Prompt: Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations. New architectural elements like minarets, muqarnas, and multifoil arches were invented. Common or important types of buildings in Islamic architecture include mosques, madrasas, tombs, palaces, hammams (public baths), Sufi hospices (e.g. khanqahs or zawiyas), fountains and sabils, commercial buildings (e.g. caravanserais and bazaars), and military fortifications.
Prompt: Fray Bentos Industrial Landscape. Located on land projecting into the Uruguay River west of the town of Fray Bentos, the industrial complex was built following the development of a factory founded in 1859 to process meat produced on the vast prairies nearby. The site illustrates the whole process of meat sourcing, processing, packing and dispatching. It includes buildings and equipment of the Liebig Extract of Meat Company, which exported meat extract and corned-beef to the European market from 1865 and the Anglo Meat Packing Plant, which exported frozen meat from 1924. Through its physical location, industrial and residential buildings as well as social institutions, the site presents an illustration of the entire process of meat production on a global scale.
Prompt: The dam was composed of packed earth, triangular in cross section, 580 m (1,900 ft) in length and 4 metres (13 feet) high. It ran between two groups of rocks on either side of the river and was linked to the rock with substantial stonework. The dam's position allowed for a spillway and sluices between the northern end of the dam and the cliffs to the west. Around 500 BC, its height was increased to 7 metres (23 feet), the upstream slope (the water face) was reinforced with a cover of stones, and irrigation was extended to include the southern side as well as the northern side.
Prompt: Japanese traditional architecture. Posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable and never load-bearing. Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited. The roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, and their weight must therefore be supported by complex bracket systems called tokyō, in the case of temples and shrines. Simpler solutions are adopted in domestic structures. The oversize eaves give the interior a characteristic dimness, which contributes to the building's atmosphere. The interior of the building normally consists of a single room at the center called moya, from which depart any other less important spaces.
Prompt: La Grand-Place, Brussels. La Grand-Place in Brussels is a remarkably homogeneous body of public and private buildings, dating mainly from the late 17th century. The architecture provides a vivid illustration of the level of social and cultural life of the period in this important political and commercial centre. Around a cobbled rectangular market square, La Grand-Place in Brussels, the earliest written reference to which dates back to the 12th century, features buildings emblematic of municipal and ducal powers, and the old houses of corporations. An architectural jewel, it stands as an exceptional and highly successful example of an eclectic blending of architectural and artistic styles of Western culture, which illustrates the vitality of this important political and commercial centre. The Grand-Place testifies in particular to the success of Brussels, mercantile city of northern Europe that, at the height of its prosperity, rose from the terrible bombardment inflicted by the troops of Louis XIV in 1695. Destroyed in three days, the heart of the medieval city underwent a rebuilding campaign conducted under the supervision of the City Magistrate.
Prompt: The facade was designed to blend with the low Byzantine dome of St. Bartholomew's Church and shares the same brick color, with terracotta decorations chosen to coordinate. Brick in orange, tawny, and buff colors was used throughout the facade. The bricks, laid out randomly in American bond, create from a distance the impression of a rich bronze color. The window sills, corbels, spandrels, and other elements on the facade are made of terracotta in similar shades. The terracotta details include reliefs that depict lightning. The lowest section of the ground-story facade is made of reddish granite, and some of the upper-story trimmings are made of reddish marble. The terracotta on the upper stories was sprayed with fourteen-carat gold. The detail of the facade wraps around to its rear elevations as well. The facade contains few flat surfaces. The design is emphasized by rounded vertical piers, which separate the facade into bays, and recessed spandrels, which separate the windows between each floor. The piers rise above and between the openings of the first floor. The spandrels are mostly similar in design. On the building's primary elevations.
