#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The new building was designed by the British architect Norman Foster and civil & structural engineers Ove Arup & Partners with service design by J. Roger Preston & Partners. It was constructed by the John Lok / Wimpey Joint Venture. From the concept to completion, it took seven years (1978–1985). The building is 180 metres high with 47 storeys and four basement levels. The building has a modular design consisting of five steel modules, which were prefabricated in the UK by Scott Lithgow Shipbuilders near Glasgow and shipped to Hong Kong. About 30,000 tons of steel and 4,500 tons of aluminium were used. The original design was heavily inspired by the Douglas Gilling designed Qantas International Centre in Sydney (currently known as Suncorp Place). The new lobby and its two-part Asian Story Wall were designed by Greg Pearce, of One Space Limited. Pearce was also the Principal Architect of the Hong Kong Airport Express (MTR) station. Conceived as a minimalist glass envelope, the new lobby is designed to be deferential to Foster's structure and appears almost to be part of the original.A notable feature is that natural sunlight is the major source of lighting inside
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Quarter in the twilight

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Quarter in the twilight
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Villages became cities

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: cobblestone tradding
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Futuristic steampunk cityscape #2

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Streetview of a futuristic steam punk city, in crisp high detail, raytraced hyper realistic computer art. Style: Uros Jovanovic, Retropolis - Bradley W. Schenck, Oyonale - Gilles Tran, Jan Ternald and Jaime Vives Piqueres.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: 1MP
  • Face enhance: No
  • Upscale & Enhance: 1
  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In the field of artificial intelligence (AI), AI alignment research aims to steer AI systems towards their designers’ intended goals and interests. An aligned AI system advances the intended objective; a misaligned AI system is competent at advancing some objective, but not the intended one.[1]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The ideal of designers of the Jugendstil was to make a house a complete work of art, with everything inside, from the furniture to the carpets and the dishware, silverware and the art, in perfect harmony. With this ideal in mind, they established their own workshops to produce furniture. August Endell, Theodor Fischer, Bruno Paul, and especially Richard Riemerschmid were important figures in Jugendstil furniture.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Blobitecture is an architectural style that emerged in the 1990s and is characterized by its use of organic, blob-like shapes and forms. Buildings designed in this style often resemble amoebas, blobs, or other organic shapes found in nature. One of the defining features of blobitecture is the use of advanced computer software and digital tools to design and model these complex, non-linear shapes. The resulting buildings often appear to be fluid and dynamic, with curving surfaces that defy traditional architectural conventions. In addition to their unique shape, buildings designed in the blobitecture style often feature innovative materials and construction techniques. For example, some buildings may be constructed using lightweight materials such as fiberglass or steel, while others may use advanced engineering and construction methods to create complex, self-supporting structures. Some notable examples of blobitecture include the Guggenheim Museum Bilbao in Spain, the Experience Music Project in Seattle, and the Heydar Aliyev Center in Azerbaijan. Overall, blobitecture is a style that celebrates the beauty and fluidity of organic shapes, pushing the boundaries of traditional
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The use of aluminum grids is a common feature in Neo-futuristic architecture. These grids provide a modular system of construction that allows for flexibility and adaptability in design. The grids are often used to create a sense of movement, as the patterns of the aluminum can appear to shift and change depending on the viewer's perspective. Another key aspect of Neo-futurism is its focus on sustainability and environmentalism. The use of lightweight, recyclable materials like aluminum is a nod to this ethos. Overall, Neo-futurism is a bold and innovative architectural style that seeks to push boundaries and challenge traditional notions of design.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Perched on a rocky islet in the midst of vast sandbanks exposed to powerful tides between Normandy and Brittany stand the 'Wonder of the West', a Gothic-style Benedictine abbey dedicated to the archangel St Michael, and the village that grew up in the shadow of its great walls. Built between the 11th and 16th centuries, the abbey is a technical and artistic tour de force, having had to adapt to the problems posed by this unique natural site. Perched on a rocky islet in the midst of vast sandbanks exposed to powerful tides, at the limit between Normandy and Brittany, stands “Wonder of the West”, a Gothic-style Benedictine abbey dedicated to the Archangel St Michel, and the village that grew up in the shadow of its walls. Built between the 11th and 16th centuries, the abbey is a technical and artistic tour de force, having had to adapt to the problems posed by this unique natural site. Thus, the practical and aesthetic solutions inscribed in the stones of the edifice are henceforth inseparable from its natural environment.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The main characteristic of HSBC's Hong Kong headquarters is its absence of internal supporting structure. The inverted 'va' segments of the suspension trusses spanning the construction at double-height levels is the most obvious characteristic of the building. It consists of eight groups of four aluminium-clad steel columns which ascend from the foundations up through the core structure, and five levels of triangular suspension trusses which are locked into these masts. All flooring is made from lightweight movable panels, under which lies a comprehensive network of power, telecommunication, and air-conditioning systems. This design was to allow equipment such as computer terminals to be installed quickly and easily. Because of the urgency to finish the project, the construction of the building relied heavily on off-site prefabrication; components were manufactured all over the world. For example, the structural steel came from Britain; the glass, aluminium cladding and flooring came from the United States while the service modules came from Japan.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Street in Spain

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Street in Spain
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The White Tower, not including its projecting corner towers, measures 36 by 32 metres (118 by 105 ft) at the base, and is 27 m (90 ft) high at the southern battlements. The structure was originally three storeys high, comprising a basement floor, an entrance level, and an upper floor. The entrance, as is usual in Norman keeps, was above ground, in this case on the south face, and accessed via a wooden staircase which could be removed in the event of an attack. It was probably during Henry II's reign (1154–1189) that a forebuilding was added to the south side of the tower to provide extra defences to the entrance, but it has not survived. Each floor was divided into three chambers, the largest in the west, a smaller room in the north-east, and the chapel taking up the entrance and upper floors of the south-east.[14] At the western corners of the building are square towers, while to the north-east a round tower houses a spiral staircase. At the south-east corner there is a larger semi-circular projection which accommodates the apse of the chapel. As the building was intended to be a comfortable residence as well as a stronghold, latrines were built into the walls, and four fireplac
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Night city

• Model: Artistic

• Size: 704 X 896 (0.63 MP)

• Used settings:

  • Prompt: midnight, looking towards the distant skyline, on a wide long street,many modern tall buildings on either side, moon,cinematic concept art, cinematic lighting, composition, scale, foreground, middle ground, dark background, perspective, light, color, texture, detail, wonder , ray tracking, intricate, trending on highly detailed artstation, 4k, hd, hdr, 8k,
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A Nissen hut is made from a sheet of metal bent into half a cylinder and planted in the ground with its axis horizontal. The cross-section is not precisely semi-circular, because the bottom of the hut curves out slightly. The exterior is formed from curved corrugated steel sheets 10 feet 6 inches by 2 feet 2 inches (3.2 × 0.7 m), laid with a two-corrugation lap at the side and a 6-inch (15 cm) overlap at the ends. Three sheets cover the arc of the hut. They are attached to five 3 × 2 inch (7.5 × 5 cm) wooden purlins and 3 × 2 inch wooden spiking plates at the ends of the floor joists. The purlins are attached to eight T-shaped ribs (1¾ × 1¾ × ⅛ inch; 4.5 × 4.5 × 0.5 cm) set at 6 feet 0.5 inch (1.8 m) centres. Each rib consists of three sections bolted together using splice plates, and each end is bolted to the floor at the bearers. With each rib are two straining wires, one on each side, and a straining ratchet (or in some cases a simple fencing wire strainer). The wires are strained during construction. The straining wires do not appear in the original Nissen patent.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Chemistry and Camera complex (ChemCam) is a suite of remote sensing instruments on Mars for the Curiosity rover. As the name implies, ChemCam is actually two different instruments combined as one: a laser-induced breakdown spectroscopy (LIBS) and a Remote Micro Imager (RMI) telescope. The purpose of the LIBS instrument is to provide elemental compositions of rock and soil, while the RMI will give ChemCam scientists high-resolution images of the sampling areas of the rocks and soil that LIBS targets. The LIBS instrument can target a rock or soil sample from up to 7 m (23 ft) away, vaporizing a small amount of it with about 30 5-nanosecond pulses from a 1067 nm infrared laser and then observing the spectrum of the light emitted by the vaporized rock.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Liberty style was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914. It was also sometimes known as stile floreale ("floral style"), arte nuova ("new art"), or stile moderno ("modern style"). It took its name from Arthur Lasenby Liberty and the store he founded in 1874 in London, Liberty Department Store, which specialized in importing ornaments, textiles and art objects from Japan and the Far East. Major Italian designers using the style included Ernesto Basile, Ettore De Maria Bergler, Vittorio Ducrot, Carlo Bugatti, Raimondo D'Aronco, Eugenio Quarti, and Galileo Chini.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Shadows

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: A dark London street in the 19th century. An ominous figure can be seen the shadows.
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Black and White Photo

• Model: Artistic

• Size: 928 X 608 (0.56 MP)

• Used settings:

  • Prompt: a vintage photograph from 1941 vintage street downtown. stores, many years old. sharp focus, zentangle, black and white lines, pencil sketch. high-contrast, very dramatic. black and white line drawing. john McHale, richard anuszkiewicz, victor vasarely and Jean Giraud.
  • Using base image: Yes (Effect strength - 93%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Futuristic steampunk cityscape #4

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Streetview of a futuristic steam punk city, in crisp high detail, raytraced hyper realistic computer art. Style: Uroš Jovanović, Retropolis - Bradley W. Schenck, Oyonale - Gilles Tran, Jan Ternald and Jaime Vives Piqueres.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: 2MP
  • Face enhance: No
  • Upscale & Enhance: 1
  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Le Corbusier, as always, was rhapsodic about his project; "It will be a city of trees," he wrote, "of flowers and water, of houses as simple as those at the time of Homer, and of a few splendid edifices of the highest level of modernism, where the rules of mathematics will reign." His plan called for residential, commercial and industrial areas, along with parks and transportation infrastructure. In the middle was the capitol, a complex of four major government buildings; the Palace of the National Assembly, the High Court of Justice; the Palace of Secretariat of Ministers, and the Palace of the Governor. For financial and political reasons, the Palace of the Governor was dropped well into the construction of the city, throwing the final project somewhat off-balance. From the beginning, Le Corbusier worked, as he reported, "Like a forced labourer." He dismissed the earlier American plan as "Faux-Moderne" and overly filled with parking spaces and roads. He intended to present what he had learned in forty years of urban study, and also to show the French government the opportunities they had missed in not choosing him to rebuild French cities after the War.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape