#t2i

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The twisting design of Cayan Tower was achieved by rotating each floor 1.2 degrees around a cylindrical elevator and service core.[4] Prior to its name change to Cayan, the tower carried various names to describe its original shape. The unique design was supported by a dynamic analysis that studied the potential performance of the tower under wind, seismic, and other dynamic loads.[5] Cayan Tower's apartments are designed with reconstituted wooden floors, Chinese synthetic marble counter tops, and kitchen fixtures. The tower also includes a five-story parking garage behind it.[6] The rooms of the tower are designed in such a way that it would not be affected by direct sunlight due to titanium-colored metal panels on cast-in-place concrete columns aided with repetitive staggered screen panels to stop penetrating sunlight from disturbing the residents of the unit. The lack of balcony space helps with the feeling of enclosure and passive solar shading.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Salesforce East is a skyscraper in the South of Market district of San Francisco, California. Current designs call for 30 stories and 455 ft above street level. The first version of the project was initially proposed at 850 ft (259 m) with 1 million sq ft (93,000 m2) of office space, but the developer reduced the project height by 300 ft (91 m) and the floor area by over 600,000 sq ft (55,700 m2).[5][10] This was because the first version of the project exceeded the local height limit by 300 ft (91 m). The second version of the project was compliant with the local 550 ft (168 m) height restriction.[11] Even though the city of San Francisco released a zoning plan that allowed the tower to rise as high as 700 ft (213 m) on May 1, 2008,[12] the developer the reduced size of the project to 375 ft (114 m) about two months later. The third version stood significantly shorter than the proposed height limit because the developer stated that it was uneconomical to build any taller on a 19,000 sq ft (1,800 m2)-sized lot.[13] The square footage of the building increased slightly to 350,000 sq ft (33,000 m2), up from 340,000 sq ft (32,000 m2).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Burj Jumeirah is a cancelled Observation tower project near Burj Al Arab in Sufouh district of Dubai. It was initially expected to be completed in 2023.[3] As of January 2022, construction hasn't began and all references to the tower have been removed from the developer's website. At the base of the tower and the surrounding area, large spaces will be available to accommodate large numbers of the public and ensure a distinctive interactive atmosphere for visitors. The region will also offer many options for retail outlets including shops, restaurants, and cinemas along the perimeter of the tower.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The United Nations Office at Geneva in Geneva, Switzerland, is one of the four major offices[a] of the United Nations where numerous different UN agencies have a joint presence. The main UNOG administrative offices are located inside the Palais des Nations complex, which was originally constructed for the League of Nations between 1929 and 1938.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Rudolph Hall (built as the Yale Art and Architecture Building, nicknamed the A & A Building) is one of the earliest and best-known examples of Brutalist architecture in the United States. Completed in 1963 in New Haven, Connecticut, the building houses Yale University's School of Architecture. Until 2000, it also housed the School of Art. Designed by the building's namesake, architect Paul Rudolph, the complex building contains more than 30 floor levels in its seven stories. The building is made of ribbed, bush-hammered concrete. The design was influenced by Frank Lloyd Wright's Larkin Administration Building in Buffalo, New York, and the later buildings of Le Corbusier.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Andrew Melville Hall is a student hall of residence of the University of St Andrews located in St Andrews, Fife, Scotland. It was built in 1967 in the brutalist style, and it accommodates approximately 275 students. During the academic year students live in Melville, with the vast majority of these in single rooms. Every room looks out over surrounding parkland, inhabited by a large number of wild rabbits. The hall is divided into five blocks, designated A, B, C, D and E. Generally A, C and E blocks are mixed, with B block being all male and D block all female although in recent years A block has been all male in addition to B block. Each block is divided up into a number of floors accessed through a central stairwell from the ground floor concourse. Typically each floor consists of sixteen study-bedrooms arranged in two groups of eight on either side of the stairwell, a number of showers/bathrooms and a pantry. The buildings' striking geometry is reflected in the irregular octagonal shape of the bedrooms. Blocks A, D and E have glass enclosures similar in shape to a garden greenhouse atop them to provide natural light to their stairwells;
