#scifi

Epic Mech Battle Against a Dramatic Sky

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Squad of Mech warrior "King Crab".
  • Using base image: No
  • Aspect Ratio: landscape

Futuristic Warrior in a Sci-Fi Cityscape

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: (A masterpiece of unparalleled excellence), ((A gorgeous red-haired girl with a stunningly beautiful face dressed as a powerful Space Marine armed with a futuristic Space Marine style machine gun. Full Body view, Whole body show, Sexy body, beautiful face, online sexy battle suit, Cyber sf background, vivid, realistic, realism, fantasy, digital, pretty, woman, small lips, thin jawline, high bridge nose, white skin, big eyes, Rings, fancy, Full bodies position, Big chest, Cybertic clothes, Light red waves hairs, Splash various rights, Details of hand, HDR, 16K, Ultra Detailed, High quality texture, Ultra quality rendering, Full size Image, Full scale Image, Maximum quality masterpiece))
  • Using base image: No
  • Aspect Ratio: landscape

Debate Breaks Down

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> A chrome-plated humanoid robot throws a tantrum mid-debate in an alien galactic senate. Photorealistic, jointed limbs flail in exaggerated outrage: fingers splayed, arms raised, foot lifted mid-stomp, shoulders flared. Though its glowing eyes remain cold, its posture is absurdly human—chest forward, weight shifted, fists clenched. The drama is all body, stylized yet mechanical, like a spoiled child caught mid-tantrum. <L2> Hyper-detailed cinematic digital painting with chrome and luminous fabric textures <L3> In the style of Peter Elson and Michael Whelan, with expressive gesture realism akin to James Bama; architectural logic and surreal scale influenced by Chris Foss and John Harris <L4> Atmospheric chamber lighting with layered fog volume, ambient occlusion, rim highlights, and ray-traced reflections on metal surfaces <L5> Cold-toned color palette with saturated blues, glowing violet accents, reflective chrome, and warm secondary highlights on translucent alloys <L6> Wide-angle 16:9 cinematic shot. The robot and a white-haired senator are centered in the frame, standing in emotional conflict. The senator's scowling face is caught mid-rebuke—hand raised, voice silent but stern. He wears a high-collared ceremonial robe woven with glowing circuit filaments. Background alien delegates sit blurred in radial rings, behind suspended glyphs and translucent alloy pillars. The camera isolates the central drama in sharp relief, depth-blurring all else. Frozen mid-conflict, the absurd tantrum and dignified rebuke are clear without need for violence.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Urban Juggernaut

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A futuristic tractor-trailer rig idles at a city intersection, flanked by low-profile civic cars and cargo drones—each vehicle shaped by terrain-adaptive logic and Syd Mead’s aerodynamic-industrial aesthetic. The rig features a domed pilot canopy, podular cargo modules, chromed exoshell housing with signal-orange hatches, and modular treads beneath articulated skirting. Cars behind and beside it showcase rounded canopies, recessed wheel arches, and subtle lift-thrust systems. Civic signage, textured crosswalks, and amber-lit lane markers imply an advanced but orderly urban transit grid. Midground buildings rise as modular brutalist towers with interlinking skywalks and reflective cladding. High-speed monorail lines snake through upper tiers, while curved overhangs and pedestrian platforms frame the scene with functional asymmetry. Chrome detailing and matte underlays create strong surface contrast across machines and architecture. The image captures a lived-in techno-utopia—neither pristine nor worn, but in continuous, elegant use. Scene lighting evokes a sunset bounce—golden light reflecting off vehicle hulls, casting ambient occlusion shadows. Color is functional: chrome blue, matte grey, industrial off-white, and signal orange unify form with purpose. Camera sits low at observer height, foregrounding the massive scale of the rig and the civic logic of its companions. Every surface exhibits tactile finish, utility labeling, and high-fidelity rendering logic. <L2> digital painting, concept art, photoreal finish <L3> Syd Mead-style techno-urban futurism, industrial optimism <L4> sunset bounce light, HDRI ambient realism <L5> chrome blue, matte grey, signal orange, industrial off-white <L6> low-angle observer shot, rig centered, foreground lane cues, midground depth anchors
  • Using base image: No
  • Aspect Ratio: landscape_wide

