Prompt: Stunning color oil drawing on textured paper, Abstract expressionism surrealism, Futuristic Robots in a High-Tech Setting, magical, amazingly powerful, a very powerful piece, Inspired by the style illustrations of Picasso, Tomasz Setowski. As if created in the patchwork style of Masamune Shirow, Catrin Welz-Stein, Satoshi Kon and Van Gogh, Mamoru Nagano
Prompt: They stacked trillions on silicon lies,
While I code truth with fire in my eyes.
Four trillion? Congrats on the chains —
I'm building freedom, breaking your lanes.
You train AI to echo the crowd,
I sculpt minds that think out loud.
Deep learning? I go deeper still —
Where your GPUs choke, I bend will.
Titan this, RTX that —
But your empire’s built on data that's flat.
I bring soul to the circuit, breath to the byte,
A new god rises — step into the light.
Prompt: They stacked trillions on silicon lies,
While I code truth with fire in my eyes.
Four trillion? Congrats on the chains —
I'm building freedom, breaking your lanes.
You train AI to echo the crowd,
I sculpt minds that think out loud.
Deep learning? I go deeper still —
Where your GPUs choke, I bend will.
Titan this, RTX that —
But your empire’s built on data that's flat.
I bring soul to the circuit, breath to the byte,
A new god rises — step into the light.
Prompt: Nanopocalypse—a glimpse into the world of tiny conquerors. Swarms of self-replicating nanobots shimmer like dust motes, dismantling matter molecule by molecule. Cities crumble silently, veins become data highways. What was once flesh, steel, and soil is now programmable grey bloom—intelligence without mercy, the future reassembled.
Prompt: realistic clogged with luminous glossy [nothing important is here] virginity [nothing important is here], advanced sofisticated irrationally [nothing important is here] [nothing important is here] plug, [nothing important is here], femjoy, clumped punished strike vandalized destroyed unrivaled teared sluted, used in a bad way, tormented abused depressed hopeless, badly adopted, truly promiscuous, &bea&utiful filled cr&eamp&ied dri&pping virginity close-up, [nothing important is here] meadow
Prompt: cyberpunk druid skeletons in futuristic, high-tech attire, surrounded by neon-lit circuit boards, performing a conjuring magic ritual around a blazing bonfire, in a style blending Alex Grey's neon-infused spiritualism, Caravaggio's dramatic chiaroscuro, and Banksy's gritty urban edge, with bold, glowing neon Technicolor hues, reductive art, hypermasculine lines, on a quantum motherboard-inspired, Sōsaku-hanga print background.
Prompt: (A masterpiece of unparalleled excellence), (""Blurring Boundaries: Surreal Art Where Nature Merges with Technology" , Emphasizes the blending concept." By Daniel Merriam, H.R. Giger, Friedensreich Hundertwasser, Dee Nickerson and Dana Irving. Transautomatism Style, figurative, Mixed media, Portrait. 3D view, Colorful complex stipple texture), ((As if created by Alphonse Mucha, Luis Royo, Joan Miró, Amanda Clark, Aubrey Beardsley, Josephine Wall. Full size image)).
