#city

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: After the canopy closes, with the tree crowns touching each other, the plantation is becoming dense and crowded, and tree growth is slowing due to competition. This stage is termed 'pole stage'. When competition becomes too intense (for pine trees, when the live crown is less than a third of the tree's total height), it is time to thin out the section. There are several methods for thinning, but where topography permits, the most popular is 'row-thinning', where every third or fourth or fifth row of trees is removed, usually with a harvester. Many trees are removed, leaving regular clear lanes through the section so that the remaining trees have room to expand again. The removed trees are delimbed, forwarded to the forest road, loaded onto trucks, and sent to a mill. A typical pole stage plantation tree is 7–30 cm in diameter at breast height (dbh). Such trees are sometimes not suitable for timber, but are used as pulp for paper and particleboard, and as chips for oriented strand board.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A tree plantation, forest plantation, plantation forest, timber plantation or tree farm is a forest planted for high volume production of wood, usually by planting one type of tree as a monoculture forest. The term tree farm also is used to refer to tree nurseries and Christmas tree farms.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The timber resources used to make wood pulp are referred to as pulpwood. While in theory any tree can be used for pulp-making, coniferous trees are preferred because the cellulose fibers in the pulp of these species are longer, and therefore make stronger paper. Some of the most commonly used softwood trees for paper making include spruce, pine, fir, larch and hemlock, and hardwoods such as eucalyptus, aspen and birch. There is also increasing interest in genetically modified tree species (such as GM eucalyptus and GM poplar) because of several major benefits these can provide, such as increased ease of breaking down lignin and increased growth rate.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Before the widely acknowledged invention of papermaking by Cai Lun in China around 105 AD, paper-like writing materials such as papyrus and amate were produced by ancient civilizations using plant materials which were largely unprocessed. Strips of bark or bast material were woven together, beaten into rough sheets, dried, and polished by hand.[3][4] Pulp used in modern and traditional papermaking is distinguished by the maceration process which produces a finer, more regular slurry of cellulose fibers which are pulled out of solution by a screen and dried to form sheets or rolls.[5] The earliest paper produced in China consisted of bast fibers from the paper mulberry (kozo) plant along with hemp rag and net scraps.[5][6][7] By the 6th century, the mulberry tree was domesticated by farmers in China specifically for the purpose of producing pulp to be used in the papermaking process. In addition to mulberry, pulp was also made from bamboo, hibiscus bark, blue sandalwood, straw, and cotton.[7] Papermaking using pulp made from hemp and linen fibers from tattered clothing, fishing nets and fabric bags spread to Europe in the 13th century, with an ever-increasing use of rags being centr
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Pulp is a lignocellulosic fibrous material prepared by chemically or mechanically separating cellulose fibers from wood, fiber crops, waste paper, or rags. Mixed with water and other chemical or plant-based additives, pulp is the major raw material used in papermaking and the industrial production of other paper products.
  • Using base image: Yes

Past and future martyrs

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Beautiful Full body Pre-raphaelite woman in a red dress sitting under a Brutalist underpass with a Red ibis in her lap. Red ibis perched on woman’s knee. Graffiti. Red Velvet dress. Murals on walls. Street art. Oval face. Gentle face. Pretty face. Small chin. Dark eyes. Detailed eyes. Soft eyes. Soft gaze. Full cheeks.
  • Using base image: Yes

Stacking stones

• Model: Artistic

• Size: 960 X 1056 (1.01 MP)

• Used settings:

  • Prompt: Stacks of books like a skyline, architecture, open space, no curves
  • Using base image: Yes

View

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: cyberpunk illustration style, having dark-brown and dark-blue predominant colors, of a view from above of a crowd waking on street.
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Enemy Mine is a 1985 American science fiction action drama film directed by Wolfgang Petersen and written by Edward Khmara, based on Barry B. Longyear's novella of the same name. The film stars Dennis Quaid and Louis Gossett Jr. as a human and alien soldier, respectively, who become stranded together on an inhospitable planet and must overcome their mutual distrust in order to cooperate and survive. An international co-production between the United States, United Kingdom and West Germany, Enemy Mine began production in Budapest in April 1984 under the direction of Richard Loncraine, who quickly ran into "creative differences" with producer Stephen Friedman and executives at 20th Century Fox; the project was shut down after a week of shooting. Petersen then took over as director and reshot Loncraine's scenes after moving the production to Munich. Originally budgeted at $17 million, the film ultimately cost more than $40 million after marketing costs were factored in, and was a box office failure during the 1985 holiday season, earning only a little over $12 million. However, the film was successful in the former Soviet Union, where it became the first Western sci-fi film shown in
  • Using base image: Yes

