Prompt: A storage in a traditional folk restaurant. There are three young women inside. Two of them are on the sides of the frame and look at the central woman, who is sitting on a wooden chair with her back to the left woman and her face to the right woman.
Left one is a red-haired young skinny woman with a short haircut, she wears an apron tied at the neck and waist, leaving her sides bare. The dark apron are decorated with bright Khokhloma folk patterns (red, gold, black floral swirls). The apron are modestly covering the front. She stands with her hands on the back of a chair and looks cheerfully at the woman in the center, biting her own lower lip in excitement.
Right one is a young skinny blonde woman with a short haircut, she wears an apron tied at the neck and waist, leaving her sides bare. The dark apron are decorated with bright Khokhloma folk patterns (red, gold, black floral swirls). The apron are modestly covering the front. She stands with a calm smile and holds in her hands a third apron in the same style, stretched out to demonstrate to the central woman.
The central one is a young skinny woman with a dark ponytail looks at the blonde with fear, shy and embarrassment. She is dressed in ordinary summer clothes: a colored T-shirt with shorts. She covers her cleavage area with her hands.
The lighting is warm, with the yellow glow of hanging lamps.
The overall mood is realistic, slightly documentary-style. Style: photorealistic, hyper-detailed, warm color palette (golden, brown, beige, white).
Prompt: Realistic and cartoon drawing blend. Moody, ethereal. Very intricate lines and details. Masterful composition, a waltz for one and the house. The strokes are the life of the picture and the lights come from them. Elle n'a jamais cessé de danser.
Deep night in the big kitchen of the old southern stone house, everything asleep except her: thick pale walls, the long scrubbed wooden table pushed a little aside, copper pans catching stray light, one lantern lit low on the sill, ivy at the dark window, the hills outside barely there. On the shelves near the glass door the glass and metal artefacts from ages gone or yet to come are glowing from within, many colours, and tonight they are pulsing very softly, gently brightening and dimming in a shared slow rhythm, like a house humming under its breath. There is no music. There does not need to be.
She is dancing, alone, barefoot on the cool stone floor, mid-turn: a woman in her end twenties early thirties, French; auburn / dark-strawberry hair (muted, not flame-bright) loose and lifted by the turn, ends white and rainbow, remnants of eons gone (for now); fair, warm pink-toned skin with light freckling across the nose and cheeks; smallish, youthful, cute rather than striking, a soft, present, delicate lived-in face; ice blue eyes half-closed, lashes low, teal and blue liner, a discrete touch of sparkles; a tiny drawn mark under one eye, soft and imperfect; necklaces, rings and fabric wristband. She wears a thin victorian nightgown of pale gauze under an open gothic steampunk waistcoat left unlaced, delicate and a little mismatched, the way one dresses for nobody; the gauze and her hair still carry the turn she has just made, drifting a half-beat behind her. One hand is raised holding the hand of no one, the other rests lightly on an absent shoulder: the frame of a waltz, kept perfectly, danced with the empty air. The ornate dark hat watches from the table, its tiny wooden door closed.
Her expression is the secret one people wear when they are certain they are unobserved: soft, faraway, a small private smile with an old ache folded inside it, remembering a rhythm rather than inventing one. Where her bare feet have touched the stone, faint traces of colour bloom and fade, a step behind her, like the floor keeping the memory of each step just long enough.
Warm night palette, the lantern, the pulsing artefacts and the fading footprints carrying all the colour. Out-of-time and timeless. Intimate, unwatched, unbroken: she has never once stopped dancing, and the house keeps time. Masterpiece, by eryn.
Prompt: An 1890s American oil painting. Interior of a farmhouse. An older farm wife is ironing a heritage quilt on an ironing board. The room is furnished in rustic furniture and heirloom decorations. A cat is watching from a corner. The quilt is intricately patterned in a patchwork mosaic pattern.
Prompt: Wearing Grandma’s Kimono Before the Mirror.
