Prompt: Inks, oils and watercolour mixed together to create a painting of a landscape of a futuristic city surrounded by dead forests and burning rubbish. A stylish and dark painting. The camera is looking down at the view.
Prompt: enigmatic cubist witches, composed of fragmented geometric shapes, amidst a surreal abstract cityscape backdrop of cosmic brutality, with ash-covered glasses abandoned on a Brutalist framework skyscraper's gridded balcony, overlooked by ethereal glowing aura beings from the universe's depths. Inspired by Bill Sienkiewicz and Dave McKean, blending mixed media textures of rough, tactile modelling paste, loose expressive oil on canvas brushstrokes, and vibrant glossy acrylic hues. Featuring dynamic, high-contrast lighting with deep shadows and rays of light bursting through apocalyptic skies, evoking an award-winning, high-fashion photograph, rich in intricate, symbolic details reminiscent of graphic novels like Alan Moore's Promethea.
Prompt: Futuristic city perched on the brink of a colossal waterfall cascading into a radiant nebula, neon lights illuminating the scene, floating platforms scattered below, towering spires adorned with holographic displays. The sky boasts two suns, each radiating a distinct hue. Embrace the Cyberpunk essence through hyperrealistic acrylic art capturing a dynamic aerial view of this alternate world's cyberpunk cityscape at daybreak. Picture a fantastic setting with fluorescent, futuristic elements glowing amidst a composition adhering to the golden ratio, blending high-tech sophistication with intricate details. Let light reflections and shadows play across this masterpiece of sci-fi art, ensuring crisp quality and hyperrealistic ultra-detail in an 8k resolution. The scene must exude beauty and allure, drawing the viewer into this mesmerizing realm.
Prompt: A lone figure stands at the edge of a cliff, gazing across a luminous city where a glowing, prismatic river winds through the night like liquid starlight. Above the skyline, a colossal ringed planet hangs low, its presence bending reality and scale. The water reflects galaxies, neon hues, and distant constellations, blurring the boundary between cosmos and civilization. This scene evokes quiet awe—an intimate moment where humanity pauses, dwarfed by wonder, possibility, and the infinite sky.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: (A masterpiece of unparalleled excellence), ((Anime style. A dynamic action scene set in a futuristic, gritty environment. The focal point is a large, robotic ape-like creature, roaring aggressively with glowing red eyes, positioned on the right side of the frame. It's surrounded by shattered glass and sparks, suggesting a violent impact. In the midground, a man and a woman, presumably in their late 20s-30s, are holding handguns, firing towards the creature. The man on the left wears a black leather jacket and jeans. The woman has blonde hair and a dark red top. They are surrounded by additional figures, also armed. The perspective is from a low angle, emphasizing the imposing size of the creature. Cool tones dominate the image, with bright blue and red accents from the gunfire and the creature's eyes and technological additions, creating a dramatic, high-energy atmosphere. The overall style suggests a science-fiction video game or movie poster)), By Hieronymus Bosch, William Turner, Catrin Welz-Stein, Zdzisław Beksiński, Jacek Yerka. Full Size, Full Length and Full Scale Image.
Prompt: Cyberpunk cyborg centaur with advanced armor and glowing circuitry, holding an energy sword similar to a lightsaber. Neon-lit battlefield, mist, holographic debris, dramatic lighting, cinematic sci-fi style, no text.
Prompt: anime semi-realistic style, pony model style, female centaur viewed in clean cowboy shot, correct centaur anatomy (human upper torso + horse lower body), sleek silhouette. Nighttime cyberpunk environment glowing with turquoise and magenta neon lights reflecting softly on her armor. Light tactical futuristic armor on her human torso: smooth plates, soft neon trims, metallic sheen. Human face expressive, confident, focused; no animal traits except equine body. Long hair, subtle neon rim lighting. Horse body elegant and proportional, legs correctly structured. Slight fog, neon signs blurred behind her. Sharp focus on her upper body, cinematic depth of field, polished composition, no text.