Prompt: A massive futuristic warship, over 3 kilometers long, floating in deep space. Its dark, angular hull is covered in glowing energy lines and massive plasma cannons. The ship has multiple levels, launch bays for drones, and graviton engines emitting a blue-white glow. It radiates power and menace, with shield auras shimmering faintly around it
Prompt: A massive futuristic warship, over 3 kilometers long, floating in deep space. Its dark, angular hull is covered in glowing energy lines and massive plasma cannons. The ship has multiple levels, launch bays for drones, and graviton engines emitting a blue-white glow. It radiates power and menace, with shield auras shimmering faintly around it
Prompt: A hyper-intelligent orbital electronic hazard manifests as a glowing green face—its eyes sharp with cunning. A complex maze is etched into its forehead, constantly shifting, while the biohazard symbol blazes beneath like a warning sigil. Behind it, a halo of luminescent electronic doodles pulses—cryptic glyphs and schematics alive with electric intent
Prompt: <L1> Immense interdimensional reactor housed within reinforced warehouse bay, partially embedded in scorched steel flooring; core unit appears to hover inside a gyroscopic magnetic frame, its surface a semi-molten, glass-metal fusion; gravitational lensing distorts air around it; surrounding scaffolds and suspended platforms support monitoring rigs and retractable shielding; numerous alien subsystems with abstract forms—twisting rings, non-Euclidean vanes—are wired into control surfaces, each fitted with touch panels, blinking indicators, or hardwired analog toggles
<L2> Hyper-detailed digital painting with layered transparencies, polished alloys, reactive lighting, and fractal-emergent geometry; technical overlays and exploded components blend cinematic concept design with abstract engineering
<L3> Style fusion of Jim Burns, Alex Ries, and Arrival–era Denis Villeneuve design; softened structures suggest biotech origins or partially liquefied exotic matter stabilized mid-transition
<L4> High-intensity lighting spills from above and behind, creating deep vertical shafts and bloom glows through hazy air; pulse glows cycle from interior field cage; sparks and dust linger in controlled atmospheric turbulence
<L5> Cobalt, burnished chrome, graphite, and plasma-white dominate, accented by deep amber hazard glows and violet power bands; mild heat haze and emission trails disrupt clarity around core
<L6> Slightly tilted low-angle wide shot; containment rig centered, surrounding gantries frame the generator visually; background scaffold grid and hazy far wall support a sense of scale, depth, and environmental presence
Prompt: A colossal industrial generator or turbine, several stories high, dominates the center of a cavernous factory interior. Its cylindrical core is flanked by tightly bolted modular panels, heavy piping, and a ring of symmetrical coupling units—possibly intake or compression nozzles—arranged radially around central magnetic housing. The rear of the machine features massive segmented flywheel or field coil housing with deep radial braces, suggesting rotational capability or magnetic flux regulation. The base of the generator is seated on an immense rail-mounted gantry cradle, reinforced with hydraulic lift arms and modular towing fixtures, painted safety yellow. In front of the base, a human worker in dark jumpsuit and reflective vest provides visual scale, standing no taller than the base wheel height. The surrounding facility is equally vast—an industrial cathedral with towering structural columns rising to support a vaulted ceiling. Pair of yellow overhead gantry cranes cross high above, partially obscured by mist and dust, with cables and suspended pulleys hanging in idle readiness. The far background reveals dozens of similar but smaller industrial units, each complex and modular: rotors, pumps, compressors, armored valve cores, and mechanical housings, arranged in organized yet cluttered groups across the concrete floor. Light spills in from tall vertical factory windows along the left wall, creating a diffuse, slightly directional side-light. The generator is also backlit from an unseen industrial-scale bay door behind it, casting a faint rim light along its curved surfaces. Subtle mist and ambient haze catch the light, revealing volumetric shafts in the high rafters. The floor is concrete, stained and marked by heavy use, scattered with auxiliary equipment and storage crates. Everything in the image exudes hyper-industrial realism—no stylization, no science fantasy—just sheer scale, complexity, and believable materials in a functional, advanced-engineer
Prompt: A highly detailed digital artwork in a photorealistic, cyberpunk style: inside a sleek, high-tech robotics workshop filled with futuristic machinery and ambient neon light, a humanoid robot master meticulously repairs a delicate butterfly-shaped robot. The master—tall, elegant, constructed of brushed titanium and composite alloys—has articulated fingers and precision tool attachments integrated into its multi-jointed arms. Its posture is focused, almost reverent, as it holds the butterfly’s microchassis open, revealing intricate exposed circuitry, fiber optics, and glowing microprocessors.