A final intimate and cinematic watercolor-fusion scene of the young woman softly wearing one of her grandmother’s glamorous old kimonos inside the inherited Japanese house, standing before an old mirror at dusk. The kimono is elegant and luminous, but the mood remains tender rather than theatrical. Her dark hair is loosely arranged, her expression thoughtful and slightly moved, as if she is seeing not only herself but a trace of her grandmother’s hidden life reflected back through time. Around her are old lamps, stacked books, handknits, paintings, a journal left open, and the familiar beloved clutter of the untouched house. The mirror reflects memory, inheritance, femininity, and promise. Use warm amber lamplight, blue evening shadows, cinematic intimacy, watercolor softness, unconventional composition, and deep emotional quiet. EmmAI Inherited Solitute. No text.
Promptly following the poem "My Old Ship's Clock" by Joachim Ringelnatz
Model:
Nano Banana 2
(Pro)
Size:
2219 X 1664
(3.69 MP)
Used settings:
Prompt: In meinem Zimmer hängt eine runde,
Alte, achteckige Segelschiffsuhr.
Sie schlägt weder Glasen noch Stunde.
Sie schlägt, wie sie will, und auch nur,
Wann sie will. Die Uhrmacher gaben
Sie alle ratlos mir zurück;
Sie wollten mit solchem Teufelsstück
Gar nichts zu tun haben.
Und gehe sie, wie sie wolle,
Ich freue mich, weil sie noch lebt.
Nur schade, daß nie eine tolle
Dünung sie senkt oder hebt
Oder schüttert. Nein, sie hängt sicher
Geborgen. Doch in ihr kreist
Ein ruhelos wunderlicher
Freibeuter-Klabautergeist.
Nachts, wenn ich still vor ihr hocke,
Dann höre ich mehr als Ticktack.
Dann klingt was wie Nebelglocke
Und ferner Hundswachenschnack.
Und manche Zeit versäume
Ich vor der spukenden, unkenden Uhr,
Indem ich davon träume,
Wie ich mit ihr nach Westindien fuhr.
Cheerful, whimsical and full of life. Ultra detailed fantasy illustration. Art style: Jean-Baptiste Monge × Tony DiTerlizzi × Brian Froud. Include a very small elegant white full-body unicorn logo in the bottom-right corner, with delicate proportions and the text "AI by Unicorngraphics" beneath it in a refined serif font. The logo should be subtle, crisp and professionally integrated, acting as a discreet artist signature without drawing attention away from the artwork.
Prompt: A Roman-style upper floor living room, with a Roman-style cot for sleeping in the corner and a rough-hewn Roman-style table for eating in the center. On the table a terra sigillata style eating bowl with a steming broth in it. A stair leads to a workshop below. At the top of the stair, Artemis, an anthropomorphic fully white cat in red robes and a red cloak, carries a rapier in a sheath attached to her belt. Artemis looks at the room.
Prompt: (((Masterpiece))) A whimsical scene in mixed media of gouache and encaustic flecks with messy oil brushstrokes. A surrealistic image of an enclosed room with wood pannels. Like the story Alice in Wonderland an elongated young woman is stuck in this tiny space. Seen from the side, she is hunched over and takes almost all the space of this tiny little area. The profile of her face is gorgeous but very stylized and doll like, with small red lips and dark almond eyes - emphasise on black lashes. She has long frizzy blonde hair with a black ribbon in it. She is wearing a long red patchwork dress, tight at the waist, with yellow and turquoise blossoms on it. Her arms and legs have black and white stripes on them. She is wearing a pair of glittery red shoes. As she looks down at a small door is in the room beneath her ,the small door has a silver knob in the middle and two cartoon stylized eyes on it looking fearfully up at her, small line mouth. The scene is comical and highly detailed, with a small vintage lamp on the other side of the wall. Etthereal glowing light, surreal and enchanting, otherwordly, stylized and funny. Gothic elegance.
