#neobaroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism is an architectural style that emphasizes the use of new and innovative materials and technologies to create buildings with a futuristic aesthetic. It is characterized by a sleek, minimalist design with clean lines and an emphasis on functionality. When combined with Ancient Egypt architecture, Neo-futurism would likely incorporate certain elements from Egyptian architecture, such as the use of massive stone columns, hieroglyphics, and ornate carvings. These features would be updated and modernized with cutting-edge materials and technologies, resulting in a unique and striking fusion of ancient and futuristic styles. Imagine a building with a sleek, minimalist design that also features massive stone columns carved with intricate hieroglyphics, or a modern glass facade adorned with futuristic versions of ancient Egyptian symbols.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: We are in the midst of a historical transformation. Current times are not just part of normal history. Multiple perspectives are at the heart of futures studies, including unconventional thinking, internal critique, and cross-cultural comparison. Consideration of alternatives. Futurists do not see themselves as value-free forecasters, but instead aware of multiple possibilities. Participatory futures. Futurists generally see their role as liberating the future in each person, and creating enhanced public ownership of the future. This is true worldwide. Long-term policy transformation. While some are more policy-oriented than others, almost all believe that the work of futures studies is to shape public policy, so it consciously and explicitly takes into account the long term. Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. At international meetings, structural and individual factors are considered equally important.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building that is commonly referred to as the Fagus building is the main building. It was constructed in 1911 according to Werner's plan but with the glass facades designed by Gropius and Meyer and then expanded in 1913. The Fagus building has a 40-centimeter high, dark brick base that projects from the facade by 4 centimeters. The entrance with the clock is part of the 1913 expansion. The interiors of the building, which contained mainly offices, were finished in the mid 20s. The other two big buildings on the site are the production hall and the warehouse. Both were constructed in 1911 and expanded in 1913. The production hall is a one-storey building. It was almost invisible from the railway (north) elevation and acquired a proper facade after the expansion. The warehouse is a four-storey building with few openings. Its design followed the original plan by Werner closely, and it is left out from many of the photographs. Apart from them, the site contains various small buildings designed by Gropius and Meyer. Gropius and Meyer were able to enforce only minor changes in the overall layout of the factory complex.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Enemy Mine is a 1985 American science fiction action drama film directed by Wolfgang Petersen and written by Edward Khmara, based on Barry B. Longyear's novella of the same name. The film stars Dennis Quaid and Louis Gossett Jr. as a human and alien soldier, respectively, who become stranded together on an inhospitable planet and must overcome their mutual distrust in order to cooperate and survive. An international co-production between the United States, United Kingdom and West Germany, Enemy Mine began production in Budapest in April 1984 under the direction of Richard Loncraine, who quickly ran into "creative differences" with producer Stephen Friedman and executives at 20th Century Fox; the project was shut down after a week of shooting. Petersen then took over as director and reshot Loncraine's scenes after moving the production to Munich. Originally budgeted at $17 million, the film ultimately cost more than $40 million after marketing costs were factored in, and was a box office failure during the 1985 holiday season, earning only a little over $12 million. However, the film was successful in the former Soviet Union, where it became the first Western sci-fi film shown in
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Metamorphoses (Latin: Metamorphōsēs, from Ancient Greek: μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, painting, and music, especially during the Renaissance. There was a resurgence of attention to his work towards the end of the 20th century. Today the Metamorphoses continues to inspire and be retold through various
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Mole Antonelliana (pronounced [ˈmɔːle antonelˈljaːna]) is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The ornamentation for the building includes a wide frieze below the deep cornice, which expresses the formalized yet naturalistic celery-leaf foliage typical of Sullivan and published in his System of Architectural Ornament, decorated spandrels between the windows on the different floors and an elaborate door surround at the main entrance. "Apart from the slender brick piers, the only solids of the wall surface are the spandrel panels between the windows. ... . They have rich decorative patterns in low relief, varying in design and scale with each story."[17] The frieze is pierced by unobtrusive bull's-eye windows that light the top-story floor, originally containing water tanks and elevator machinery. The building includes embellishments of terra cotta,[18] a building material that was gaining popularity at the time of construction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The use of innovative materials and technologies, such as curved glass and lightweight metals, is also an important aspect of this style. The result is a futuristic, organic aesthetic that is both visually striking and highly functional. In some cases, Neo-futurism with the architectural element of shells may also incorporate elements of biomimicry, using natural forms and processes as inspiration for design. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world. his combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism with the architectural elements of shells and tensile structures is a style that incorporates both organic, shell-like forms and tensioned, lightweight materials into its designs. This style is characterized by its use of curved lines, biomorphic shapes, and a focus on creating fluid, dynamic spaces that incorporate innovative materials and technologies. Tensile structures are used to create shapes that would be impossible to achieve with traditional building materials, such as fabric, cables, and lightweight metals. Blobitecture is an architectural style that emerged in the 1990s and is characterized by its use of organic, blob-like shapes and forms. Buildings designed in this style often resemble amoebas, blobs, or other organic shapes found in nature. One of the defining features of blobitecture is the use of advanced computer software and digital tools to design and model these complex, non-linear shapes.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Not only are these aliens comprehensible in anthropological terms, but it is anthropology, rather than the physical sciences, that promises a solution to the problem of alien colonization. According to the science of anthropology, every society, regardless of its level of development, has to functionally meet certain human needs. The aliens of Jefferson Springs "had learned, long ago, that it was the cultural core that counted-the deep and underlying spirit and belief and knowledge, the tone and essence of living. Once you had that, the rest was window dressing. Not only that, but the rest, the cultural superstructure, was relatively equal in all societies (115; emphasis in original). For Ellery, the aliens are not "supermen" (a favorite Campbellian conceit): despite their fantastic technologies, they are ultimately ordinary people with the expected array of weaknesses – laziness, factionalism, arrogance – whose cultural life is as predictable as any Earth society's. Since they are not superior, they are susceptible to defeat, but the key lies not in the procurement of advanced technologies, but in the creative cultural work of Earth people themselves.[5]: 248 
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The architecture of the building in question features a distinct Neo-futuristic style that incorporates clean lines, subtle curves, and a bold use of materials such as glass, metal, and concrete. The building itself is designed to resemble a massive crater or bowl, with curved, sloping walls that rise up towards the sky. The interior of the building is just as impressive as its exterior, with a spacious, open layout that encourages flow and movement. High-tech features such as smart lighting and automated climate control systems are seamlessly integrated into the design, creating a truly futuristic atmosphere. Overall, this building is a stunning example of Neo-futuristic architecture that combines form and function in a way that is both visually striking and highly functional.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Officially the leader of Zaporozhian Host never carried the title of hetman, while all leaders of cossacks formations were unofficially referred to as one.[15] The highest body of administration in the Zaporozhian Host was the Sich Rada (council).[12] The council was the highest legislative, administrative, and judicial body of the Zaporozhian Host.[12] Decisions of the council were considered the opinion of the whole host and obligated to its execution each member of the cossack comradeship.[12] At Sich Rada were reviewed issues of internal and foreign policies, conducted elections of military starshina, division of assigned land, punishment of criminals who committed the worst crimes etc.[12]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Lavra fortification is a system of walls, towers and other constructions built for the protection of the Cave Monastery in Kyiv, the capital of Ukraine. The fortification around the monastery first arouse at the end of the 12th century, when a 2 metre wide leave, 5 metre high stone wall was erected. The total length of the walls was 1,090 m (3,580 ft), thickness - 3 m (9.8 ft), and height - 7 m (23 ft). The fort had three gates, Holy gates with the Trinity Gate Church, Economy gates with the All Saints Church, and Southern gates or Caves gates.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Radio masts and towers are typically tall structures designed to support antennas for telecommunications and broadcasting, including television. There are two main types: guyed and self-supporting structures. They are among the tallest human-made structures. Masts are often named after the broadcasting organizations that originally built them or currently use them.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The museum consists of three intersecting "volumes." The oak volume houses Nussbaum's prewar art. The second volume, which slices violently through the first, is made from concrete and contains the paintings Nussbaum made while in hiding from the Nazis. Dubbed "Nussbaum Gang," it evokes the cramped quarters in Brussels where Nussbaum painted his last canvasses. The metal volume displays the artist's newly discovered paintings.[5] The interior is labyrinthine and many paths lead to dead ends.