#scifi

The Dance Started Well but went off the rails

• Model: SeeDance

• Size: 1088 X 1920 (2.09 MP)

• Used settings:

  • Mode: Pro
  • Generated From: Image
  • Duration: 5 seconds

Futuristic Humanoid in High-Tech Armor

• Model: Realismo

• Size: 2400 X 1800 (4.32 MP)

• Used settings:

  • Prompt: futuristic style concept art, dynamic lighting, hyperdetailed, intricately blended and shadowed, loading screen art, splash screen art style, deep colors, volumetric lighting, intricate details, HDR, beautifully shot, hyperrealistic, sharp focus, 64 megapixels, perfect composition, high contrast, cinematic, atmospheric, moody
  • Using base image: No
  • Aspect Ratio: landscape

Fire in the Ruins

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A massive crystalline monolith formed entirely of luminous blue-white lightning rises from the shattered ruins of a post-apocalyptic city. Its jagged, transparent surface pulses with arc energy, humming with barely contained force. Surrounding it are cracked streets strewn with rubble, overturned vehicles, and collapsed concrete buildings scarred by time and neglect. Several distant humanoid figures in cloaks approach on foot, dwarfed by the scale of the monolith, each frozen in reverent awe beneath the towering storm-lit sky. The air is dense with fog and electrical haze; pale glow radiates outward, casting long shadows across the debris-strewn streets. Light shafts pierce the gloom, illuminating broken scaffolding and fragmented signage in the background. The composition is wide-angle, the tone somber and majestic, with layered atmospheric depth and volumetric light defining space and scale.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Run run as fast as you can, but there is no escape from the alien...

• Model: SeeDance

• Size: 1440 X 1440 (2.07 MP)

• Used settings:

  • Mode: Pro
  • Generated From: Image
  • Duration: 10 seconds

Outbound from Port Vega

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Busy futuristic spaceport with spaceships and cargo traffic, sleek futuristic vehicles, ((one) large moon) on the horizon :: dieselpunk, steampunk, cyberpunk :: by Eddie Del Rio, Luke Aegis, Alex Pronin, Jan Ditlev, and Stas Yurev, trending on ArtStation :: extreme wide shot, slight down angle :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
  • Using base image: No
  • Aspect Ratio: landscape_wide

Humanoid

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: futuristic humanoid figure with a unique cybernetic appearance, fair skin with grey eyes. H. R.Giger-inspired, double exposure, symbolic numbers, geometric hieroglyphs, holographic jewelry, dynamic patterns, shiny black, petrol hues, silver filigree, technology-art fusion, ASCI code, illuminated canvas, dark fantasy, art deco, datamoshing, abstract tech art, cybertech aesthetics, mysterious aura, metallic shades.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Retro-Futurist Light Machine

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Very intricate, colorful and astonishingly beautiful psychedelic bio-robotic ray-punk and steampunk mechanisms communicating and playing with a dazed psychedelic explorer in otherworldly setting
  • Using base image: Yes

Cybernetic Warrior in a Neon Interrogation Room

• Model: Realismo

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: A powerful sci-fi female warrior stands boldly in a dim, high-tech interrogation room with flickering holographic symbols and neon-lit panels behind her. Her body is athletic and toned, wearing a tight, futuristic grey crop top with metallic threads and embedded nano-circuit patterns. She has multiple glowing cybernetic tattoos across her arms and abdomen, intertwining with floral and barcoded designs. Her dark wavy hair falls over one shoulder, and she gazes forward with a stern, commanding expression. She wears black tactical shorts with a sleek thigh holster and holds a matte-black energy pistol in her right hand. Golden chains and a sci-fi dog tag with embedded data chips hang around her neck. The scene is rendered in a cinematic teal-green and matte-gray color tone with soft glows, deep shadows, and a smoky atmospheric haze. Ultra-detailed, realistic texture, cyber-noir lighting, 9:16 portrait orientation. RY
  • Using base image: No
  • Aspect Ratio: portrait_tall

