#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Carreras Cigarette Factory was faced in Atlas White cement, coloured to look like sand. The front of the building was lined with a colonnade of twelve large papyriform columns, painted in bright colours with Venetian glass decoration. The columns are thought to have been inspired by columns at tombs in Amarna. The main entrance was approached by a staircase, the handrails designed in the shape of serpents mounted on the wall with bronze human hands. The entrance itself was designed in the style of a tent, similar to the cavetto-moulded lintels seen in architecture dating from the Old Kingdom. Above the door was a carved Horus of Behdet, a symbol of the winged disk of the Sun. During World War II it was felt that this symbol resembled too closely the eagle imagery of the Third Reich and it was covered up. It was not replaced during the 1990s restoration. Cow-horned Hathor lamps stood in front of the black cat statues. The repeated black cat logo also featured across the front of the building. Ornamental railings around the building featured Egyptian hieroglyphs. The building was the first factory in Britain to make use of pre-stressed concrete technology.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The King City High School Auditorium is executed in cast-in-place concrete. The design makes full use of concrete's potential for plastic form, with compound curves, rounded corners and cast-in sculptural forms. The structure is somewhat elliptical in plan, with rounded corners. A projecting rounded bay at the front comprises the main entrance, with three pairs of doors separated by tall fluted pilasters surmounted by cast busts of Comedy and Tragedy, dividing a triptych relief sculpture that is itself divided into three levels. The ends of the facade curve around to the side elevations, which have inset fluted panels whose pilasters are crowned with more cast sculpture derived from characters from A Midsummer Night's Dream. The rear elevation is comparatively plain and utilitarian. The lobby is detailed with bright blue wainscoting and ceilings. Curved stairs give access to the balcony on either side of the lobby, with six doors into the main house. Floors throughout are covered in cork, as well as in the aisles of the auditorium. The auditorium seats 596 in the orchestra section and 387 in the balcony.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The American Radiator Building was designed in a black and gold color scheme. These specific colors came from a "somewhat offhand" suggestion made during an early discussion with Hood and Fouilhoux's team. It is not known who exactly suggested the black and gold colors, but architectural writer Walter Littlefield Creese says it may have been Hood's friend, architect Joseph Urban. Hood used the black and gold palette because he believed that conventional office buildings, with their white-masonry facades and dark glass windows, were monotonous. He had compared such windows to "waffles" and wished to find a color to make the window openings more conspicuous. After the tower's completion, Hood anticipated that additional colorful skyscrapers would be developed in New York City. The primary color of black was used to signify coal, while gold-coated decorations were used to symbolize fire. The "gold" was actually bronze powder placed on cast stone, a technique which was devised after a number of experiments by Hood and Fouilhoux's team. Hood had visited Brussels just before the American Radiator Building was built, and he had realized how golden colors had made "gloomy and dingy".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A city exists three miles high and countless miles long encompassing tens of millions of people displaced from Earth. Structors (the builder's guild) deconstruct the "TailEnd" of the city and rebuild the "Frontend" in a sort of glacial urban march from the mountains to the sea over 30,000 years. Multiple generations of folk living at the TailEnd are obliged to pack up and relocate to the Frontend. However, entropy and decay has set in. Machines cease to function and fall into disrepair and society slowly loses technological knowledge with each successive generation. moving those houses all of mankind All mankind lived in The City, a self-enclosed towering single building that had always moved generation by generation across the vast empty landscape.