#building

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The movement could also engage with cutting-edge research into green technologies that complement the green-tower-in-the-sky aesthetic. For example, at first glance, renderings of SOM’s Urban Sequoia project appear to be textbook examples of the Solarpunk aesthetic. However, Yasemin Kologlu, architect and sustainable design leader at SOM, has spent years leading research the research that is represented in the renderings. Leveraging existing technologies and emerging solutions, the utopian visions of Urban Sequoia envision an architecture that employs bio materials (made of cyano-bacteria, hydrogel, sand, warm water), nature-based micro algae systems for carbon sequestration and technologies that can transform their buildings into sources of biofuel. (If you’d like to hear more about the project, check out Yasemin’s Future Fest talk, now available as a free recording.) When backed by research, the Solarpunk aesthetic can be an effective tool for raising money and attracting clients to put the nascent technologies into action.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Conceived as several bubbles, the futuristic extensions appear as though they’ve landed on the rooftop from a different planet. However, their mirrored surfaces soften into the site, reflecting the surrounding buildings and trees. The material contrast is respectfully stark; neither iteration of the residence is forced to conform to the other. Instead, they coexist in comfortable communion. It’s a compelling example of how small-scale architectural interventions can breathe new life into period structures.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: If you’ve spent some time in online architectural forums recently, maybe you’ve stumbled upon images of “Solarpunk architecture.” Generally characterized by grand, swooping biophilic structures replete with vertical forests and solar panels, and in which people live in happy harmony with nature, these renderings evoke a utopian future that might be mistaken for science fiction. But the impressive graphics belie a serious political and social movement intent on taking architecture into a radically greener, more sustainable direction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This L-shaped house goes to extreme lengths to preserve the pre-existing trees on the wooded lot by incorporating them quite literally into the building’s footprint. The house includes a series of small courtyards that interweave pre-existing vegetation and offer ample privacy for each section of the building. Meanwhile, the faded smooth paneled concrete quietly blends in with the house’s stone walls, adding to the house’s peaceful harmony with the surrounding forest.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Re-thinking the form and shape of historical and traditional carpets will reactivate the capacity of this object as a decoration. The carpet texture, which in the X and Y axes tries to represent the space like flower gardens, was used in an alternative way to ornament objects that have been somehow recreated in the Z-axis, and this has led to the reproduction of the flower garden on this axis. In this way, the form and shape of Isfahan traditional carpets are out of the previous familiar position (spread on the ground) and used in weird reality and unfamiliar situations.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Our team’s solution to the current crisis, and to turn it into the best economic opportunities in the future, is the continuous production of electricity from serial and large waterfalls such as Niagara Falls, but this time in the ocean. Large deep waterfalls that surround the prison with a very purposeful approach create another stunning view of Madagascar island as a point of interest for tourists, and many tourists will be traveling there to see this stunning view. In this touristic prison, after receiving the necessary training and skills, the prisoners interact directly with the tourists. Each prisoner is responsible for their physical needs and their society, which they achieve by farming on the farms in prison and trading with the community. This process will reform and rehabilitate prisoners for a healthy economic life in society, which is one important reason for reducing crime in the country. After a few years and decreasing crime, the prison is expected to become a multi-purpose hotel and tourist hub with waterfalls in the ocean to produce green energy.​​​​​​​
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Move east more than 500 km from the southeast coast of Africa, and you will reach Madagascar, a rich country in natural resources. Graphite, chromite, bauxite, coal, and most importantly, renewable energy resources from water are just some of the natural resources of the fourth-largest island in the world. In addition, the habitat of various animal types and nature that cannot be found anywhere else on earth encourages any tourist to travel to this amazing country. But due to the severe lack of access to electricity, the country’s economy has always been in crisis. Altogether, less than 20% of the population has access to electricity, which means more than 75% of the population lives in poverty. We know poverty is the most important factor in the significant increase in crime. More than 50% of prisoners are pre-trial detainees and the population of prisoners increased by more than 150% in the last 10 years, which means the prison occupancy level has also increased to more than 230%. Our team’s solution to the current crisis, and to turn it into the best economic opportunities in the future, is the continuous production of electricity from serial and large waterfalls such as Nia
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This building is more than just a functional machine: it responds to the significance of being located at the junction of two main streets, elegantly bearing its landmark status and acting as a gateway to the city beyond. It is something beautiful, sculptural and human. Despite its landmark status, the emphasis is not solely on height. Our design features a continuous balcony that surrounds the whole building, eliminating the vertical barriers traditionally used in high rise architecture. The entire building rotates by different degrees at different levels, corresponding with the surrounding scenery.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The scheme also conserves the courtyard's original spatial layout, aesthetic and material temperament, restoring it to its original glory; with the wood filigree panels lining it having been stripped of their stains and returned to their original lustre. Glazing along the street front has been replaced with transparent glass, maximizing natural light on the interior. From here, no one suspects the existence of the 'bubbles' beyond.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: MAD’s design introduces several sculptural 'bubbles' onto the site. One connects the first and second floors with a staircase, emerging onto the terrace to function as a meeting space. Another appears as if it has landed on the rooftop. They seem foreign in their context, but their smooth mirrored surfaces reflect the surrounding ancient buildings, trees and sky, blending into the environment, with old and new complementing one another.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Organized over four floors, the scheme encompasses a museum, a small and large auditorium (356-seats and 1000-seats respectively), a series of conference rooms and studios, and additional exhibition areas throughout. The focal point is a skylight positioned at the centre of the roof that allows natural light to flood into the interior. It acts as a symbolic metaphor for the bright ideas and brilliant discussions generated during the events held within. Windows throughout have been positioned so that even from indoors, people can enjoy uninterrupted panoramic views of the surrounding natural scenery throughout the seasons. Public plazas located at both the entrance and posterior of the building open up towards the natural backdrop creating a dialogue between architecture and nature. The chameleonic existence of the design’s reflective exterior expresses how the architecture relates and changes state with its surroundings, making a subtle, but powerful statement in its unique context."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Surpassing the complex opera house typology, MAD articulates an architecture inspired by nature and saturated in local identity, culture and art. As the Harbin Opera House deepens the emotional connection of the public with the environment, the architecture is consequently theatrical in both its performance of narrative spaces and its context within the landscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Harbin Opera House emphasizes public interaction and participation with the building. Both ticketholders and the general public alike can explore the façade’s carved paths and ascend the building as if traversing local topography. At the apex, visitors discover an open, exterior performance space that serves as an observation platform for visitors to survey the panoramic views of Harbin’s metropolitan skyline and the surrounding wetlands below. Upon descent, visitors return to the expansive public plaza, and are invited to explore the grand lobby space.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Within the second, smaller theater, the interior is connected seamlessly to the exterior by the large, panoramic window behind the performance stage. This wall of sound-proof glass provides a naturally scenic backdrop for performances and activates the stage as an extension of the outdoor environment, inspiring production opportunities.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Presenting a warm and inviting element, the grand theater is clad in rich wood, emulating a wooden block that has been gently eroded away. Sculpted from Manchurian Ash, the wooden walls gently wrap around the main stage and theater seating. From the proscenium to the mezzanine balcony the grand theater’s use of simple materials and spatial configuration provides world-class acoustics. The grand theater is illuminated in part by a subtle skylight that connects the audience to the exterior and the passing of time.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The architectural procession choreographs a conceptual narrative, one that transforms visitors into performers. Upon entering the grand lobby, visitors will see large transparent glass walls spanning the grand lobby, visually connecting the curvilinear interior with the swooping façade and exterior plaza. Soaring above, a crystalline glass curtain wall soars over the grand lobby space with the support of a lightweight diagrid structure. Comprised of glass pyramids, the surface alternates between smooth and faceted, referencing the billowing snow and ice of the frigid climate. Visitors are greeted with the simple opulence of natural light and material sensation—all before taking their seat.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: On the exterior, the architecture references the sinuous landscape of the surrounding area. The resulting curvilinear façade composed of smooth white aluminum panels becomes the poetry of edge and surface, softness and sharpness. The journey begins upon crossing the bridge onto Harbin Cultural Island, where the undulating architectural mass wraps a large public plaza, and during winter months, melts into the snowy winter environment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Embedded within Harbin’s wetlands, the Harbin Opera House was designed in response to the force and spirit of the northern city’s untamed wilderness and frigid climate. Appearing as if sculpted by wind and water, the building seamlessly blends in with nature and the topography—a transfusion of local identity, art, and culture. “We envision Harbin Opera House as a cultural center of the future – a tremendous performance venue, as well as a dramatic public space that embodies the integration of human, art and the city identity, while synergistically blending with the surrounding nature,” said Ma Yansong, founding principal, MAD Architects.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: MAD Architects unveils the completed Harbin Opera House, located in the Northern Chinese city of Harbin. In 2010, MAD won the international open competition for Harbin Cultural Island, a master plan for an opera house, a cultural center, and the surrounding wetland landscape along Harbin’s Songhua River. The sinuous opera house is the focal point of the Cultural Island, occupying a building area of approximately 850,000 square feet of the site’s 444 acres total area. It features a grand theater that can host over 1,600 patrons and a smaller theater to accommodate an intimate audience of 400.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The “hillside village” offers a variety of housing types for city residents, including three townhouses, five villas, two studios and eight condominiums. The massing of the village cultivates community with the added benefit of individual balcony-patios to maintain independence and privacy. Villa residents experience a balance between public and private as the incandescent villas appear opaque from the street, yet reveal a transparent façade facing the private garden, townhouse and condominium units.
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