The Vulcan Gambit

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Handsome brown-haired man in black futuristic uniform, tall tactical boots—unarmored, no helmet—captured mid-leap across volcanic terrain, suspended above dark rock and glowing lava fissures. His body fully airborne, both feet off ground, flying right to left across frame—arms outstretched, fingers reaching toward an open side-access crew door with integrated stairs extended downward from a hovering industrial vehicle. The ship hovers visibly above the lava field, its lower hull catching orange reflections from below—stairs bridge the vertical gap across open air. The stairwell is visibly attached to the ship’s fuselage, aligned directly with his leap trajectory, its steps illuminated by internal emergency lights and rimmed with scorched metal edges. Leading leg kicked forward, trailing leg bent behind—every muscle straining toward the only viable escape route. Expression taut, jaw clenched, eyes locked on the stairs, face visible at camera’s eye level—his posture reflects desperate exertion: a single shot of survival against terrain failure. Man and stairs dominate the close foreground, approx. ten feet from viewer; lava flows below ripple with localized glow, framed by jagged basalt ridges and subtle heat shimmer. In background: monolithic cliffs and volcanic haze, out of focus and non-essential. Scene composed for maximum spatial clarity—leap arc cleanly tracks toward stairwell, viewer can trace full midair vector from takeoff to impact point. Fuselage surface is dark, utilitarian, weathered—no science fiction stylization. Lighting is realistic: cool daylight from overcast sky defines scene, with lava casting soft secondary glows across rocks, uniform folds, lower hull. Only thing that matters is the arc—the leap—the last chance.
  • Using base image: No
  • Aspect Ratio: landscape_wide

"Sit… Now STAY! Good boy."

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A lone armored space explorer stands firmly in confrontation with a towering biomechanical dragon, their posture locked in tense stillness as the human raises one hand in warning or command. The dragon's maw is wide open in a guttural roar, revealing rows of serrated teeth and a molten core beneath armored plating. Spiked ridges and battle scars crisscross its dark hide, glinting beneath the planetlight. Jagged alien peaks stretch behind them, casting long shadows across dust-scattered alien plain. Cinematic digital illustration with hyperreal rendering discipline and matte-paint texture fidelity. Fine surface detailing and atmospheric layer gradation reinforce high-fidelity concept art aesthetic. Inspired by dramatic visual grammar of Ralph McQuarrie and biomechanical tension of H.R. Giger, fused with cinematic realism of Aaron Blaise’s creature logic. The image balances mythic awe with grounded anatomical accuracy, evoking sense of alien grandeur and elemental conflict. Backlit planetary glow drives silhouette emphasis, scattering volumetric shafts through airborne dust and haze. High-contrast bounce light highlights dragon’s armored ridges and the explorer’s suit, with reflective detail aiding spatial separation. Lighting plays dominant emotional role—amplifying scale, stakes, and tension. A desaturated dust palette dominates the environment, anchored by crimson accents from alien flora and the dragon’s internal glow. The explorer’s muted suit tones contrast with dragon’s dark iridescent carapace. Planetary teal and cosmic whites create chromatic contrast overhead, guiding vertical compositional flow. Wide-angle hero framing with the explorer placed in the left third and dragon occupying the right, forming tension-loaded diagonal across the frame. Ground-level camera height adds intimacy and confrontation, while receding spires build exaggerated depth layering. Visual rhythm spirals from central confrontation outward, drawing viewer into the standof
  • Using base image: No
  • Aspect Ratio: landscape_wide

Wreck of the Sable Nomad

• Model: FluX

• Size: 1728 X 1296 (2.24 MP)

• Used settings:

  • Prompt: A vast, derelict starship drifts silently through interstellar emptiness—its design an elegant fusion of Sparth’s angular futurism and Craig Mullins’ painterly abstraction, now fractured and decaying. Once a symbol of celestial ambition, the vessel’s sweeping hull plates and spired pylons bear the patina of time, their metallic surfaces dulled, scorched, or split open to vacuum exposure. Along its curved flanks and recessed chambers, patches of biomechanical corrosion—tendril-like growths with fibrous, semi-translucent textures—creep outward like ivy overtaking a cathedral. Soft residual glows pulse faintly from deep within the structure: energy reservoirs now flickering aimlessly without purpose or command. The surrounding space is rich with layered particulate—swirling veils of cosmic dust, slow-moving meteor fragments, and suspended ionized particles catching faint starlight. A vivid nebula blooms behind the wreck: tendrils of violet, gold, and indigo gas twisting like auroral fire, highlighting the ship’s silhouette in contrast. Sharp rim lighting edges across fractured hull lines and open venting shafts, giving way to pools of ambient shadow. Across the frame, starfields stretch into infinite parallax—dense clusters in one quadrant, distant points scattered like ash in another. Composition centers on the ship’s bow, turned slightly downward, as if slumping in grief. No signs of life remain. No signal. Just the echo of engineering once divine. A solemn stillness pervades—where fantasy and science fiction merge in quiet ruin. By Sparth, Craig Mullins.
  • Using base image: No
  • Aspect Ratio: landscape