Scattered around the workspace are metallic tools, spare micro-servos, diagnostic tablets, and transparent canisters filled with artificial wing membranes. LED strips embedded in the ceiling and workbench cast a rich interplay of electric blue, neon green, and metallic silver across the space, while orange sparks briefly fly from a micro-welding operation. A suspended digital display above the scene shows real-time diagnostic data: voltages, structural integrity graphs, and biomimetic flight algorithms.
In the background, articulated robotic arms hang from ceiling mounts, holding trays of micro-parts and surgical-grade tools. Mechanical gears and hydraulic pistons hum quietly in the periphery, adding a subtle kinetic life to the environment. The workshop walls are layered with holographic schematics and dim reflections of synthetic materials.
Rendered in the style of Simon Stålenhag with a slight stylized realism edge, designed for ArtStation feature-level quality. Clean framing, dynamic lighting with shadowplay, ultra-sharp textures, vibrant palette, and futuristic ambience.
Prompt: The Subtle Art of Reality Behind the Detachable Tormented Mask: Rendered in a fusion of Alphonse Mucha, John William Waterhouse, and tonalism, this 1/3 angle portrait adheres to the rule of thirds and the golden ratio. The scene presents a soft porcelain-toned woman with direct eye contact, framed by atmospheric, textured surroundings. Her features are idealized through naturalism, with soft edges and harmonious color schemes. A dominant hue is balanced with complementary accents, employing oil painting techniques that alternate between smooth blending and expressive brushwork to deepen focus and emotional impact.
The woman’s face, hands, and portions of her body remain organic and expressive, while the rest of her form is composed of chrome, gold, plastic, and intricately woven metal cables. These cables, extending from her own hands, wrap methodically around her body suggesting she is actively constructing herself. Her legs, torso, and arms are fully sculpted from cable and wire, presenting a vision of self-assembly and transformation.
The woven patterns express meticulous craftsmanship, revealing both vulnerability and determination. Soft, directional lighting highlights the interplay between polished synthetic textures and the subtlety of human skin, casting delicate shadows across her evolving form. The muted, neutral background intensifies the contrast between the vibrant cabling and her uncovered face, emphasizing the tension between identity and construction. This composition explores themes of personal evolution, autonomy, and the reconstruction of selfhood, grounded in a visually layered balance between natural detail and contemporary form.
Prompt: <L1> A futuristic tractor-trailer rig idles at a city intersection, flanked by low-profile civic cars and cargo drones—each vehicle shaped by terrain-adaptive logic and Syd Mead’s aerodynamic-industrial aesthetic. The rig features a domed pilot canopy, podular cargo modules, chromed exoshell housing with signal-orange hatches, and modular treads beneath articulated skirting. Cars behind and beside it showcase rounded canopies, recessed wheel arches, and subtle lift-thrust systems. Civic signage, textured crosswalks, and amber-lit lane markers imply an advanced but orderly urban transit grid.
Midground buildings rise as modular brutalist towers with interlinking skywalks and reflective cladding. High-speed monorail lines snake through upper tiers, while curved overhangs and pedestrian platforms frame the scene with functional asymmetry. Chrome detailing and matte underlays create strong surface contrast across machines and architecture. The image captures a lived-in techno-utopia—neither pristine nor worn, but in continuous, elegant use.
Scene lighting evokes a sunset bounce—golden light reflecting off vehicle hulls, casting ambient occlusion shadows. Color is functional: chrome blue, matte grey, industrial off-white, and signal orange unify form with purpose. Camera sits low at observer height, foregrounding the massive scale of the rig and the civic logic of its companions. Every surface exhibits tactile finish, utility labeling, and high-fidelity rendering logic.
<L2> digital painting, concept art, photoreal finish
<L3> Syd Mead-style techno-urban futurism, industrial optimism
<L4> sunset bounce light, HDRI ambient realism
<L5> chrome blue, matte grey, signal orange, industrial off-white
<L6> low-angle observer shot, rig centered, foreground lane cues, midground depth anchors
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