Futuristic Elegance: A Culinary Vision

• Model: FluX

• Size: 1677 X 2981 (5.00 MP)

• Used settings:

  • Prompt: An ultra-detailed digital illustration with a three-dimensional holographic image of a girl in a short semi-transparent carbon fiber dress in full height, holding a tray of street food in her hand, against the background of the city of the future; the overall composition is perfectly balanced, drawing the viewer's attention to the interaction between technology and the cosmic miracle with rich detail and clarity of the image emphasize the futuristic aesthetics.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Martian Zen

• Model: AIVision

• Size: 1512 X 2688 (4.06 MP)

• Used settings:

  • Prompt: A surreal digital painting of a Martian-inspired figure seated in lotus position at the center of calm, reflective violet water. The figure wears a soft lavender hoodie with clean, bold typography on the chest: “MARVIN” in a vaporwave or handstyle-inspired font. Below it, the phrase “Mellow Lives Matter” appears faint but readable. A sleek chrome mask reflects the water and the glowing cosmos above. Behind the figure, a luminous Martian glyph radiates in a sacred circular design — acting as a spiritual sigil or cosmic interface. Small orbiting spheres float within the halo, creating a feeling of cosmic harmony and subtle energy movement. The hoodie and pants feature realistic fabric softness, blending digital surrealism with lo-fi texture. The scene radiates introspection, digital peace, and futuristic ritual.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Cathedral in Vacuum

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A massive orbital drydock under construction, cathedral-scale voids and towering scaffolds encase the hull of a vessel mid-assembly. Lone workers float like ants along red hazard rails and tether lines, surrounded by crawlspaces, exposed steel struts, and industrial netting. Cold white light casts volumetric shafts through the debris field, with scorched insulation and painted hull segments catching the dusty atmosphere. Observed through a wide-angle lens, the composition reveals engineering clarity and compositional vastness, rendered in a Syd Mead × Chris Foss style with muted complementary hues and precision concept finish.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Command Override

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> Heroic starship captain standing tall and proud on a high-tech command platform, his posture commanding and resolute; futuristic navy-blue uniform with silver trim, rank insignia glowing subtly on the chestplate; clean-shaven, strong-jawed, with piercing eyes locked on the unfolding battle beyond. <L2> Ultra-detailed science fiction illustration with cinematic depth and crisp design elements; bold, dramatic character lighting with reflective metallic accents and subtle bloom. <L3> Rendered in the refined sci-fi realism style of Chris Foss, John Harris, and Ralph McQuarrie, with an idealized balance of heroic scale and painterly atmosphere. <L4> Vivid space battle rages in the background: distant capital ships exchange energy volleys, fighter craft streak past in arcs of ion fire; glowing debris and shield flares punctuate the void. <L5> Color palette includes deep navy, slate gray, and cool blues for the captain and platform, contrasted with vibrant reds and fiery oranges in the battle scene; space lit by explosions and starfield. <L6> Frontal portrait-style composition with the captain centered in frame, three-quarter standing view, starfield and battle receding behind him in epic perspective. cinematiclight, metalreflectance, glasseffect, atmosphericdepth, volumetricshafts, brushedsteeltexture, highlightbandlayer, lightvolume, bloomcore, ionizedcolorburst, sharpfocus, dynamiccomposition, heroicpose, epicperspective, commanddeckenvironment, militaryuniformglow, spacebattleenergy, vfxclarity
  • Using base image: No
  • Aspect Ratio: landscape_wide

Sky Beneath the River

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A luminous river of golden light flows through a canyon of obsidian, its glowing surface threaded with slow-moving constellations like a celestial bloodstream. Towering basalt cliffs rise on either side, carved with titanic statues whose faces are eroded by time, yet still watch the sky with divine indifference. In the center of the river stands a cloaked figure atop a stone outcrop—tall, faceless, crowned with a diadem of fractured crystal. Their presence warps the air around them like heat shimmer. Above, the night sky churns with nebulae, auroras, and spiraling stardust, as if the heavens themselves are descending into the canyon. This scene is rendered in hyperreal digital oil, rich with layered textures and luminous atmosphere. The style blends the surreal divinity of Zdzisław Beksiński, the mystical clarity of Moebius, and the ornate metaphysical gravitas of Gustave Doré. Compositionally, the perspective is slightly elevated, looking down into the canyon from a high angle, drawing the viewer's eye along the light-river toward the central figure and sky beyond. The mood is sacred, awe-struck, and ancient beyond reckoning.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Sleek Robotic Figure in a Glowing Realm