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The Regaleira Palace (Portuguese: Palácio da Regaleira) bears the same name as the entire estate. The structure's façade is characterised by exuberantly Gothic pinnacles, gargoyles, capitals, and an impressive octagonal tower. The palace contains five floors (a ground floor, three upper floors, and a basement). The ground floor consists of a series of hallways that all connect the living room, dining room, billiards room, balcony, some smaller rooms, and several stairways. In turn, the first upper floor contains bedrooms and a dressing room. The second upper floor contains Carvalho Monteiro's office, and the bedrooms of female servants. The third upper floor contains the ironing room and a smaller room with access to a terrace. Finally, the basement contains the male servants' bedrooms, the kitchen (which featured an elevator for lifting food to the ground floor), and storage rooms.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: he Church of St. Lawrence is a church in Lohja, Finland. It is the third largest medieval parish church in Finland. The murals from early 16th century make it one of the most valuable medieval buildings in Finland. The rustic and naive murals depicted biblical stories for the illiterate population.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Science fiction comedy (sci-fi comedy) or comic science fiction is a subgenre of science fiction or science fantasy that exploits the science fiction genre's conventions for comedic effect.[1] Comic science fiction often mocks or satirizes standard science fiction conventions – such as alien invasion of Earth, interstellar travel, or futuristic technology. It can also satirize and criticize present-day society. An early example was the Pete Manx series by Henry Kuttner and Arthur K. Barnes (sometimes writing together and sometimes separately, under the house pen-name of Kelvin Kent). Published in Thrilling Wonder Stories in the late 1930s and early 1940s, the series featured a time-traveling carnival barker who uses his con-man abilities to get out of trouble. Two later series cemented Kuttner's reputation as one of the most popular early writers of comic science fiction: the Gallegher series (about a drunken inventor and his narcissistic robot) and the Hogben series (about a family of mutant hillbillies). The former appeared in Astounding Science Fiction in 1943 and 1948 and was collected in hardcover as Robots Have No Tails (Gnome, 1952), and the latter appeared in Thrilling
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Bernard, as "custodian" of the "savage" John who is now treated as a celebrity, is fawned on by the highest members of society and revels in attention he once scorned. Bernard's popularity is fleeting, though, and he becomes envious that John only really bonds with the literary-minded Helmholtz. Considered hideous and friendless, Linda spends all her time using soma, while John refuses to attend social events organised by Bernard, appalled by what he perceives to be an empty society. Lenina and John are physically attracted to each other, but John's view of courtship and romance, based on Shakespeare's writings, is utterly incompatible with Lenina's freewheeling attitude to sex. She tries to seduce him, but he attacks her, before suddenly being informed that his mother is on her deathbed. He rushes to Linda's bedside, causing a scandal, as this is not the "correct" attitude to death. Some children who enter the ward for "death-conditioning" come across as disrespectful to John, and he attacks one physically. He then tries to break up a distribution of soma to a lower-caste group, telling them that he is freeing them. Helmholtz and Bernard rush in to stop the ensuing riot, which the
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The novel opens in the World State city of London in AF (After Ford) 632 (AD 2540 in the Gregorian calendar), where citizens are engineered through artificial wombs and childhood indoctrination programmes into predetermined classes (or castes) based on intelligence and labour. Lenina Crowne, a hatchery worker, is popular and sexually desirable, but Bernard Marx, a psychologist, is not. He is shorter in stature than the average member of his high caste, which gives him an inferiority complex. His work with sleep-learning allows him to understand, and disapprove of, his society's methods of keeping its citizens peaceful, which includes their constant consumption of a soothing, happiness-producing drug called "soma". Courting disaster, Bernard is vocal and arrogant about his criticisms, and his boss contemplates exiling him to Iceland because of his nonconformity. His only friend is Helmholtz Watson, a gifted writer who finds it difficult to use his talents creatively in their pain-free society.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Australia, unlike Europe, does not have a long history in the genre of science fiction. Nevil Shute's On the Beach, published in 1957, and filmed in 1959, was perhaps the first notable international success. Though not born in Australia, Shute spent his latter years there, and the book was set in Australia. It might have been worse had the imports of American pulp magazines not been restricted during World War II, forcing local writers into the field. Various compilation magazines began appearing in the 1960s and the field has continued to expand into some significance. Today Australia has a thriving SF/Fantasy genre with names recognised around the world. In 2013 a trilogy by Sydney-born Ben Peek was sold at auction to a UK publisher for a six-figure deal .[1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Respected authors have written science fiction. Mary Shelley wrote a number of science fiction novels including Frankenstein; or, The Modern Prometheus (1818), and is considered a major writer of the Romantic Age.[221] Aldous Huxley's Brave New World (1932) is often listed as one of England's most important novels, both for its criticism of modern culture and its prediction of future trends including reproductive technology and social engineering.