominium, also known as the Blue Tower, is located in the Lower East Side neighborhood of New York City at 105 Norfolk Street. Designed by Bernard Tschumi, it is his first residential and first high-rise structure. At 16 stories tall, it opened in 2007 with 32 condominium apartments, a ground floor commercial space occupied by the Thierry Goldberg Gallery, and a third floor roof terrace for residents. Commercial at the ground floor with residential above is a common method of programming space in urban residential projects. The tower is not LEED certified. The faceted pixelated form, a reaction to the zoning and set back requirements, is clad in a blue panel and window curtain wall system, contrasting with the low rise brick buildings that typify the neighborhood.[1]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Eureka Tower is a 297.3 m (975 ft) skyscraper located in the Southbank precinct of Melbourne, Victoria, Australia.[3] Construction began in August 2002 and the exterior was completed on 1 June 2006. The plaza was finished in June 2006 and the building was officially opened on 11 October 2006.[4] The project was designed by Melbourne architectural firm Fender Katsalidis Architects and was built by Grocon (Grollo Australia). The developer of the tower was Eureka Tower Pty Ltd, a joint venture consisting of Daniel Grollo (Grocon), investor Tab Fried and one of the Tower's architects Nonda Katsalidis. It was the world's tallest residential tower when measured to its highest floor,[5] until surpassed by Ocean Heights and the HHHR Tower in Dubai. From 2006 to 2019, it was the tallest building in Melbourne, until the topping out of Australia 108. It is currently the third tallest building in Australia, behind the Q1 in Queensland and Australia 108, as well as the second tallest to roof (excluding spire) behind the latter skyscraper.[6] As of 2016 it was the 15th tallest residential building in the world.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: According to the ranking system developed by the U.S.-based Council on Tall Buildings and Urban Habitat, the Eureka Tower qualified as the tallest building in three of the four categories in which heights are ranked, namely height to the floor of the highest occupied floor of the building. For comparison, the Q1 apartment tower on the Gold Coast has its highest habitable floor (the observation deck), reaching a height of 235 m (771 ft), some 62 m (203 ft) lower than Eureka Tower's highest habitable floor. Q1's highest penthouse apartment is 217 m (712 ft) whilst Eureka's penthouse is 278 m (912 ft) high. However, the spire attached to the top of Q1 exceeds the Eureka Tower in the other two categories, namely "Height to the tip of spire, pinnacle, antenna, mast or flag pole" – in this case, spire – and height to architectural top of the building.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: At the heart of Schermerhorn Symphony Center is the 30,000 square feet (2,800 m2), 1,844-seat Laura Turner Concert Hall, which is home to the Nashville Symphony. The hall is of the shoebox style. It features natural lighting, which streams in through 30 soundproof, double-paned clerestory windows. Intricate symbolic motifs appear throughout the hall and the rest of the center, including irises (the Tennessee state flower), horseshoes (a tribute to the late Laura Turner's love of horses) and coffee beans (representing Nashville's Cheek family, which played a key role in the founding of the Nashville Symphony and also originally owned the Maxwell House Coffee brand).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building is designed as a cultural and residential complex. The original 1966 brick façade of the Kaispeicher A, formerly a warehouse, was retained at the base of the building. On top of this a footprint-matching superstructure rests on its own foundation exhibiting a glassy exterior and a wavy roof line. About one thousand glass windows are curved. The building has 26 floors with the first eight floors within the brick façade. It reaches its highest point with 108 metres (354 ft) at the western side. The footprint of the building measures 120,000 square metres (1.3 million square feet). A curved escalator from the main entrance at the east side connects the ground floor with an observation deck, the Plaza, at the 8th floor, the top of the brick section. The Plaza is accessible by the public. It offers a view of Hamburg and the Elbe. From the Plaza the foyer of the concert hall can be reached.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building is shaped as a nine-floor-high asymmetrical polyhedron covered in plaques of white cement, cut by large undulated or plane glass windows. The building is accessible through a front stairway and stands at the center of a vast open plaza of marble, yellow with hint of brown. Its isolated architectural form, deeply set back from adjacent streets, including the main Avenida da Boavista, and from the city's prime ceremonial public space, the Praça Mouzinho de Albuquerque, is evocative of the hull of a ship beached at low tide. It deliberately ignores and challenges the neoclassical order of converging avenues and the vast oval of continuous blocks centered on a tall monument, Heroes of the Peninsular War, that has defined the Praça.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The rear wall of the foyer and balcony faces are maple. The architects' original intention was to make the wood look like that from an old violin. However using the same technique would have been far too expensive. Instead, they have tried to imitate the color using more traditional staining techniques, and the result is very close (the official homepage says differently, but the guides in the Opera tell this story). Due to the orange color and its form, it is suitably known by locals as the pumpkin. The auditorium ceiling is gilded with about 105,000 sheets of almost pure carat (100%) gold leaf. The floor in the main auditorium is smoked oak. The balcony faces have been designed with openings in a special pattern to improve sound quality, and LED-based lighting that can be illuminated in a variety of patterns. The foyer floor is Sicilian Perlatino marble. The central foyer holds three spherical chandeliers created by the Icelandic artist Olafur Eliasson. Each chandelier consists of several pieces of glass, which are semipermeable allowing some light to pass, and some to reflect. The patterns change when viewed from different angles.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Auditorio de Tenerife "Adán Martín" (commonly referred to as the Auditorio de Tenerife) is an auditorium in Santa Cruz de Tenerife, Canary Islands, Spain. Designed by architect Santiago Calatrava, it is located on the Avenue of the Constitution in the Canarian capital, and next to the Atlantic Ocean in the southern part of Port of Santa Cruz de Tenerife. Construction began in 1997 and was completed in 2003. The auditorium was inaugurated on 26 September of that year in the presence of Felipe, Prince of Asturias, and was later visited by former U.S. President Bill Clinton. The building is framed within the tenets of late-modern architecture of the late 20th century.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0