• Model: Realismo

• Size: 2400 X 1800 (4.32 MP)

• Used settings:

  • Prompt: futuristic style concept art, dynamic lighting, hyperdetailed, intricately blended and shadowed, loading screen art, splash screen art style, deep colors, volumetric lighting, intricate details, HDR, beautifully shot, hyperrealistic, sharp focus, 64 megapixels, perfect composition, high contrast, cinematic, atmospheric, moody
  • Using base image: No
  • Aspect Ratio: landscape

EEEEEEK!!!

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Artwork for a 1950s SCI-Fi paperback, showing a terrified, gorgeous blonde "Flash Gordon/ Gil Elvgren style woman", being chased by an angry looking, 1950s style Robot. An ultra-detailed, colorful, beacon of fantasy, with the artistic style of George Pal and Frank Frazetta. It is intricate, with imperial colors, Award-winning photography and elegant fantasy world with intricate, highly detailed, and colorful 4K 3D imagery. VRay
  • Using base image: No
  • Aspect Ratio: landscape_wide

Forge of Titans

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Interior of colossal, hyper-advanced, enclosed spacecraft manufacturing facility—world-class engineering marvel, designed by visionary minds at peak of human innovation. Cavernous space gleams with polished floors and seamless metal walls, lined with articulated support and magnetic crane rails. Tinted observation windows stretch across upper level, hinting at command deck behind impact-resistant glass. Scale and structure are awe-inspiring, reminiscent of award-winning sci-fi cinematography, lit dramatically by overhead industrial lights and flickering sparks from machinery. Dozens of elite aerospace technicians in sleek, next-generation spacesuits, work on assembly of interstellar spacecraft. Engineers hover via anti-grav harnesses, while others operate robotic manipulators or coordinate via holographic displays. In continuous motion, automated robotic units with multi-jointed limbs and wheeled chassis transport massive alloy panels, plasma welders, and precision tools. Workers calibrate systems, weld hulls with blinding light. Semi-transparent hologram shows an exploded 3D view of spacecraft's internal systems. Technicians review schematics, checklists on digital clipboards, and engage in animated discussion. Every surface glows with smart indicators: color-coded pipelines, illuminated floor guides, interactive wall panels. Heat waves shimmer near high-energy devices. Sparks fly from cutting torches. Subtle lens flares highlight glossy textures. In the distant background, mech lift an engine core while robotic arms synchronize with military precision. Epic, intense, reverent—an operatic portrayal of industrial brilliance. Atmosphere crackles with kinetic energy and human ambition. Breathtaking fusion of science, scale, and craftsmanship. Cinematic ultra-HD, photorealistic, rendered in impeccable detail, with masterful lighting, depth of field, and rich metallic textures. An award-worthy masterpiece—envisioned by legendary sci-fi concept designer at peak of
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cradled in Lightfall

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A majestic, futuristic cityscape beneath an alien night sky, its towers and domes rising like polished crystal spires from a vast reflective wetland; the city’s architecture fuses organic curvature with intricate mechanical detail—each building a unique amalgam of spires, hemispheres, and flowing latticework; large, faceted glass chambers emit warm, golden glows from within, suggesting vibrant life inside; suspended walkways and canal bridges connect platforms across shallow, mirror-still waters; lush alien trees and glowing bioluminescent plants frame the foreground with quiet intensity <L2> Highly detailed digital painting with fantasy realism and concept art precision; blended media logic evokes painterly texture layered with cinematic visual clarity <L3> Aesthetic fusion of James Gurney’s world-building romanticism and Stephan Martinière’s futuristic complexity, with subtle influence from Studio Ghibli’s dreamlike architectural flow <L4> Lit by twin auroras—green and yellow—cascading across the sky, casting surreal ambient reflections across the water; warm internal lighting from structures contrasts with the aurora’s cool spectrum; rim lighting defines crystalline geometry and organic silhouettes <L5> Dominated by cool greens, deep blues, and reflected golds; bursts of amber and sapphire glimmer in the vegetation and structure interiors; the night sky shimmers with stars, nebulae, and subtle cosmic dust veils <L6> Wide-angle panoramic composition; layered with deep background mountains and sky, middle-ground cityscape rising from water, and a detailed foreground of glowing flora and glassy terrain; subtle lens depth and atmospheric falloff reinforce spatial grandeur
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Bloom Cathedral

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A sleek interstellar spaceship cruising low and slow through an alien jungle of enormous, luminous flowers, each bloom nearly as large as the ship itself. The vegetation towers like colossal sequoias, their petals glowing with iridescent hues—violet, teal, bioluminescent amber. Vines as thick as subway tunnels dangle from their branches, some brushing against the hull. The jungle is dense and otherworldly, pulsing faintly with light, mist curling from the undergrowth. Dramatic angle from below and behind the ship, showing scale contrast between vessel and flowers :: ambient light diffused through petals and mist, deep shadows under canopy :: hyper-detailed, cinematic realism, vivid color palette, fantastical but believable structure, awe-inspiring scale, surreal atmosphere :: masterpiece, ultra high resolution, sharp focus, 8k detail, photorealistic, highly intricate, perfectly composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Singularity Gate

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> Interdimensional power generator fills massive industrial warehouse, mounted in steel floor, rising like alien monument; fusion of molten-looking alloys, crystalline transparencies, and asymmetrical sculptural tech; pulsing conduits weave through glass-metal chassis; unknown components twist into smooth, inhuman geometries—each fitted with sleek control interfaces, access panels, or glowing telemetry nodes; drone arms hover nearby, while figures in exo-suits monitor from catwalks <L2> Ultra-detailed digital render with exploded-view overlays, industrial realism, refracted light paths, and high-fidelity surface logic; materials include polished alloy, pressure-cast composite, semitransparent crystal, and fused biomech tubing <L3> Visual style of Jim Burns and Alex Ries—melted mechanical surrealism with cinematic hard sci-fi influence; echoes of Arrival and Annihilation <L4> Sharp industrial lighting from above; underlit with color-shifting interior glow; beam shadows from trusses and understructure cast rhythmic bands across floor; diagnostic displays emit cool light; volumetric mist carries faint particle glow <L5> Palette: silver, cobalt, graphite chrome, and plasma violet; iridescent highlights in crystal panels; soft orange HUD glows and amber contrast from scaffolds and safety markings <L6> Wide-angle, slightly low perspective; generator centered, rising into steel rafters; background filled with scaffolding, tools, cables, wall plating; minor depth blur in corners to emphasize generator scale and presence
  • Using base image: No
  • Aspect Ratio: landscape_wide

Skin

• Model: DaVinci2

• Size: 760 X 1352 (1.03 MP)

• Used settings:

  • Prompt: Skin
  • Using base image: Yes

Heavy Isotope Freight Carrier

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A futuristic tractor-trailer rig stopped in the middle lane of a wide, neomodern city street, surrounded by several equally advanced automobiles waiting behind and beside it. The truck features a chromed exoshell cab with a spherical cockpit canopy, beveled panel seams, and articulated axles for terrain adaptation. The trailer is modular and angular, with signal-orange access panels, hydraulic vents, and stylized caution glyphs. Cars behind it are low-profile floaters with podular geometry and ambient underglow, suggesting hybrid civic-industrial usage. Pedestrian crosswalks, transit markings, and modular sidewalks suggest a hyperfunctional urban infrastructure. Background structures include towering brutalist civic towers, modular skyways, and suspended rail lines. The street is flanked by curved pylons, amber-lit signage, and overhanging foliage. Light glints from every polished surface, with a strong sunset bounce casting long ambient shadows and highlighting the chrome-matte contrast across vehicles and buildings. The scene is rendered with high-fidelity surface logic—each panel, light, and reflection treated with industrial realism. The camera captures the moment from low observer-height, emphasizing the monumental scale of the truck and the harmony of human-scale technology. Environmental color grading reflects Syd Mead’s palette of industrial whites, charcoal greys, signal orange, and chrome blue. Optional figures in white-orange jumpsuits ground the civic theme. <L2> digital painting, concept art, cinematic realism <L3> Syd Mead-style civic futurism, techno-optimism, streamlined modular industrial design <L4> sunset bounce light, HDR-style reflection logic, warm ambient haze <L5> chrome, matte white, signal orange, industrial off-white, amber glow <L6> low-angle civic scale framing, centered main rig, flanking midground detail, rule-of-thirds urban depth
  • Using base image: No
  • Aspect Ratio: landscape_wide