Blue Monday

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Blue Monday how I hate Blue Monday Got to work like a slave all day Here come Tuesday, oh hard Tuesday I'm so tired got no time to play Here come Wednesday, I'm beat to my socks My gal calls, got to tell her that I'm out 'Cause Thursday is a hard workin' day And Friday I get my pay
  • Using base image: No
  • Aspect Ratio: square

Crystal building still standing

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: crystal cubes buildings in sparking sunshine
  • Using base image: No
  • Aspect Ratio: landscape

Postap steampunk City.

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: A post-apocalyptic steampunk dystopia. A depiction of a small survivor town located at the foot of a mountain. Next to the walls, you can see the remains of long-defunct machinery and huge furnaces where parts of ancient cars are melted down. The high level of detail reveals many pipes rising above the city and the main one, the largest, emanating directly from the centre of the settlement. Main colours: yellow-sand, grey, brown, orange, green. Local flora and fauna may be visible.
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Metamorphoses (Latin: Metamorphōsēs, from Ancient Greek: μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, painting, and music, especially during the Renaissance. There was a resurgence of attention to his work towards the end of the 20th century. Today the Metamorphoses continues to inspire and be retold through various
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Elements of the supernatural and the fantastic were a part of literature from its beginning. Fantasy elements occur throughout ancient religious texts such as the Epic of Gilgamesh.[6] The ancient Babylonian creation epic, the Enûma Eliš, in which the god Marduk slays the goddess Tiamat,[7] contains the theme of a cosmic battle between good and evil, which is characteristic of the modern fantasy genre.[7] Genres of romantic and fantasy literature existed in ancient Egypt.[8] The Tales of the Court of King Khufu, which is preserved in the Westcar Papyrus and was probably written in the middle of the second half of the eighteenth century BC, preserves a mixture of stories with elements of historical fiction, fantasy, and satire.[9][10] Egyptian funerary texts preserve mythological tales,[8] the most significant of which are the myths of Osiris and his son Horus.[8]
  • Using base image: Yes

Jellyfish of New York

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Huge jellyfish hanging over New York City
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries.[citation needed] Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction.[1][2][3] Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.[1][3] Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous.[1] Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resurgence in the 1980s and 1990s, under the labels of New Weird and Slipstream, which continues into the 21st century.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Non-conformity to strict genre definitions is a commonly recognized facet of new weird fiction. In The 3rd Alternative forum debate, Miéville emphasized this fluidity in his post stating that "New Weird – like most literary categories – is a moment, a suggestion, a tease, an intervention, an attitude, above all an argument. You cannot read off a checklist and say 'x is in, y is out' and think you've understand what's at stake or what's being argued."[10] According to Gardner Dozois, the VanderMeers' anthology "ultimately left me just as confused as to what exactly The New Weird consisted of when I went out as I'd been when I went in."[11] Robin Anne Reid notes that while the definition of the new weird is disputed, "a general consensus uses the term" to describe fictions that "subvert cliches of the fantastic in order to put them to discomfiting, rather than consoling ends".[2] Reid also notes the genre tends to break down the barriers between fantasy, science fiction and supernatural horror.[2] In comparing the new weird to bizarro fiction, Rose O'Keefe of Eraserhead Press claims that "People buy New Weird because they want cutting edge speculative fiction with a literary sla
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Science fiction aliens are both metaphors and real possibilities. One can probe the nature of humanity with aliens that by contrast illustrate and comment upon human nature. Still, as evidenced by widespread belief in alien visitors (see UFOs) and efforts to detect extraterrestrial radio signals, humans also crave companionship in a vast, cold universe and aliens may represent hopeful, compensatory images of the strange friends we have been unable to find. Thus, aliens will likely remain a central theme in science fiction until we actually encounter them.[2]
  • Using base image: Yes