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The operating principle of a parabolic antenna is that a point source of radio waves at the focal point in front of a paraboloidal reflector of conductive material will be reflected into a collimated plane wave beam along the axis of the reflector. Conversely, an incoming plane wave parallel to the axis will be focused to a point at the focal point. A typical parabolic antenna consists of a metal parabolic reflector with a small feed antenna suspended in front of the reflector at its focus, pointed back toward the reflector. The reflector is a metallic surface formed into a paraboloid of revolution and usually truncated in a circular rim that forms the diameter of the antenna. In a transmitting antenna, radio frequency current from a transmitter is supplied through a transmission line cable to the feed antenna, which converts it into radio waves.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: With lift-off mass of 210,000 kg (460,000 lb), Ariane 1 was able to put in geostationary transfer orbit one satellite or two smaller of a maximal weight of 1,850 kg (4,080 lb). The cost of program is estimated at 2 billion euros. The Ariane 1 was a four-stage vehicle (fourth stage put satellite from GTO to GEO is usually not counted as part of rocket, because it is included in 1,850 kg of payload). The first stage was equipped with 4 Viking engines developed by the Société Européenne de Propulsion. The second stage had a single Viking engine. The third stage had one LOX/LH2 bipropellant engine capable of a thrust of 7,000 kgf (69 kN; 15,000 lbf). This design was kept in the Ariane series until Ariane 4.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A space station is a spacecraft capable of supporting a human crew in orbit for an extended period of time, and is therefore a type of space habitat. It lacks major propulsion or landing systems. An orbital station or an orbital space station is an artificial satellite (i.e. a type of orbital spaceflight). Stations must have docking ports to allow other spacecraft to dock to transfer crew and supplies. The purpose of maintaining an orbital outpost varies depending on the program. Space stations have most often been launched for scientific purposes, but military launches have also occurred.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The ziggurat was built by King Ur-Nammu, who dedicated it in honour of Nanna/Sîn in approximately the 21st century BC (short chronology) during the Third Dynasty of Ur. The massive step pyramid measured 64 m (210 ft) in length, 45 m (148 ft) in width and over 30 m (98 ft) in height. The height is speculative, as only the foundations of the Sumerian ziggurat have survived. The ziggurat was a piece in a temple complex that served as an administrative center for the city, and which was a shrine of the moon god Nanna, the patron deity of Ur. The construction of the ziggurat was finished in the 21st century BC by King Shulgi, who, in order to win the allegiance of cities, proclaimed himself a god. During his 48-year reign, the city of Ur grew to be the capital of a state controlling much of Mesopotamia. Many ziggurats were made by stacking mud-bricks up and using mud to seal them together.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Heat Transportation - The Pump Module (PM) provides flow and accumulator functions and maintains proper temperature control at the pump outlet for each Loop. The PM consists of a single pump, a fixed charge accumulator, a Pump & Control Valve Package (PCVP) containing a firmware controller, startup heaters, isolation valves, and various sensors for monitoring performance. The Nitrogen Tank Assembly (NTA) controls the flow of ammonia out of the Ammonia Tank Assembly (ATA). The ATA contains two flexible, chambers incorporated into its ammonia tanks that expand as pressurized nitrogen from the NTA expels liquid ammonia out of the ATA. The major components in the ATA include two ammonia storage tanks, isolation valves, heaters, and various temperature, pressure, and quantity sensors.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The International Space Station (ISS) External Active Thermal Control System (EATCS)[1] maintains an equilibrium when the ISS environment or heat loads exceed the capabilities of the Passive Thermal Control System (PTCS). Note Elements of the PTCS are external surface materials, insulation such as Multi-Layer Insulation (MLI), or Heat Pipes. The EATCS provides heat rejection capabilities for all the U.S. pressurized modules, the Japanese Experiment Module (JEM), the Columbus Orbital Facility (COF), and the main power distribution electronics of the S0, S1 and P1 Trusses.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