Timeburner Drive Core, Model B6

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A steampunk clockwork engine made entirely of translucent cobalt-blue glass, gears and cogs visibly embedded within shimmering surfaces, refracting light through layered crystalline machinery; sculpted brass and chrome fittings contrast the gleaming blue interior; exposed pistons, rotating flywheels, delicate gauges, and a glowing pressure core radiating internal illumination <L2> digital painting with cinematic polish and physically plausible texture logic; blue glass transparency layered with brushed metal, fine filigree, and luminous internal structure rendered with material-specific lighting response <L3> stylistic fusion of Jim Burns, Donato Giancola, David Mattingly, Fred Gambino, and Chris Moore; evokes the painted hyperrealism of late-20th-century science fiction illustration with a touch of visionary futurism <L4> studio-style lighting with internal glows, bounce highlights, and crisp focus on reflective surfaces; subtle ambient occlusion emphasizes glass density and gear contours; rim light accentuates glass edges <L5> twilight blue-gold palette with radiant reflections and subtle iridescent scattering in the translucent components; color accents in brass, steel, and warm glows against cooler cyan and cobalt tones <L6> centered full-body shot in a deep steampunk laboratory setting; surrounded by anachronistic Atompunk devices, glowing gauges, and retro-futuristic consoles; slight low-angle hero shot emphasizes scale and complexity; foreground framing elements add layered depth
  • Using base image: No
  • Aspect Ratio: landscape_wide

Neon Portal in a Futuristic Landscape

• Model: Realismo

• Size: 2400 X 1800 (4.32 MP)

• Used settings:

  • Prompt: futuristic style concept art, dynamic lighting, hyperdetailed, intricately blended and shadowed, loading screen art, splash screen art style, deep colors, volumetric lighting, intricate details, HDR, beautifully shot, hyperrealistic, sharp focus, 64 megapixels, perfect composition, high contrast, cinematic, atmospheric, moody
  • Using base image: No
  • Aspect Ratio: landscape

All That Crosses the Horizon

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> A striking sci-fi woman stands hipshot in the foreground of a dusty exoplanetary mining town; her posture is confident and relaxed, one hip cocked, blaster holstered at her side; her expression is cool and enigmatic, with piercing, expressive eyes and a half-smile that suggests grit and charm; attention is focused on her sharply rendered face, framed by windswept hair and shadow play; she wears retro-futuristic workwear with stylized seams, reinforced boots, and minimal accessories—evoking functional elegance in a harsh environment <L2> Mixed-media digital illustration simulating colorful ink wash, colored pencil, and expressive linework; surfaces have raw, tactile quality with layered pigment bloom, hatching, and dry-brush grain; medium deliberately avoids photorealism in favor of iconic visual storytelling <L3> In the visual style of Moebius, Darius Puia, Bakaarts, Sable, Ladrönn, Marc Brunet, Rlon Wang, David Ligare, Michael Whelan, and Laurent Durieux—bold minimalist composition with heavy contour lines, stylized facial definition, and space-age surrealism <L4> High-contrast lighting with stylized shadows and fluctuating ink washes; background is a black-to-deep-purple gradient with faded silhouettes of machinery and modular outbuildings; warm edge lighting defines figure silhouette and catches on dust particles in the air <L5> Bold ink colors—sapphire, rust red, ochre, cobalt, and lime—interplay with muted desert tones and dark negative space; heavy pigment shadowing around the face and folds of the clothing create strong form definition <L6> Centered portrait-focused vertical composition; subject is framed from upper thigh to top of head, occupying the lower third of the image with expansive space above; light atmospheric haze and diagonal hatching suggest heat and mineral dust in the exoplanetary air
  • Using base image: No
  • Aspect Ratio: landscape_wide