Prompt: Worn room, peeling beige walls, cracked walls, wooden parquet floor, semi-diagonal view, old window with blue frame, blue sky, white clouds, sheer white billowing curtains, strong wind effect, framed painting of tree in wind, vibrant green and blue contrast, brass pitcher, open book with turning pages, scattered loose sheets of paper and leaves, young woman serene and spiritual, dramatic lighting with volumetric light, soft pools of light, oil painting.
Prompt: Wide-angle, full-body masterpiece of a beautifully carved cuckoo clock with a detailed clock face showing 1 o'clock, cuckoo peeking out, four chains hanging below with two silver cones and three anthropomorphic, smiling mouse children in ochre trousers running amongst them. A shelf with pots and a sack of flour sits beside the clock, before which a charming, smiling mouse mother in a white apron and red shoes stands. Rough plastered wall with cracks in the background. Evocative of children's book illustrations by Mary Barker, John James Audubon, Josephine Wall, and Percy Tarrant, with the intricate detail of Potter and the whimsical fantasy of Bilodeau and Thomas Kinkade. Dynamic lighting, great depth, vibrant colors, ultra-high definition, 4K resolution, razor-sharp quality, luxurious silk textures, and an ethereal fantasy mist style.
Prompt: oil painting of a beautiful woman with long, voluminous, messy curly reddish-orange hair partially covering her face as she looks down, sitting barefoot on a draped white cloth on the floor in a dimly lit rustic room. She wears a black lace dress with thin spaghetti straps that flowing close to the form to her body, accentuating her curves and natural silhouette. She is cradling a realistic wooden ukulele across her lap and torso, her left hand positioned on the fretboard with fingers pressing the strings, wearing a dark ring on her ring finger. Her right arm is relaxed around the body of the instrument. The pose is relaxed, with one leg bent and the other extended, skin glowing with warm golden highlights.
The scene features rich, warm earthy tones dominated by deep browns, ambers, golds, and soft shadows, with dramatic side lighting creating strong chiaroscuro effects and soft highlights on her skin, hair, and the wooden ukulele. Expressive, loose impasto brushwork with visible textured strokes, thick paint application, and beautiful blending that captures the soft folds of the lace, fabric, and wooden instrument details. Background shows a simple wooden chair and indistinct rustic interior elements in muted tones. Highly detailed skin texture, realistic hair strands, intricate lace patterns, and natural wood grain on the ukulele. Emotional, intimate, and artistic mood, masterpiece, best quality, 8k resolution, in the style of contemporary oil painting with visible brushwork.
Prompt: Inquadratura a figura intera di buffi orchi e folletti con grandi occhi, guance rosee e nasi importanti, che indossano tuniche a brandelli e calzini spaiati con motivi diversi, colti a metà movimento mentre si abbuffano in una stanza accogliente e disordinata con elementi fantastici, alle loro spalle folletti e buffi gnomi.
Prompt: Professional interior portrait, expert cabin photography, Leica M11, 35mm f/1.4 lens. A middle-aged couple stands together inside a rustic cedar-plank cabin. The woman on the left, strictly maintaining her younger age and facial structure from the primary cabin reference, wears a dark patterned bandana and a vintage forest green sweatshirt. Her expression is refined with a subtle, genuine smile that shows just a hint of teeth—mimicking the accurate anatomical resemblance of the garden reference but adapted to her younger face. Beside her, the man from the cabin photo stands in a textured olive-drab shirt with a friendly expression. Masterful natural window lighting, rich wood textures, high-end editorial aesthetic. Shallow depth of field with a soft-focus background of a framed sketch and vintage chair. 8k, tack-sharp focus on eyes, authentic skin pores, cinematic color grading.
Prompt: An 1890s American oil painting. Interior of a farmhouse. An older farm wife is ironing a heritage quilt on an ironing board. The room is furnished in rustic furniture and heirloom decorations. A cat is watching from a corner. The quilt is intricately patterned in a patchwork mosaic pattern.
