#city

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Self-similarity is visible in the elegant facades of the gothic structures. There is a repeat of basic, regular elements throughout the elevation in varied heights and widths. There is a recurrence of arched forms and motifs throughout the structure in different hierarchical scales. Here, the shape of the main entrance is repeated in smaller dimensions in the arched windows on either side, which is further repeated in the small openings and niches. Gothic architecture is also very detail and pattern-oriented which adds to the fractal character of its structures. Geometry was used in gothic architecture as a means of conversing with the universe through mathematics. The fractal nature of the structures creates an unlimited scale, very detailed and appealing to see. The walls, ceilings, pavements, and facades all have minute patterns that repeat and are self-similar. The subtlety of these designs registers in the mind very minutely and creates beauty. Saint Peter’s Dome in Venice also has iterative domes at different scales. The structure has a central, cross-shaped aisle with symmetric clusters in between its arms. These arms further consist of smaller crosses.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fractals are geometric shapes that repeat themselves as the scale changes. The term ‘fractal’ was coined by Benoit Mandelbrot in 1975 for mathematical sets of numbers that stay ubiquitous despite the scale at which they are viewed. These are never-ending patterns that are self-similar. The property of self-similarity refers to the property where the object retains its original proportions even after it undergoes a transformation.Several architectural styles have their principles based on the inspiration of nature. Fractals provide a medium for the expression of irregular, organic curves, and natural shapes. They help reduce the complex patterns of nature to something comprehensible. Fractals are naturally present all around us, from the growth of pineapples and pinecones to the formation of ice crystals and tree branches. Hence, it only makes sense that architects looking at nature for inspiration applied fractals in their structures as well. Fractal geometry in architecture can be found in two ways- unintentional or intentional. Unintentional fractal geometry is usually found in cases of aesthetics, where the fractals create a repeating pattern that is visually appealing.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The small party employed by M. Botta were at work on Kouyunjik, when a peasant from a distant village chanced to visit the spot. Seeing that every fragment of brick and alabaster uncovered by the workmen was carefully preserved, he asked the reason of this, to him, strange proceeding. On being informed that they were in search of sculptured stones, he advised them to try the mound on which his village was built, and in which, he declared, many such things as they wanted had been exposed on digging for the foundations of new houses. M. Botta, having been frequently deceived by similar stories, was not at first inclined to follow the peasant's advice, but subsequently sent an agent and one or two workmen to the place. After a little opposition from the inhabitants, they were permitted to sink a well in the mound; and at a small distance from the surface they came to the top of a wall which, on digging deeper, they found to be built of sculptured slabs of gypsum. M. Botta, on receiving information of this discovery, went at once to the village, which was called Khorsabad. He directed a wider trench to be formed, and to be carried in the direction of the wall.
  • Using base image: Yes

City in a glass sphere

• Model: Artistic

• Size: 1155 X 908 (1.05 MP)

• Used settings:

  • Prompt: City in a fishbowl
  • Using base image: No
  • Aspect Ratio: landscape

Ancient city covered by Nature

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: city taken over by nature, greenery
  • Using base image: No
  • Aspect Ratio: landscape

Hindu City On Mars

• Model: Cyberspace (v2)*

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: Dream the holy city of Varanasi on Mars after 2000 years from today from the eyes of a eagle up in the sky, must reflect the technology we will 2000 years in the future, must the texture of Mars' sky
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The beginning of human space flight was dominated by engineers proving out the necessary transportation and life support systems, but it did not take long for architects to envision their role in designing space stations and planetary bases. NASA relied on their crew systems division for capsule design and in the early 1970s, a few architecture students expanded the scope defending graduate theses on space station concepts. Toward the end of the decade, NASA’s interest in building a space station exposed the need for architectural-level thinking. This cracked the door for aerospace support contractors to consider hiring an architect. Later, the Space Station Freedom program further opened the door including architects within NASA, the broader contractor community, and academia working together in the emerging field called Space Architecture.
  • Using base image: Yes

Nieve

• Model: PhotoReal

• Size: 1790 X 1173 (2.10 MP)

• Used settings:

  • Prompt: A cold night with blue snow, an aclipse of 2 moons and a beautiful futuristic glass city with large buildings, big moon
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Space Architecture is the theory and practice of designing and building inhabited environments in outer space (it encompasses architectural design of living and working environments in space related facilities, habitats, and vehicles). These environments include, but are not limited to: space vehicles, stations, habitats and lunar, planetary bases and infrastructures; and earth based control, experiment, launch, logistics, payload, simulation and test facilities. Earth analogs to space applications may include Antarctic, airborne, desert, high altitude, underground, undersea environments and closed ecological systems. Designing these forms of architecture presents a particular challenge to ensure and support safety, sustainability, habitability, reliability, and crew efficiency, productivity and comfort in the context of extreme environments.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fort Manoel is built in the shape of a square, with a pentagonal bastion on each corner, giving it the shape of a star fort. The four bastions are called St. Helen, St. Anthony, St. John and Notre Dame Bastions. St. Helen and St. Anthony Bastions are located on the seaward side, facing Valletta. They originally had echaugettes and gunpowder magazines, but the echaugettes on both bastions were dismantled in the 19th century, and the magazine on St. Anthony Bastion was demolished to make way for three QF 12-pounder gun emplacements. The magazine on St. Helen Bastion is still intact. The curtain wall linking these two bastions contains the main gate, which is protected by a lunette known as the Couvre Porte. St. John and Notre Dame Bastions are located along the landward side of the fort. Each bastion is protected by a low cavalier. The curtain wall between the two bastions is further protected by a pentagonal ravelin, which is largely rock hewn.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hobbit house in a magical forest, surrounded by bright magical sparkles, stars, galaxies, the universe.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Tolkien describes Barad-dûr as a "vast fortress, armoury, prison, furnace of great power". The fortress was constructed with many towers and was hidden in clouds, "rising black, blacker and darker than the vast shades amid which it stood, the cruel pinnacles and iron crown of the topmost tower of Barad-dûr." It could not be clearly seen because Sauron created shadows about himself that crept out from the tower. Frodo sees the immense tower from Amon Hen, the Hill of Seeing, as wall upon wall, battlement upon battlement, black, immeasurably strong, mountain of iron, gate of steel, tower of adamant... Barad-dûr, Fortress of Sauron. There was a look-out post, the "Window of the Eye", at the top of Barad-dûr. This window was visible from Mount Doom where Frodo and Sam had a terrible glimpse of the Eye of Sauron. Barad-dûr's west gate is described as "huge" and the west bridge as "a vast bridge of iron."
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Brooke comments that in Lothlórien, Tolkien had worked in his personal concern for nature. Further, she suggests that Lothlórien embodies Ruskin's principles of Gothic architecture. She argues that the centrality of the mallorn tree to the Elves makes architecture hard to distinguish from nature. Further, the colours of silver and gold in the hall of Galadriel and Celeborn recall both the silver-grey of the mallorn trunks and the circle of trees "arrayed in pale gold" in Lothlórien, and the Two Trees of Valinor, with Laurelin's golden fruit and Telperion's silver flower. This in turn, she writes, implies that the Elves of Lothlórien are wholly integrated with their forest environment. In Unfinished Tales, Tolkien speaks of the mallorn grove "carpeted and roofed with gold"; Brooke writes that this mixes the lexical fields of architecture and nature description, revealing the intertwining of the two in the Elvish realm.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Meduseld, the Golden Hall of the Kings of Rohan, is in the centre of the town of Edoras at the top of the hill.[T 5] "Meduseld", Old English for "mead hall",[6] is meant to be a translation of an unknown Rohirric word with the same meaning. Meduseld is based on the mead hall Heorot in Beowulf; it is a large hall with a thatched roof that appears golden from far off. The walls are richly decorated with tapestries depicting the history and legends of the Rohirrim, and it serves as a house for the King and his kin, a meeting hall for the King and his advisors, and a gathering hall for ceremonies and festivities.[T 5] Tolkien hints at the hall's heroic connotations by having Legolas describe Meduseld in a sentence that directly translates a line of Beowulf, "The light of it shines far over the land", representing líxte se léoma ofer landa fela.[7] Brooke comments that Meduseld represents "a more historical reworking of architecture", given its evident Anglo-Saxon roots, while Gondor's Minas Tirith suggests a "more classical legacy" from European history. The parallels do not imply identity: unlike the Anglo-Saxons.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Isengard was for most of its history a green and pleasant place, according to Tolkien, with many fruiting trees. It stood in front of Methedras, the southernmost peak of the Misty Mountains, which formed its northern wall. The rest of the perimeter consisted of a large wall, the Ring of Isengard, breached only by the inflow of the river Isen at the north-east through a portcullis, and the gate of Isengard at the south, at both shores of the river.[T 8] The tower of Orthanc was built towards the end of the Second Age by men of Gondor from four many-sided columns of rock joined by an unknown process and then hardened. No known weapon could harm it. The place became evil only after Saruman took it over, filling it with pits and tunnels where his Orcs worked underground with fire and wheels. Orthanc rose to more than 500 feet (150 metres) above the plain of Isengard, and ended in four sharp peaks. Its only entrance was at the top of a high stair, and above that was a small window and balcony.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Architecture is becoming liquid, invisible and indistinguishable from images. As the city remains open to processes of growth, decline and transformation, Architects and City Planners must strive to sustain a continuous program so that intense metabolic changes can take place freely within our Cities. Perhaps these critiques on Architecture in the Imagined Cities guide the evolution of the perception of our cities. That the city itself was transforming through new media, new technology, and new patterns of consumption. As the physicality of architecture is dematerializing, Architecture is set to become a very metaphysical thing. At present, Architecture is still very tangible. But there is already an imaginable state where all the physical elements could become, somehow, simple images. There is going to be an interpenetration on the physical world that we live in. And people live with it already, with information overload as the norm and social media as the training center just for that.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Cyberpunk is a futuristic, sci-fi-based society that's often dominated by – or at war with – hi-tech intelligence. Common characters involve avatars, robots, or hybrid humans. Picture this: you're at war with the elites of artificial intelligence.
  • Using base image: Yes

Fantastic Town

• Model: Artistic

• Size: 704 X 896 (0.63 MP)

• Used settings:

  • Prompt: Final fantasy XV, final fantasy IX, city street , by Louis Wain, by Catherine Abel, by Gediminas Pranckevicius,
  • Using base image: No
  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: 30 St Mary Axe. The primary methods for controlling wind-excited sways are to increase the stiffness, or increase damping with tuned/active mass dampers. To a design by Arup, its fully triangulated perimeter structure makes the building rigid enough without any extra reinforcements. Despite its overall curved glass shape, there is only one piece of curved glass on the building, the lens-shaped cap at the apex. On the building's top level (the 40th floor), there is a bar for tenants and their guests, with a panoramic view of London. A restaurant operates on the 39th floor, and private dining rooms on the 38th. Most buildings have extensive lift equipment on the roof of the building, but this was not possible for the Gherkin, since a bar had been planned for the 40th floor. The architects dealt with this by having the main lift only reach the 34th floor, with a separate push-from-below lift to the 39th floor. There is a marble stairwell and a disabled persons' lift, which leads the visitor up to the bar in the dome.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Montreal Biosphere. he building originally formed an enclosed structure of steel and acrylic cells, 76 metres (249 ft) in diameter and 62 metres (203 ft) high. It is a Class 1 (icosahedral, as differentiated from Class 2 domes, which are dodecahedral, and Class 3 ones, which are tetrahedral), 32-frequency, double-layer dome, in which the inner and outer layers are connected by a latticework of struts. (There has occasionally been confusion in mistakenly referring to this as a 16-frequency dome due to the fact that there are 15 hexagonal polygons from each pentagonally polygonal vertex of this icosahedral polyhedron to the adjacent vertex. However, the standard for measuring dome frequency is the number of triangles from vertex to vertex. Since there are two triangles from one side to the opposite side of a hexagon, there are actually 30 triangles from the edge of each pentagonal vertex in this dome to the next, plus the triangle that comprises one-fifth of the pentagonal vertex at each end of the length from one vertex to the adjacent vertex: totaling 32 triangles from the center of each vertex to the center of the next vertex.).
  • Using base image: Yes