#city

The capital city of Agartha is known as Shamballa

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Agartha (sometimes referred to as Agartta, Agharti or Agarttha) is a legendary city that is said to reside in the Earth’s core and is the center of the Hollow Earth Theory. The capital city of Agartha is known as Shamballa, but sometimes known as Shambalah or Shangri-La; the luna park of terror,great depth and scale,extreme tim burton style,gothic,punk,adult black leather costume, great depth and scale,sharp focus,dynamic lights,high details,cinematic lighting,god rays,high definition,masterpiece,eccentric,elegant,stylish,dark,gorgeous,art by Savvas Apterus
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Agartha, the Hollow Earth City

• Model: Artistic

• Size: 1155 X 908 (1.05 MP)

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  • Prompt: Agartha (sometimes referred to as Agartta, Agharti or Agarttha) is a legendary city that is said to reside in the Earth’s core and is the center of the Hollow Earth Theory. The capital city of Agartha is known as Shamballa, but sometimes known as Shambalah or Shangri-La. Throughout Asia it is best known by its Sanskrit name, Shambhala, meaning “The place of peace, of tranquillity.” The mythical paradise of Shamballa is known under many different titles. It has been called: The Forbidden Land, The Land of White Waters, The Land of Radiant Spirits, The Land of Living Fire, The Land of the Living Gods and the Land of Wonders. Hindus have known it as Aryavartha (literally : The Land or Realm of The Aryans ; the Land of the Noble/Worthy Ones”) – the land from which the Vedas come; Dye-transfer Mixed Media Watercolor Usplshed Mist Hudson River School Johan Grenier Unreal Engine Artstation HDR Psychedelic Dark and Gorgeous art smokey elegant silver dust gold dust glitter dust with colorful rainbow tips , Grafitti Art by David Choe , cinematography in the style of Riddley Scot
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Glowing cityscape

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Big city can be seen in the distance across the big clear river. City far in the background. Small hill in the foreground. Subtle glow of fireflies. Night. Glowing windows. Very scarse clouds.
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From This View

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

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  • Prompt: grey alien guy big blue eyes,floating city, dramatic lighting, moody,rim light
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Elephant in town

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Blue striped elephant cub in a City, night, stars
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Lava City

• Model: Cyberspace (v2)*

• Size: 1152 X 896 (1.03 MP)

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  • Prompt: cyberpunk city on lava planet at night
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Etchmiadzin Cathedral is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) or Vagharshapat, Armenia. It is usually considered the first cathedral built in ancient Armenia, and is often considered the oldest cathedral in the world. The original church was built in the early fourth century—between 301 and 303 according to tradition—by Armenia's patron saint Gregory the Illuminator, following the adoption of Christianity as a state religion by King Tiridates III. It was built over a pagan temple, symbolizing the conversion from paganism to Christianity. The core of the current building was built in 483/4 by Vahan Mamikonian after the cathedral was severely damaged in a Persian invasion. From its foundation until the second half of the fifth century, Etchmiadzin was the seat of the Catholicos, the supreme head of the Armenian Church.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: St. Hripsime Church is a domed tetraconch enclosed in a rectangle, with two angular niches on the northern and southern side. German art historian Wilhelm Lübke wrote that the church is built on "a most complicated variation of the cruciform ground-plan." The monumental exterior of the church is "considered one of the great achievements of medieval Armenian architecture." It has been described as a "gem of Armenian architecture" and "one of the most complex compositions in Armenian architecture." Along with Saint Gayane Church, it stands as a "model of the austere beauty of early Armenian ecclesiastical architecture." The church is not the earliest example of this architectural form, however, the form is widely known in architectural history as the "Hripsime-type" since the church is the best-known example of the form. It has also been variously named "Jvari-type" or "Jvari-Hripsime-type" for Jvari in Georgia. Notable churches with similar plans include the Surb Hovhannes (Saint John) Church of Avan (6th century), Surb Gevorg (Saint George) Church of Garnahovit (6th century), Church of the Holy Cross at Soradir (6th century), Targmanchats monastery of Aygeshat (7th century).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Armenian architecture. Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building. Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal). The vertical emphasis of the whole structure, with the height often exceeding the length of a church. Reinforcement of the verticality with tall, narrow windows. Stone vaulted ceilings. Composed almost entirely of stone, usually volcanic tuff or basalt. A composite roof composed of finely-cut tuff shingles Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. Sculptural decoration of external.
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Summer twilight in South America

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

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  • Prompt: overview of a urban skyline night, lights on, dark trees, cloudy sky, full moon add more dark blue, shorter trees
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Electric Acropolis

• Model: Artistic

• Size: 1152 X 896 (1.03 MP)

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  • Prompt: dystopian landscape, city in the distance, birds flying above, blue sky, electricity
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  • Aspect Ratio: landscape

Overgrown Italian city

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Post-apocalyptic, abandoned, overgrown old city in the Toscana, Italy, Mediterranean plants, butterflies, hot summer atmosphere
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  • Aspect Ratio: landscape

Koper in summer

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: A beautiful summer day in the city centre of Koper, by William Tortorella, very detailed, oil on canvas
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  • Aspect Ratio: landscape

Watercolor Painting of City

• Model: Artistic

• Size: 1265 X 829 (1.05 MP)

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  • Prompt: Watercolor painting city green and blue style of Thomas Wells Schaller.
  • Using base image: Yes (Effect strength - 60%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The temple of Hathor and Nefertari, also known as the Small Temple, was built about 100 m (330 ft) northeast of the temple of Ramesses II and was dedicated to the goddess Hathor and Ramesses II's chief consort, Nefertari. This was in fact the second time in ancient Egyptian history that a temple was dedicated to a queen. The first time, Akhenaten dedicated a temple to his great royal wife, Nefertiti.[10] The rock-cut facade is decorated with two groups of colossi that are separated by the large gateway. The statues, slightly more than 10 m (33 ft) high, are of the king and his queen. On either side of the portal are two statues of the king, wearing the white crown of Upper Egypt (south colossus) and the double crown (north colossus); these are flanked by statues of the queen. Remarkably, this is one of very few instances in Egyptian art where the statues of the king and his consort have equal size.[10] Traditionally, the statues of the queens stood next to those of the pharaoh, but were never taller than his knees. Ramesses went to Abu Simbel with his wife in the 24th year of his reign.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Architecture of Tibet. Traditional Kham architecture is seen in most dwellings in Garzê Tibetan Autonomous Prefecture. Although the region has been previously heavily logged, wood is still harvested locally from remaining stands of forest and used for housing. Throughout the region, horizontal timber beams support the roof and are in turn supported by wooden columns. In some areas such as Dêgê County, Baiyü County, and Dawu County, Sichuan, wood is also used to make log-cabin style exterior walls. Home interiors are sometimes paneled with wood and cabinetry is ornately decorated. Ganzi is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. Although various materials are used in the well-built houses, it is the skillful carpentry that is most striking. Farm houses in Kham are often very spacious although the first (ground) floor is usually used to house farm implements and animals, not for human habitation. Floors, ceilings, and room dividers are made of wood. Carpentry skills are passed down from master to apprentice.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on the clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what is known as pictograms. Pictograms are symbols that express a pictorial concept, a logogram, as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs. Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms. Text on clay tablets took the forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals.
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