Prompt: Darth Vader standing on a dark volcanic landscape beneath a turbulent sky, subtle red energy and drifting ash surrounding him, black cape moving in the wind, distant lava glow reflecting across his armor, monumental low-angle composition, dramatic clouds, atmospheric perspective, powerful silhouette, epic cinematic lighting, realistic textures, dark space-fantasy concept art, emotionally intense and majestic, no text, no watermark.
Prompt: а можешь также сделать и сэтим усилить этот промт с этой новинкой “The Cosmic Face as the Codex of Creation and Ruin” A vast, surreal Mesoamerican codex-style illustration merged with cosmic geometry and abstract metaphysics, rendered in watercolor and mineral pigments (deep crimson, gold leaf, turquoise, obsidian black, bone white). The entire composition forms a single colossal HUMAN FACE — the “Higher Self” — but not immediately obvious. The face is constructed from layered symbolic systems, as if reality itself is its anatomy. CORE STRUCTURE (THE FACE AS REALITY): The eyes are twin cosmic voids — inside them spiral galaxies and constellations, mapped like precise astronomical diagrams. The nose bridge is a vertical axis (axis mundi), connecting heavens, world, and underworld. The mouth is slightly open — within it, the underworld unfolds like a cavern of bones and shadows. The contours of the face are not flesh, but formed by: mountain ranges rivers tectonic cracks flowing glyph patterns CENTRAL MYTH INSIDE THE FACE: Within the “skin” of the face, the primordial dragon (Cipactli-like) is being split apart — its body literally forms the structure of the facial geometry (cheekbones, jaw, forehead). Two destroyer archetypes exist as mirrored forces across the face: On one side: a Tezcatlipoca-like figure, missing a leg replaced by a smoking obsidian serpent — embedded into the cheek structure. On the opposite side: an abstract Set-like entity — not literal, but composed of angular red-black shards and desert-force glyphs — forming the other half of the face. They are not separate beings — they are expressions of the same force, shaping the face from within. UPPER FOREHEAD (COSMIC PROJECTION): Above the eyes, layered heavens (13 bands) curve with the skull shape. Quetzalcoatl (feathered serpent) flows across the forehead like a living thought — elegant, fluid, turquoise-gold — contrasting the rigid destroyers. At the center of the forehead: a radiant geometric solar glyph — the source node — like a third eye or origin point. LOWER FACE / MOUTH (UNDERWORLD): Inside the mouth: a deep underworld labyrinth filled with skeletal lords and fractured anti-forms. Quetzalcoatl descends into this space, retrieving glowing bone fragments (DNA-like symbols of past humanity). HUMANITY AS FRACTALS: Across the face surface — tiny repeating human forms: dwarfs, giants, normal humans — arranged like codex glyphs. Each human figure mirrors the proportions of the larger face — fractal recursion. PHYSICS / GEOMETRY LAYER (SUBTLE BUT PRESENT): Overlay the entire face with faint, semi-transparent structures: tensor grids bending across the facial curvature field lines flowing through eyes and mouth mathematical constants encoded as repeating glyphs DNA spirals subtly embedded in ornamental borders This suggests the face is not just myth — but a physical law structure. STYLE & EXECUTION: flat codex composition, no modern perspective dense ornamental borders (Aztec/Mayan + Egyptian symmetry fusion) watercolor bleed + ink linework gold accents and blood-red washes ancient parchment texture extreme detail, symbolic density MOOD: cosmic, encoded, sacred, overwhelming scale, unity of destruction and creation, reality as self-projection, myth as anatomy of consciousness
Prompt: A powerful cinematic western movie poster for “The Outlaw Josey Wales”, lone outlaw rider emerging slowly through dense smoke and burning ruins after the Civil War, long dark coat flowing in the wind, revolver held low beside his horse, dramatic orange firelight illuminating his weathered face, distant riders pursuing across barren plains, haunting atmosphere of revenge and survival, richly detailed painterly realism, classic 1970s western poster composition, dusty frontier town fading into the background, bold distressed vintage typography integrated naturally into the scene, authentic film credits at the bottom, dramatic shadows, warm sunset tones mixed with ash and smoke, epic widescreen composition, style by Drew Struzan × Frank McCarthy × Clint Eastwood cinematic mood, include a small, sterilized, subtle unicorn watermark with the text "AI by Unicorngraphics" in the bottom right corner.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Prompt: How quickly and how thoroughly memory decays is inconsistent within our own lives, and inconsistent with the experience of others. Layered under that is what is noticed. What remains are continuously conflicting memories of the past.
Serena's Literary Diary- "The Honorary Consul" by Graham Greene
Model:
Nano Banana 2
(Pro)
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: Colour painting. 1970s Argentina. The interior of a shabby house in a poor quarter of a city. Two men, Eduardo aged 30, smartly dressed, and Charlie aged 50, more casually dressed, are sitting on the floor with their hands tied behind them. They are being held hostage by three revolutionary guerrillas, two men and a woman, holding guns.
Prompt: Hand-drawn Studio Ghibli anime illustration. Inside a small glass aquarium with pebbles, two comical green turtles sit side-by-side on tiny wooden chairs, each holding a miniature bucket of popcorn. They have amused, expecting expressions. The aquarium rests on a wooden table. The focus is sharp on the turtles. In the clearly visible background, a human man and a human woman, both drawn in traditional anime style, are standing close together in a living room. They are turned completely towards each other, their bodies angled, pointing fingers and yelling. Their faces are contorted in an intense, angry, shouting match. A table lamp casts a warm glow, but the main scene is their interaction. A simple, white speech bubble above the turtles contains bold black text reading: "IT'S SHOW TIME". Muted watercolor palette, flat colors. Perfect masterpiece.
Prompt: distressing aspects of an undeclared conflict would be the youngest who bear the brunt of hostility image done in abstract hellish darkly impressionistic surrealism
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