Journey Through the Vibrant Cosmos

• Model: Ideogram

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Interstellar space vista, vast cosmic expanse, distant solar systems, swirling galaxies, nebulas, and stars, futuristic combat spaceship, colossal in size, sleek and advanced design, cutting-edge technology, superior to other civilizations, formidable armaments, deadly weapons capable of star destruction, metallic sheen, intricate details, glowing energy reactors, space battleship, cosmic warfare, artistically detailed, high-resolution, vibrant color palette of deep blues, purples, and blacks, intense lighting from distant stars, epic sci-fi concept, ArtStation showcase.
  • Using base image: No
  • Aspect Ratio: square
  • Ideogram Style: Auto

That’ll Buy Drinks for a While

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Two men—grinning broadly, sunburnt and dust-caked—wear tattered futuristic expedition uniforms with torn seams, faded insignia patches, and retrofitted utility belts; both are seated informally on cracked wooden supply crates, boots scuffed, lifting mismatched metal mugs in a celebratory toast; one leans back, head tilted in laughter, while the other gestures toward the valley with mock grandeur. They rest atop a rocky overlook at golden hour, overlooking a vast alien desert basin streaked with ochre and deep rust tones—thousands of titanic crystal formations, shimmering in electric violet, luminous teal, and blood-orange, rise vertically in clustered spires like a petrified forest of gemstones. The terrain features cracked clay flats, wind-carved ridges, and scattered desert bushes with fractal-leafed alien morphology; insect-winged shadows flicker through the haze. To one edge of the frame, barely visible and dwarfed by scale, rests their battered lander: a compact interplanetary shuttle scorched and jury-rigged, half-buried in orange dust with exposed shielding and one damaged landing strut. Surrounding the basin are stratified cliffs of realistic sandstone, worn into natural buttresses and overhangs by aeons of erosion; these frame a giant, milk-white moon resting low on the far horizon, casting faint glows across the crystal tips and sand below. The light glints through atmospheric dust, catching on the men’s mugs and sweat-slicked brows—emotionally rich, cinematic, and caught at the moment between disbelief and euphoria. In the style of Pino Daeni, Luis Royo, Boris Vallejo, Tom Bagshaw, John William Waterhouse, Hoàng Lập, and Justin Gerard.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Dark Sci-Fi Duo: "Darth Ape" and Darth Vader

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: Merge Caesar (Planet of the Apes) and Darth Vader into the same character
  • Using base image: No
  • Aspect Ratio: landscape_wide

Tech at Work

• Model: MiniMax

• Size: 1438 X 1080 (1.55 MP)

• Used settings:

  • Mode: Pro
  • Generated From: Image
  • Duration: 6 seconds

Singularity Threshold

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> Immense interdimensional reactor housed within reinforced warehouse bay, partially embedded in scorched steel flooring; core unit appears to hover inside a gyroscopic magnetic frame, its surface a semi-molten, glass-metal fusion; gravitational lensing distorts air around it; surrounding scaffolds and suspended platforms support monitoring rigs and retractable shielding; numerous alien subsystems with abstract forms—twisting rings, non-Euclidean vanes—are wired into control surfaces, each fitted with touch panels, blinking indicators, or hardwired analog toggles <L2> Hyper-detailed digital painting with layered transparencies, polished alloys, reactive lighting, and fractal-emergent geometry; technical overlays and exploded components blend cinematic concept design with abstract engineering <L3> Style fusion of Jim Burns, Alex Ries, and Arrival–era Denis Villeneuve design; softened structures suggest biotech origins or partially liquefied exotic matter stabilized mid-transition <L4> High-intensity lighting spills from above and behind, creating deep vertical shafts and bloom glows through hazy air; pulse glows cycle from interior field cage; sparks and dust linger in controlled atmospheric turbulence <L5> Cobalt, burnished chrome, graphite, and plasma-white dominate, accented by deep amber hazard glows and violet power bands; mild heat haze and emission trails disrupt clarity around core <L6> Slightly tilted low-angle wide shot; containment rig centered, surrounding gantries frame the generator visually; background scaffold grid and hazy far wall support a sense of scale, depth, and environmental presence
  • Using base image: No
  • Aspect Ratio: landscape_wide