Prompt: An eerie cinematic fairytale scene inside the old crooked house of Winny the good witch. Winny is an elderly kind witch with a weathered face, natural appearance, warm wise eyes, gray hair beneath a classic pointed witch hat, wearing layered dark green and brown robes while holding an old glowing wooden staff. She stands inside a dark wooden hallway as silver fog rises from an open cellar door beneath the house. Behind her are magical jars glowing with hope and memories on crooked shelves. Beside her stands a majestic old stag standing upright on two legs like an ancient enchanted forest guardian, with enormous antlers, wise sorrowful eyes, a long weathered robe, and a dignified almost human posture. Near them stands the mysterious Man Without Echo — a tall shadowy humanoid figure with a smooth dark silhouette and emotionless face. From the cellar staircase emerges a gigantic ghostly figure made of shadows, silver mist and fragmented memories, with glowing eyes resembling Winny’s grandmother. Broken mirrors cover the walls, black cracks spread through the house, rain lashes against the windows, and dark mirror creatures stand motionless outside among dead trees. Dark magical atmosphere, emotional cinematic lighting, mystical horror fairytale, highly detailed, style of Jean-Baptiste Monge × Iris Compiet × Guillermo del Toro, include a very small sterilized full-body white unicorn logo with delicate proportions and the text “AI by Unicorngraphics” beneath it in the bottom right corner.
Prompt: tinkerbell is real, A Tiny Tink could fit on Peter's hand, sits on the ledge of her cooko Clock, that is hanging on the wall of the Lost boys house. She is surrounded by fairy dust. Peter Pan is standing by the clock, shaking his finger at Tinkerbell. The background is the lost boys house
Prompt: A grotesque, doll-like figure resembling a zombie maid, full body shot, centered, looking directly at the viewer with wide, distressed eyes. The doll wears a dark blue maid uniform with a white apron and ruffled cuffs, and a small, striped blue hat. Its face is pale grey with dark, sunken eyes and a slightly open mouth, conveying a sense of sadness or horror. The background is an abstract, impressionistic interior of a room with furniture, including a table on the left and a chair on the right, rendered with thick, visible brushstrokes.
The lighting is soft and diffused, highlighting the textured paint. The color palette is dominated by deep blues, whites, and greys for the figure, contrasted with warm browns, oranges, yellows, and hints of red and green in the background, all rendered in a highly saturated, expressionistic manner.
The style is impasto oil painting, characterized by very thick, sculptural application of paint, creating a heavily textured surface with distinct brushstrokes and palette knife marks. The mood is unsettling, melancholic, and slightly creepy due to the doll's appearance.
Important details include the highly textured surface of the paint, the distinct, almost cartoonish yet disturbing facial features of the doll, the ruffled details of the maid uniform, and the abstract, blocky forms of the background elements, which suggest furniture without being explicitly detailed. The overall composition is a strong central focus on the doll with a vibrant, albeit abstract, background.
Prompt: A quiet magical painterly illustration of Winny the kind elderly witch inside her warm wooden workshop after rain. She stands beside a workbench filled with glowing jars, herbs hanging from the ceiling, candles, old books, and soft golden lamplight. In her hands is a small unlabeled glass jar releasing a delicate golden mist shaped like fading memories: a child running through a meadow, warm hands kneading bread, a smiling old woman, and tiny fragments of light. Winny looks gentle, thoughtful, and emotional, not frightening, wearing a modest witch dress and soft shawl. The window is wet with rain, and outside the garden glows with fresh morning light. The mood is calm, meaningful, magical, and tender, with cinematic painterly detail, warm atmosphere, emotional fairytale realism, style by Jean-Baptiste Monge × Iris Compiet, include a small unicorn logo watermark with “AI by Unicorngraphics”.
