#scihi

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Phobos has dimensions of 27 km × 22 km × 18 km, and retains too little mass to be rounded under its own gravity. Phobos does not have an atmosphere due to its low mass and low gravity. It is one of the least reflective bodies in the Solar System, with an albedo of about 0.071. Infrared spectra show that it has carbon-rich material found in carbonaceous chondrites, and its composition shows similarities to that of Mars' surface. Phobos's density is too low to be solid rock, and it is known to have significant porosity. These results led to the suggestion that Phobos might contain a substantial reservoir of ice. Spectral observations indicate that the surface regolith layer lacks hydration, but ice below the regolith is not ruled out.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The slower-than-light interstellar spaceship, pursuing its way through the weary centuries, its crew losing touch with all reality save the interior of the vessel ... Well, you know the story, and its unhappy downhill round, its exciting struggles between the barbarian tribes which develop in its disparate compartments, and then, if the writer is so minded, the ultimate flash of hope as the good guys win out and prepare to meet their future on some noble, if erroneous basis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Philip K. Dick. 1981. "I will define science fiction, first, by saying what SF is not. It cannot be defined as “a story (or novel or play) set in the future,” since there exists such a thing as space adventure, which is set in the future but is not SF: it is just that: adventures, fights and wars in the future in space involving super-advanced technology. Why, then, is it not science fiction? It would seem to be, and Doris Lessing (e.g.) supposes that it is. However, space adventure lacks the distinct new idea that is the essential ingredient. Also, there can be science fiction set in the present: the alternate world story or novel. So if we separate SF from the future and also from ultra-advanced technology, what then do we have that can be called SF? We have a fictitious world; that is the first step: it is a society that does not in fact exist, but is predicated on our known society; that is, our known society acts as a jumping-off point for it; the society advances out of our own in some way, perhaps orthogonally, as with the alternate world story or novel. It is our world dislocated by some kind of mental effort on the part of the author, our world transformed into that wh
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Unpressurized Mars rovers would lack a pressurized environment for the crew, being functionally similar to the Lunar Roving Vehicle. There are several advantages to having an unpressurized rover as opposed to a pressurized variant, such as a reduced weight. Since range of a potential rover that carries crew from base is important, a light weight is an advantage and therefore is a good choice for long range missions. An unpressurized rovers can also be used to move heavy load, travel short distance from base to the location of a bigger pressurized rover.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A vision for habitats published by NASA from CASE FOR MARS from the 1980s, featuring the re-use of landing vehicles, in-situ soil use for enhanced radiation shielding, and green houses. A bay for a Mars rover is also visible.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Air traffic control (ATC) is a service provided by ground-based air traffic controllers (also called control tower operators (CTO)) who direct aircraft on the ground and through a given section of controlled airspace, and can provide advisory services to aircraft in non-controlled airspace. The primary purpose of ATC worldwide is to prevent collisions, organize and expedite the flow of air traffic, and provide information and other support for pilots.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Ulysses was a robotic space probe whose primary mission was to orbit the Sun and study it at all latitudes. It was launched in 1990 and made three "fast latitude scans" of the Sun in 1994/1995, 2000/2001, and 2007/2008. In addition, the probe studied several comets. Ulysses was a joint venture of the European Space Agency (ESA) and the United States' National Aeronautics and Space Administration (NASA), under leadership of ESA with participation from Canada's National Research Council. The last day for mission operations on Ulysses was 30 June 2009.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: LES-4 was an evolution of the LES-1/2 design for a much higher orbit. It carried more solar cells  to run a more powerful transmitter  and a greater number of Sun and Earth sensors.  In addition, LES-4 was equipped with an electron spectrometer to measure radiation in orbit in the 130 KeV to 4 MeV range,  both for scientific purposes and to correlate the effect of radiation from the intense Van Allen Belts on spacecraft functions. The satellite was spin stabilized, designed to rotate perpendicular to its orbital plane.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Shrouded microwave relay dishes on a communications tower in Australia. A satellite television dish, an example of an offset fed dish. Cassegrain satellite communication antenna in Sweden. Offset Gregorian antenna used in the Allen Telescope Array, a radio telescope at the University of California Berkeley, US. Vertical "orange peel" antenna for military height finder radar, Germany. Early cylindrical parabolic antenna, 1931, Nauen, Germany. Air traffic control radar antenna, near Hannover, Germany. ASR-9 Airport surveillance radar antenna. "Orange peel" antenna for air search radar, Finland.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The complexity of an integrated circuit is bounded by physical limitations on the number of transistors that can be put onto one chip, the number of package terminations that can connect the processor to other parts of the system, the number of interconnections it is possible to make on the chip, and the heat that the chip can dissipate. Advancing technology makes more complex and powerful chips feasible to manufacture. A minimal hypothetical microprocessor might include only an arithmetic logic unit (ALU), and a control logic section. The ALU performs addition, subtraction, and operations such as AND or OR. Each operation of the ALU sets one or more flags in a status register, which indicate the results of the last operation (zero value, negative number, overflow, or others). The control logic retrieves instruction codes from memory and initiates the sequence of operations required for the ALU to carry out the instruction. A single operation code might affect many individual data paths, registers, and other elements of the processor.