[6] The museum's sides face three cities where Nussbaum studied art: Berlin, Rome, and Hamburg. The fourth side faces the concentration camp where he was killed. The galleries house approximately 160 of Nussbaum's paintings.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A cable-stayed bridge has one or more towers (or pylons), from which cables support the bridge deck. A distinctive feature are the cables or stays, which run directly from the tower to the deck, normally forming a fan-like pattern or a series of parallel lines. This is in contrast to the modern suspension bridge, where the cables supporting the deck are suspended vertically from the main cable, anchored at both ends of the bridge and running between the towers. The cable-stayed bridge is optimal for spans longer than cantilever bridges and shorter than suspension bridges. This is the range within which cantilever bridges would rapidly grow heavier, and suspension bridge cabling would be more costly.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: To avoid the foundations of the roof interfering with the space beneath, and to simplify the design, and minimise cost, it was decided to construct a single span roof, with cross ties for the arch at the station level. The arch was sprung directly from the station level, with no piers.[28][23] Additional advice on the design of the roof was given to Barlow by Rowland Mason Ordish.[26] The arches' ribs had a web depth of 6 ft (1.8 m), mostly open ironwork. The span width, from wall to wall was 245 ft 6 in (74.83 m), with a rib every 29 ft 4 in (8.94 m) The arch was a slightly pointed design, with a reduced radius of curvature at the springing points. The Butterley Company was contracted to construct the arches.[29] The total cost of the 24 rib roof and glazing was over £53,000, of which over half was for the main ribs. The cost of the gable end was a further £8,500. The single-span overall roof was the largest such structure in the world at the time of its completion.[21] The materials used were wrought iron framework of lattice design, with glass covering the middle half and timber (inside)/slate (outside) covering the outer quarters. The two end screens were glazed in a vertical
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Sea ice can be classified according to whether or not it is attached (or frozen) to the shoreline (or between shoals or to grounded icebergs). If attached, it is called landfast ice, or more often, fast ice (from fastened). Alternatively and unlike fast ice, drift ice occurs further offshore in very wide areas and encompasses ice that is free to move with currents and winds. The physical boundary between fast ice and drift ice is the fast ice boundary. The drift ice zone may be further divided into a shear zone, a marginal ice zone and a central pack. Drift ice consists of floes, individual pieces of sea ice 20 metres (66 ft) or more across. There are names for various floe sizes: small – 20 to 100 m (66 to 328 ft); medium – 100 to 500 m (330 to 1,640 ft); big – 500 to 2,000 m (1,600 to 6,600 ft); vast – 2 to 10 kilometres (1.2 to 6.2 mi); and giant – more than 10 km (6.2 mi). The term pack ice is used either as a synonym to drift ice, or to designate drift ice zone in which the floes are densely packed. The overall sea ice cover is termed the ice canopy from the perspective of submarine navigation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Frazil ice is a collection of loose, randomly oriented ice crystals millimeter and sub-millimeter in size, with various shapes, e.g. elliptical disks, dendrites, needles and of an irregular nature. Frazil ice forms during the winter in open-water reaches of rivers as well as in lakes and reservoirs, where and when the water is in a turbulent state, which is, in turn, induced by the action of waves and currents. Turbulence causes the water column to become supercooled, as the heat exchange between the air and the water is such that the water temperature drops below its freezing point (in order of a few tenths of °C or less). The vertical mixing associated with that turbulence provides enough energy to overcome the crystals' buoyancy, thus keeping them from floating at the surface. Frazil ice also forms in oceans, where windy conditions, wave regimes and cold air also favor the establishment of a supercooled layer. Frazil ice can be found on the downwind side of leads, and in polynyas. In these environments, that ice can eventually accumulate at the water surface into what is referred to as grease ice.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Material is put on a sinter machine in two layers. The bottom layer may vary in thickness from 30 to 75 millimetres (1.2 to 3.0 in). A 12 to 20 mm sinter fraction is used, also referred to as the hearth layer. The second, covering layer consists of mixed materials, making for a total bed height of 350 to 660 millimetres (14 to 26 in). The mixed materials are applied with drum feeders and roll feeders, which distributes the nodules in certain depth throughout the sinterring machine . The upper layer is smoothed using a leveler. The material, also known as a charge, enters the ignition furnace into rows of multi-slit burners. In the case of one plant, the first (ignition) zone has eleven burners. The next (soaking/annealing) zone typically offers 12 burners. Air is sucked from the bottom of the bed of mixed material throughout the sintering machine. Fire penetrates the mixed material gradually, until it reaches the hearth layer. This end point of burning is called burn through point (BTP). The hearth layer, which is nothing but sinter in smaller size, restricts sticking of hot sinter with pallets. BTP is achieved in a certain zone of sinter machine, to optimize the process, by means
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