Prompt: Make significant changes to the original image. Keep the high elf woman's face, her pale skin, her narrow pretty face, her beauty mark on the left cheek, her light grey eyes, and her ash-blonde straight hair tied in a simple low knot IDENTICAL. Her skin is now flawless, with NO scars, NO wounds, NO marks on her lips or chin.
Now apply these changes to create a clean, iconic reference portrait:
1. SETTING: Place her alone in a quiet side room of a dark elf mansion. The background is a simple, elegant dark wood-panelled wall with a single iron sconce holding a warm candle. No other people. No clutter. The setting is modest but dignified, the room of a high-ranking personal servant.
2. COMPOSITION: Full body standing portrait. She is centered in the frame, shown from head to mid-calf, filling the image elegantly. Her simple leather shoes are visible.
3. POSE AND EXPRESSION: Her posture is calm and straight, with quiet dignity. Her hands are clasped loosely in front of her. Her expression is NEUTRAL and serene. Her light grey eyes gaze directly at the viewer, steady and unreadable. No smile, no frown, no fear. A poised, stoic stillness.
4. CLOTHING: She wears a simple, well-fitted servant's dress of soft mid-grey wool. The dress has a modest but flattering V-neckline, long sleeves, and is tailored to subtly follow the contours of her slender, willowy figure. The skirt is practical, ending just below the knee, revealing her legs. The fabric is clean and neat, the uniform of a personal attendant, not a pauper.
5. LIGHTING AND ATMOSPHERE: The lighting is soft and warm, from the single candle sconce, casting gentle shadows. The atmosphere is quiet, calm, and contemplative. Highly detailed, elegant, 8k portrait, understated beauty, perfect reference.
Winny the Good Witch - The Glass That Needed a Name
Model:
Nano Banana 2
(Pro)
Size:
2240 X 1680
(3.76 MP)
Used settings:
Prompt: A cinematic whimsical illustration of Winny, a gentle elderly witch in her cozy magical workshop, sitting at a wooden table and thoughtfully holding a small clear glass jar while soft sunlight touches it, shelves of many labeled magical jars glowing faintly in the background, warm wooden interior, kettle in the corner, calm introspective atmosphere, the new jar subtle and quiet but important, painterly storybook fantasy style, warm natural tones, highly detailed, style of Jean-Baptiste Monge × Iris Compiet, no text, a small white stylized unicorn head logo is visible, with the text “AI by Unicorngraphics” beneath it, subtle and not distracting, integrated naturally into the image.
Prompt: A whimsical scene: Tiny, long shaggy-haired dwarfs cheerfully sweep away cobwebs with a big spider. They stand in a row in a cozy wooden room, soft moonlight streaming through the windows. Friendly smiles and playful energy characterize the warm pastel colors Style Jean-Baptiste Monge. Watercolor and ink, detailed, imaginative, beautiful, award-winning, colorful, fantastic view, razor-sharp quality.
Witches, Wizards and Fairies Part 15 The Tokoloshe of the Hidden Floor
Model:
Nano Banana 2
(Pro)
Size:
2240 X 1680
(3.76 MP)
Used settings:
Prompt: A small shadowy creature with glowing eyes lurking beneath a raised bed inside a dark hut. Its body is partially hidden, its form unnatural and slightly distorted. The floor appears uneven, as if something moves beneath it. The atmosphere is tense and dim. dark folklore horror, ultra detailed, cinematic lighting, style by Brian Froud × Zdzisław Beksiński × Aaron Sims
Prompt: A stylish young woman standing in a room decorated as a modern witch's lair. She has long, wavy ginger hair and is wearing a white sleeveless top paired with plain harem pants in solid colors. Her bare feet are visible on the floor. She accessorizes with layered necklaces, earrings, and bracelets. The room is filled with shelves containing spells, charms, and various artifacts. The ambiance is mysterious and magical, with dim lighting and candles. The overall atmosphere is a blend of modern style and witchcraft elements, rendered as a line drawing with Copic markers in vibrant colors.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