street

• Model: Artistic

• Size: 640 X 864 (0.55 MP)

• Used settings:

  • Prompt: Durer style, dark, lights on, birds flying, full moon, clouds
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: During Angelos' obstinate pursuit, he uncovers the presence of Eldar forces from the Biel-Tan Craftworld, under Farseer Macha, covertly operating on Tartarus and coming across Chaos 'markers' (Sacrificial sites which show the way to a specific location) that Angelos orders his long-friend and Librarian, Isador Akios, to document and then destroy. The Librarian, however, secretly harbours Chaos artifacts and he damages the Blood Ravens' transports to allow further research time, being influenced constantly by Sindri's temptations.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hearing this, Angelos is set to investigate, but is interrupted by the sudden arrival of Mordecai Toth of the Inquisition, who attempts to order the Blood Ravens to evacuate Tartarus (due to an upcoming Warp Storm that will soon engulf the planet in Chaos energy and prevent warp travel and escape). Angelos allows Toth use of Space Marine transports to assist in the evacuation but desires to remain and investigate, clashing with Toth's resolution, who cites that Angelos' previous request of an Exterminatus (a space-based planetary bombardment) on his once homeworld of Cyrene, years ago, may have affected his judgement, "seeing Chaos where it doesn't exist". The single player campaign is set on the planet Tartarus, an Imperial colony under siege by Ork invaders, with the player taking the role of the Space Marines' Blood Ravens 3rd Company, led by Captain Gabriel Angelos, that arrives to assist the planet's 37th Tartarus Planetary Defence Force Regiment of the Imperial Guard, led by Colonel Carus Brom. The story of this campaign also sets the stage for the events of Dawn of War II - Retribution.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Blood Ravens' Space Marines, upon descent to the planet's surface, secure Tartarus' spaceport and start their own operations against the warring Orkish forces. These include key tasks such as the elimination of their leaders (including an Ork Warboss) to destabilize the Orks' fighting spirit. Unknown to the Space Marines, however, the Orks' invasion was in fact engineered by the Chaos Alpha Legion's Sorcerer, Sindri Myr, as a smokescreen to their operations on Tartarus, using the forces of Sindri's supposed commander, Lord Bale. However, during the confrontation with the Warboss, the shuttle which ferries Sindri and Bale away is spotted by a Blood Ravens' scout. The single player campaign is set on the planet Tartarus, an Imperial colony under siege by Ork invaders, with the player taking the role of the Space Marines' Blood Ravens 3rd Company, led by Captain Gabriel Angelos, that arrives to assist the planet's 37th Tartarus Planetary Defence Force Regiment of the Imperial Guard, led by Colonel Carus Brom. The story of this campaign also sets the stage for the events of Dawn of War II - Retribution.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: he game is set in the Warhammer 40,000 universe: a dystopian vision of the far future in which humanity has forged a galaxy-spanning empire, The Imperium of Man. The Imperium, desperately fighting to preserve the human race from extinction, is in a state of constant war with alien species like the Orks or Eldar, as well as insurrections from renegade worlds or the human servants of Chaos, who employ demonic forces and sorcery under either of the Chaos Gods they serve, having deliberately betrayed their once godlike Emperor of Man. The single player campaign is set on the planet Tartarus, an Imperial colony under siege by Ork invaders, with the player taking the role of the Space Marines' Blood Ravens 3rd Company, led by Captain Gabriel Angelos, that arrives to assist the planet's 37th Tartarus Planetary Defence Force Regiment of the Imperial Guard, led by Colonel Carus Brom. The story of this campaign also sets the stage for the events of Dawn of War II - Retribution.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: eye of the forest overgrown with moss, fantasy, intricate, 8k, beautiful, hyperrealistic, ultra detailed, award winning, a masterpiece, reflection in the eye, hdr, dof, HQ
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Pole-mounted distribution transformer with center-tapped secondary winding used to provide "split-phase" power for residential and light commercial service, which in North America is typically rated 120/240 V.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: All V6 engines with even firing spacing—regardless of the V-angle between the cylinder banks—are subject to a primary imbalance caused by each bank consisting of an inline-three engine, due to the odd number of cylinders in each bank. Straight-six engines and flat-six engines do not experience this imbalance. To reduce the vibrations caused by this imbalance, most V6 engines use a harmonic damper on the crankshaft and/or a counter-rotating balance shaft.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A water wheel is a machine for converting the energy of flowing or falling water into useful forms of power, often in a watermill. A water wheel consists of a wheel (usually constructed from wood or metal), with a number of blades or buckets arranged on the outside rim forming the driving car. Water wheels were still in commercial use well into the 20th century but they are no longer in common use. Uses included milling flour in gristmills, grinding wood into pulp for papermaking, hammering wrought iron, machining, ore crushing and pounding fibre for use in the manufacture of cloth.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: google deep dream machine of the future sparkling with utopian fantasy
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0