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Built with the intent for eventual interstellar travel, Voyager 2 included a large, 3.7 m (12 ft) parabolic, high-gain antenna (see diagram) to transceive data via the Deep Space Network on the Earth. Communications are conducted over the S-band (about 13 cm wavelength) and X-band (about 3.6 cm wavelength) providing data rates as high as 115.2 kilobits per second at the distance of Jupiter, and then ever-decreasing as distance increases, because of the inverse-square law. When the spacecraft is unable to communicate with Earth, the Digital Tape Recorder (DTR) can record about 64 megabytes of data for transmission at another time.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Apollo Lunar Module was chiefly designed by Grumman aerospace engineer Thomas J. Kelly. The first LEM design looked like a smaller version of the Apollo command and service module (a cone-shaped cabin atop a cylindrical propulsion section) with folding legs. The second design invoked the idea of a helicopter cockpit with large curved windows and seats, to improve the astronauts' visibility for hover and landing. This also included a second, forward docking port, allowing the LEM crew to take an active role in docking with the CSM.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: During nominal CRS missions, Cygnus maneuvers close to the International Space Station, where the Canadarm2 robotic arm grapples the spacecraft and berths it to a Common Berthing Mechanism on the Harmony module in a similar fashion to the Japanese H-II Transfer Vehicle and the retired SpaceX Dragon, but not the other active American CRS Dragon 2 vehicle, which docks autonomously. For typical missions, Cygnus is planned to remain berthed for about 30 days. Unlike Dragon 2 and the earlier Dragon, Cygnus does not provide cargo return capability. However, it can be loaded with obsolete equipment and trash for destructive reentry similar to the Russian Progress vehicles.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Material is put on a sinter machine in two layers. The bottom layer may vary in thickness from 30 to 75 millimetres (1.2 to 3.0 in). A 12 to 20 mm sinter fraction is used, also referred to as the hearth layer. The second, covering layer consists of mixed materials, making for a total bed height of 350 to 660 millimetres (14 to 26 in). The mixed materials are applied with drum feeders and roll feeders, which distributes the nodules in certain depth throughout the sinterring machine . The upper layer is smoothed using a leveler. The material, also known as a charge, enters the ignition furnace into rows of multi-slit burners. In the case of one plant, the first (ignition) zone has eleven burners. The next (soaking/annealing) zone typically offers 12 burners. Air is sucked from the bottom of the bed of mixed material throughout the sintering machine. Fire penetrates the mixed material gradually, until it reaches the hearth layer. This end point of burning is called burn through point (BTP). The hearth layer, which is nothing but sinter in smaller size, restricts sticking of hot sinter with pallets. BTP is achieved in a certain zone of sinter machine, to optimize the process, by means
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Maschinenmensch (literally 'machine-human' in German) is a fictional robot featured in Thea von Harbou's novel Metropolis and Fritz Lang's film adaption of the novel. In the movie, she is played by German actress Brigitte Helm both as a robot and in human guise. She was created by the scientist Rotwang in dedication to his deceased lover, Hel, though in the novel they have no correlation. Maschinenmensch was one of the first fictional robots ever depicted in cinema, and as a result popularized the concept worldwide.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Several subsets of military science fiction share characteristics of the space opera subgenre, concentrating on large-scale space battles with futuristic weapons in an interstellar war. Many stories can be considered to be in one or both the military science fiction and space opera subgenres, such as The Sten Chronicles by Allan Cole and Chris Bunch, Ender's Game series by Orson Scott Card, Honorverse by David Weber, Deathstalker by Simon R. Green, and Armor by John Steakley.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Each ISPR provides 1.571 m3 (55.5 ft3) of internal volume being about 2 m (79.3 in) high, 1.05 m (41.3 in) wide, and 85.9 cm (33.8 in) deep. The rack weighs 104 kg (230 lb) and can accommodate an additional 700 kg (1540 lb) of payload equipment.[1] The rack has internal mounting provisions to allow attachment of secondary structure. The ISPRs will be outfitted with a thin center post to accommodate sub-rack-sized payloads, such as the 483 mm (19-inch rack) Spacelab Standard Interface Rack (SIR) Drawer or the Space Shuttle Middeck Locker. Utility pass-through ports are located on each side to allow cables to be run between Racks. Module attachment points are provided at the top of the rack and via pivot points at the bottom. The pivot points support installation and maintenance. Tracks on the exterior front posts allow mounting of payload equipment and laptop computers. Additional adapters on the ISPRs are provided for ground handling.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: At the microwave frequencies used in many parabolic antennas, waveguide is required to conduct the microwaves between the feed antenna and transmitter or receiver. Because of the high cost of waveguide runs, in many parabolic antennas the RF front end electronics of the receiver is located at the feed antenna, and the received signal is converted to a lower intermediate frequency (IF) so it can be conducted to the receiver through cheaper coaxial cable. This is called a low-noise block downconverter. Similarly, in transmitting dishes, the microwave transmitter may be located at the feed point. An advantage of parabolic antennas is that most of the structure of the antenna (all of it except the feed antenna) is nonresonant, so it can function over a wide range of frequencies (i.e. a wide bandwidth). All that is necessary to change the frequency of operation is to replace the feed antenna with one that operates at the desired frequency. Some parabolic antennas transmit or receive at multiple frequencies by having several feed antennas mounted at the focal point, close together.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
  • Using base image: Yes (Effect strength - 40%)
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