[222][223][224][225] Kurt Vonnegut was a highly respected American author whose works contain science fiction premises or themes.[226][227][228] Other science fiction authors whose works are widely considered to be "serious" literature include Ray Bradbury (including, especially, Fahrenheit 451 (1953) and The Martian Chronicles (1951)),[229] Arthur C. Clarke (especially for Childhood's End),[230][231] and Paul Myron Anthony Linebarger, writing under the name Cordwainer Smith.[232] In his book "The Western Canon", literary critic Harold Bloom includes Brave New World, Solaris, Cat's Cradle (1963) by Vonnegut, and The Left Hand of Darkness as culturally and aesthetically significant works of western literature.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries.[citation needed] Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction.[1][2][3] Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.[1][3] Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous.[1] Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resurgence in the 1980s and 1990s, under the labels of New Weird and Slipstream, which continues into the 21st century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Non-conformity to strict genre definitions is a commonly recognized facet of new weird fiction. In The 3rd Alternative forum debate, Miéville emphasized this fluidity in his post stating that "New Weird – like most literary categories – is a moment, a suggestion, a tease, an intervention, an attitude, above all an argument. You cannot read off a checklist and say 'x is in, y is out' and think you've understand what's at stake or what's being argued."[10] According to Gardner Dozois, the VanderMeers' anthology "ultimately left me just as confused as to what exactly The New Weird consisted of when I went out as I'd been when I went in."[11] Robin Anne Reid notes that while the definition of the new weird is disputed, "a general consensus uses the term" to describe fictions that "subvert cliches of the fantastic in order to put them to discomfiting, rather than consoling ends".[2] Reid also notes the genre tends to break down the barriers between fantasy, science fiction and supernatural horror.[2] In comparing the new weird to bizarro fiction, Rose O'Keefe of Eraserhead Press claims that "People buy New Weird because they want cutting edge speculative fiction with a literary sla
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: "Childe Roland to the Dark Tower Came" is a narrative poem by English author Robert Browning, written on January 2, 1852,[1] and first published in 1855 in the collection titled Men and Women.[2] The poem is often noted for its dark and atmospheric imagery, inversion of classical tropes, and use of unreliable narration. Childe Roland, the only speaker in the poem, describes his journey towards "the Dark Tower", and his horror at what he sees on his quest. The poem ends when Roland finally reaches the tower, leaving his ultimate fate ambiguous.[3]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Alliance–Union universe is a fictional future history created by Cherryh. It spans the third and fourth millennia,[1] and is centered around humanity's exploration and colonization of space.[2] Three economic powers have arisen, Earth Company, operating from Earth, the Alliance, a confederation of trade merchants operating interstellar freighters between Earth, space stations and colonized planets, and the Union, a breakaway government based on the planet of Cyteen.[1] The Earth Company's attempts to control the expansions into space are defeated during the Company Wars, and the Union clashes with both the Alliance and Earth Company in their quest to expand their territories using cloned humans called azi.[3][1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works.[1][2] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns.[3] Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s.[4] Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: While solarpunk has no specific political ideation, it does by default embrace the need for a collective movement away from polluting forms of energy.[19] It practices prefigurative politics, creating spaces where the principles of a movement can be explored and demonstrated by enacting them in real life. Solarpunks practice the movement in various ways, including creating and living in communities (such as ecovillages), growing their own food, and a DIY ethic of working with what is available, including the thoughtful application of technology.[20][21]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Internet censorship is the legal control or suppression of what can be accessed, published, or viewed on the Internet. Censorship is most often applied to specific internet domains (such as Wikipedia.org) but exceptionally may extend to all Internet resources located outside the jurisdiction of the censoring state. Internet censorship may also put restrictions on what information can be made internet accessible.[1] Organizations providing internet access – such as schools and libraries – may choose to preclude access to material that they consider undesirable, offensive, age-inappropriate or even illegal, and regard this as ethical behaviour rather than censorship. Individuals and organizations may engage in self-censorship of material they publish, for moral, religious, or business reasons, to conform to societal norms, political views, due to intimidation, or out of fear of legal or other consequences.[2][3]
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