Early Morning Traffic

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A vast and layered spaceport sprawls across a dusty plain under fading dusk light, its surface alive with cargo trams, steam-driven loaders, and rotating landing arms catching descending ships in stuttering arcs of flame. The entire scene is a clashing harmony of design languages: Deco towers with copper-lined ribs stretch upward beside blocky diesel-age silos, while Raygun Gothic spires bristle with antennae, awnings, and ridged ornament—stylized function grown decadent. Sky freighters glide overhead, their engines streaking contrails across the sky. Each section of the port pulses with motion—neon-lit freight corridors snake between glass-paneled customs bays and soot-darkened maintenance sheds. Cargo crates clatter across belt ramps under floodlight towers. Ornamental chrome railings line the upper gantries where handlers in canvas suits guide grav-sleds between merchant airlocks and administrative hatches. Pipes vent steam into layered walkways as filtered sunlight splinters through stained canopy panels and reinforced skyglass. This isn’t sleek futurism; it’s functional density retrofitted over decades, a city of industry welded together by necessity and heritage. Deco symmetry meets soot and scratch, art collides with combustion. It’s organized chaos where traffic weaves past ornament and every corridor hums with encoded purpose. Behind the skyline, a single massive moon hangs low—softly cratered, pale gold, silent. It balances the structural energy of the scene with stillness, its presence reinforcing the singularity of this world’s orbit. No others crowd the sky. Overhead, ships flare into station vectors, their fins catching refracted sun as they vanish behind warehouse domes. Surface trams hiss between polished deco rails and diesel-etched curbs. Towering cranes sweep across bays like skeletal arms performing cargo ballet. And still, more motion arrives: soot, chrome, neon, smoke—traffic, tradition, and tonal discord in perfect balance.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Blade Runner of the Planetary Alliance...

• Model: Ideogram

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: Sci-Fi, Atompunk, Femme Fatale, Space Ranger sorceress. Background Retrofuturistic City with flying cars
  • Using base image: No
  • Aspect Ratio: portrait
  • Ideogram Style: Auto

Imperial Elegance: A Commander’s Presence

• Model: Realismo

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Prompt: On the hangar floor of a massive Imperial Star Destroyer, under flickering red emergency lights, a stunning woman strides confidently between parked TIE Fighters and loading droids. She wears a highly stylized, seductive version of Stormtrooper armor: your signature lace bustier and micro bikini bottom, now reimagined in polished white armor plating, shaped and contoured to her body like second skin. The bikini has armored panels and glowing Empire insignias etched in black. Her long coat has been turned into a half-cape—black on the outside, lined with deep red satin, flowing from one shoulder like a commander’s cloak. Her boots are tall, glossy, and reinforced with magnetic grip pads for walking across ship hulls. Her arms are armored but sleek—one holding a modified E-11 blaster, the other resting on her hip. Her helmet rests under one arm—a redesigned female Stormtrooper helmet with a slimmer jawline and glowing red eyes. Her face is flawless—smoky eyes, dark lipstick, hair jet black with silver streaks twisted into a warrior braid. Her skin has subtle light reflections, marked only by a small barcode tattoo behind her ear. Across her thigh: a storm insignia, glowing faint red. She smirks as she walks past stormtroopers who freeze at her presence—not because she outranks them... but because she terrifies them. Behind her: Darth Vader’s silhouette, just watching. Silent. Impressed. Full-body 9:16. Hyper-realistic sci-fi style. Color palette: polished white, black, red glow, metal tones. Background: inside Imperial ship or Death Star hangar, with stormtroopers, tech panels, and glowing Sith aesthetics. RY
  • Using base image: No
  • Aspect Ratio: portrait_tall

Contact at Monolith Theta

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A lone astronaut, fully suited in advanced exosuit armor, stands on a vast, frozen exoplanet—an alien ice-world stretching to the horizon, etched with sharp ridges and glacial plains under a black sky. Towering before them is an enormous monolith of unknown origin—smooth, obsidian-like, and impossibly tall, with no visible seams or markings except for faint, shifting constellations and alien equations that pulse like living starlight across its surface. Cinematic and atmospheric with a blend of hyper-realistic sci-fi and mysterious fantasy—evoking wonder, isolation, and revelation. Precision-rendered to perfection in ultra-HD style, resembling the most polished concept key art found in top-tier film and game studios. Extreme attention to material texture: reflective armor plating, frost crystals on the astronaut’s visor, microscopic imperfections in the frozen terrain. The monolith emits subtle radiant distortions, light warping around it with quantum shimmer. Dust motes and ice particles drift in thin alien wind. Everything is modeled and rendered at ultra fidelity. Wide-angle cinematic shot, low angle from behind the astronaut, emphasizing scale and emotional gravity. Deep HDR dynamic range with complex reflections. Subsurface scattering on ice. Volumetric fog rolls gently through the air, with soft ray-traced light shafts breaking through upper atmosphere. Sharp bokeh in foreground ice shards. Backlit silhouette composition. Cinema 4D + Houdini + Arnold + Octane render blend. Ray tracing enabled, RTX on. Color grading in DaVinci Resolve. Post-processing via Lightroom and After Effects. Professional-grade asset polish, as if created for major sci-fi cinema. Inspired by 2001: A Space Odyssey, Interstellar, and the cosmic surrealism of Moebius and H.R. Giger. Visual mood akin to ArtStation high-tier concept portfolios and cinematic stills featured on NASA’s exoplanet archives.
  • Using base image: No
  • Aspect Ratio: landscape_wide