Prompt: 100 King Street, formerly the Midland Bank, is a former bank premises on King Street, Manchester, England. It was designed by Sir Edwin Lutyens in 1928 and constructed in 1933–35. It is Lutyens' major work in Manchester and was designated a Grade II* listed building in 1974. A castle-like Art Deco building, surrounded by roads on all four sides, the architects for the former bank were Lutyens in collaboration with Whinney, Son & Austen Hall and it was built between 1933 and 1935 by J. Gerrard & Sons of Swinton and features carvings by the local sculptor John Ashton Floyd. It is constructed of Portland stone around a steel frame. Its neoclassical design is unusual for Manchester, the style perhaps more suited to the architecture of Liverpool, as most of Manchester's buildings were Neogothic.
Prompt: Jupiter is the largest planet in the Solar System, with more than twice the mass of all the other planets combined.[6] Consideration of sending a probe to Jupiter began as early as 1959.[7] NASA's Scientific Advisory Group (SAG) for Outer Solar System Missions considered the requirements for Jupiter orbiters and atmospheric probes. It noted that the technology to build a heat shield for an atmospheric probe did not yet exist, and facilities to test one under the conditions found on Jupiter would not be available until 1980.[8] NASA management designated the Jet Propulsion Laboratory (JPL) as the lead center for the Jupiter Orbiter Probe (JOP) project.[9] The JOP would be the fifth spacecraft to visit Jupiter, but the first to orbit it, and the probe would be the first to enter its atmosphere.[10]
Prompt: 50 Hudson Yards is a 58-story, 1,011-foot (308 m)-tall[3] building being developed as part of the Hudson Yards Redevelopment Project in Hudson Yards, Manhattan, New York City. The building is located to the north of 30 Hudson Yards, and on the east side of the Hudson Park and Boulevard, adjacent to 55 Hudson Yards.[4] The building opened on October 19, 2022.
Prompt: The Mayan Theater in Los Angeles, California is a landmark former movie palace and current nightclub and music venue. Façade closeup, featuring the god Huitzilopochtli seated upon the symbolic earth monster, separated by stylized serpents/rattlesnakes. Mayan and Aztec motifs feature in low-relief across the entire building’s façade. Heavily featured is the figure of Huitzilopochtli, the Aztec god of the Sun and of war. The current colorful painting was added in 1968; prior to that the façade was described as being a “dull two-tone scheme of tan and orange”.
Prompt: A greenhouse (also called a glasshouse, or, if with sufficient heating, a hothouse) is a structure with walls and roof made chiefly of transparent material, such as glass, in which plants requiring regulated climatic conditions are grown. These structures range in size from small sheds to industrial-sized buildings. A miniature greenhouse is known as a cold frame. The interior of a greenhouse exposed to sunlight becomes significantly warmer than the external temperature, protecting its contents in cold weather. Many commercial glass greenhouses or hothouses are high tech production facilities for vegetables, flowers or fruits. The glass greenhouses are filled with equipment including screening installations, heating, cooling, and lighting, and may be controlled by a computer to optimize conditions for plant growth. Different techniques are then used to manage growing conditions, including air temperature, relative humidity and vapour-pressure deficit, in order to provide the optimum environment for cultivation of a specific crop.
Prompt: The Himeji Castle complex is located in the centre of Himeji, Hyōgo on top of a hill called Himeyama, which is 45.6 m above sea level. The castle complex comprises a network of 83 buildings such as storehouses, gates, corridors, and turrets (櫓, yagura). Of these 83 buildings, 74 are designated as Important Cultural Assets: 11 corridors, 16 turrets, 15 gates, and 32 earthen walls. The highest walls in the castle complex have a height of 26 m. Joining the castle complex is Kōko-en (好古園), a Japanese garden created in 1992 to commemorate Himeji city's 100th anniversary. From east to west, the Himeji Castle complex has a length of 950 to 1,600 m, and from north to south, it has a length of 900 to 1,700 m. The castle complex has a circumference of 4,200 m . It covers an area of 233 hectares, making it roughly 50 times as large as the Tokyo Dome or 60 times as large as Koshien Stadium. The main keep (大天守, daitenshu) at the center of the complex is 46.4 m (152 ft) high, standing 92 m (302 ft) above sea level. Together with the main keep, three smaller subsidiary keeps (小天守, kotenshu) form a cluster of towers.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.