Prompt: Hyperrealistic film still, Vulnerable beautiful blond Barbarella (symmetrical face, perfect face, deep v-line top to her belt) is running to Escape from the futuristic Robo-City and atompunk Robot monsters running behind her :: Cosmic blaster in hand, battle, epic, grandiose :: 1968 retro science fiction, atompunk :: insanely detailed seductive hyperrealistic style, by Frank Frazetta & Jim Starlin
Prompt: Hyperrealistic film still, Vulnerable beautiful blond Barbarella (symmetrical face, perfect face, deep v-line top to her belt) is running to Escape from the futuristic Robo-City and atompunk Robot monsters running behind her :: Cosmic blaster in hand, battle, epic, grandiose :: 1968 retro science fiction, atompunk :: insanely detailed seductive hyperrealistic style, by Frank Frazetta & Jim Starlin
Prompt: Hyperrealistic film still, Vulnerable beautiful blond Barbarella (symmetrical face, perfect face, deep v-line top to her belt) is running to Escape from the futuristic Robo-City and atompunk Robot monsters running behind her :: Cosmic blaster in hand, battle, epic, grandiose :: 1968 retro science fiction, atompunk :: insanely detailed seductive hyperrealistic style, by Frank Frazetta & Jim Starlin
Prompt: A masterpiece of fantasy realism, with elements of Christmas futurism. A wonderful robot Santa Claus distributes beautiful silver toy robots to little robot children. The robot children are delighted with their gifts, their faces happy, and the lights on their structures glow brightly in different colors. Nearby stands a cybernetic Christmas tree decorated with golden batteries, toy wrenches, screwdrivers, and nuts.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: Hyperrealistic film still, Vulnerable beautiful blond Barbarella (symmetrical face, perfect face, deep v-line top to her belt) is running to Escape from the futuristic Robo-City and atompunk Robot monsters running behind her :: Cosmic blaster in hand, battle, epic, grandiose :: 1968 retro science fiction, atompunk :: insanely detailed seductive hyperrealistic style, by Frank Frazetta & Jim Starlin
Prompt: Lush oasis amidst a hot Volcanic landscape on a molten planet. A glass dome in which a futuristic city silhouette can be seen. A pond in the oasis is made of multi-colored, shimmering oil with a surface in the Art Nouveau style. Oil bubbles. crystals, vibrant green metal, refreshing ambience. fantastic flowers. Plants are made of green metal. A broken, multi-colored glass monolith with many large cracks. Art Nouveau surface. Leaves, petals and flowers are made of colorful, glowing glass. Rusty metal terrain, glass-shattering plants, wire roots, colorful glass flowers, hot atmosphere, weathered metal, shiny glass, rusty textures, color palette with metallic accents. Stars, at night
Futuristic Vision: A Woman's Transition (CyberSeries)
Model:
ImagineArt
Size:
2224 X 1664
(3.70 MP)
Used settings:
Prompt: A dark, oppressive dystopian laboratory deep inside a sprawling megacity. The room is filled with harsh flickering neon lights, malfunctioning holographic displays, and towering robotic machinery. A woman with existing cybernetic implants—metallic plates along her arms, glowing circuits under her skin, and a mechanical eye—sits confined in a reinforced medical chair. Additional implants are mid-installation as cold, spider-like robotic arms work on her with mechanical precision. Her expression shows clear frustration and unhappiness, as if she’s being forced into another unwanted upgrade. Sparks flicker from aging equipment, and the atmosphere feels authoritarian and industrial, with warning alarms echoing faintly. The camera moves cinematically through smoke, steel, and shadow, emphasizing the bleak, controlled future where technology dominates human will.
Prompt: A strange world with a twisting path of fire where travellers walk. The path leads to a circular spacecraft where figures can be seen through glass windows. Two burning planets can be seen in the sky.
Prompt: (A masterpiece of unparalleled excellence), (("This striking steampunk artwork features two intricate biomechanical faces, expertly crafted from metal and brass. The detailed composition showcases gears and tubes, evoking a mysterious, sci-fi atmosphere". Side view, Complex stipple texture, Abstract expressionism surrealism, Pop art)), Inspired by the style illustrations of Edward Gorey, Tim Burton and Tomasz Setowski, Use stunning color oil drawing on textured paper, As if created By Paul Klee, Tim Burton, Tomasz Setowski, Kris Kuksi, Niki de saint phalle, Antoni Gaudí, Dee Nickerson and Jacek Yerka. (Full Size image)".
Prompt: A vintage magazine cover. The cover features a stylized illustration of a man and woman, with the woman holding a glass while looking at a computer screen showing the man's face. The overall color scheme is retro, with a mix of muted tones and bold typography. The magazine's title is prominently displayed, along with various text indicating articles about programming and technology. Incorporate elements of 1980s design aesthetic, such as geometric shapes and vibrant colors.
Prompt: A lone woman in a sleek, white jumpsuit stands on a balcony overlooking the harmonious blend of nature and advanced architecture. Behind her is a breathtaking vista of a futuristic city seamlessly integrated into a colossal, bioluminescent forest, bathed in the soft glow of twin moons. The image is immensely detailed, rendered in a hyper-realistic concept art style, with a tranquil atmosphere and cinematic lighting, inspired by the detailed digital matte paintings of Syd Mead and Albert Whitlock.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
