#factory

AI Myth

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: AI Myth
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Portal of Time

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time portal through a stone wall surrounded by copper pipes :: valves :: spinning light :: gages ::
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Dryer

• Model: Quantum (v2)*

• Size: 1267 X 1657 (2.10 MP)

• Used settings:

  • Prompt: After apocalypse, Imagin that for the year 2114 there is junk with electric cars and batteries in every city of USSR and Batteries fumes contaminating cities
  • Face enhance: No
  • Upscale & Enhance: 2
  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Biopunk is a subgenre of science fiction closely related to cyberpunk that focuses on the near-future (most often unintended) consequences of the biotechnology revolution following the invention of recombinant DNA. Biopunk stories explore the struggles of individuals or groups, often the product of human experimentation, against a typically dystopian backdrop of totalitarian governments and megacorporations which misuse biotechnologies as means of social control and profiteering. Unlike cyberpunk, it builds not on information technology, but on synthetic biology. Like in postcyberpunk fiction, individuals are usually modified and enhanced not with cyberware, but by genetic manipulation.[1] A common feature of biopunk fiction is the "black clinic", which is a laboratory, clinic, or hospital that performs illegal, unregulated, or ethically-dubious biological modification and genetic engineering procedures.[2] Many features of biopunk fiction have their roots in William Gibson's Neuromancer, one of the first cyberpunk novels.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Factory at the Beach

• Model: Cyberspace (v2)*

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: gigantic industrial plant for processing chemicals on a small island, beach with palms and plants, some rocks, factory is completely made of wood, plant has rectification columns, raw pipes and connections, many valves, technical desingn, wide open sea, sun is rising, dark horizon
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Time Travel Central

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time portal through an opalescent wall surrounded by copper pipes, gaslights, rising steam, mysterious, ethereal
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Time Travel Generator

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time portal room, cooling fins, bronze pipes, copper valves, granite floor ,gaslights, rising steam, gears, trumpet bells, pistons, mysterious, ethereal, smooth, style Joules Verne and Stanislav Vovchuk, mystical
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Distorted Output Line big Colour

• Model:

• Used settings:

  • Enhance: High
  • Resolution: 0.6MP

Factory

• Model: Stable

• Size: 960 X 640 (0.61 MP)

• Used settings:

  • Prompt: bizarre alien landscape with some industrial buildings biopunk in style of Zdzisław Beksinski
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Steampunk Furnaces

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: time portal in a factory, maze of copper pipes, steam vents, gages, knobs, valves, style amy brown and Edward Robert Hughes and Boris Vallejo, Thomas Kinkade, 1920s
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Portal

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: time portal in a factory, maze of copper pipes, steam vents, gages, knobs, valves, style amy brown and Edward Robert Hughes and Boris Vallejo, Thomas Kinkade, 1920s
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

time portal in a factory, maze of copper pipes

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: time portal in a factory, maze of copper pipes, steam vents, gages, knobs, valves, style amy brown and Edward Robert Hughes and Boris Vallejo, Thomas Kinkade, 1920s
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

It's a Complex World

• Model: Fusion*

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: bodega with a neon sign near the water. steampunk and dieselpunk look. Background outdoor refinery with service station with a boat on the water. Render detailed features with very fine details, art by Unreal Engine 5 mixed with artstation :: bronze, brass, copper, iron ::
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk,[5] and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture.[6] The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics.[3] The term also refers to the tongue-in-cheek[7] name given to a similar cyberpunk derivative, "steampunk", which focuses on science fiction based on industrial steam power and which is often set within the Victorian era.[8]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Steampunk Street Corner

• Model: Fusion*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: barbershop with a barber pole in the style of steampunk and dieselpunk look. Background outdoor STEAMPUNK city setting. Render detailed features with very fine details, art by Unreal Engine 5 mixed with artstation :: bronze, brass, copper, iron ::
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto"[1] in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: One of the writers who used science fiction to explore the sociology of near-future topics was H. G. Wells, with his classic The Time Machine (1895) revealing the human race diverging into separate branches of Elois and Morlocks as a consequence of class inequality: a happy pastoral society of Elois preyed upon by the Morlocks but yet needing them to keep their world functioning—a thinly veiled criticism of capitalist society, where the exploiter class, or the bourgeoisie, is symbolized by the useless, frivolous Elois, and the exploited working class, or the proletariat, is represented by the subterranean-dwelling, malnourished Morlocks. Wells' The Sleeper Awakes (1899, 1910) predicted the spirit of the 20th century: technically advanced, undemocratic and bloody. Next to prognoses of the future of society if current social problems persisted, as well as depictions of alien societies that are exaggerated versions of ours (exemplified by The War of the Worlds of 1897), Wells also heavily criticized the then-popular concept of vivisection, experimental "psychiatry" and research that was done for the purpose of restructuring the human mind and memory (clearly emphasized in The Island
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape