#city

Land_73T2D01 (landscape series)

• Model: Artistic

• Size: 903 X 1161 (1.05 MP)

• Used settings:

  • Prompt: white city, white street, street cafe and landscape, lake, rocks, trees, cumulus clouds, style by Ivan Bilibin, by Walter Crane, intricate detailed
  • Using base image: No
  • Aspect Ratio: portrait

A look

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Preciosa mujer afroamericana, con los ojos claros y el pelo liso haciendo deporte por la ciudad
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto"[1] in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk,[5] and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture.[6] The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics.[3] The term also refers to the tongue-in-cheek[7] name given to a similar cyberpunk derivative, "steampunk", which focuses on science fiction based on industrial steam power and which is often set within the Victorian era.[8]
  • Using base image: Yes

Gang Goose

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Punk rock goose with a mohawk and lots of piercings and tattoos. The goose is the center of focus. The goose is in an alley.
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Science fiction comedy (sci-fi comedy) or comic science fiction is a subgenre of science fiction or science fantasy that exploits the science fiction genre's conventions for comedic effect.[1] Comic science fiction often mocks or satirizes standard science fiction conventions – such as alien invasion of Earth, interstellar travel, or futuristic technology. It can also satirize and criticize present-day society. An early example was the Pete Manx series by Henry Kuttner and Arthur K. Barnes (sometimes writing together and sometimes separately, under the house pen-name of Kelvin Kent). Published in Thrilling Wonder Stories in the late 1930s and early 1940s, the series featured a time-traveling carnival barker who uses his con-man abilities to get out of trouble. Two later series cemented Kuttner's reputation as one of the most popular early writers of comic science fiction: the Gallegher series (about a drunken inventor and his narcissistic robot) and the Hogben series (about a family of mutant hillbillies). The former appeared in Astounding Science Fiction in 1943 and 1948 and was collected in hardcover as Robots Have No Tails (Gnome, 1952), and the latter appeared in Thrilling
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Climate fiction (sometimes shortened as cli-fi) is literature that deals with climate change.[1] Generally speculative in nature but scientifically-grounded, works may take place in the world as we know it or in the near future. The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change. Rationales for the genre typically assume knowledge of anthropogenic effects—human-altered climate as opposed to weather and disaster more generally—although broader definitions exist. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.
  • Using base image: Yes

Paris, 2050

• Model: PhotoReal

• Size: 672 X 864 (0.58 MP)

• Used settings:

  • Prompt: Paris city after nuclear attac ,Paris destroyed city, cars on fire, black smoc, dirty street aspects, view from road level, Bronsky style, 105mm, f2.8, volumetric lighting, 8k, hd, full colour, Canon EOS R5
  • Using base image: Yes

The child of the city

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Shadowrun czech hacker decker young woman crouches above fulgent cyberdeck terminal on the roof of skycraper, slim tiny body with moderate breast, night, dark, shade, cyberpunk
  • Using base image: No
  • Aspect Ratio: square

Houses with trees

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: cyber illustration style of chant houses in a cobalt blue and ocher colors. An urban view with many trees surrounded by old buildings and modern buildings.
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Biopunk is a subgenre of science fiction closely related to cyberpunk that focuses on the near-future (most often unintended) consequences of the biotechnology revolution following the invention of recombinant DNA. Biopunk stories explore the struggles of individuals or groups, often the product of human experimentation, against a typically dystopian backdrop of totalitarian governments and megacorporations which misuse biotechnologies as means of social control and profiteering. Unlike cyberpunk, it builds not on information technology, but on synthetic biology. Like in postcyberpunk fiction, individuals are usually modified and enhanced not with cyberware, but by genetic manipulation.[1] A common feature of biopunk fiction is the "black clinic", which is a laboratory, clinic, or hospital that performs illegal, unregulated, or ethically-dubious biological modification and genetic engineering procedures.[2] Many features of biopunk fiction have their roots in William Gibson's Neuromancer, one of the first cyberpunk novels.
  • Using base image: Yes

Energy

• Model: Cyberspace (v2)*

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: a illustration ofa modern city surrounded by buildings and a forest with canopy of trees decorated with arabesques in a cyberpunk illustration style, having of dark blue, cobalt colors and ocher to dark orange colors as predominant variations of tons.
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In fact, the intervening decade between Oliver's field research and the publication of Shores [1971] had been one of critical self-reflection in the field of anthropology. In the United States, qualms about the Vietnam war, together with evidence that anthropologists had been employed as spies and propagandists by the US government, prompted critiques of anthropology's role in systems of national and global power. Various strains of what came to be known as dependency theory disrupted the self-congratulatory evolutionism of modernization models, evoking and critiquing a world system whose political economy structurally mandated unequal development. Less narrowly academic works such as Vine Deloria, Jr.'s, Custer Died for Your Sins (1969), combined with the efforts of civil-rights groups like the American Indian Movement, skewered anthropology's paternalist pretensions. Two major collections of essays -- Dell Hymes's Reinventing Anthropology (1972) and Talal Asad's Anthropology and the Colonial Encounter (1973) -- explored anthropology's colonial legacy and precipitated a critical engagement with the ethics and politics of ethnographic representation.: 253 
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Not only are these aliens comprehensible in anthropological terms, but it is anthropology, rather than the physical sciences, that promises a solution to the problem of alien colonization. According to the science of anthropology, every society, regardless of its level of development, has to functionally meet certain human needs. The aliens of Jefferson Springs "had learned, long ago, that it was the cultural core that counted-the deep and underlying spirit and belief and knowledge, the tone and essence of living. Once you had that, the rest was window dressing. Not only that, but the rest, the cultural superstructure, was relatively equal in all societies (115; emphasis in original). For Ellery, the aliens are not "supermen" (a favorite Campbellian conceit): despite their fantastic technologies, they are ultimately ordinary people with the expected array of weaknesses – laziness, factionalism, arrogance – whose cultural life is as predictable as any Earth society's. Since they are not superior, they are susceptible to defeat, but the key lies not in the procurement of advanced technologies, but in the creative cultural work of Earth people themselves.[5]: 248 
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Bernard, as "custodian" of the "savage" John who is now treated as a celebrity, is fawned on by the highest members of society and revels in attention he once scorned. Bernard's popularity is fleeting, though, and he becomes envious that John only really bonds with the literary-minded Helmholtz. Considered hideous and friendless, Linda spends all her time using soma, while John refuses to attend social events organised by Bernard, appalled by what he perceives to be an empty society. Lenina and John are physically attracted to each other, but John's view of courtship and romance, based on Shakespeare's writings, is utterly incompatible with Lenina's freewheeling attitude to sex. She tries to seduce him, but he attacks her, before suddenly being informed that his mother is on her deathbed. He rushes to Linda's bedside, causing a scandal, as this is not the "correct" attitude to death. Some children who enter the ward for "death-conditioning" come across as disrespectful to John, and he attacks one physically. He then tries to break up a distribution of soma to a lower-caste group, telling them that he is freeing them. Helmholtz and Bernard rush in to stop the ensuing riot, which the
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The novel opens in the World State city of London in AF (After Ford) 632 (AD 2540 in the Gregorian calendar), where citizens are engineered through artificial wombs and childhood indoctrination programmes into predetermined classes (or castes) based on intelligence and labour. Lenina Crowne, a hatchery worker, is popular and sexually desirable, but Bernard Marx, a psychologist, is not. He is shorter in stature than the average member of his high caste, which gives him an inferiority complex. His work with sleep-learning allows him to understand, and disapprove of, his society's methods of keeping its citizens peaceful, which includes their constant consumption of a soothing, happiness-producing drug called "soma". Courting disaster, Bernard is vocal and arrogant about his criticisms, and his boss contemplates exiling him to Iceland because of his nonconformity. His only friend is Helmholtz Watson, a gifted writer who finds it difficult to use his talents creatively in their pain-free society.
  • Using base image: Yes

Coexisting in a city of clay

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Ancient city at night overrun with animals like deer and cats and birds and mice
  • Using base image: No
  • Aspect Ratio: landscape

Brownstone

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: old nyc brownstone, line wash watercolor, perfect composition
  • Using base image: No
  • Aspect Ratio: square

Chinese Street Scene

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: street in chinese city. Classic Chinese watercolor
  • Using base image: No
  • Aspect Ratio: landscape

Minha cidade segundo o Deep dream

• Model: Artistic

• Size: 903 X 1161 (1.05 MP)

• Used settings:

  • Prompt: cais de uma cidadezinha com um navio encalhado e uma linda igreja estilo colonial
  • Using base image: No
  • Aspect Ratio: portrait